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CD Review, Music, Radiohead

CD Review: The King of Limbs [2011]

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Band: Radiohead
Release: 2/2011
Label: Self-Released

1. “Bloom – B+
2. “Morning Mr. Magpie” – B
3. “Little By Little” – A
4. “Feral” – C
5. “Lotus Flower” – B
6. “Codex” – B
7. “Give Up The Ghost” – B+
8. “Separator” – A

Comments: A quick examination of message boards and the like will reveal that this album isn’t universally agreed upon as excellent or anything like that. Three years ago, I was quite convinced that In Rainbows was fantastic (and that everyone thought similar), but upon reading plenty of diverse views, a lot of people suggested it was one of the band’s worst efforts. So here we are. From the start, I was struck with a Kid A vibe, something industrial and electronic. The drum beat sounds like machinery running. The bass line is pretty much kind of dub — I’ve seen it ‘post-dubstep’ thrown around, but what? — but that doesn’t really matter. It’s an ethereal song, perhaps best appreciated for what it is, rather than what it isn’t. It improves with listens, as you’ll gain new perspectives on exactly what is going on. Maybe the first time you missed the left panned vocals that precede each line of the last verse. “Morning” continues the tradition of very structured drum and bass and galactic environment. There’s nothing that makes the song a real standout, but it acts a pretty solid follow-up to “Bloom,” instrumentally at least. The rock ‘n’ roll side of Radiohead, which as of late has been accompanied by, at the minimum, a tiny bit of electronica, comes on strong in “Little By Little.” This tune matches up along side the standard fare of In Rainbows…just catchy, bullshit-lacking pieces of work. It’s always humorous how people interpret songs. On Song Meanings, a few people say it’s about corporate evil and greed (this is what we’d expect from Radiohead) while another equates “the one that broke the seal” to a dude who has had a lot to drink and needs to take a piss every ten minutes. As far instrumental, throw-away tracks, “Feral” isn’t too bad. It’s bad in terms of necessity/placement, but in the context of this LP, it somewhat works. We’ll settle for average. “Lotus Flower” and “Codex” are good, but are pretty in-differentiable if I had to say so myself. “Separator” is classic Radiohead, just a beautifully written song. The best on here, for sure. So at the end of this review, I must say a great ending followed an effective (but not the most captivating) mix of seven tunes. Good Radiohead, just not the best.

Grade: B (86)

CD Review, Kurt Vile, Music

CD Review: Smoke Ring For My Halo [2011]

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Band: Kurt Vile
Release: 3/2011
Label: Matador

1. “Baby’s Arms” – A-
2. “Jesus Fever” – A-
3. “Puppet to the Man” – B
4. “On Tour” – B-
5. “Society Is My Friend” – B
6. “Runner Ups” – C+
7. “In My Time” – B+
8. “Peeping Tomboy” – B-
9. “Smoke Ring For My Halo” – B-
10. “Ghost Town” – B

Comments: Vile’s live show (with the Violators) has always been one of noise and layer. On record, however, the childish prodigy has excelled at displaying a softer side that, while layered in realms of noise, is more delicately catchy and intriguing than the in-person experience. Following the KISS [Keep it simple, stupid…not the band] principle that I’ve always been fond of as a fan of music, Vile can really do a lot with a little. Unfortunately, this record is a continuation of a trend I’ve noticed in Vile’s music over the years: lack of differentiation. I don’t really blame him, but just about every song flows and sounds quite similar to the previous/next one. “In My Time,” which was first released as the title track of his 2010 EP of the same name, belongs in the category of Vile’s stronger set of songs. It features a prominent electric guitar and more memorable melody. In the end, this album don’t impress-uh-me much (to quote Shania Twain), but there definitely are some good listens to be enjoyed in the sea of repetition.

Grade: B (84)

CD Review, Music

CD Review: Zonoscope [2011]

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Band: Cut Copy
Release: 2/2011
Label: Modular

1. “Need You Now” – B+
2. “Take Me Over” – B+
3. “Where I’m Going” – B
4. “Pharaohs & Pyramids” – B-
5. “Blink And You’ll Miss A Revolution” – B-
6. “Strange Nostalgia For The Future” – B-
7. “This Is All We’ve Got” – B-
8. “Alisa” – B+
9. “Hanging Onto Every Heartbeat” – A-
10. “Corner of the Sky” – A-
11. “Sun God” – B

Comments: Though not my favorite type of music by any stretch, the electronica/rock and roll mixture can be a real entertainer if done right. Cut Copy is a groovy group — fitting bass lines/overall dance-y feel, etc, etc. They often do it right. Historically speaking, that tune of theirs “Going Nowhere” was and still is somewhere in my favorites of all epochs list. I think I fell sucker to it during my Postal Service/Figurine stage of life around ’05 or ’06. It’s greatness. “Hearts on Fire” was a jam, too. Initial feeling of this record is that it’s likable, but not overly so. Not sure they could’ve done anything differently to make it standout…the nature of the dude’s voice is a lil’ limiting. Perhaps not go the Merriweather Post Pavilion direction and stick to captivating pop? At any rate, props should be given where props are due and Cut Copy deserves some on a few songs like “Take Me Over,” “Alisa,” and “Hanging.” “Hanging” is the standout of the group — relying on fairly subtle electronic arrangements and favoring more typical rock ‘n roller elements. “Corner” is quite the dance song.

Grade: B (84)

CD Review, Music

CD Review: The Mind Spiders [2011]

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Band: The Mind Spiders
Release: 1/2011
Label: Dirtnap Records

1. “Go!” – A-
2. “Don’t Let Her Go” – A
3. “Mind Spiders Theme” – B
4. “Read Your Mind” – B-
5. “Going Away Tonight” – A
6. “No Romance” – A-
7. “No. 3” – A-
8. “One Step Ahead” – A
9. “Slippin’ and Slidin” – A-
10. “Your Soul” – B-
11. “Neurotic Gold” – A-
12. “Close the Door” – B-

Comments: From the start, I could tell ya know, this is going to be a very enjoyable record. Heard The Marked Men for the first time or so a few months ago and they stuck out. This is the new band of guitarist/singer Mark Ryan. First song on Mind Spiders “Go!” sounds real revivalist, real nice to me, though Dusted said it was the “least pop-oriented rocker.” I have to respectably disagree. “Don’t Let Her Go” has a Jay Reatard vibe, especially in the vocals and the non-intrusive hella catchy synthahsizer. I got the same feeling for “Going Away Tonight.” These songs are the best.  Ryan and crew probably influenced Reatard a ton, so I don’t mean to make it sound like they are taking anything from him…not at all. The instrumentation/recording is very precise and nice. “One Step Ahead” is pretty much pure hooky rock and roll. The guitar work should be noted. The bass line and the overall eccentricity of “Neurotic Gold” makes it a tune to remember. Some of the slower, less immediate tunes are still solid tracks, but the Mind Spiders are at their best at their heaviest.

Grade: B+ (88)

CD Review, Music

CD Review: Mine Is Yours [2011]

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Band: Cold War Kids
Release: 1/2011
Label: Downtown

1. “Mine Is Yours” – B-
2. “Louder Than Ever” – A-
3. “Royal Blue” – C
4. “Finally Begin” – C
5. “Out of the Wilderness” – B-
6. “Skip the Charades” – B
7. “Sensitive Kid” – B-
8. “Bulldozer” – C
9. “Broken Up” – C-
10. “Cold Toes on the Cold Floor” – C-
11. “Flying Upside Down” – C

Comments: If we get over the fact that Cold War Kids have historically been rather high-aiming, we all might appreciate this record a little more. There is some intrinsic value in CWK’s way of going about sounding ‘big’ — their ‘art’ doesn’t come off as forced. They’ve always incorporated blues and soul into their pop appearance more emphatically than a group they are often compared to — Kings of Leon. Keeping that in mind, there indeed seems to be a limit on creativity (confirmed via this record) in pop-sensible modern rock. For a decade or two, we’ve all heard dry John Mayer/dry Matchbox 20/dry (insert lame top 40 “rock” band here).  “Mine Is Yours” is pretty bland (good, but generically so) and “Louder Than Ever” also sounds like just another anthemic tune. I’m not sensing any of the depth that debut LP Robbers & Cowards or 2010 EP Behave Yourself brought to the table. Even something strippeddownLOUDstrippeddownLOUD like “Out of the Wilderness” just doesn’t come off as triumphant as it wants to be, minus a few satisfying parts here and there. “Skip the Charades” is a nice idea and a pretty solid slow song, without sounding retarded or cheesy. The last four or so songs are just utterly un-fulfilling. I don’t think I’m going to completely give up on Cold War Kids, but where are the immediate hooky tunes (“Saint John,” “Heavy Boots,” etc) that got me interested in them in the first place? Except for “Louder Than Ever” not on here.

Grade: C+ (77)

CD Review, Music

CD Review: The Babies [2011]

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Band: The Babies
Release: 02/2011
Label: Shrimper

1. “Run Me Over” – A-
2. “Sunset” – A
3. “All Things Come to Pass” – A-
4. “Meet Me In The City” – A+
5. “Personality” – A-
6. “Breakin the Law” – A-
7. “Sick Kid” – A-
8. “Wild 1” – B+
9. “Wild 2” – A
10. “Caroline” – A-

Comments: The Babies, featuring Cassie Ramone (guitar/vocals Vivian Girls), are like The Beets if The Beets were clearer and were more prone to trying new things. Don’t get me wrong, much props to The Beets for their great music, but this (after all) is the product of musicians who have been making fairly respectable/good music in their own bands for a long while. “Run Me Over” features the coy vocals of Ramone, which sound slightly out of place in an unadulterated garage rock song, but at the same time seem very fitting. Her singing comes out the best on something like “All Things Come to Pass,” which is comfortably in Vivian Girls territory. Kevin Morby of Woods sings when Ramone doesn’t (and sometimes they even harmonize!). He can get his folk on (“Sunset”) or do his best Black Francis at will (“Meet Me In The City”, “Wild 2”). Speaking of “Meet,” it’s truly the best on the record. It’s so catchy! “Wild 2” is sweet through-and-through, like a slowed down “Mr. Grieves” or an old-time Weezer tune or something. Overall, I am very impressed by this band and by this record. It’s quick and very fun. So yeah, good job Babies.

Grade: A- (91)

CD Review, Music, Peter Bjorn and John

CD Review: Gimme Some [2011]

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Band: Peter Bjorn and John
Release: 3/2011
Label: Wichita Recordings

1. “Tomorrow Has To Wait” – A
2. “Dig A Little Deeper” – A
3. “Second Chance” – A-
4. “Eyes” – A-
5. “Breaker Breaker” – A
6. “May Seem Macabre” – B
7. “(Don’t Let Them) Cool Off” – A
8. “Black Book”- B+
9. “Down Like Me” – A-
10. “Lies” – A+
11. “I Know You Don’t Love Me” – A

Comments: Peter Bjorn and John have been around for more than a decade and, after many a pop song, have established themselves as an upper-echelon independent band. Their big break as you all may remember was Writer’s Block from 2006 which won ubiquitously positive reviews. It’s a personal favorite of mine. On that record was their biggest hit, the whistle hooked “Young Folks.” Their experimental follow-up came in 2009 with Living Thing, which was reviewed in the mainstream with far less enthusiasm and much more mixed feeling than Writer’s Block. My feeling is that critics weren’t expecting the band to make as much of a departure as they did from standard rock and roll. I actually really enjoyed Living Thing, which was still PB&J at its core, just with a bunch of electronic stuff thrown in the mix. Gimme Some is not really a return to their old style of songwriting, but more of an evolution towards unchartered territory. On this album, backing vocals and involved guitar riffs and parts are more dominate than ever before I’d say. I wouldn’t have expected PB&J to veer into a garage-pop/punk direction, but they do pretty nicely on “Breaker Breaker” and “(Don’t Let Them) Cool Off”. The power-pop of “Lies” is real good! If they have another brush with b-level ‘fame’, I’d like to think it will be because of this song.  Pretty sure I just said this, but they really never have played as fast as they do here! It’s awesome. Gimme Some initially lacks that ‘oohhh shit!!’ element that Writer’s Block has. That was almost a concept album, though. It ran the gamut of musical emotions. This is more of a variety platter, but one that has a little bit of all of the ‘good stuff’. It’s like ordering a pu pu platter that comes with a bunch of tasty items like chicken wings, fingers, and ribs and some other stuff that is edible, but not the greatest by any stretch.

Grade: A- (92)

CD Review, Music, The Beets

CD Review: Stay Home [2011]

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Band: The Beets
Release: 1/2011
Label: Captured Tracks

1. “Cold Lips” – A-
2. “Dead” – B
3. “Hens and Roosters” – A-
4. “Watching T.V.” – B
5. “Pops N’ Me” –  A-
6. “Floating” – A-
7. “Eat No Dick 2” – C
8. “Let It Dim” – B-
9. “Knock On Wood” – B-
10. “Just A Whim” – A-
11. “Your Name Is On My Bones” – A-
12. “Young Girls” – B+
13. “Flight 14” – A-

Comments: The Beets of Queens, New York (word to Queens — the best borough in NYC), a staple in the NYC DIY community, have followed up their first collection of songs with Stay Home, thirteen new songs about staying home. The coy, stripped down nature of these tunes are typically inviting and catchy. Stay Home is definitely meritorious of better acclaim than it will probably get. The more ‘professional’ music personalities will most likely brush this to the side given its home recording quality. The songs themselves have a Beat Happening feel to them, driven by neat vocal harmonies (“Floating”) and puerile topics (“Hens and Roosters,” “Pops and Me”). What separates The Beets from the rest of them is the singer Juan Wauters…his accent and delivery, specifically.

Grade: B (86)

CD Review, Music

CD Review: Outside [2011]

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Band: Tapes ‘n Tapes
Release: 1/2011
Label: Ibid Records

1. “Badaboom” – A
2. “SWM” – B+
3. “One In The World” – A-
4. “Nightfall” – B-
5. “Desert Plane” – B+
6. “Outro” – B-
7. “Freak Out” – B+
8. “The Saddest Of All Keys” – B
9. “Hidee Ho” – A-
10. “People You Know” – A
11. “On and On” – A-
12. “Mighty Long” – A

Comments: Tapes have always had a ‘bigger’ feel to them, but it seems more manifest on this record. They can pull a ballsy Kings of Leon on “SWM” and a fine orchestral sophisticated, extralocal Vampire Weekend esque swag on “One in the World.” The horns don’t disappear on “Nightfall,” which is a bit of a mess of a song. “People You Know” has a moderate Walkmen feel complete with a soothing organ and a tranquil rhythm. Just awesome. On that note, the last four songs on here rule; the sound that dominates on these songs is the sound that won me as a fan of the band. T+T keeping things simple and slowed down is best. I’m going to try to let the lower graded tracks grow on me. There’s a lot to like on here.

Grade: B+ (88)

Tapes ‘n Tapes play at the Paradise Rock Club on February 3, 2011.

Bloodshot Bill, King Khan, Music

Feliz Navidad From Tandoori Knights/CD Review

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Bloodshot Bill and King Khan!
http://www.youtube.com/watch?v=jJMmEw2Hx-w&feature=player_embedded#!
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Title: Curry Up, It’s The Tandoori Knights
Release: 11/2010
Label: Norton Records

1. “Pretty Please” – B+
2. “Bucketful” – B-
3. “Roam The Land” – B-
4. “Tandoori Party” – B-
5. “Books and Ribs” – B-
6. “Bandstand” – B+
7. “Big Belly Giant” – B
8. “Into Her Arms” – B+
9. “Dress On” – B-
10. “Lovers Moon” – B-
11. “Brown Trash” – B-
12. “Beauty and The Feast” – B-

Comments: About time for a review of this record, which is surely something else. The story is warm one: rockabilly Indo-Canadian Bloodshot Bill gets together with fellow Indo-Canadian, garage/punk/soul master Arish King Khan and they decide to make a record. They could’ve stuck to a traditional script that utilized the best of both worlds as Bill and multi-talented kingpin Mark Sultan did when they got together and recorded The Ding-Dongs. Curry Up sounds like a natural export of Hindustan, at least as soon as the guitar begins on “Pretty Please”. Bill takes the lead vocals on pretty much all of the tracks, which kind of makes this sound pretty Bloodshot Bill-esque. Bill’s vocal flexibility and plethora of musical skill means that he can pull something like this off pretty well. King is heard sparsely on this record, which is disappointing as a bigger King fan. These songs are quite humorous, making me think I probably shouldn’t take this record too seriously! As a cheesy one-off, it is what it is. At the apex of funniness is probably “Into Her Arms,” a tale of falling into the octo-arms of some nice Indian lady. What’s the purpose of the eight arms? Well, “one to whore me, one to score me, two to spank me, four to thank me!”

Grade: B/B-