Category Archives: Art

Chris On…

Gangsta Rap and Hip Hop in General:
There are many aspects of (QUALITY) Rap and Hip-Hop that I love, but two things have always stood out to me more than anything: 1) The harshness in the lyrics, sometimes sound, and most definitely the delivery. This is what I adored in old school Gangsta Rap groups like N.W.A. and Wu-Tang Clan, amongst several others. In general, I really have an affinity for confrontational art and these artists certainly got the job done and scared all the White Folks. 2) The dark, caustic and occasionally absurdist humor that one can find in said harsh lyrics. One of the first rap songs I ever heard that hit me hard was Eminem’s “My Name Is,” I saw its video on MTV when it was “Brand Spankin’ New” at the wholesome age of 8. I then went out and purchased the entire record. I fell in love with the Slim Shady “character.” I was frightened and simultaneously amused. And the rest is history… Nowadays, I don’t like as many rap artists, especially those that call themselves “Gangsta Rap.” Now, it could just be my taste and I’m sure there are plenty of awesome underground rappers, but certainly the state of mainstream hip hop has taken a turn for the worse in the past 10-15 years or so. Modern rappers that I dig include Immortal Technique, Dead Prez, and Necro. All of those artists have been around for a while however, but they are still holding the intimidating/militant character of rap music/culture that I cherish. I’m sure there are others out there as I already said, but they simply haven’t caught my attention; rap/hip-hop is a style of music I enjoy, but makes up a small percentage of my eartime. Anyway, in mainstream hip pop the production is far too clean, commerical and the songs are just poppy dance numbers. Really wimpy, pussy shit. Even people like L’il Wayne do very little to nothing for me. ME! I’m a privileged, little, white suburbanite that knows nothing of “street life” and has no gangsta credibillity whatsover (don’t want any for that matter) and yet these supposedly tough guys on the radio do not initmidate me with their craft. There’s nothing threatening about it. I’m sure in real life they are “tough,” but with their music they have no balls. In short, for me Hip-Hop shares the same story as Rock and Roll, but in way less time and far less pleasing too my taste, albeit some very classic material. It’s like both started out as small, underground, regionally based, black music that was threatening and rebellious to white people. The style became popular and hit the mainstream, then matured (sonically, lyrically, aesthetically,etc), then slowly became more and more mainstream until there was a massive chasm between commercial and underground Hip Hop, with the former sucking massive Corporate Cock. The only thing is the Rock story lasted way longer (Early 50s- Mid 70s- started to go downhill in the mainstream) than Hip Hop (Early 80s- Early-Mid 90s). I know I know Hip Hop technically started wayyyy before then, but it didn’t really take off until the early 80s. So, in other words to the silly Mainstreamers out there in Rap and/or Rock and Roll, in the fine words of N.W.A. “EAT SHIT AND DIE!”

KLAHAM JOKE ;)

What does Hamilton Leithauser say when someone calls him up for a ride?

“You’ve got a nerve to be asking a favor.You’ve got a nerve to be calling my number!”

And when the guy tells him where to pick him up….

He says, “I know,We’ve been through this before.”

When he arrives and the dude isn”t ready…

He screams, “Can’t you hear me I’m, Pounding on your door?!Can’t you see me i’m, calling out your name?!”

So now he always laments:

“I go out alone if I go out at all.”

My Favorite Singers


In no particular order after the first few.

1) Jay Reatard
2) Mark Sultan
3) Black Lips- Jared Swilley, Cole Alexander, Joe Bradley
4) John Lennon
5) Joey Ramone
6) King Khan
7) Zack De La Rocha
8) Bradford Cox
9) Kurt Cobain
10) Beat Happening- Calvin Johnson and Heather Lewis
11) Roy Orbison
12) Paul McCartney
13) Lou Reed
14) Lou Barlow
15) Freddie Mercury
16) Paul Simon
17) David Bowie
18) Seth Bogart aka “Hunx”
19) Paul Westerberg
20) Morrissey
21) Clayton McIntyre
22) Dean Allen Spunt
23) Jim Morrison
24) Roger Daltrey
25) H.R.
26) Glenn Danzig
27) Jello Biafra
28) Maynard James Keenan
29) Thom Yorke
30) Johnny Cash
31) Tammy Wynette
32) Patsy Kline
33) George Jones
34) Johnny Rotten
35) J Mascis
36) Michael Nau
37) Animal Collective- Panda Bear and Avey Tare
38) Nathan Williams
39) Bobby Vinton
40) Karen Carpenter
41) Dean and Gene Ween
42) Darryl Palumbo
43) Sonic Youth- Thurston Moore, Kim Gordan, and Lee Renaldo
44) Pixies- Black Francis and Kim Deal
45) Ian Mackaye
46) Steve Albini
47) David Byrne
48) Ronettes
49) Supremes
50) Beach Boys- Brian Wilson, Carl Wilson, Mike Love
51) Tom Gabel
52) Conor Oberst
53) Win Butler
54) Bob Marley
55) Leonard Cohen
56) Elvis Presley
57) Daniel Johnston
58) Perry Farrell
59) Elliott Smith- can’t believe I haven’t mentioned him yet!
60) Nick Cave
61) Frank Zappa
62) The Nightwatchman (Tom Morello)
63) Alex Turner
64) Shane MacGowan
65) Chino Moreno
66) Jesus and Mary Chain- Jim and William Reid
67) Meat Puppets- Cris and Kurt Kirkwood
68) Christopher Owens
69) Kip Berman
70) Milo Aukerman

I’m probably forgetting many others….

Belated Album Review: (500) Days of Summer

Full Title: (500) Days of Summer
Artists: Various
Year: 2009
Label: 20th Century
Tracks:
1) “A Story of Boy Meets Girl” – Mychael Danna and Rob Simonsen
2) “Us” – Regina Spektor– 9/10
3) “There Is a Light That Never Goes Out” – The Smiths– 9
4) “Bad Kids” – Black Lips 10!!!
5) “Please, Please, Please Let Me Get What I Want” – The Smiths – 9
6) “There Goes the Fear” – Doves-9/10
7) “You Make My Dreams” – Hall & Oates- 8
8) “Sweet Disposition” – The Temper Trap – 10
9) “Quelqu’un m’a dit” – Carla Bruni- 8
10) “Mushaboom” – Feist- 8
11) “Hero” – Regina Spektor- 8/9
12) “Bookends” – Simon & Garfunkel – 10
13) “Vagabond” – Wolfmother- 7/8
14) “She’s Got You High” – Mumm-Ra- 8
15) “Here Comes Your Man” – Meaghan Smith – 9
16) “Please, Please, Please Let Me Get What I Want” – She & Him- 8

Comments:
First things fucking last, this review will be centered on the actual record itself and not the placements of the songs in the film, which for the record (no pun intended lol) is executed quite well. Ok, so here we have a great ensemble of “Indie” pop artists with music that reflects the various themes of love and loss in the gem, (500) Days of Summer. Things kick off with Regina Spektor’s spectacular “Us.” I really dig her vocal range and the odd nature of her singing; yet despite its idiosyncracies the song still feels very pop like and indeed catchy. Being a huge Smiths fan, I enjoy their offerings on here. I admire Zooey Deschanel and her group She and Him for covering “Please.” Naturally, it does not match the original, but it is not too far off and in fact, some of it’s flaw (though it has very little flaw) is due to it sounding too much like the original and not really venturing in its own direction. I appreciate the fact that my favorite band, the Black Lips (like y’all didn’t know!) are receiving more exposure with the inclusion of their triumphant song, “Bad Kids.” Those that like this ditty, please check out the rest of their discography. Check it out on here! Alright, that’s enough KLYAM promotion midway into a review. “There Goes the Fear” (Doves) and “Sweet Disposition” (The Temper Trap) rank as some of my favorite tracks and definitely some of my favorites of recent times. I feel like those two songs, especially, the latter have hit potential, if they are not big enough already. Simon and Garfunkel’s “Bookends” completes the coming of age, twenty-something feel of this album/film and Meghan Smith’s cover of the Pixies’ “Here Comes Your Man” is amazing and truly brings out the tune’s pop hooks, even more than the original. All in all, one of my favorite soundtracks from one of my favorite films.

Grade: A/A-

Classic Film Review: Slacker

Full Title: Slacker
Director: Richard Linklater
Year: 1991
Fun Facts: “The average movie has 500-1,000 cuts in it. This movie only has 163. And almost a third of them come from the last five minutes during the super 8 film scene.” and “Was the movie that directly inspired Kevin Smith to become a filmmaker; inspired the movie Clerks. (1994).”- http://www.imdb.com/title/tt0102943/trivia
Comments:
I’m not one to jump on this or that marketing ruse, but in this rare instance, the so called “Generation X” phenomenon of the early 90s seems pretty damn accurate in Slacker, the 1991 debut of the gifted writer/director, Richard Linklater. From start to finish, this entire flick is simply scene after scene of random, anti-climatic, yet infinitely fascinating (at least to me) conversations from lazy, twenty-something layabouts in the city of Austin, Texas (Linklater’s hometown). To most folks this film is probably tedious or simply too boring. There are no sequences of action or really drama of any kind. The film basically offers the viewer a slice of everyay Austin life for these quirky, colorful characters. The scenes have no connection to one another (in the narrative sense) and no character appears more than once, at least to my memory. In many ways each scene is its own short film that one could view on its own or as a collective with the other scenes. All of these little stories are tied together under the overall theme of apathy and reluctance to get one’s shit straight, so to speak. Because this film is unorthodox in this manner, it will surely turn off most viewers. For dialouge based film junkies like me, I find it to be a unique and intriguing movie. Characters that stand out to me specifically include an aging, kind hearted anarchist that sports a framed phot of Leon Czolgosz on his wall, a enthusiastic Kennedy Assasination theorist, a fierce “anti-artist,” amongst other characters. Honestly, I can’t say much bad about this film; it is what it is and for me, I seriously do not find it even a tad bit boring, but then again, I suppose Linklater could have thrown in a thing or two to grab everyone’s attention. On the other hand, his laidback filmmaking (in this picture) and/or storytelling stands as an astonishing reflection of the lifestyles of the people he is depicting.

Grade: A-