Category Archives: Music

Review: Bass Drum of Death, Thunderbloods, Vundabar @ Great Scott (2/3/14)

Written By: Joanna Trachtenberg

Last week I saw 2 Time Super Bowl Champions, The Mighty, Bass Drum Of Death! but before 2TSBCTMBDOD could go on two other bands (who have yet to win any super bowls so far) had to get the crowd warmed up. First up were Vundabar. They played indie pop rock that got quite rhythmic at times. They were pretty good but I think I would have preferred something a little punkier. Next were Thunderbloods who play fun rock n roll. I remember them from when I saw them open for Night Beats & The New Highway Hymnal last year. This time Travis from TNHH was drumming with them. They dedicated one of their songs to Phillip Seymour Hoffman, who had died the previous day. For a few songs the singer and guitarist went into the crowd to help start the pit going. They ended their set as usual with their great cover of Faces’s OOh La La. The best part of the show other than 2TSBCTMBDOD‘s performance was watching 2TSBCTMBDOD drummer Len set up the actual Bass Drum Of Death. No, it was time for 2 Time Super Bowl Champions, The Mighty, Bass Drum Of Death to shine and prove why they have won a pair of Super Bowls. 2TSBCTMBDOD’s quarterback John Barrett wanted to get things going immediately so the band started with “I Wanna Be Forgotten,” which is probably my favorite song of theirs. I think I got bruises right away as the pit went full force. It was roasting in there so if Change Span were playing (I’m certainly glad they weren’t) there probably would have been a bare-breasted Lynear Unyts. If there were a bet like there was in the Super Bowl with Red Hot Chili Peppers if whether or not a member of Bass Drum Of Death would have his shirt off you woulda won because Len removed his shirt about halfway through. Unfortunately, they didn’t do an encore because I think it may have been too much for everyone. Bass Drum of Death sounded great and they proved why they have won 2 Super Bowls. After the show I talked to the guys and they showed me their Super Bowl rings and I asked John how he liked his trip to Disneyland after winning MVP. John also told me that he accidentally dropped his shoes in the toilet.

Bass Drum of Death Set-List:
I Wanna Be Forgotten
Black Don’t Glow
Velvet Itch
Bad Reputation,
GB City
Faces Of The Wind
Leaves
Heart Attack Kid
Nerve Jamming
Way Out
Spare Room
Young Pros
Shattered Me
Crawling After You
Get Found

Review: Fat Creeps, Bleeding Rainbow, Bent Shapes (2/26/14)

Written By: Joanna Trachtenberg

This past week I went to see some bands in a basement. The show was originally going to be at a burger place but they were having problems with the venue and moved the show. Hunters, who were supposed to play, cancelled the tour because their singer got injured. Bent Shapes replaced them and opened the show. I once saw Bent Shapes a few years ago when they were called Girlfriends. Their sound hasn’t really changed much. They play jangly power-pop punk that was good. Bleeding Rainbow, who I thought were gonna headline, played 2nd. They really made a lot of noise in that tiny basement. One thing I like when bands play in venues like this is that their sound doesn’t reverberate all over the place. It just stays there so you can just stand there and feel enveloped in the sound. I was hoping that Bleeding Rainbow would have played a few more songs. Local girls the Fat Creeps along with Travis Hagan of The New Highway Hymnal on drums closed the show. They are readying their debut album for the Gnarly dudes of Gnar Tapes. This is such an honor for them to be hooked up with those guys. Their early releases were put out by my friends at KLYAM. They played their nice brand of psych slacker punk. Fat Creeps are gonna be huge very soon. I just know it.

Bleeding Rainbow’s Set-List
White Noise
Tell Me
Time & Place
Pink Ruff
So You Know’
Start Again
Images
Get Lost

Album Review: Free Pizza – “BOSTON, MA”

Release: 3/2014
Label: BUFU Records

George Moshington, the former front man of the Casa Blanca himself, is right there on the cover of Free Pizza‘s latest release: BOSTON, MA. Not to be confused with Washington, the tru capital (in spirit, nurture, and commitment) of underground music is right here where Free Pizza resides and sings about. The trio of Jesus Vio (bass/vocals), Santiago Cardenas (guitar), and Nick Rasmussen (drums) have spent approximately the last year playing several shows in Boston, in surrounding areas, and beyond. For those in tune with what’s good around these parts, this tape has been highly anticipated!

Free Pizza have been ruling for about three years; they released their debut 5 songer in 2011. All five of these songs make a return on BOSTON, MA in bigger, juicier style, credit to the dudes recording in a studio (Mystic Valley) for this go around. When I listen to Free Pizza, more than half of the time I kinda do this thing where I slowly move my head from left to right, shake it up and down, and flex my shoulders. Some songs call for a quicker variation like finale “Boston, MA,” all swirlin’ guitar, bass, unforgettable lyrics and “Net Babes,” which has an equally sweet rhythm plus an instrumental towards the end that is like flowers blooming or several women dancing around you.

What I hear from the getgo is Jesus’ ultra memorable singing voice positively ranging from sweet and tender to immediate and demanding. The guy’s always convincing, but ‘specially so on the more relaxing numbers “Come Close To Me” and “Baby Girl”. One thing that’s challenging for me to do in this space is to remark on how Free Pizza comes through with their sound! They’re a funky band (if you recall my movements from earlier) so be prepared to move. I’ll throw out [early] Abe Vigoda and The Minutemen, both bands that got that BOUNCE to ’em. Punk rock not how ya expect it to sound and they’re better off for that! BOSTON, MA is an urban record for all kinds. “Forward” packs the most pleasure for me in its mere 78 seconds. In fact, all of these tunes clock in at under 3 so if you’ve got an hour to spare, you’ve got three full listens in order!

Get yourself over to their BC and spend some alone time: http://freepizzarocks.bandcamp.com/album/boston-ma and they are on tour! to SXSW.

klyamrecommended

Review: Arctic Monkeys, Deerhunter, The Orwells @ Agganis Arena (2/6/14)

Last Fm
Photo of Deerhunter from Last FM
Bands: Arctic Monkeys, Deerhunter, The Orwells
Date: Thursday, February 6, 2014
Venue: Agganis Arena (Boston, MA)
This here is a very peculiar bill. We have three very different bands from three very different eras of my life. Arctic Monkeys – I first came across in high school, 2006 to be exact, when they flooded the radio with their big rock song “I Bet That You Look Good On the Dance Floor.” At the time, I listened to very little contemporary music, so this gave me hope for the future. Deerhunter –  a band I first heard in 2009, well after they had become fixtures in the world of indie rock hype blah blah blah. The fact that I hadn’t even heard of them at the time goes to show you how I didn’t really pay attention to modern music for the longest time. Throughout college, Deerhunter became a big part of my musical ingestion and they have stuck to me ever since. The Orwells – With these dudes it’s a bit different. I first heard them in late 2010/early 2011 and I’m not going to act all OG here, cause really that sort of shit is useless. But, I will say it has been a pleasant experience watching a favorite band, barely known even in their own state (Illinois), rise through the ranks to become a somewhat recognizable figure in the current music ‘scene.’

When I think of these three bands I think of how much music has changed for me over the years and at the same time how much it has stayed the same. For the past ten years and especially in the last five years I have  made it a point to see as many shows as I possibly can and as time has gone by,  the venues and the bands playing these venues have slowly gotten smaller. So, seeing a show at the Agganis Arena is a little out of the ordinary for me, since 90% of the shows I attend now are in tiny bars, art galleries, or basements. AN ARENA?! WHAT THE FUCK IS THIS MONSTROSITY BEFORE ME?!!! It does feel like I am attending some sort of sporting event and not a rock ‘n’ roll show. The vibes are all thrown off. I feel like I’m in a quasi prison with the security guards standing  tall as some fucked KGB! It just throws me all over the place.  Yet, to totally negate all of that, I’m sitting on my ass crunching on chicken fingers and fries, wetting my whistle, and best of all catching a few bands that have touched me in more ways than one throughout my life AND I’m not in the nosebleeds, I can see the entire show pretty well. So, I’ll quit my bitching.

The Orwells – I’m proud of these dudes for making it as far as they have and I wish them all  the best in the rest of their careers. You start off one day playing in your garage and then not too long afterwards, you’re suddenly playing on a big ass arena stage, opening up for Arctic Monkeys and Deerhunter (“the best band in America” according to Baby Chuck, right on bro). Crazy.

The Orwells do their best to wake up the crowd of stiffs in front of them, but not much seems to work. It’s okay, they are all waiting in anticipation for Arctic Monkeys and that’s fair, that’s who they paid to see. Though, I am positive that Chicago’s finest charmed at least a few of the kids. They got me haha. Out of all the bands, I think Orwells are the best and in particular, frontman Mario steals the show. He has a “don’t give a fuck” attitude to him. He’s not really doing anything tremendously rebellious or radical, but see that’s the thing. He doesn’t care. He has charisma, a great voice, and he falls down often. That’s my favorite part. It’s a performance, it’s entertainment, this is rock ‘n’ roll after all. Needless to say, he’s got personality that makes him stick out from the rest of the lot.

As far as the tunes go, I’ve covered them before and I’m sure I’ll cover them all again as I see the band in a sweet SIGNIFICANTLY smaller spot tonight (March 4th) at Great Scott!

Deerhunter – Few bands have fucked with me the way Deerhunter has plowed through my subconsciousness. But, this isn’t their night. This isn’t their crowd. As much as I love the drone, that fucking thud that is Deerhunter live, it isn’t the best I’ve seen from the crew. Like I said though, this isn’t their crowd and Deerhunter knows this. So, I don’t blame them for playing a shorter set. They play 6-8 songs consisting of cuts from their last two albums, Monomania (2013) and Halcyon Digest (2010) as well as Rainwater Cassette Exchange a song off the underrated EP of the same name, the very one that got me hooked on these Atlantans in the first place.

Arctic Monkeys – I’ve never seen so many screaming teenage girls at a concert before. Arctic Monkeys, you take the cake.  You see where my mind goes….  anyway they see/hear something I don’t (as do their male counterparts). It’s odd, with this performance, I realize how much my opinion of this band has changed. I still dig them and this isn’t a bad performance, but I just can’t get into it with the exceptions of a few songs (“I Bet That You Look Good On the Dance Floor,” “Cornerstone,” “Fluorescent Adolescent”). I am realizing that my days with the big rock spectacle are for the most part over. It’s not so much the band that has changed (though they do appear to have gotten a little bit more commercial), it’s me. I’m just not into the big rock star thing. It’s like there’s this huge divide between the ENORMOUS PERFORMERS  on stage and there’s the puny, little crowd members that go berserk when lights flash on them or when they get to hold their cell phones up to act as lighters for the soft tunes. Ahh, I still like you Arctic Monkeys, but it’s not the same. It’s not you, it’s me.

ALL Things Peach Kelli Pop – New Recs / Tours !!!

Peach Kelli Pop has been doin’ oh so sweet things for years, but she’s really really doing some things this year! Let me give you a breakdown:

New Releases:

  • 7″ out now on Porchcore Records (two brand new pops!) [LINK]
  • Demos & Rarities (Cassette) out now on Lolipop Records [LINK]

TOUR

Oh yes and after that?? 4/26-5/4 JAPAN tour and 5/9-6/1 EURO tour.

Keep yourself updated thru Peach’s blogspot and her FB. It wouldn’t be KLYAM to not say Boston misses you and wants ya back soon :)

Review: Black Lips – “Underneath The Rainbow”

Release: 3/2014

Black Lips, my friends, the godfathers of this website, the band that started it all for us. And for thousands of others that have partaken in the pleasure of the Black Lips experience over the course of the last fifteen years. That’s no easy feat for any band; though there have been many a stimulating garage/punk band in rock ‘n roll’s history, Black Lips have gone from DIY Atlanta naughty boys to Vice’s most prized musical possession. And this wasn’t over night. They toured the world relentlessly for years, maybe a couple times over, before getting any ‘legitimate’ attention from the press. Once that came, some of their old time fanatics abandoned their former favorite sons on the basis of their new found hip major label, but in came so many more others, who like us, never heard or seen anyone like ’em.  Call that musical naivety, if you will, but hey, ya gotta start somewhere. That brings us to Underneath The Rainbow or not really.

I’ll call this their eighth album – for those unfamiliar with these guys, I’ll recap real quick: ’03, ’04, ’05, one album per year, each one funner than the previous. Then came the ultimate live/studio LP (they fooled us for years, maybe never fooled Jay Reatard, though) Los Valientes Del Mundo Nuevo. That was ’07. Later that year came their Vice debut, Good Bad Not Evil, an introduction for the masses. Their gunky, excitable style still very much in tact, they popped out 200 Million Thousand in 2009. Two years later they got Mark Ronson to work with them in the studio and eat some raw meat. That was 2011’s Arabia Mountain. We really enjoy that one like the rest before it. Stained and pristine. Black Lips just doing their thing as they’ve always done.

Sure, it’s a little early to be writing about a Black Lips album before it’s released. This ain’t nothin new for nuts like us that make the trip to NY to see these guys every time Boston’s not on the itinerary. For the best live band in the world – there I said it and I’m not alone in my view – a blase record is not gonna stop us from appreciating these dudes. Underneath The Rainbow is quite Black Lips. No one’s going to be confusing the voices of Cole, Jared, Joe, and Ian for anyone else. The instrumentation is trademark BL as well: distorted, fuzzy, dying guitars, big bass sound some of the time, Joe’s drumming. You know. As I listen over and over again to this new batch of songs, I find myself searching for something that the Lips have previously always stuffed deep into my ear drums. Maybe I have always taken for granted the immediacy of Black Lips songwriting. For the first time I feel almost as if a decent number of ’em were crafted while the band was on a creative vacation.

“Waiting” is just like Arabia‘s “The Lie,” with its skeleton guitar lead, “I Don’t Wanna Go Home” is a genericy synthesis of the bells and whistles of Side B of that same album. Then there’s “Do the Vibrate” and “Dog Years,” that revisit some of the band’s rougher/punk inclinations, yet just don’t have that ole rawness that might freak out some arena attendin’ Black Keys fans. The bluesier, southern rock that the Lips have spoken of as inspiration for this record shows through most notably on the fine first taster “Boys in the Wood” and album opener “Drive By Buddy”. Both tunes have really catchy choruses, not sounding rushed or put together in any noticeable way. My jam for this record is “Funny,” the Mr. Driver of 20-14. Cole’s always had a crazy way about him, the way he sings, plays guitar, acts, etc. I’ve met him a few times now, he’s the man…a catalyst that gets the juices flowing in the dullest of spirits. So ya, “Funny” is exactly that – eccentric, a “banger for the club” as Ian might say, with some real real lines, maybe the most accessible song on the album in its irreverence i.e. COME SUCK SOME MILK FROM MY TITTIES.

Where do I go from here? I love Black Lips and you know it, I’m not counting this album out just yet. I’m still longing for a propa “Italian Sexual Frustation” in a post “Hippys” society. But hey it’s only March 3rd and all them Spin / Pitchfork ‘writers’ are gonna miss the mark in some way shape or form. Go see Lips and buy all their records, ya nerds! I don’t know what I’m talking about either, ask me more soon. Or I’ll just tell ya right here on Kids Like You and Me. Bad Kids.

————————————————————————–

BL Website: http://black-lips.com/
Stream of Underneath The Rainbowhttp://noisey.vice.com/blog/stream-the-first-black-lips-lp-in-three-years-two-weeks-before-release

ATLANTIC THRILLS U.S. TOUR!

Thrills Tour
Atlantic Thrills are leaving their home state of Rhode Island to exploe the US of A  on tour in support of their debut self-titled LP on Almost Ready Records. The Thrillz have toured before, but this here is a mega tour. One month of  punk slime and psychedelic sauce. Eat up.

Tour Dates:
Tue March 4th – Brooklyn, NY at Don Pedro w/ The Rats, Living Kills, + Heavy Birds
Wed March 5th – Baltimore, MD at Gold Bar w/ Sal Bando + The Set Up
Thur March 6th – Richmond VA at Strange Matter w/ The Ar-kaics + Dirty Fences
Fri March 7th – Asheville, NC at Mothlight w Psychic Teens and The Shine Brothers
Sat March 8th – Murfreesboro, TN at Wall st w The Whistle Pigs
Sun March 9th – Memphis, TN
Mon March 10th – Denton, TX w/ The Neighbors
Tues March 11th-Sat March 15th – SXSW – Austin, TX
Sun March 16th – Las Cruces, NM at The Trainyard
Mon March 17th – Tucson, AZ at District Tavern w/ Resonars, Dead Ghosts, Boogarins(Brazil), + dune rats(Australia)
Tue March 18th – San Diego, CA
Wed March 19th – Los Angeles, CA w/ L.A. Drugs
Thur March 20th – San Francisco, CA at The Hemlock w/ The Nubs
Fri March 21st – Oakland, CA w/ The Nubs
Sat March 22nd – Davis, CA at Robot Rocket Residence w/ 2014 (scott miller of nar, bananas etc)
Sun March 23rd – Medford, OR at Johnny B’s
Mon March 24th – Portland, OR at East End w Thee Four Teens + Mean Jeans
Tue March 25th – Seattle, WA at the 2 Bit w/ Branden Daniel and The Chics
Wed March 26th – Spokane, WA at Mootsy’s w Primal Shakes & TBD
Thur March 27th – Missoula, MT at ZACC Below – Martyfest 2 w/ Iron Chic
Fri March 28th – Day Off
Sat March 29th – Fargo, ND
Sun March 30th – Minneapolis, MN at Palmer’s w/ Cozy + Hot Rash
Mon. March 31st – Milwaukee, WI at Center st Free Space w/ Peach Kelli Pop, Bored Games, and Joust
Tue. April 1st – Chicago, IL
Wed April 2nd – Detroit, MI at PJs Lager House w/ Roman Gabriel Todd’s The Beast Rising Up Out Of The Sea
Thur April 3rd – Cleveland, OH at Now That’s Class w/ Swirly In The Fryer + Teen Vomit
Fri April 4th – Columbus, OH at Cafe Bourbon St. w/ Red Feathers + Day Creeper
Sat April 5th – Pittsburgh, PA at Gooski’s
Sun April 6th -Philadelphia, PA w/ Abandos

You can pick up the band’s album and 7″ here: www.almostreadyrecords.com or better yet grab em’ at a show when they come through to your town!

Nice Guys & Miami Doritos Friends of the Road Tour!

Nice Tour
Nice Guys and Miami Doritos destroyed last night’s tour kick off at Thieves Grotto in Boston, now they are coming for the rest of youuuuu… watch out America!
MAR 01: SYRACUSE, NY:@ HOUSE SHOW
MAR 03: DETROIT, MI:@ Jumbo’s Bar
https://www.facebook.com/events/1444439372440520
MAR 04: CHICAGO, IL: @ WALLY’S WORLD
MAR 05: ST. LOUIS, MO. @ PLUSH
MAR 06: MEMPHIS, TN: Lamplighter
MAR 07: NASHVILLE
MAR 08: KENTUCKY
MAR 09: ASHEVILLE, NC
MAR 10: CHAPEL HILL, NC: @ NIGHTLIGHT
MAR 12: ARLINGTON, VA: @ CD CELLAR
MAR 13: BALTIMORE, MD: @ HOLY FRIJOLES
MAR 14: PHILLY, PA: @ THE NUTHOUSE
https://www.facebook.com/events/735555776462976/
MAR 17: CAMBRIDGE, MA: @ CHARLIE’s KITCHEN
https://www.facebook.com/events/270876093070612/
At all of the above shows you can pick up the brand spankin’ new Nice Guys/Miami Doritos Splifft 7″, the second release from KLYAM Records. Damn straight. They will also be available through the KLYAM online store very shortly. Stay tuned.

LP Review: GYMSHORTS – No Backsies

Gymshorts
When I think of the word(s) GYMSHORTS I’m immediately sent back to seventh grade PE – sweaty balls, field hockey, and boys shoving lacrosse sticks up each other’s asses. Puberty is a strange time. I alleviated most of my confusions  and frustrations with music. I listened to the Ramones and Sex Pistols, while the bullies listened to Simple Plan and Sum 41 (losers!) Look at me now, I turned out just fine, writing about rock ‘n’ roll bands like Providence, RI’s own GYMSHORTS. These GYMSHORTS do in fact bring me back to my angst filled teen years, but this time it’s actually fun!

GYMSHORTS fit into what we’re into in the KLYAM “punk slime all of the time” universe. We didn’t just say punk slime 80% of the time, punk slime when you feel like it, no, all of the time. I think these shorts get it. They hang ten on tsunamis, bust balls, stay out late, get high, rob banks, and kill their parents. They lean towards that nasty side of the garage spectrum, a spectrum/genre that has become a large part of New England music. While Atlantic Thrills take care of the fuzzy bubblegum pop, Ravi Shavi shakes your soul, kids like New Highway Hymnal and TeleVibes scrape through your brain with their blistering psych noise, GYMSHORTS continue the garage trend that Nice Guys and Miami Doritos have embodied – scummy, surly stoner rock that doesn’t give a fuck if you care about them or not. “I Wanna get highhhh and I wanna get stonedddd” See, I didn’t even know there was a difference.

No Backsies! – ohh yeah that’s the name of the album, in case you can’t read headliners – is a nine song, consistent kick in the ass, a barrage of surfy, screeching garage skunk. The music isn’t pretty or easy on the ears in any way, but it’s also not noise either. The band has their shit together, they aren’t falling apart or tripping over each other, or whatever. Perhaps, they decided to save the brown acid for another day.

GYMSHORTS aren’t doing anything revolutionary here, but who is? Some dude somewhere with a lacrosse stick up his ass doing a handstand and singing the blues. The miserable blues. And that brings me to my last point before I fucking crash. I want to go out on a strong note, I understand we all have lives outside of my ‘reviews’, I’m a professional.

MY POINT about GYMSHORTS  and the ‘garage’ tag that gets slapped on their asses is that this music, despite all it’s angst and anger (the very kind I shared as a child), and lurid subject matter, it is ultimately fun and entertaining and that’s what good rock ‘n’ roll should be.There’s not enough time to be miserable and depressed, wondering why that little squeeze from down the street isn’t fucking you. This is time you could spend learning how to play pool, until you become the greatest pool player of all time, so much so that there are now lines of people waiting to fuck you that are so long that they begin all the way down the street at that little squeeze’s door step. And on the jukebox they will be blasting GYMSHORTS – “I WANT TO GO TO BEDDDDD!!!” Me too. Goodnight!

“I used to hate the smell of sweaty ball Gymshorts in the morning, now it’s the smell of victory!” – Matthew 19:19… HEY MOM, HEY DAD! THE GYMSHORTS ARE GOING ON TOUR. HOLY FUCK! NO WAYYYY…

Gymshorts tour
Tour with Vulture Shit. Check it all out here including their stop at SXSW https://www.facebook.com/events/219222644932963/