Album: Microcastle/Weird Era Cont.
Length: 81 Minutes
1) Cover Me (Slowly)- 9- Epic as fuck! Deerhunter kicks right in with a trippy, psychedelic, almost Pink Floydish triumph. I’m sure fans will cover it slowly over time.
2) Agoraphobia- 9- The first track perfectly flows right into this ditty. Lyrically, Pundt desperately moans, “Come for me, cover me, come for me, comfort me,” thus making these first two numbers inseparable.
3) Never Stops- 9- The flow keeps going. This is a pretty catchy tune actually. As spacey as Deerhunter can be (and they really are on this record) they never stop reeling you in with their pop hooks. Ok, I’ll cease making retarded puns from here on!
4) Little Kids- 9- This track is a bit slower than the others and doesn’t necessarily jump out at you, but it works in its own way. I dig the little bell like sounds in the background. They’re barely noticeable at first listens and yet so vital. That’s what I really appreciate about Deerhunter, the little things you continually discover after much needed ear time.
5) Microcastle-9- Very atmospheric, much like the opener: slow vocals in the background, really spacey. The emotion lies far more in the sound of the vocals than the actual lyrics themselves. I really dig it when the music unexpectedly explodes into a massive rocker. Truly a surprise that makes this track stand out as a Deerhunter classic.
6) Calvary Scars-8- This track makes heavy use of strange sound effects.
7) Green Jacket- 9- As with most of the songs, the previous track smoothly weens it’s way into this track. The highlight of this track is the beautiful piano work.
8) Activa- 8- Not much to say here lol.
9) Nothing Ever Happened- 9/10- Certainly one of the record’s strongest tracks. Unlike, other Deerhunter songs, this one is rocker you can bop to. The lyrics are demented and disturbing, but insanely catchy.
10) Saved By Old Times- 9- Starts with some simple strumming on an acoustic guitar, just like Old Times, bluesy garage stuff of the Black Lips fashion. Speaking of the Black Lips, midway into the song, everyone’s favorite cocksucker, Cole Alexander provides some bizarre, hilarious vocals. I swear he mentions being trapped in a basement, well he would know.
11) Neither Of Us, Uncertainly- 8- Psychedelicly like the others. It’s a decent track, but doesn’t particularly stand out.
12) Twilight At Carbon Lake- 9/10- Fantastic closer of grandiose proportions; just as epic, if not more, than the opener! In fact, it has a reprise feel to it, like you are just picking up where you left off at the beginning and everything in between was just a haze. Simply, the number has a very pop like, inviting sound to it, supported by 50s-60s era vocals, which makes you feel all warm inside ahah. Of course, the experience culminates into a heavy meltdown, as manic as anything else on this record. It’s an explosion of all the instruments and passion these Atlanta fellas have to offer. To Be Continued…
Weird Era Cont.:
Unlike Mircro, for Weird Era I will provide some deep analysis as always, but not track by track rundown. First things fucking last, Micro is the superior of the two, but Weird Era perfectly complements it’s predecessor. With the first track, “Backspace Century,” the ambient, shoegaze flow is continued. In “Operation,” we find ourselves dancing and prancing to it’s catchy, electronic beat. As I said, much of this record shares the psychedelic/ambient sound of Micro, but it lacks in popability. The tracks have cool sounds that are stimulating to my ears, but they don’t make the hair on my testes jump up in excitement, like memorable Rock and Roll songs should do. In many ways Weird Era and Micro are like brothers and sisters and other ways they are their own entities, to be heard separately.
Final Comments/Grade: A-, this is the kind of album that you have to experience as an album, from start to finish to really appreciate. And, I’m positive several, if not many listens will be required to truly grasp the brilliance of Deerhunter. There are pop songs and rock songs and yes even dance songs here. But, they do not jump out and dangle their naked bodies at ya and beg you for acceptance. In contrast, you have to dig deeper. May I suggest, a quiet place, alone perhaps, when it’s dark, just getting dark, dusk, early in the wee hours of the morning before you start to see light. I can imagine this would be a terrific record to lie back and stare at the stars to. Personally, there is a wintery feel to this record that enhanced the beauty of the record. All in all, a kudos to Cox and crew, I hope their musical/emotional exploration never stops…