Category Archives: Music

CD Review: The Brutalist Bricks

Band: Ted Leo and the Pharmacists
Release: 3/2010
Label: Matador Records

1. “Mighty Sparrow” – A-
2. “Mourning In America” – C
3. “Ativan Eyes” – B
4. “Even Heroes Have To Die” – C-
5. “The Stick” – C-
6. “Bottled In Cork” – C-
7. “Woke Up Near Chelsea” – D
8. “One Polaroid A Day” – C-
9. “Where Was My Brain?” – B-
10. “Bartolomeo…” – C
11. “Tuberculoids Arrive…” – D+
12. “Gimme The Wire” – C+
13. “Last Days” – B

Comments: I’m not entirely unfamiliar with Ted Leo. I mean, I’ve seen their name thrown around so much, but I never really listened to them. Not going to bullshit you people, but I always got the impression that this band played some kind of math rock. That was unwarranted and I couldn’t have been more wrong.  It turns they are more of a post-punk or pop-punk outfit, somewhere between Louis XIV and Head Automatica. I have a spot in my heart for bands like this and I could tell pretty quickly that Ted Leo is going to be hit or miss personally. Not sure if the band intentionally ripped off Sonic Youth’s “Poison Arrow” with “Mighty Sparrow.” Obviously any well produced rip-off of Sonic Youth is going to sound pretty good. I guess listening to this band gives you hipster cred, because they dance on the line of what’s mainstream pop-punk and what’s not. Even attempts that are meant to be of the hardcore (not literally) “I don’t give a shit” variety of punk come off unnatural like in “The Stick.” All right Ted Leo, time to sign to Columbia. Enough of this shit, you posers. You make good bands signed to Matador look bad like the late Jay Reatard and Mission of Burma. Slightly kidding, but slightly not. The below average songs are really sucky and the decent songs are really decent. “Last Days” is a pretty good way to end a pretty ugly string of tracks.

Grade: C (75)

CD Review: The Rainwater LP [2010]

Band: Citizen Cope
Release: 2/2010
Label: RainWater (Self-Release)

1. “Keep Askin” – B
2. “Healing Hands” – B
3. “I Couldn’t Explain Why” – C
4. “Lifeline” – B-
5. “Off The Ground” – C+
6. “Jericho” – B-
7. “The Newspaper” – C
8. “A Father’s Son” – C+
9. “Lifeline (Barefeet Version)” – B
10. “Keep Askin’ (Acoustic)” – B-

Comments: Cope. Yeah, that guy. The guy that Matt Hurton loves. The guy that lands three consecutive nights (Thu-Fri-Sat) at the Paradise Rock Club. The guy that realized major label releases are over-rated and releases an album all by himself on his own record label. Cope’s got a funky acoustic swagger that is a little more digestible than what you’ll get in the mainstream. Speaking of which, other than a plethora of TV spots, Cope remains relatively unknown to the public eye (besides his fairly large cult following). His songs are ripe for media picking because of their flexible usage potential and flow. I like what Cope is doing most of the time here, but it’s obviously just not my style. It’s not exactly what I’d consider depressing, but Cope’s heavy delivery has that component almost built in. He’s not afraid to experiment with tropical genres, hip-hop, and electro-pop.

Grade: C+ (79)

Classic Album Review: Revolutinary Vol. 1

Artist: Immortal Technique
Full Title: Revolutionary Volume 1
Label: Viper Records
Year: 2001
Grade: B+

Keyword: REVOULTIONARY. Many refer to themselves as revoltuionaries, whether it be a Republican Congressmen from Texas or a radical nerd on his blog, but few can back it up. Immortal Technique is part of this rare breed. He is the closest example of a musical Che Guevara, if there ever was one. Before the listener even hits play, he/she is already bombarded by tech’s intense dissidence in the cover art: masacred police officers and the hammer and sickle a la Soviet Union. But, unlike dem pinko commie fags, tech’s Revolution (at least musically) succeeds because as he says it is, “built out of love for his people and not hatred for others.” The album opens with a solid 9 in “Creation and Destruction.” It basically foreshadows everything the MC is notorious for: violent lyrics, intimidating delivery, and uncompromising politics. This continues throughout the record, while he delves into such untouchable topics as police brutality, corporate media bias for the elite (“The Getaway”), the racist, White, economic, class structure which leaves poor people, mostly blacks and latinos, but also whites, and millions in the Third World concerned only with day to day poverty rather than developing Socialista philosophy to rise out of this trap (“The Poverty of Philosophy”- Spoken Word), and the harsh and regrettable reality of thug life, (“Dance With the Devil”). The latter is arguably one of the most horrifying tracks I have ever heard. Tech’s disturbing lyrics paint a petrifying picture of rape and murder. Overall, this is a sound record one of the finest from today’s greatest hip hop star. You would be hard pressed to find another rapper with as much skill, integrity, and hardcore style. To add to this hardcore reputation, all of the raps were created while he was in prison. Take that Fat Joe, you Fake, Fat, Fuck! Not that I’m in any position to criticize, with absolutely no street credibility WHATSOEVER! But, that’s alright, at least I’m not Billy Jacobs. You’ll have to listen to this album to know who Billy Jacobs is!

VIVA LA REVOULTION!!!

Chris

Chris On…

Gross Out Videos/Pictures In the Online Age: In my last edition of “Chris On…” I observed the distinctions between high and low culture, well here we have perhaps the lowest of cultures: Shock Sites. But, without a doubt it is a burgeoning subculture and has had an impact on our entire culture as a whole. Perhaps it all began with the projectile vomit inducing “Tub Girl,” I don’t recommend you check this out unless you want to be sick to your stomach. That was the Gone With the Wind for disgusting media. Since then you have your Lemon Parties, Pain Olympics, and the chick that farts out peanut butter and other shit lol, I forget the name, but yeah it’s all there. Oh and who could forget the most notorious, the Casablanca of the genre, if you will, Two Girls, One Cup. So, are these vile videos an impending sign of decline in Western Civilization? or is it merely the tech age’s opportunity to profit on centuries of repulsing fetishes by posting it in the privacy of everyone’s home? I’d say a little bit of both. Personally, I do not in any way, “get off” ahaha on these little ditties of sexual macabre, but at the same time they sure are intriguing and in some bizarre way worth analyzing! Even more importantly, it’s worth observing others’ reactions to such videos, funnier too! All in all, it’s nice to get a cheap and crude laugh, if at least once. And believe me, with said genre, you most likely won’t come back for more! Finally, I’ll admit, I am one to partake in the voyeristic journey of “how far will this go?” video and apparently I’m not alone, as millions of Americans, from young to old, are viewing the latest,”dude, this shit is nasty, you gotta check it out!” as we speak. What this specifically, does to our culture is a whole other story…

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Mumia Abu-Jamal: I bet it seems pretty odd that I shift from discussing an extremely wacky topic like videos displaying coprophillia and emetophillia to an infinitely more serious topic, such as the jeopardy and constant abuse of one man’s life, but that’s how it works here with “Chris On…” With that being said, I actually did make an attempt to connect certain topics from the last post, i.e. death penalty to Mumia. Mumia Abu-Jamal is an excellent “journalist” and/or commentator on current affiairs and essentially how this system is completely fucked up and filled to the brim with injustice, as he is living (possibly not for long :() proof of this. His courage and dedication to “waking up” the public and specifically blacks is a massive inspiration. Oh, did I forget to mention, that he is (and has been for nearly thirty years) wrongfully sitting on death row?! Over the years, his conviction has been reviewed and appeald throughly for it’s undeniable flaws, but the Cracker Courts, won’t let up. In a nutshell, Mumia was charged with the murder of a police officer, Daniel Faulkner and subsequently was given an unfair trial, clearly marked with prejudice. Whether he committed the crime or not, is insignifcant, even though I don’t think he did. There is not enough evidence to point to him. And let’s say that he did?! Just for the fun of it; Mumia, himself was wounded by Faulkner’s gunshot. I’d bet all my money that if Mumia was the one that died, Faulker would be a free man. In other words, even if Mumia did kill him, isn’t that self-defense. But, no a Black Man is inferior to a White Cop in the White Courts of White America. You can say that’s playing the “race card,” but how come it’s not playing the “race card” when black people are given an all white jury? The Constitution entitles us to the right of a “jury of one’s peers.” Now, I need to do more research, cause I don’t know for sure if Mumia’s trial had all white jurors, but I have a positive feeling it did. Either way, FREE MUMIA!

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The Recent Surge Of Often Untimely, But Not Always the Case, But Still Sad Celeberty and Not So Famous to Use That Term, But Still Vital To The Arts Deaths… PHEW!: Jay Reatard, Howard Zinn, J.D. Salinger, Bobby Ubangi, Patrick Swayze (not as cool as the others, but still, worth mentioning lol), Farrah Fawcett, Billy Mays, Carol Chomsky, and I apologize if I forgot anyone else, feel free to comment on others. Yeah, so I don’t give a fuck about MJ or Teddy Kennedy! Hahaha! Yeah, I know the sancitty of life and all that jazz, but if they weren’t famous then they would not receive the same amount of respect and grief. I’m not happy their dead, but in the grand scheme of things, people die all the time, so I don’t feel particuarly saddened when some criminals die. We did however lose some folks that seriously meant something to me! Chiefly, the most shocking, Jay Reatard, my favorite singer and one of the most promising artists of the past decade. He is sorely missed for his intensely catchy music and high energy live shows. On the same token, other fun rockin guys in Bobby Ubangi left us far too soon as well. Bobby played alongside the great, Jared Swilley in the Gaye Blades and had his own solo material, both of which were nothing short than brilliant bubble gum pop magic. He will be “Forever” remembered for his “Dirty Hands.” Hahah. Now, for Howard Zinn and J.D. Salinger, perhaps these deaths were not as untimely and therefore not as shocking, but certainly not less important in any way. I didn’t really follow Salinger all that much, but his most famous work, The Catcher In the Rye is my favorite book of all time and has strongly influenced countless writers including myself. Mr. Zinn was the highest model citizen and always discussed politics, history and various social issues in terms of how it meant to the “people.” His works and speeches have had a major influence on my own views and writing. Check out “My Main Influences” post for further reading. And of course, fame doesn’t measure value, so we must remember those who have died in Haiti and still suffer. Alas, we don’t mention them all that much here on the KLYAM, but that doesn’t mean we do not care about them.

Chris

Bitchfuck Hacked Or Not?

I’m probably blogger number 532 to point this out, but whatever: Go read Pitchfork’s review of Eminem’s The Eminem Show. The “ryan” character refers to the founder of that site:

ryan loves it and he likes mmlp too so he’s all sonning me now with this ‘well ethan yes perhaps i’d allow you to give the marshall mathers lp a 10.0, i mean that particular record was perfect, but not this one’ yeah well you were busy talking about at the motherfucking drive in back then so let me redeem your godawful site now. jeez unless he went back on his dumb-ass ‘policy’ theres a nine dot one up there but i promise you ‘the eminem show’ is really a ten, know that

oh my darling eminem! how i love you marshall, spittin shiny massive magnetic acrostics to fit the thrillest rhyme style ever invented (ugh yeah i’m trying not to explain his quote unquote flow in those meaningless autechre words like architectural and labyrinthine but SHIT) but yeah although em’s lyrics arent usually quotably evocative for rock reviews like wu or jay here i’m not even going to try, you have to hear him spit at it live or on record

7″ Review: Something In The Way

Band: Best Coast
Release: 2/2010
Label: PPM (Dean Spunt’s Label!)

1. “Something In The Way” – A
2. “Wish He Was You” – A
3. “The Road” – A

Comment: Sure, the lo-fidelity can get to your ears and concentration, but that’s only if you let it. “Something” starts with a rad drum beat and a catchy Dum Dum meets Vivian Girls chorus. The comparison isn’t too unfounded because all three bands have similar production and sound aesthetics. My first and ending impression is that this is great! It’s not something I’m going to listen to continuously, but it will never disappoint or get boring. Surely, Best Coast is a band to keep an eye on.

Grade: A (94)