Not quite a new song — but it’s being released now on In A Cloud II New Sounds From San Francisco on Secret Seven Records. And – surprise – it’s awesome.
All posts by G. Gordon Gritty
Concert Review: The Coathangers, SKIMASK, Fat Creeps @ Great Scott
Bands: Fat Creeps, SKIMASK, The Coathangers, Casanovas In Heat
Date: Thursday, May 31, 2012
Venue: Great Scott (Allston, MA)
Pre-Show: The pre-show was lengthy due to the late arrival of scheduled headliners The Coathangers and openers Casanovas In Heat. Ultimately it was decided that Casanovas would play last instead of first. It’s too bad we couldn’t stay to see Casanovas (unfortunately). Sometime soon.
Fat Creeps: Fat Creeps are quickly becoming a local favorite and actually they’d be right up there in the rankings even if they weren’t from around this way. There’s a lot to like about Fat Creeps: the aesthetic (on this night it was multi-instrumentalist Mariam Saleh dressed in black raiment [first use of that word since 11th grade English] and multi-instrumentalist Gracie Jackson wearing all white. Thematically speaking, I’ve seen/heard Plymouth Plantation and Titantic tossed around from spectators. Either way, it was an interesting sight. Let’s not leave out drummer Jim Leonard. He was in casual attire. They got the show rolling with “Secrets,” a relatively new track that exemplifies the vocal harmony that you might have read about in the Metro. I really dig how they play so casually..just let the music do the talking. I realized very quickly that what I was witnessing was something special and actually was way more satisfying than Best Coast or Vivian Girls. There’s this charm of outward simplicity under the guise of inner complexity. Know what I mean? The rest of the set featured all of the hits, namely “Leave Her Alone” — great solo and bass line, “700 Parts” — the ending “ooo-ooo–aahh-aahh” is superb,” and closer “Horoscope,” which I think Calvin Johnson would enjoy immensely. I’m not sure what Fat Creeps plans are, but I see they are already developing a strong local fan base. Pretty soon they’ll be headlining Great Scott like the Vivs have. I predict. They should.
Setlist:
Secrets
Leave Her Alone
Fooled
“Sex Beat” [Cover]
Kerry
Nancy Drew
700 Parts
Horoscope
SKIMASK:”This is one of the strangest and most entertaining bands I’ve ever seen live.” And YouTube commenter hits the nail on the head! If you haven’t seen SKIMASK, you probably haven’t seen anything like SKIMASK. Fronted by the great social commentator and Swiz Beatnik poet Prof$t Mohamed, SKIMASK is in the red with energy and explosiveness. They activate the inner primal side in people according to one devotee. And it rings true. The crowd doesn’t really know what is going on, yet the pit remains quite active and not one person seems bored. Vocals, drums, and vocal effects. Spontaneous antics by the Prof$t, including but not limited to jumping around [to an elementary phys ed teacher’s delight] and sitting down in front of the crowd. What tickles my fancy the most of all is this song: (http://www.youtube.com/watch?v=pIaaEmO3hPc&feature=related). SKIMASK — kept alive by the spirit of Cory on drums and Dominic on effects/vocal — were about to conclude with that. But keep playing insisted members of The Coathangers. And they did. And it was wonderful. They are outer-worldly you could say, but it’s them just spinning the rock and roll wheel their own way. Folks in New York and New Jersey, brace yourselves, as the skimask is coming to get u back opening for JEFF The Brotherhood soon. Boston area locals: brace yourselves as well.
The Coathangers: The Coathangers from Atlanta, Georgia! None other. Faced with the burden of no sound check, ahh who needs that?, they blitzkrieged right into their set. And they came hard and displayed no regard for the typical. No need for the typical on a night like tonight. I’m basically talking about their switching of instruments and the infectious bursts of punk rock that came a plenty. The front-woman was a revolving cast of ‘hangers and each brought their own variety to the table. The crowd was loving it and you could tell the band was having just as much fun. Now now now. Here it comes. I’m not extremely knowledgable in the arena of Coathangers material BUT I’ve got their set below. So this means that I will be. I can’t quite describe their set in terms of individual songs; I think I gave a decent gist of the experience. That’s what counts?
Setlist:
Smother
Johnny
Hurricane
Gettin Sick
Call
Arthritis
Jay
Sex
Nestle In My Boobies
Pussy
Cheap
Dims
Excellent Interview With The Hussy On Razorcake

Read: http://www.razorcake.org/interviews/an-interview-with-the-hussy-reckless-abandon-from-madison-wi
The interviewer covered quite a few bases and Bobby and Heather gave detailed responses. That’s how they all should be!
Also, The Hussy is on tour. Here are dates:
6.5 – Fort Worth, TX @ 1919 Hemphill w/ Hunger Artists, Ralpheene
6.6 – Dallas, TX @ TBA
More New Ty Segall Band: “I Bought My Eyes”

“I Bought My Eyes” from the upcoming Ty Segall Band album Slaughterhouse (In The Red) is now available for your listening pleasure. If you’ve seen Ty live lately, you might recognize this song. The band’s been playing it. It’s a longer one (in the grand scheme of Ty releases), but it’s ferocious throughout.
Link to Rolling Stone for listening and downloading: LINK
Album Review: “Heaven” (The Walkmen)

Release: 5/2012
Label: Fat Possum
Comments: I love A Hundred Miles Off. There, I said it! The band hates it. The critics looked at it unfavorably. Fans don’t really mention it among their Walkmen favorites. What does that have to do with Heaven? Well, A Hundred for me is a fun variety of spirited tunes — the garage/punk influenced “Lost In Boston” and “Tenley Town,” the Everyone Who era “All Hands and the Cook,” the unforgettable horns in “Louisiana”. So on and so forth. 2008’s You and Me was outstanding as well, but it sure did mark a shift in the band’s sound. A lasting shift. Heaven emotionally feels like a continuation of the vibes of Lisbon. You can tell who was behind the boards for Heaven – that would be Phil Ek, who has gotten involved with some higher profile ‘indie’ bands like Fleet Foxes and Modest Mouse. The rampant “oh-oh-woah-oh-oh” on Heaven sound less like something Hamilton would think of on his own and more of an Ek thing. I hate those. BUT one of the benefits of “oh-oh-woah-oh-oh” is the fact that (most of) the songs that don’t have a part like that stand out. I will say that I’ll forgive it on “The Witch,” which additionally has a remarkable bass line and some eery clanging. Songs like “Heartbreaker” (great guitar playing and tempo), “Heaven” (minus the extensive oh-oh-woah-oh-oh) and “The Love You Love” feel the most complete to a dude like me who prefers faster stuff. I’d say these three songs in particular might be better than anything from Lisbon. That’s a good record, but not something I could consistently find myself getting into. I think some other people might feel this way. It seems sort of useless to shit on the real slow songs because they do in fact have some worth. The guitar picking in “Line By Line” really draws me in and makes me wonder how the song will turn out. The instrumental minimalism is outstanding. And yes, I can see where people prefer similar minimalist-esque numbers like “We Can’t Be Beat” and “Southern Heart,” but at this stage it’s hard to keep going back to those. The mid-tempo stuff is more pleasing. There are little critiques here and there. “Song For Leigh” has a cool chorus, but I feel like they could have it taken it a few steps further instead of diving right back into the verses. I think these guys had a pretty good idea of what they wanted to include on this record — a few big rockers, some mid-tempo jaunts, and a handful of slow songs. Perhaps the production role that Ek played wasn’t as important as I’ve made it seem, but it seems like in the recent past they’ve left more of an impression without the aid of a larger name helping out. Take You & Me. Practically every song on that record is memorable and inviting from the get-go. With Heaven, I think there is some potential for it to have a lasting impact, but as a young, long-time Walkmen fan it’s rather difficult to embrace the band’s current direction with respect to previous releases. They’re older, they have kids and frankly maybe the thought of another You & Me ‘grandiose’ album or another hard-hitting Bows + Arrows type of work just is not something they want to embrace at this stage. To each his own. I’ll always have a soft spot for The Walkmen being one of my favorite bands from a time when I really started to get into music. I’m not one to shit on a favorite after a lack-luster release or two and certainly Heaven isn’t one of those in the traditional sense. Here’s to hoping it grows on me some more and even if it doesn’t I’ll always keep a focused eye on what these guys are up to next. They’re just one of those bands.
The Handsome Furs Break Up
Sad news, from Facebook:
“With a heavy heart the time has come to let all of you know that Handsome Furs are no more.
The most important thing that needs to be said right now is how extremely grateful we are to all the fans all over the world that showered us with love and support over the years. Thank you for everything! It’s been an incredible 6 years and we owe it all to you.”
KLYAM was fortunate to attend a pair of Furs shows, check out the reviews:
2011 @ Brighton Music Hall
2009 @ Great Scott
I really was into their sound — it was totally unique to me at first listen seeing as I wasn’t too familiar with electro. Dan and Alexei crafted some extremely catchy songs and were a sight to see live. The music lives on, of course, so check it out if you haven’t.
Concert Review: Ty Segall, White Fence, Strange Boys @ Space Gallery

Date: Monday, May 14, 2012
Venue: Space Gallery, Portland, ME
Pre-Show: “That’s the guy,” I say to a long-ish blonde haired young man who has just emerged from the front door of the Space Gallery. That guy is Ty Segall! I had just spoken to band-mates, Charlie and Emily, who were waiting outside. To myself I thought Ty couldn’t be that far away. And here he is. In person, he is just as you’d imagine — well-spoken, friendly, and highly approachable. The kind of guy whom you can get away with saying “do you think you look like this dude over here???” to. Just like an old pal from high school. Well, that old pal might be in grad school or working a 9 to 5 in the big city. Who knows? Ty is a college grad indeed, but he’s accomplished far more things than most in that category have…at least creatively. And he’s only 24 or 25 (depending on who you ask…I’ve even seen 23, but it’s been 23 for a couple of years now…probably could have gotten away with asking him to clarify that).
Strange Boys: What is a typical fans prep work before a show? Whole days spent lounging by the record player or nothing at all? When I can, I like doing some homework, but this process can be like studying for a final…things could go sour if you wait just days before the big test day, but if you’ve been keeping up all along you most likely will be fine. And ‘being fine’ here just means recognizing and appreciating the set as something familiar. Brand new songs can mess this dynamic up slightly, but you know what I mean! I’ve seen the Strange Boys a couple of times before tonight — the first time at the House of Blues opening for Deerhunter and headliner Spoon and the second time at TT The Bears alongside the honorable Gentleman Jesse and His Men and Those Darlins. Those were enjoyable performances, but tonight the Boys seem to be more at ease than ever. In other words, great shit. They even arrived a bit late, but it’s not like anyone would’ve known that without a brief discourse with the sound guy. Ryan Sambol begins the set on guitar, plucking soulfully, and entertaining requests before taking a seat in front of his keyboard. Instead of a set list, they (or maybe just Ryan) opted to go with what felt right. Brother Phillip wanted some real songs and they came eventually, but not before a 30 second tease of Thee Oh Sees “The Dream” via indirect request (what does Portland like?), a little “Sweet Jane” fudging, and a spawning of Glenn Danzig. A girl in the crowd wanted “Laugh At Sex Not Her” and she sure got it. A faster than ever version. In the Strange Boys mix of original material there seemed to be a focus on Live Music, but older cuts were thrown into the mix. To me, they played with more power and tightness than I can recall. The bass was groovier, the guitar solos hit harder, and the drumming was spot-on. Ryan said he hopes to see the crowd come out again next time. They will.
White Fence: The mastermind behind White Fence is Tim Presley. Tim looks fresh out of work, buttoned down collared shirt, dress slacks, you know business casual. Tim’s line of work is rock and roll and the dress code is there isn’t one. So this is what being a rock and roll warrior is all about? God bless. It’s interesting to see him and his band perform – on record, the experience is mainly psychedelic, melodic, but not real crazy. During their set, however, the band is far heavier and immediate. On constant display is Tim’s guitar playing, which propels the band. Don’t get me wrong the other band members are instrumental, quite literally, but Tim is a machine. With such a shitload of material in the White Fence discography, I don’t recognize many of the songs and that’s a bit of a shame. The great thing is the fact that I was impressed and now want to really buckle down and get going with the band. I’ve got the set-list, and now you do too!
Mr. Adams
Who Feels Right
Swagger Vets and Double Moon
The Pool
Long White Curtain
Baxter Corner
Growing Faith
Enthusiasm
Mioclajs
Be Right Too
A Hermes Blues
Down PNX
Get That Heart
Sticky Fruitman Has Faith
Harness
Ty Segall: If you haven’t already gotten the vibes, Ty is one of my favorite musicians. Before this night, I had never seen him live. He was #1 must-see. In fact, I didn’t plan on going to this show until the last minute. How about that! So before the Ty Segall Band came up on stage, Tim on guitar, Mikal Cronin on bass, Nick Murray on drums, and Ty Segall on guitar graced the stage. These four performed two excellent tracks from Hair — “Time” and “Scissor People”. It was a perfect segue into the Band. They came out firing on all cylinders — the explosive entrance of distorted guitar in “Finger” set the course for the night. Heavy moshing, heavy pogo-ing. Heavy clapping. It was all making sense. Save some brief pauses in between songs, it felt like hit-after-hit. Non-stop crowd participation and loving. The three new songs — “Tell Me,” “Eyes,” and “Wave Goodbye” — that the band played off upcoming Slaughterhouse felt like old-time favorites. It makes the wait for that album all that more exciting. For me, I most enjoyed the ending of “Wave,” “The Floor,” “The Drag,” and “My Sunshine”. Consistently great moments. Some people started leaving after “My Sunshine,” and why would they do this? Did they think the band wouldn’t possibly be playing an encore?! Hope they came back because the Band sure did and played two songs. Which songs? I do not know. Maybe you do. They were fun. Perhaps a little “Caesar” or “Skin” to seal the deal would have been even better, but the Band did what they wanted to do. That’s great. This was a top concert experience for certain — I don’t remember being this excited to see a favorite band since maybe the Lips show back in ’09. They followed through on the excitement and then some. Check out all three bands, KLYAMers. You know that.
Ty Segall & White Fence Set-List:
Time
Scissor People
Ty Segall Set-List:
Finger
Doctor Doctor
Girlfriend
Imaginary Person
Cents
Standing At The Station
You Make The Sun Fry
Tell Me What’s Inside Your Heart
I Bought My Eyes
Wave Goodbye
The Floor
The Drag
My Sunshine
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New Highway Hymnal @ Thee Oh Sees
Two great dudes in NHH — guitarist/vocalist Lukas and drummer/destroyer Travis –attempt to see Thee Oh Sees (a favorite of mine as well) live! Watch below:
Also watch them Saturday @ PA’s opening for Mark Sultan and next Thursday @ Great Scott opening for The Strange Boys.
Song Reviews: The Walkmen (Heaven)

It’s been an interesting five years since I first became a Walkmen fan. Of course it all started with “The Rat” from the highly influential (for me) MLB 2k7 soundtrack. At that time I instantly dug deeper into the band’s catalog and realized that I practically loved everything the band had done to that point. Fast forward to March 2008, I e-mail the band asking if they will be playing any all-ages shows in Boston. I receive a response back from their fake band manager, Doug, saying maybe in August. September 2008. They play at the Middle East Downstairs. 18+ — no go. Bummer. Fast forward one more year. I see the band live for the first time. Actually two nights in a row at the Mid East Down. Great times. You and Me was excellent. Lisbon rolled around in 2010 and I honestly wasn’t too impressed. It’s a good record don’t get me wrong, but it is a bit too mellow (on a whole) for my ever evolving, higher energy taste in rock and roll. The band is getting up there in age (mid-late 30s, all are married) so surely they are in a different place than they were in 2004 when Bows + Arrows came out. That record is better suited (lyrically/musically/etc) for a 20-something year old man than a 16 year old or a 40 year old. Here we now are with Heaven, the band’s sixth original studio album. A few tracks have been released and here are my thoughts:
“Heaven” – I enjoy the pace and energy here! It’s fuller than the heaviest on Lisbon (thanks to producer Phil Ek?), but unfortunately things take a cheesy turn with the “oh-oh-oh-oh-oh” at the end. I don’t really see a need for those.
“Heartbreaker” -Now we’re talking. In place of the classic organ is a second guitar. I really like this. The drum crashes, the eternally winding surf guitar on the bridge. Good work, Walkmen! [KLYAM Recommended]
“We Can’t Be Beat” – Ouch. Not truly a disaster, in fact I see a lot of people really love this, but just not my thing at all. At one point in my life I got a little something out of listening to Fleet Foxes. Those days are pretty much gone (with all due respect) so to hear something like this that’s essentially the same thing as a Fleet Foxes song is a little disheartening. The Walkmen can do better. See “Heartbreaker”.
New NOBUNNY – “Drei Blondinen” !!!
The B-side to the “La La La Love You” single on Suicide Squeeze records. 750 copies pressed. Sold out! Stream/buy digital here: http://suicidesqueeze.bandcamp.com/album/la-la-la-la-love-you


