Tag Archives: concerts

Black Lips/Box Elders H & E

As always, before a concert, I make two lists of hopes and expectations I have for said show. Having known that the Black Lips simply don’t play certain songs, my hopes are a bit more realistic than they would be for other performers.

Hopes:
The Black Lips play most of my favorite numbers, there’s far too many to mention. They play “Bad Kids,” my favorite BL song (I guess this is more of an expectation). A couple of new songs are performed, like “So, Long to Carolina.” A couple of cover songs that I am familiar with, chiefly “Too Much in Love” by King Khan/BBQ appears in the set. It would be fantastic if they didn’t get kicked out like last year and played a three song encore. Lastly, the concert is even better than last year’s (my favorite ever) and becomes the greatest concert I’ve ever experienced! For the Box Elders, I hope they play all my faves from Alice and Friends, including “Atlantis,” “Jackie Wood,” “Ronald Dean,” “Death of Me,” and “Hole In My Head,” amongst others. I hope funny man, Dave is just as funny with his aerobic antics as he was before.

Expectations:
The Black Lips play a set that closely resembles the one Glen posted the other day, playing mostly Let It Bloom songs, which is perfectly fine. I have a really, really, kickass time! The show is just as good if not close (either way) to the last one. If they are not given the boot, then they play a two song encore. For Box Elders, I expect them to crank out most of the above tunes. Knowing and loving the songs now, I will enjoy them more than when I saw them open for Jay Reatard (being the first time I ever heard of them); even then I found the ditties extremely catchy! They remain one of the finest opening acts I have ever seen.

Chris

Black Lips 2009 Live Review

@ Middle East Downstairs

Chris: The Black Lips put on the best show I’ve ever seen. Very extraordinary, wild, and unpredictable. Of course, they garnered the most audience response and rightfully so. As soon as they stormed into “Sea of Blasphemy,” the crowd went into a frenzy, never remaining still or apart till the end. They played a fairly diverse set with songs from 4 of their 5 studio albums. In my opinion, the best performances were “Dirty Hands” (by far, the whole crowd was most united for this number, rocking back and forth and singing the chorus, def. a highlight of not just this show, but all shows in my somewhat brief concert going career), “Buried Alive,” “Fairy Stories,” “Bad Kids,” “Starting Over,” you know what they were all amazing…. I tried avoiding that, but I couldn’t. The band was more energetic and enthusiastic then most other bands I’ve seen, specifically singer/guitarist Jared Swilley, who often hopped into the crowd and shredded on his guitar. Excellent use of feedback, I must say. He was just a pro in stage antics. Overall, my favorite show by miles. I can’t wait to seem them again, whenever that is.

Glen: Obsessed with the Black Lips for well over two months, I was, for lack of a better word, pumped to see them. Chatting it up with guitarist Cole Alexander before the show was quite a treat. Cole talked to us about what kind of venues the Black Lips are capable of playing in, their lack of ability to play certain songs, and finally their snorting coke and partying with Radiohead producer Nigel Godrich in England. When Alexander and his crew took the stage, the crowd erupted in shouts of “ooooooooohhhhhhhhhhhh” — similar to the Mexican crowd on the opening track off their spectacular live album Los Valientes Del Mundo Nuevo. Then, in a blink of an eye, Jared Swilley picked up his guitar, and so did Cole and Ian St. Pe. Joe Bradley readied himself behind the drumset and the group opened with “Sea of Blasphemy.” The crowd erupted in a moshpit that involved lots of contact and screaming. The contact and the screaming never relented. Between songs, Jared kept remarking how he couldn’t hear the audience for shit (they were screaming out requests). Also between songs involved the tossing of multiple beers. Swilley dropped a pass and joked, “I didn’t play football in high school.” St. Pe, who a little later caught a beer pass, said “I played football in high school.” St. Pe was playing guitar in front of me the whole time. He was clearly inebriated but was still able to strum amazingly. He handed me one of the beers he caught and gave me a high five. Good man. The band was absolutely full of energy and lived up to their “one of rock’s best live acts” reputation. There was no mooning, making out, or pissing on the audience — and there didn’t need to be…crowd surfing and spitting sufficed. The Black Lips played a hodge podge of great tracks ranging from oldies “Bad Kids,” “Buried Alive,” “Dirty Hands,” “Cold Hands,” a 10 minute epic of “Hippie Hippie Hoorah,” “Not a Problem,” “Stranger,” “Katrina,” to songs off their 2009 release 200 Million Thousand like “Drugs,” “Short Fuse,” “Starting Over,” and “Take My Heart.” The last song came, at least for me, unexpectedly. I was having the most fun I’ve ever had and thus began “Juvenile.” Jared let the front row play with his guitar a little before full out diving into us. He was hanging onto the condensation-dripping wall while being pushed around. Beers were being spilled everywhere and everyone was going absolutely nuts. The security guards were getting so pissed that they cut the plug to the mics and started dismantling the band’s equipment. The crowds’ calls, “Encore! Encore!” were repudiated as the lights turned on and the background music played. I would have loved one more, but I can’t complain. If they were going to do an encore…the security were just assholes. It took almost 2 days for my inner-ear buzzing to stop, but it was well worth it and I’d relive the concert again in a heartbeat. Black Lips, if you read this…Boston loves you! Come back this summer…please!

Concert Review: Mission of Burma (Paradise)

Bands: Mission of Burma, The Konks
Location: Paradise Rock Club (Boston, MA)
Date: January 15, 2010

Introduction: A last minute decision was made to go to this show. I heard about it back in December and I was really excited and planning on going. I sort of forgot about it until the day of so at that point I got a hold of some tickets. Ben and I made the grueling walk to Commonwealth Avenue from Ruggles Station. We made pretty good timing, with only the diehards (including a J. Mascis look-a-like) standing there before us.

The Konks: I hate to say that these guys are your typical middle age garage rock band, but they really do embody that persona. “With cheap guitars and only two lousy drums,” they play fast paced Bompalicious rock that sounds incredibly polished given their frugality. Drummer Kurt Davis (looks like he is going to kick your ass at any given moment) knows how to command his two lousy pieces with precision and the two guitarists do their thing well enough. Most of the time I couldn’t make out what the fuck Davis was saying, but I did happen to notice a song that really stuck out. “God says ‘woah, motherfucker’ God says” is pretty messed up and I’m sure that’s their point.

Mission of Burma: “Wait, who are we seeing tonight?” joked (or was he being serious?) Ben as we approached the venue. In the grand scheme of things, I’m not too familiar with MoB myself, but still I was able to have a pretty great time. I recognized their older classic “That’s When I Reach For My Revolver” and new hit “1, 2, 3, Partyy,” but unfortunately the buck stopped there. I’m sure they played a good chunk of material from 2009’s The Sound the Speed the Light, but shame on me for not extensively listening to that (even though I gave it a 9 out of 10 rating). Peter Prescott’s between song banter was humorous and Bob Weston did a tight job on audio engineering. I was convinced Miller said “here’s a Jay Reatard cover” at one point, but looking back I’m almost positive he said “here’s a new one.” So yeah, these guys gave us an awesome show. It was nice to see a few under 30s in the crowd. I mean they might as well make it 40+ instead of 18 for these guys.

Grade: B

VIVIAN GIRLS @ GREAT SCOTT

Vivian Girls, the last remaining great all-girl group that put out a record in 2009, will be playing at Allston’s Great Scott on March 8. Unfortunately for some folks that might suck because it’s on a Monday night. Tickets are $10 and are available for purchase at the venue or online. Opening for the Girls will be Male Bonding, a pretty sweet UK noise/garage outfit.