All posts by G. Gordon Gritty

CD Review: Punk [2010]

Band: Reverend Elvis and the Undead Syncopators
Release: 3/2010
Label: Suzy Q Records

1. “I’m A Blues Punk” – B-
2. “Trouble” – B+
3. “The Angel of Death” – B
4. “Kill! Kill! Kill!” – B+
5. “Never Let You Go” – B+
6. “666” – B
7. “Tainted Love” – A-
8. “I Still Believe” – B
9. “Dead Before You Died” – B+
10. “Boppin’ The Blues” – B
11. “Country Heroes” – B-
12. “Rockabilly Riot” – B
13. “Honky Tonkin” – B
14. “Killer Wolf” – B+

Comments: A cross between Bob Dylan and Bloodshot Bill, Reverend Elvis is a great story teller and his back-up crew, the Undead Syncopators, play some sweet licks behind him. “I’m drinking all night long and getting high/I’m drinking all night long not afraid to die” sings Rev. Elvis on “Kill” with a drunken delivery. The band channels fellow rockers King Khan and BBQ Show on “Never Let You Go” if only because of the line: “Oh, little girl I love you/ I love you so and never let you go.” Side note: singing about little girls never gets old does it? How old is little? 20? Hopefully?  Ever wanted to hear a rockabilly cover of Soft Cell’s “Tainted Love” ??? I was actually expecting a GG Allin cover based on the first few chords, but no go. Rev. Elvis really does the chorus great. Ever bopped the blues? BBT has bopped the blues. Unveiled for the first time: a new KLYAM designation. See below.

Grade: B (85)

EP Review: Night Deacon

Band: The Homostupids
Release: 3/2010
Label: Fashionable Idiots

1. “R Companion” – C
2. “The Donovan (chop chop chop)” – C+
3. “Wearing Sammy” – D+
4. “Our Week Is Ending” – D
5. “Swearing Sammy” – C-
6. “Sea Wolf” – C+

Comments: If this is the group’s self-proclaimed best release, then may I ask what kind of shit came before it? Instrumental sounds of shattered glass and farts? Stick to making hardcore funk and cut the so-easy-even-I-could-fucking-do-it shit on “Wearing Sammy” and “Our Week Is Ending.” Great Lightning Bolt impression on “Swearing Sammy.” Nawt. This isn’t even punx.

Grade: C- (72)

CD Review: Volume Two [2010]

Band: She & Him
Release: 3/2010
Label: Merge

1. “Thieves” – B+
2. “In The Sun” – A-
3. “Don’t Look Back” – C
4. “Ridin’ In My Car” – C+
5. “Lingering Still” – C+
6. “Me And You” – B-
7. “Gonna Get Along Without You Now” – B-
8. “Home” – C+
9. “I’m Gonna Make It Better” – B+
10. “Sing” – B+
11. “Over It Over Again” – B-
12. “Brand New Shoes” – C
13. “If You Can’t Sleep” – C-

Comments: Zooey sounds like some ’50s standalone rockabilly/doo-wop singer. Her voice is pretty yet very limiting. “In The Sun” works really well because it’s not an attempt at alternative country. Most songs on here are just bland throwbacks. I don’t have any recommendations for improvement because there’s a crowd of people who dig this kind of stuff.

Grade: B- (81)

US Gov’t Hates Free Speech

Telegraph
WikiLeaks, a non-profit organisation which tries to offer a means of anonymously exposing confidential documents, has become a thorn in the side of governments and private corporations.

Its latest revelation concerns itself, namely a 2008 document attributed to the Army Counterintelligence Centre which concluded that the site constitutes a threat to military operations and US security.

The information could be used by foreign intelligence, insurgents or terrorists for “planning attacks”, the report added.

Its authors warned that the lack of editorial oversight over what could be posted could lead to it being used to spread lies and propaganda.

Their report also revealed that the army had tried to discover the identity of a possible mole leaking information to the site.

Homeland Insecurity!

theFixedFocus

The oldest and most stylish Black Lip, Ian St. Pe, has got himself a side project called theFixedFocus.

The band’s first demo “Movin’ On Up” has a slick “Big Black Baby Jesus of Today” heavy guitar rhythm on top of a light reverb laced guitar. And features lyrics you’d expect from St. Pe like:

“Needed peace of mind/Oh hell yeah I got more than a lot/Laying back, feeling good/Doing like I’ve always done.”
“Can you hear that sound?/ Can you move it around?”
“Am I ready? Ready as I always was.”
“Question, am I all right? All right? In fact, I’m doing gooood.”

You ought to check ’em out: http://www.myspace.com/thefixedfocus

Pete Doherty Arrested

P4K
Doherty has been arrested in England for allegedly providing the drugs that led to the overdose death of Robin Whitehead, a filmmaker and heiress.

Whitehead, whose great uncle was the late billionaire Sir James Goldsmith, was working on a documentary about Doherty when she died in her London apartment in January, apparently of a heroin overdose. TMZ reports that Doherty maintains his innocence, and he’s currently out on bail.

I was listening to Babyshambles “Fuck Forever” when I heard the news. Not really surprising since there is a one in five chance that Doherty will appear in the news on any given day.

Black Lips 2009 Live Review

@ Middle East Downstairs

Chris: The Black Lips put on the best show I’ve ever seen. Very extraordinary, wild, and unpredictable. Of course, they garnered the most audience response and rightfully so. As soon as they stormed into “Sea of Blasphemy,” the crowd went into a frenzy, never remaining still or apart till the end. They played a fairly diverse set with songs from 4 of their 5 studio albums. In my opinion, the best performances were “Dirty Hands” (by far, the whole crowd was most united for this number, rocking back and forth and singing the chorus, def. a highlight of not just this show, but all shows in my somewhat brief concert going career), “Buried Alive,” “Fairy Stories,” “Bad Kids,” “Starting Over,” you know what they were all amazing…. I tried avoiding that, but I couldn’t. The band was more energetic and enthusiastic then most other bands I’ve seen, specifically singer/guitarist Jared Swilley, who often hopped into the crowd and shredded on his guitar. Excellent use of feedback, I must say. He was just a pro in stage antics. Overall, my favorite show by miles. I can’t wait to seem them again, whenever that is.

Glen: Obsessed with the Black Lips for well over two months, I was, for lack of a better word, pumped to see them. Chatting it up with guitarist Cole Alexander before the show was quite a treat. Cole talked to us about what kind of venues the Black Lips are capable of playing in, their lack of ability to play certain songs, and finally their snorting coke and partying with Radiohead producer Nigel Godrich in England. When Alexander and his crew took the stage, the crowd erupted in shouts of “ooooooooohhhhhhhhhhhh” — similar to the Mexican crowd on the opening track off their spectacular live album Los Valientes Del Mundo Nuevo. Then, in a blink of an eye, Jared Swilley picked up his guitar, and so did Cole and Ian St. Pe. Joe Bradley readied himself behind the drumset and the group opened with “Sea of Blasphemy.” The crowd erupted in a moshpit that involved lots of contact and screaming. The contact and the screaming never relented. Between songs, Jared kept remarking how he couldn’t hear the audience for shit (they were screaming out requests). Also between songs involved the tossing of multiple beers. Swilley dropped a pass and joked, “I didn’t play football in high school.” St. Pe, who a little later caught a beer pass, said “I played football in high school.” St. Pe was playing guitar in front of me the whole time. He was clearly inebriated but was still able to strum amazingly. He handed me one of the beers he caught and gave me a high five. Good man. The band was absolutely full of energy and lived up to their “one of rock’s best live acts” reputation. There was no mooning, making out, or pissing on the audience — and there didn’t need to be…crowd surfing and spitting sufficed. The Black Lips played a hodge podge of great tracks ranging from oldies “Bad Kids,” “Buried Alive,” “Dirty Hands,” “Cold Hands,” a 10 minute epic of “Hippie Hippie Hoorah,” “Not a Problem,” “Stranger,” “Katrina,” to songs off their 2009 release 200 Million Thousand like “Drugs,” “Short Fuse,” “Starting Over,” and “Take My Heart.” The last song came, at least for me, unexpectedly. I was having the most fun I’ve ever had and thus began “Juvenile.” Jared let the front row play with his guitar a little before full out diving into us. He was hanging onto the condensation-dripping wall while being pushed around. Beers were being spilled everywhere and everyone was going absolutely nuts. The security guards were getting so pissed that they cut the plug to the mics and started dismantling the band’s equipment. The crowds’ calls, “Encore! Encore!” were repudiated as the lights turned on and the background music played. I would have loved one more, but I can’t complain. If they were going to do an encore…the security were just assholes. It took almost 2 days for my inner-ear buzzing to stop, but it was well worth it and I’d relive the concert again in a heartbeat. Black Lips, if you read this…Boston loves you! Come back this summer…please!