Tag Archives: Allston

Concert Review: Bent Shapes, earthquake party!, Beware the Dangers of a Ghost Scorpion!, The Fagettes @ Great Scott (1/12/13)

Bent Shapes
Bands: Bent Shapes, earthquake party!, Beware the Dangers of a Ghost Scorpion!, The Fagettes
Date: Saturday, January 12, 2013
Venue: Great Scott (Allston, MA)

Act I: The Fagettes – The Fagettes are a KLYAM band. Period. There are many styles/genres I could attribute to this band, and pretty much all of them we dig, hence why they are a KLYAM band. Rock ‘n’ Roll, Garage, Punk, Psychedelic, you name it, they got it.  Their sound and aesthetic fits perfectly with the punk slime we proudly promote every day on this site, which I honestly can’t say about most of the local bands we see. That isn’t to say other bands around here suck, not at all. It’s just great to see a Hunxian “garage” band in Boston.  We saw them once before performing as Nancy Sinatra & Lee Hazlewood for a Halloween cover show, and as much of a blast as that was, we yearned to see them as FAGETTES. Needless to say, I’m pretty excited.  As I mentioned earlier, these guys have nailed that fun, fun rock ‘n’ roll sound down pat, but they also have a real cool look to them.  Especially Ryan Major (vocals, guitar, harmonica);  he is simply one suave motherfucker. He rocks the shades and from a distance he looks like Jared Swilley, but up close he looks more like John Holmes, either way he is the man and he is a great singer. Ryan shares vocal duties with Melanie Bernier (one half of one of the best local bands, The Electric Street Queens – check them out!), who also plays drums. But, Melanie isn’t the only one that sings and plays drums, oh no. A wonderful gentleman by the name of Peaches commands the kit in the back and provides some sick backing vocals. The bass player, who’s name escapes me (sorry dude!) is enthusiastic as he always is, love that guy. But, wait there’s more.  Matt “Nice Guy” Garlick is riffing on guitar. In fact, before the band plays their set, I can hear Matt jamming on The King Khan & BBQ Show’s “Waddlin Around,”  killer song.  I should also mention that Matt is completing the second half of his double header tonight, having just played at the Butcher Shoppe with his other badass punk band, Nice Guys, wowzer! The Fagettes’ set consists of all the fun tunes you’d want to hear, oldies like “Catholic Riff Raff,” “Mystery Pills,” and “Water, Tea, and Alcohol,” as well as their latest offering, “Gonna Die Out Here,” one of their sexiest to date.  They also play all three cuts (“If  I See Him Again,” “On Drugs,” and “My Girl Looks Like Johnny Thunders”) from last summer’s EP If I See Him Again.  With “On Drugs,” they really make it feel like a place you come to visit, where the fun never stops.  This song and every song sounds terrific. The Fagettes live is a visual, auditory monster. With all these vocals and percussion jostling me, I feel like I’m being trampled by a lion. The sound is that big, perhaps not that terrifying though, but my ears are equally pleased and damaged.  I can’t recommend Fagettes more, going back to what I started saying at the beginning of the review that they are a KLYAM band, meaning they play rock ‘n’ roll the way it  ought to be done: short, but simple pop songs, fun, filthy, and catchy. Sweetness meets sickness. Like, Shannon and the Clams, there’s enough loud punk and soft pop for all to enjoy, and usually somewhere in between. I am exhausted, but Fagettes can keep me up all night. Be awesome like me and listen to all their crazy music here: http://thefagettes.bandcamp.com/

Act II: Beware the Dangers Of A Ghost Scorpion!– Now, here’s a sweet band. With a name this enormous and eccentric, they ought to send me into an oblivion. And like their name they are both fun and puzzling, but in a pleasant way. ‘Beware’ is a five piece and each member is dressed the same: bandannas covering their noses and mouths, blue jeans, and black shirts bearing a picture of a presumably dangerous, ghost scorpion.  The set is entirely instrumental and with the exception of Big Mess, I typically am not fond of this style of music, but these men capture my attention and entertain me for the next half hour. They rock out pretty hard, playing early 60s surf rock with a bit of an extra kick, in fact a lot of emotion and physical energy. This is especially true of the man on tambourine. This dude bashes away at the tambourine, unlike anyone else I’ve seen before, I can’t imagine what his hand looks like after each gig.  But, he goes beyond that in his showmanship. He makes the crowd move and shake and he is the leader of all this hype and excitement in the room, as if he is holding the crowd in the palm of his hand, perhaps a cliched comparison, but he  just holds this undeniable command over the crowd. What’s even more fascinating and unique about this man and the group as a whole is the lack of vocals. As I mentioned, they are an instrumental band, but they literally never speak throughout the whole performance. No words, just music. Actually, let me rephrase that, words do appear at various moments, as they are scrawled across a sign that the tambourine player triumphantly holds, reading: BEWARE THE DANGERS OF A GHOST SCORPION!  This guy gets an A+ for the night. Solid set, sick band, but I don’t know if this is the kind of music I see myself listening to at home alone in my room, with that being said, I hope to see them again in the future and I hope others catch their set too, for this is a live show you won’t want to miss. http://www.youtube.com/watch?v=8EmoBSVPoXs

Set-List:
“Red River Tombstone Hustle”
“Heads Will Roll”
“The Lover’s Curse”
“The Nameless One”
“Caught Dead”
“Cateye Glasses”
“We Welcome The Living, But Only If They Come Here To Die”
“Satan’s Invisible World”
“13 Stabs”
“SOS”
“Denton County Casket Company”
“Haintmaker”
“The Legend of Goatman’s Bridge”

Act III: earthquake party!– Earthquake Party’s a perennial rock force in Boston, and a very talented band at that.  Their set is loud and noisy, but with some pop beneath the heavy volume. Their keyboard driven songs mixed with grungey/screaming vocals remind me of the Lost Sounds and Yo La Tengo.  There’s a harsh quality to it, but it’s also satisfying and never overstays its welcome. Listening to their bandcamp, I hear the songs more clearly, they have some real great pop numbers here. I’ve seen them a couple times before and each show has been an enjoyable experience.  Definitely a KLYAM recommendation: http://earthquakeparty.bandcamp.com/

Set-List:
“Nails + Hammertime”
“One More Night”
“Pretty Lil Hand”
“Fast Girl”
“Escape Artist”
“Daydream Jenny”
“Brains”
“Pretty Trash”
“Tramp”
“Little Pet”
“Hello Weirdo”

Act IV: Bent Shapes – Like earthquake Party! Bent Shapes are familiar faces around the Boston rock scene and they have earned a reputation for creating catchy, mellow, pop songs that rank up there with the finest in music today. So yeah, they’re one of my favorite bands right now and it’s great to see them in front of a packed crowd at the Great Scott. Great Scott is the first place I saw Bent Shapes (well Girlfriends) many, many moons ago, opening for another brilliant, underrated pop band, Harlem. At the time, I didn’t really pay attention to local music, for no particular reason, I just didn’t. Girlfriends stood out to me though, I think the first local band that I really dug. Flash forward to the present. They sound excellent and they play some of their best songs including the sunny “Leave It Till You Need It,” and their recent flexi, “Panel of Experts” and “Bites and Scratches.”  They have a somewhat soft pop style to their craft, but they rock just as hard as all the other bands. The set closes with one of my all time favorite songs, “I Was Here, But I Disappear,” which always gets me super ecstatic, there’s just no way of describing my love for this song without sounding over the top. Perhaps, the best performance I’ve seen from Bent Shapes. Check them out, if you haven’t already. http://bentshapes.bandcamp.com/

Set-List
“Big Machines”
“Panel of Experts”
“Boys to Men”
“Spazz”
“Bhead”
“Wut?”
“Space”
“What We Do Is Public”
“Bites and Scratches”
“Leave It ‘Til You Need It”
“Brat Poison”
“I Was Here But I Disappear”

Listen: Saralee – “So Sorry” and “Soft Sounds”


Listen to these two famous comp tracks brand new to bandcamp: http://saralee.bandcamp.com/album/so-sorry-soft-sounds

Saralee is a KLYAM fave and one of thee Boston essentials. Saralee is one of those bands I really hate describing to people, just listen to it. If I had to say, what I find appealing about them is their undeniable pop quality and just overall aura. But, there’s something unique about it, it’s like a totally different sound/world. If you haven’t been turned on to their demo, I ought to just waltz right into your living room and turn you on myself. OR you can click this link here: http://saralee.bandcamp.com/album/demo Yeah, I’d click that if I were you.

CD Review: Black Hole [2010]

Band: Young Adults
Release: 11/2010
Label: AMDISCS

1. “Reverie 1” – N/A
2. “Let Us Out” – A-
3. “Wasting Time” – B+
4. “Black Surf” – B
5. “Rip It Up” – A
6. “Impression” – A
7. “Over the Edge” – B+
8. “Life Under Review” – B
9. “Annulation” – B+
10. “Bummer Summer” – A-
11. “Drifing” – A
12. “Reverie 2” – C-
13. “Campfires” – B+

Comments: Funny how a band from the East Coast can have a set of influences quite similar to a higher profile band from the other coast and end up having the same album production esthetic and “punk” sound. On that note, these dudes also have an opening instrumental eerily comparable to the other band’s instrumental tracks. Young Adults are more rough around the edges, but quite clearly have direction and polish. Comparison notwithstanding, Young Adults Demo, reviewed on here back in May, was cheaply recorded and that very fact could’ve dulled some hooks and the demo’s overall catchiness…what I’m trying to say is I think that the band re-recorded some of those tracks and obtained a fuller sound for this full-length. This is true (to me, anyway) on “Rip It Up” and the ever-so-Fugazi-in-a-great-way “Impression.” I think he’s singing “leave an impression” on that one.  A highlight of the band’s instrumental get up is that sort of rolling high-pitched notes only post-punk lead guitar line that’s been utilized by a bunch of bands, most recognizably UK dark-rock group Editors. Unlike Editors, Young Adults turn up the punk levels to max, but always seem to have semblances of pop, which is nice for a band that has a sizable Boston following, but hasn’t yet jumped in the cross-country van to play to an ever-so eager underground. “Drifing” is one of the best tunes on here! Not like “yo, I’m gonna keep listening to this song over and over,” but it’s simply an immediate winner. By the way, the band I’m speaking of in the first sentence is No Age and these dudes should open for them when they hit the Middle East Downstairs.

Grade: B+ (87)

Listen To “Drifing” —

Upcoming Dates:
9/28 – Middle East Downstairs – Opening For Best Coast
11/6 – Great Scott – CD Release Show

Allston Head Shops/Art Galleries Illegally/Un-Constitutionally Shut Down By Police

BOSTON GLOBE [JULY 5]
The police raid on his Green Side Up Gallery was one of three since April in Allston, where police have been cracking down on so-called head shops, stores that sell pipes and rolling papers that can be used to smoke marijuana.

The busts were well planned. Officers took photographs of the shops before making their arrests, and interviewed North End tobacconists to bolster their argument that the Allston shops were selling drug paraphernalia.

“We’re not looking to put anyone out of business [who is] running a legitimate business,’’ said Captain James Hussey, who runs the Brighton district. “These places were set up, it appears, just to sell drug paraphernalia.’’

Lawyers for those arrested say the shops were licensed by the city and state to sell the products, and police had no basis for shutting down the shops. But Hussey said two of the shops — neither of which belonged to Yaffe — did not have proper licenses displayed.
———————————————————-

Talk about liberty infringement! Cops love making assumptions about illegal activity without any regard to…wait for it…illegal activity. How about that? It’s like when an old geezer cop questioned my friend for using a hookah in a park. The officer made three assumptions that were pretty disturbing: (1) that the smoking device was a ‘bong’ (2) that my friend was smoking marijuana and (3) that hookahs or, in the officer’s slang ‘bongs’, are illegal to sell and to possess. As a commenter on the article wrote: “Welcome to the new police state people, they will be coming for you next!”

FREE MATTHEW YAFFE!

Demo Review: Young Adults

Band: Young Adults
Release: ????
Label: ????

1. “Rip It Up” – A-
2. “Annulation” – B
3. “Impression” – B+
4. “Let Us Out” – B+
5. “Bummer Summer” – B

Comments: For a relatively young band, these guys have gotten pretty good press in the independent media. Not quite hardcore, not quite shoegaze, but almost surely some kind of punk, the band’s sound is a little tough to pinpoint exactly. That’s not really necessary, though. “Impression” seems like it could have quite as easily fell out of Fugazi’s catalog. That I will say. Great ending to that song. I’m glad the band has/is making the rounds around the Boston area as an opener for the likes of Pretty & Nice and pretty soon Wavves. It wouldn’t be too surprising to me if they started gaining prominence a la Male Bonding.

Grade: B (86)