Tag Archives: Bradford Cox

Concert Review: Spoon, Deerhunter, Strange Boys @ House Of Blues (3/27/10)

Artist(s): Spoon, Deerhunter, Strange Boys
Venue: House of Blues, Boston, MA
Date: Saturday, March 27, 2010

Note: Glen and I basically came to see the Strange Boys and Deerhunter, the opening acts and some of our current favorites, not to discredit Spoon in any way, but this was most likley different from other concertgoers.

Act I: Strange Boys– These garage rockers, for lack of a better face, excuse me, word, were one of the tightest bands I have ever seen live. Considering, their garage label, one would think they were sloppy and what have you like the Black Lips (not an insult!). But, in fact, quite the opposite, the band actually resembled their recordings pretty damn well. I suppose this is kind of a weakness, because live performances are naturally better when they are different from their recorded counterparts. But, then again, the boys were rather entertaining. They played several classic dittties, such as “Woe Is You and Me,” (my favorite SB tune!) “Should Have Shot Paul,” “Be Brave,” “A Walk On the Beach,” and others. ‘Woe’ was nearly perfect; the vocals were astonishingly accurate (if you know what I mean) and the guitars roared in unisen as we all know and love it. ‘Walk’ showcased SB soft side; seriously no fucking up the vocals or anything! and the crew exceptionally erupted into the heavy part of the song. Unfortunately, it seems like most kiddies and oldies in attendence were unaware of SB existence and during the soft part of the latter number, you could hear some creeps chi chi chi chatting away. Boring fucks! Looking back, the group did a great job, that I did not fully appreciate immediately due to their somewhat short set, under 30 minutes (at least through a fan’s point of view) and the fact that they did not play as many of my favorites as I expected them to. Overall, it was great and they are now amongst the kickass artists I have seen live.

Glen: Exactly what Chris said. Also, I can’t wait to see them headline someday (or open again).

Act II: Deerhunter– LOUD! and when I mean loud, I mean reverberate through your mind, body and soul and shake real low inside the lowest drums of your ears. Seriously, loudest band I’ve ever seen! and this time, unlike Dinosaur Jr, I was standing right next to the speakers lol. It was an incredible audio assault, real gorgeous, sonically and visually. The lights were fantastic and nicely complemented the bizarre music/performance, which, by the way, was easily the most technically sophisticated performance I have seen live, with Sonic Youth as the only contender. Singer/guitarist, Bradford Cox, the “nicest guy in Rock and Roll,” as Glen calls him, demonstrated some serious skill in the field of showmanship. This included, direct eye contact, hiding behing his guitar, then pretending to gobble it up, whilst posing for the cameras, and don’t forget that he loves Boston! as he proclaimed numerous times. Musically, Cox and crew played some Cryptograms tracks, but mostly Microcastle songs including “Never Stops,” “Nothing Ever Happened,” and the title track. Unfortunately, they didn’t play many of my favorites and they played nothing from their last release, the EP, Rainwater Cassette Exchange. The Atlanta rockers finished their exqusite set with the classic, dance track, “Operation.” Deerhunter was definitely my favorite from the night, no surprise. I can’t wait to experience their Supreme Genius again.

Glen: Loudest for sure. Bradford was the man. All members of the band were. Drummer Moses Archuleta really pounded hard and with fine precision. My favorite two songs were “Nothing Ever Happened” and “Operation.” “Nothing Ever Happened” was awesome because it was loud and featured an extended jam. “Operation” was just pure dance-rock or dance-punk. It’s way better live than on record.

Act III: Spoon– Not being a fan of Spoon (actually never listening to them prior to the show), I don’t have much to say here. I enjoyed their performance very much and I thought they were quite entertaining and displayed the right chops as a great Rock act. I could tell the crowd was really engaged with their performance and the musicians were equally interactive with their audience. Usually, with most bands I see live that I don’t know well, I lose interest, but with Spoon, I appreciated what I was seeing/hearing and greatly admired their performance.

Glen: I agree with Chris. I was really only vaguely familiar with Spoon prior to this show. I feel like it’s a must for me to research their earlier discography because there were definitely some songs that connected with me during this show. Even the new stuff off Transference, which was a decent at best studio album, sounded much much better live. Songs that stuck out to me (ones that I knew from before and/or caught my attention) were “You Got Yr. Cherry Bomb,” “Got Nuffin’,” “Don’t Make Me A Target,” “Written in Reverse,” “Don’t You Evah,” “Who Makes Your Money?,” “I Turn My Camera On,” and opener “Before Destruction.”

Set-List:

    1. Before Destruction
    2. Nobody Gets Me But You
    3. Rhythm & Soul
    4. You Got Yr. Cherry Bomb
    5. They Never Got You
    6. Stay Don’t Go
    7. Vittorio E
    8. Got Nuffin’
    9. Metal School
    10. Don’t Make Me A Target 
    11. Written In Reverse
    12. The Beast And Dragon, Adored
    13. Don’t You Evah 
    14. Who Makes Your Money
    15. I Summon You Play Video
    16. Trouble Comes Running 
    17. I Turn My Camera On
    18. The Underdog
    19. Encore:
    20. Is Love Forever
    21. Finer Feelings

Grade: A, definitely this will go down in my top ten favorite concerts! A night of three highly diverse, exciting, independent artists, what more can you ask for?

the Black Lips! but we saw them two days earlier suckas!!!

Glen: I haven’t figured it out yet, but this is definitely a top show. In the A/A- range.

Chris

Great Bradford Cox Quote

Talking about album leaks:

When Lotus Plaza came out I was like a mom or something. Keeping up. The way that it went from anticipation anticipation anticipation anticipation…it’s such a sexual thing. You know what I mean it’s like they really wanted to see him with his clothes off. The album leaks like a fucking homemade sex video or something. Once the real album comes out it’s almost like yeah, I fucked her. I fucked him. I fucked that person already. When they first start getting it on they’re like “oh my God Atlas Sound is shit compared to this! Deerhunter is shit! Lotus Plaza is Deerhunter! Lotus Plaza is the essential essence of good music! Lotus Plaza is the transcendental…” The first two weeks it’s always the same. Then a week later they’re is a backlash. I’m tired of hearing about how good this is. The album isn’t even out yet! Think about In Utero: it took a year of 92/93/94 for that cycle to fully happen. There was an important day like Election Day. There’s not that anymore. People have destroyed a format of art. I have too. I’m not being Mr. Highhorse. I’m sorry for the tirade.”

Bradford Cox on Jay Reatard

“Jay was what few people have the capacity to be. He created an undeniably classic album that contained so much pain transfered to tape in such an explosive way that it made you feel different after hearing it. He was transgressive and honest. His flaws were something he focused on and overdubbed and distorted until they made you forget who he really was – a person with feelings and a good heart. He loved music and worked hard from a young age to pursue it. He was a self-made and unmade man. I am truly sickened to see him go. “- Bradford Cox. Below is Jay’s cover of Deerhunter’s Fluorescent Grey.
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Chris

Classic Album Review: Microcastle/Weird Era Cont.

Artist: Deerhunter
Album: Microcastle/Weird Era Cont.
Length: 81 Minutes
Label: Kranky
Year: 2008\

Microcastle

1) Cover Me (Slowly)- 9- Epic as fuck! Deerhunter kicks right in with a trippy, psychedelic, almost Pink Floydish triumph. I’m sure fans will cover it slowly over time.

2) Agoraphobia- 9- The first track perfectly flows right into this ditty. Lyrically, Pundt desperately moans, “Come for me, cover me, come for me, comfort me,” thus making these first two numbers inseparable.

3) Never Stops- 9- The flow keeps going. This is a pretty catchy tune actually. As spacey as Deerhunter can be (and they really are on this record) they never stop reeling you in with their pop hooks. Ok, I’ll cease making retarded puns from here on!

4) Little Kids- 9- This track is a bit slower than the others and doesn’t necessarily jump out at you, but it works in its own way. I dig the little bell like sounds in the background. They’re barely noticeable at first listens and yet so vital. That’s what I really appreciate about Deerhunter, the little things you continually discover after much needed ear time.

5) Microcastle-9- Very atmospheric, much like the opener: slow vocals in the background, really spacey. The emotion lies far more in the sound of the vocals than the actual lyrics themselves. I really dig it when the music unexpectedly explodes into a massive rocker. Truly a surprise that makes this track stand out as a Deerhunter classic.

6) Calvary Scars-8- This track makes heavy use of strange sound effects.

7) Green Jacket- 9- As with most of the songs, the previous track smoothly weens it’s way into this track. The highlight of this track is the beautiful piano work.

8) Activa- 8- Not much to say here lol.

9) Nothing Ever Happened- 9/10- Certainly one of the record’s strongest tracks. Unlike, other Deerhunter songs, this one is rocker you can bop to. The lyrics are demented and disturbing, but insanely catchy.

10) Saved By Old Times- 9- Starts with some simple strumming on an acoustic guitar, just like Old Times, bluesy garage stuff of the Black Lips fashion. Speaking of the Black Lips, midway into the song, everyone’s favorite cocksucker, Cole Alexander provides some bizarre, hilarious vocals. I swear he mentions being trapped in a basement, well he would know.

11) Neither Of Us, Uncertainly- 8- Psychedelicly like the others. It’s a decent track, but doesn’t particularly stand out.

12) Twilight At Carbon Lake- 9/10- Fantastic closer of grandiose proportions; just as epic, if not more, than the opener! In fact, it has a reprise feel to it, like you are just picking up where you left off at the beginning and everything in between was just a haze. Simply, the number has a very pop like, inviting sound to it, supported by 50s-60s era vocals, which makes you feel all warm inside ahah. Of course, the experience culminates into a heavy meltdown, as manic as anything else on this record. It’s an explosion of all the instruments and passion these Atlanta fellas have to offer. To Be Continued…



Weird Era Cont.
:

Unlike Mircro, for Weird Era I will provide some deep analysis as always, but not track by track rundown. First things fucking last, Micro is the superior of the two, but Weird Era perfectly complements it’s predecessor. With the first track, “Backspace Century,” the ambient, shoegaze flow is continued. In “Operation,” we find ourselves dancing and prancing to it’s catchy, electronic beat. As I said, much of this record shares the psychedelic/ambient sound of Micro, but it lacks in popability. The tracks have cool sounds that are stimulating to my ears, but they don’t make the hair on my testes jump up in excitement, like memorable Rock and Roll songs should do. In many ways Weird Era and Micro are like brothers and sisters and other ways they are their own entities, to be heard separately.

Final Comments/Grade
: A-, this is the kind of album that you have to experience as an album, from start to finish to really appreciate. And, I’m positive several, if not many listens will be required to truly grasp the brilliance of Deerhunter. There are pop songs and rock songs and yes even dance songs here. But, they do not jump out and dangle their naked bodies at ya and beg you for acceptance. In contrast, you have to dig deeper. May I suggest, a quiet place, alone perhaps, when it’s dark, just getting dark, dusk, early in the wee hours of the morning before you start to see light. I can imagine this would be a terrific record to lie back and stare at the stars to. Personally, there is a wintery feel to this record that enhanced the beauty of the record. All in all, a kudos to Cox and crew, I hope their musical/emotional exploration never stops…

Chris