Tag Archives: black lips

TODAY IS THAT DAY!

I’m not going to post a link to the new gay that has Jared apologizing for using the word faggot and then making out with some hurt new gay bro-man.

Find that shit yourself.

I will offer up a link to The Daily Free Press, Boston University’s independent newspaper, who conducted an interview with Jared:

http://www.dailyfreepress.com/the-black-lips-loosens-its-tongue-1.2201114

Black Lips/Box Elders H & E

As always, before a concert, I make two lists of hopes and expectations I have for said show. Having known that the Black Lips simply don’t play certain songs, my hopes are a bit more realistic than they would be for other performers.

Hopes:
The Black Lips play most of my favorite numbers, there’s far too many to mention. They play “Bad Kids,” my favorite BL song (I guess this is more of an expectation). A couple of new songs are performed, like “So, Long to Carolina.” A couple of cover songs that I am familiar with, chiefly “Too Much in Love” by King Khan/BBQ appears in the set. It would be fantastic if they didn’t get kicked out like last year and played a three song encore. Lastly, the concert is even better than last year’s (my favorite ever) and becomes the greatest concert I’ve ever experienced! For the Box Elders, I hope they play all my faves from Alice and Friends, including “Atlantis,” “Jackie Wood,” “Ronald Dean,” “Death of Me,” and “Hole In My Head,” amongst others. I hope funny man, Dave is just as funny with his aerobic antics as he was before.

Expectations:
The Black Lips play a set that closely resembles the one Glen posted the other day, playing mostly Let It Bloom songs, which is perfectly fine. I have a really, really, kickass time! The show is just as good if not close (either way) to the last one. If they are not given the boot, then they play a two song encore. For Box Elders, I expect them to crank out most of the above tunes. Knowing and loving the songs now, I will enjoy them more than when I saw them open for Jay Reatard (being the first time I ever heard of them); even then I found the ditties extremely catchy! They remain one of the finest opening acts I have ever seen.

Chris

theFixedFocus

The oldest and most stylish Black Lip, Ian St. Pe, has got himself a side project called theFixedFocus.

The band’s first demo “Movin’ On Up” has a slick “Big Black Baby Jesus of Today” heavy guitar rhythm on top of a light reverb laced guitar. And features lyrics you’d expect from St. Pe like:

“Needed peace of mind/Oh hell yeah I got more than a lot/Laying back, feeling good/Doing like I’ve always done.”
“Can you hear that sound?/ Can you move it around?”
“Am I ready? Ready as I always was.”
“Question, am I all right? All right? In fact, I’m doing gooood.”

You ought to check ’em out: http://www.myspace.com/thefixedfocus

Black Lips 2009 Live Review

@ Middle East Downstairs

Chris: The Black Lips put on the best show I’ve ever seen. Very extraordinary, wild, and unpredictable. Of course, they garnered the most audience response and rightfully so. As soon as they stormed into “Sea of Blasphemy,” the crowd went into a frenzy, never remaining still or apart till the end. They played a fairly diverse set with songs from 4 of their 5 studio albums. In my opinion, the best performances were “Dirty Hands” (by far, the whole crowd was most united for this number, rocking back and forth and singing the chorus, def. a highlight of not just this show, but all shows in my somewhat brief concert going career), “Buried Alive,” “Fairy Stories,” “Bad Kids,” “Starting Over,” you know what they were all amazing…. I tried avoiding that, but I couldn’t. The band was more energetic and enthusiastic then most other bands I’ve seen, specifically singer/guitarist Jared Swilley, who often hopped into the crowd and shredded on his guitar. Excellent use of feedback, I must say. He was just a pro in stage antics. Overall, my favorite show by miles. I can’t wait to seem them again, whenever that is.

Glen: Obsessed with the Black Lips for well over two months, I was, for lack of a better word, pumped to see them. Chatting it up with guitarist Cole Alexander before the show was quite a treat. Cole talked to us about what kind of venues the Black Lips are capable of playing in, their lack of ability to play certain songs, and finally their snorting coke and partying with Radiohead producer Nigel Godrich in England. When Alexander and his crew took the stage, the crowd erupted in shouts of “ooooooooohhhhhhhhhhhh” — similar to the Mexican crowd on the opening track off their spectacular live album Los Valientes Del Mundo Nuevo. Then, in a blink of an eye, Jared Swilley picked up his guitar, and so did Cole and Ian St. Pe. Joe Bradley readied himself behind the drumset and the group opened with “Sea of Blasphemy.” The crowd erupted in a moshpit that involved lots of contact and screaming. The contact and the screaming never relented. Between songs, Jared kept remarking how he couldn’t hear the audience for shit (they were screaming out requests). Also between songs involved the tossing of multiple beers. Swilley dropped a pass and joked, “I didn’t play football in high school.” St. Pe, who a little later caught a beer pass, said “I played football in high school.” St. Pe was playing guitar in front of me the whole time. He was clearly inebriated but was still able to strum amazingly. He handed me one of the beers he caught and gave me a high five. Good man. The band was absolutely full of energy and lived up to their “one of rock’s best live acts” reputation. There was no mooning, making out, or pissing on the audience — and there didn’t need to be…crowd surfing and spitting sufficed. The Black Lips played a hodge podge of great tracks ranging from oldies “Bad Kids,” “Buried Alive,” “Dirty Hands,” “Cold Hands,” a 10 minute epic of “Hippie Hippie Hoorah,” “Not a Problem,” “Stranger,” “Katrina,” to songs off their 2009 release 200 Million Thousand like “Drugs,” “Short Fuse,” “Starting Over,” and “Take My Heart.” The last song came, at least for me, unexpectedly. I was having the most fun I’ve ever had and thus began “Juvenile.” Jared let the front row play with his guitar a little before full out diving into us. He was hanging onto the condensation-dripping wall while being pushed around. Beers were being spilled everywhere and everyone was going absolutely nuts. The security guards were getting so pissed that they cut the plug to the mics and started dismantling the band’s equipment. The crowds’ calls, “Encore! Encore!” were repudiated as the lights turned on and the background music played. I would have loved one more, but I can’t complain. If they were going to do an encore…the security were just assholes. It took almost 2 days for my inner-ear buzzing to stop, but it was well worth it and I’d relive the concert again in a heartbeat. Black Lips, if you read this…Boston loves you! Come back this summer…please!