Category Archives: Music

Concert Review: Spoon, Deerhunter, Strange Boys @ House Of Blues (3/27/10)

Artist(s): Spoon, Deerhunter, Strange Boys
Venue: House of Blues, Boston, MA
Date: Saturday, March 27, 2010

Note: Glen and I basically came to see the Strange Boys and Deerhunter, the opening acts and some of our current favorites, not to discredit Spoon in any way, but this was most likley different from other concertgoers.

Act I: Strange Boys– These garage rockers, for lack of a better face, excuse me, word, were one of the tightest bands I have ever seen live. Considering, their garage label, one would think they were sloppy and what have you like the Black Lips (not an insult!). But, in fact, quite the opposite, the band actually resembled their recordings pretty damn well. I suppose this is kind of a weakness, because live performances are naturally better when they are different from their recorded counterparts. But, then again, the boys were rather entertaining. They played several classic dittties, such as “Woe Is You and Me,” (my favorite SB tune!) “Should Have Shot Paul,” “Be Brave,” “A Walk On the Beach,” and others. ‘Woe’ was nearly perfect; the vocals were astonishingly accurate (if you know what I mean) and the guitars roared in unisen as we all know and love it. ‘Walk’ showcased SB soft side; seriously no fucking up the vocals or anything! and the crew exceptionally erupted into the heavy part of the song. Unfortunately, it seems like most kiddies and oldies in attendence were unaware of SB existence and during the soft part of the latter number, you could hear some creeps chi chi chi chatting away. Boring fucks! Looking back, the group did a great job, that I did not fully appreciate immediately due to their somewhat short set, under 30 minutes (at least through a fan’s point of view) and the fact that they did not play as many of my favorites as I expected them to. Overall, it was great and they are now amongst the kickass artists I have seen live.

Glen: Exactly what Chris said. Also, I can’t wait to see them headline someday (or open again).

Act II: Deerhunter– LOUD! and when I mean loud, I mean reverberate through your mind, body and soul and shake real low inside the lowest drums of your ears. Seriously, loudest band I’ve ever seen! and this time, unlike Dinosaur Jr, I was standing right next to the speakers lol. It was an incredible audio assault, real gorgeous, sonically and visually. The lights were fantastic and nicely complemented the bizarre music/performance, which, by the way, was easily the most technically sophisticated performance I have seen live, with Sonic Youth as the only contender. Singer/guitarist, Bradford Cox, the “nicest guy in Rock and Roll,” as Glen calls him, demonstrated some serious skill in the field of showmanship. This included, direct eye contact, hiding behing his guitar, then pretending to gobble it up, whilst posing for the cameras, and don’t forget that he loves Boston! as he proclaimed numerous times. Musically, Cox and crew played some Cryptograms tracks, but mostly Microcastle songs including “Never Stops,” “Nothing Ever Happened,” and the title track. Unfortunately, they didn’t play many of my favorites and they played nothing from their last release, the EP, Rainwater Cassette Exchange. The Atlanta rockers finished their exqusite set with the classic, dance track, “Operation.” Deerhunter was definitely my favorite from the night, no surprise. I can’t wait to experience their Supreme Genius again.

Glen: Loudest for sure. Bradford was the man. All members of the band were. Drummer Moses Archuleta really pounded hard and with fine precision. My favorite two songs were “Nothing Ever Happened” and “Operation.” “Nothing Ever Happened” was awesome because it was loud and featured an extended jam. “Operation” was just pure dance-rock or dance-punk. It’s way better live than on record.

Act III: Spoon– Not being a fan of Spoon (actually never listening to them prior to the show), I don’t have much to say here. I enjoyed their performance very much and I thought they were quite entertaining and displayed the right chops as a great Rock act. I could tell the crowd was really engaged with their performance and the musicians were equally interactive with their audience. Usually, with most bands I see live that I don’t know well, I lose interest, but with Spoon, I appreciated what I was seeing/hearing and greatly admired their performance.

Glen: I agree with Chris. I was really only vaguely familiar with Spoon prior to this show. I feel like it’s a must for me to research their earlier discography because there were definitely some songs that connected with me during this show. Even the new stuff off Transference, which was a decent at best studio album, sounded much much better live. Songs that stuck out to me (ones that I knew from before and/or caught my attention) were “You Got Yr. Cherry Bomb,” “Got Nuffin’,” “Don’t Make Me A Target,” “Written in Reverse,” “Don’t You Evah,” “Who Makes Your Money?,” “I Turn My Camera On,” and opener “Before Destruction.”

Set-List:

    1. Before Destruction
    2. Nobody Gets Me But You
    3. Rhythm & Soul
    4. You Got Yr. Cherry Bomb
    5. They Never Got You
    6. Stay Don’t Go
    7. Vittorio E
    8. Got Nuffin’
    9. Metal School
    10. Don’t Make Me A Target 
    11. Written In Reverse
    12. The Beast And Dragon, Adored
    13. Don’t You Evah 
    14. Who Makes Your Money
    15. I Summon You Play Video
    16. Trouble Comes Running 
    17. I Turn My Camera On
    18. The Underdog
    19. Encore:
    20. Is Love Forever
    21. Finer Feelings

Grade: A, definitely this will go down in my top ten favorite concerts! A night of three highly diverse, exciting, independent artists, what more can you ask for?

the Black Lips! but we saw them two days earlier suckas!!!

Glen: I haven’t figured it out yet, but this is definitely a top show. In the A/A- range.

Chris

Re-CD Review: Gay Singles [2010]

*A review for this album was originally made back in October 2009, but to keep up with the times here is a more official review!


Band: Hunx and His Punx
Release: 2/2010
Label: Matador

1. “You Don’t Like Rock ‘n’ Roll” – A
2. “Gimmie Gimmie Back Your Love” – A
3. “Hey Rocky” – A
4. “Movin’ On” – A-
5. “Cruising” – A
6. “Good Kisser” – A
7. “Don’t Cha Want Me Back” – B+
8. “The Last Time” – A-
9. “Teardrops on My Telephone” – A
10. “I Won’t Get Under You” – A-
11. “You Better Tell That Girl” – A-
12. “Do the Make Up” – A+

Comments: As Chris said in a concert review from October 3, “If you think you have seen homocore or queercore, then look again. Hunx and His Punx is just about as gay as it gets and unabashedly so.” If you ignore the hilariously creepy/flamboyant lyrics, these are pretty damn awesome glam pop-punk songs. You know, basic chord structures playing underneath an effeminate voice. Let’s not ignore lyrics for one second. Take “Hey Rocky,” which is about a gay one night stand with said man. Lyrics alone could be offensive to many, but a plethora of popular hip-hop/pop songs today are just as disgusting/immoral as this. You can’t make the claim that these songs aren’t catchy. Musically, they are as fun as can be. “I’ve got so many fellas, I make all the ladies jealous. Just hope they’re playing on my team,” hollers Hunx on “Cruisin’.” A typical immediate reaction might be: “Oh my…gay!” And that was my reaction. Try watching 10 seconds of the music video. But..but…”Cruisin’” is easily one of the rhythmically catchiest songs on here. A lot of these songs pop into my head randomly during the day. “You like Morrissey, you like U2…what the fuck is wrong with you? Are you deaf or just plain dumb?” This definitely grew on me with 6+ months of listening, so maybe I’m a little biased in giving this a really good score compared to most albums that I listen to in a day or so.

Grade: A- (92)

Why I Don’t Post MP3s

It’s a risky business posting MP3s. This could be an MP3 site and you all would have some pretty damn good exposure to great music. I’ve thought about making play lists kind of like Bradford Cox does on his blog, but that’s not really my deal. I’m not encouraging y’all to buy the music, either. I’m not encouraging y’all to download it illegally, either. Just do what you want. YouTube videos are cool, but they only get so far in terms of quality.

7″ Review: Best Friend

Band: The Drums
Release: 3/2010
Label: Moshi Moshi

1. “Best Friend” – A-
2. “Baby, That’s Not the Point” – C+
3. “You’re the Only One Who Makes Me Happy” – B

Comments: Quirky post-punk/art rock comes from these Brooklyn jammers. With elements of surf, baroque pop, and electronica, “Best Friend” comes through as a success. The echo-laced vocals on “Baby” don’t really get my ears buzzing, to borrow a phrase from Hunx. “You’re” is a return to form with a very catchy bass sequence despite stale vocals.

Grade: B (84)

CD Review: Shame, Shame [2010]

Band: Dr. Dog
Release: 4/2010
Label: Anti-

1. “Stranger” – B
2. “Shadow People” – C+
3. “Station” – D+
4. “Unbearable Rock” – B
5. “Where’d All The Time Go? – C+
6. “Later” – B+
7. “I Only Wear Blue” – C
8. “Someday” – C-
9. “Mirror, Mirror” – C-
10. “Jackie Wants A Black Eye” – C-
11. “Shame, Shame” – D+

Comments: Dr. Dog sounds like one of the most pop-rock sensible independent rock bands that I’ve heard. Psychedelia is there too, but isn’t too obvious. The bad thing about this band and this record is that they/it are/is not really fun standing alone. It’s almost like “damn, this is probably really good, but I’m not feeling it.” So rather than criticize the band for what they aren’t (yes, I’m pointing to you Bitchfuck Media), I’ll give them props and critiques for what they are. Dr. Dog aren’t fun. Maybe for some people. Maybe live. I wouldn’t know. Apparently they wanted a more live feel for this album. What was sort of enjoyable in the beginning is downright sleep-inducing by the end.

Grade: C (75)

Libertines To Re-Unite

Guardian
The Libertines
are set to reform for a slot at the Reading and Leeds festival in August. The band, which centred around the songwriting partnership of Pete Doherty and Carl Barât, have not played together as the Libertines since 2004. A source told the Guardian that the group would be receiving a huge sum for their performance, rumoured to be around £1.5m.

The Libertines formed in 1997, with bassist John Hassall and drummer Gary Powell making up the lineup. The band earned themselves a devoted fanbase following the release of their debut album Up the Bracket in 2002. However, drug problems caused the band to disintegrate around the time of their second, self-titled album. Barât kicked his best friend Doherty out of the band in attempt to make him wake up to his heroin addiction, although this only served to increase antagonism between the pair.

Doherty went on to form Babyshambles while Barât became the frontman of Dirty Pretty Things, who split up in 2008. Relations between the pair have thawed considerably in recent times, however, and they have played on stage together on several occasions since the split. According to reports in the Sun, the group will consider announcing further dates and writing new material if the reunion goes well.

Don’t expect the road to be too smooth, though. Doherty was arrested last week on suspicion of supplying drugs following the death of Robin Whitehead at a flat in east London earlier this year.

Concert Review: Beach House

Bands: Beach House, Bachelorette
Venue: Paradise Rock Club (Boston, MA)
Date: March 28, 2010

Act One – Bachelorette – Bachelorette was boring. It’s not really the music that’s boring, it’s more of the process as a whole. She plays guitar for thirty seconds, turns the loop on, records into one microphone, loops that, turns on a drum pad, and then does another round of singing. She reminded me (at her best) of High Places and at her worst like your average shitty electronically styled opening act (cough Many Mansions cough). Some dude was apparently loving it so much that he thought it was wise to shout “you boring fucks need to learn how to move your body” after her first song. Yeah, maybe if I was tripping on shrooms like you…idiot. llalallalaallalala bum allalalalalal bum. Relaxing stuff, but annoying.

Act Two – Beach House – A very kind band. Kicking off the set with “Walk in the Park,” my personal favorite, was a wise choice. I could tell the sold-out crowd was made up of a lot of Teen Dream era fans so this opener definitely resonated with all of us. Lead singer and keyboardist Victoria Legrand amazingly executed her parts and that’s not without saying guitarist and back-up singer Alex Scally wasn’t awesome. He was. Speaking of Teen Dream, somebody commented that they played every song off of that. And you know what? I think they did! They also played a few old songs that many people were able to appreciate. Legrand and Scally’s between song banter was charming as they said things like “you guys are very lovely. Thank you for having us.” They genuinely seemed happy to be playing. They ended the set with Teen Dream closer “Take Care,” but that was only a little tease. It’s a great closing track and would certainly lead one to believe that was all they had left. But no! They came back for a one song encore of “10 Mile Stereo,” another great ditty off of Teen Dream. This song is the band’s heaviest offering (at least live) and I actually can’t imagine a better choice. Overall, I really enjoyed listening to one of my favorite albums of the year (and the other songs) performed in such a relaxing and enjoyable setting. If you haven’t heard Beach House, I’d recommend giving them a try.

Grade: A-/B+