Tag Archives: 2010 In Music

CD Review, Entertainment, Music

CD Review: Champ [2010]

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Band: Tokyo Police Club
Release: 6/2010
Label: Mom+Pop

1. “Favourite Food” – B+
2. “Favourite Colour” – A-
3. “Breakneck Speed” – B–
4. “Wait Up (Boots of Danger)” – B
5. “Bambi – C+
6. “End of a Spark” – B-
7. “Hands Reversed” – B
8. “Gone” – B
9. “Big Difference” – B–
10. “Not Sick” – B
11. “Frankenstein” – A-

Comments: Tokyo Police Club is back with this, their second full length album. The band’s debut Elephant Shell contained a few quirky personal favorites like the semi-punk “In A Cave,” the epically poppy “Juno,” the post-punk-to-the-brim “Citizens of Tomorrow” and “Shoulders & Arms,” and probably the band’s best (and most critically acclaimed) tune “Your English Is Good.” So after such a memorable sub-30 minute record, is a repeat in store? My first impression of this album is: vocalist Dave Monks is best handled in small chunks. He defines the band’s sound for the most part. Lucky for me, I think his voice is pretty tolerable, but over-thinking it…quite annoying. He never really got old on Elephant Shell, yet he is the same Dave Monks on here. He still has a way with words. He hasn’t lost that. Another thing I just thought of: if you’ve never liked this band, you never will. Nope, not on this album. That’s how divisive they are. There aren’t many great songs (if any) on here. It’s too bad. Most of it is average or just barely good.

Grade: B (84)

CD Review, Entertainment, Music

CD Review: Future Breeds [2010]

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Band: Hot Hot Heat
Release: 6/2010
Label: Warner/Dangerbird

1. “YVR” – B+
2. “21@12” – B
3. “Times A Thousand” – B-
4. “Implosionatic” – B
5. “Goddess on the Prairie” – A-
6. “Zero Results” – B+
7. “Future Breeds” – B
8. “JFK’s LSD” – C+
9. “Jedidah” – C
10. “Buziness Az Uzual” – B-
11. “What Is Rational?” – C+
12. “Nobody’s Accusing You (Of Having A Good Time)” – B-

Comments: Poor Hot Hot Heat. Their debut album Make Up the Breakdown [Sub Pop, 2002] was positively reviewed for the most part. It was a goodie, I’ll admit. Since they’ve effectively “sold out” by signing to Warner Music, they’ve been kind of slapped around by both mainstream and independent music critics. Guitarist and Wolf Parade member Dante Decaro jumped off the band’s ship in 2005. Hot Hot Heat opened for Snow Patrol and Editors — two UK bands that have barely garnered major audiences stateside — in 2007 and 2008, before hitting the drawing board for this album.  If the band aimed to do anything notable on here, it was making up screwy song titles. Also, the band would probably win an award for “band that most sounds like Head Automatica.” The latter is actually nice in a strange way…HA hasn’t put out a record in four years. To start off with the good…the band knows how to craft catchy songs in the dance-punk genre. If you dig the singer’s voice, you’ll most likely be satisfied by the music. For some, though, this may pose a challenge. Three releases after going major, it’s not like the band is purposely “forced” to make something commercial. This thing isn’t forced at all. It seems like the group is just as creatively spirited as it was on its debut. “Goddess…” is full of hooks and straight up fun. It seems HHH took some cues from Spoon for that song and the next. Even though “JFK” is noisy and memorable and all…it’s overload. Chill out, dudes. The second half of the album takes on a more serious tone…for the worst.

Grade: B- (82)

Entertainment, EP Review, Music

EP Review: Square Shells [2010]

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Artist: Kurt Vile
Release: 5/2010
Label: Matador Records

1. “Ocean City” – A-
2. “Invisibility: Non-Existent” – B
3. “Losing Momentum” – C+
4. “I Wanted Everything” – B+
5. “I Know I Got Religion” – B+
6. “The Finder” – C+
7. “Hey, Now I’m Movin” – B+

Comments: Back when I first heard of Kurt Vile in March 2009, he was a relative nobody. He had released a solo record entitled Constant Hitmaker in 2008, but that hardly got any attention until its year later reissue. Vile and his group The War on Drugs had also just put a record called Wagonwheel Blues on Secretly Canadian. Some songs on that record like “Arms Like Boulders,” “A Needle in the Eye…,” and “Taking The Farm,” really won me over and convinced me to go see the band perform at TT The Bears. They played a short, but enjoyable set featuring those songs. All ten of us in the venue (that actually paid attention) seemed to have had a decent enough time. Fast forward to…right now. Vile is signed to Matador Records, is still touring a shitload both solo (with his back-up band The Violators) and as the lead guitarist of The War on Drugs, and put out a fairly well received Matador LP Childish Prodigy later in 2009. Well, Vile is not slowing down. There’s this seven song EP that has just been released for free digitally. And, if Matador isn’t lying, another LP is due out soon enough. You, at this point, may be asking yourself if it is worth downloading the 50.5 MB MP3 folder. It’s only 50.5 MB so you might as well just give it a try anyway. The simple acoustic “Ocean City” ain’t nothing spectacular, but captivates the spirit for a little while. The dude strums heavy, by the way. Instrumental from Vile on “Losing Momentum”??? He’s too young for that. Even though it is a chill tune. Haunting vocals and an excellent rhythm section make up “I Wanted Everything.” If you are a sucker for acoustic rock that is filled with heartfelt emotion and passion then you will enjoy this. If you are someone like me that finds value in this kind of music, but isn’t easily convinced of its beauty, this may only come across as a decent/good record. There’s a slew of similar artists that excel at this craft, perhaps leaps and bounds better than Vile (perhaps not) so it really is a matter of opinion. I guess it is more apropos to mention that for this record than others — minus the instrumentals.

Grade: B (84)

CD Review, Entertainment, Music

CD Review: Melted [2010]

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Band: Ty Segall
Release: 5/2010
Label: Goner Records

1. “Finger” – A
2. “Caesar” – A
3. “Girlfriend” – A
4. “Sad Fuzz” – A
5. “Melted” – A-
6. “Mike D’s Coke” – B-
7. “Imaginary Person” – A
8. “My Sunshine” – A+
9. “Bees” – A-
10. “Mrs.” – A-
11. “Alone” – A-

Comments: With such a soft beginning, I’m sure you got a little bored with “Finger” at first. Next thing you know, the song becomes a noisy medley of effects and distortion. “Caesar” stuck out in my mind as a top-shelf single and my thoughts on the song haven’t changed much as I’ve been listening to it on a fairly regular basis. “Sad Fuzz” is this album’s most overt attempt at a ’60s psychedelic-pop retrospective. It’s a success. “Melted” ends rather abruptly…aka the point that I was about to get into it. “Mike D’s Coke” seems a bit unnecessary and…filler. Filler alert. Segall’s best attempt at trying to sound like Jay Reatard — songwriting and actual voice/instrumentation — comes on “Imaginary Person.” Of course, Segall is a great songwriter himself, so he adds in a few solid touches of his own. The four chord dirty sound of “My Sunshine” is engaging. I really love the wet lead guitar riffs. This “sound,” if you will, continues onto the next track and, of course, folks, that means we have a great song on our hands. When the Strange Boys esque (minus the vocals) “Alone” speeds up…damn! Awesome. Besides a few bumps in the road, this LP contains plenty of exciting tracks. Listen!

Grade: A- (92)

CD Review, Entertainment, Music

CD Review: Lux [2010]

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Band: Disappears
Release: 4/2010
Label: Kranky Records

1. “Gone Completely” – A-
2. “Magics” – B+
3. “Pearly Gates” – A-
4. “Marigold” – B
5. “Not Nothing” – B+
6. “Lux” – B+
7. “Old Friend” – B+
8. “Little Ghost” – B+
9. “New Cross” – B
10. “No Other” – A

Comments: Disappears is a band to keep your eyes on. It’s cool to see they are signed to Kranky Records, which has put out great discs by the likes of Deerhunter and Atlas Sound. I’d compare them to the former due to their light proto-punk sound and lo-fi prowess. The first few songs really caught my attention and the basis for such a comparison grew as one song switched to the next. Consider the jam-out on “Pearly Gates.” Not as epic as Deerhunter’s “Nothing Ever Happened,” but fun as fuck. These kind of jam-outs are more common on here than I anticipated. The only aspect of the record that I think could be improved upon would be vocal volume. Another thing I like about this band is that they portray a real sense of confidence. This sort of goes with what I said before. They don’t seem afraid to just rock out. And it’s not like they are rocking out with no sense of direction. “Old Friend” has some shouts that recall Thee Oh Sees. (A positive). The last song, “No Other,” is a winner. Good line: “when’s this gonna end? How’s it gonna be? Immediate death or slow and painfully?” OK so: while this album doesn’t necessarily stick out in the grand scheme of CD Reviews, I’m glad I ran into it.

Grade: B+ (88)

CD Review, Entertainment, Music, Wolf Parade

CD Review: Expo 86 [2010]

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Band: Wolf Parade
Release: 6/2010
Label: Sub Pop

1. “Cloud Shadow on the Mountain” – Krug – A-
2. “Palm Road” – Boeckner – A–
3. “What Did My Lover Say? (It Always Had To Go This Way) – Krug – A-
4. “Little Golden Age” – Boeckner – A-
5. “In the Direction of the Moon” – Krug – B+
6. “Ghost Pressure” – Boeckner – A
7. “Pobody’s Nerfect” – Boeckner – A-
8. “Two Men in New Tuxedos” – Krug – B
9. “Oh You, Old Thing” – Krug – A
10. “Yulia” – Boeckner – B+
11. “Cave-o-sapien” – Krug – B+

Comments: Spencer Krug starts the record off in a manner that I’ll dub uncharacteristic. He does a little spoken-word before singing in his oh-so characteristic way.  “Cloud” is (and I hate that I’ll keep referring to it at this) very Sunset Rubdown. Of course, it’s more dynamic and more dance. I like that it’s instantly catchy. It’s the catchiest tune on this LP. The Boeckner-led “Palm Road” is neat. There’s a lot of noticeable instruments going on in the background — some with weird, but cool effects. There’s also the break around the two minute mark that adds some lasting meat to the tune. The upbeat “What Did” contains an array of neat guitar riffs and a constant drum line that insists on you moving around. I absolutely am fascinated by “Little Golden Age.” Hot damn. Krug starts doing his “wa-who-wa-who” deal at the end and then Boeckner kicks back in with the chorus. Just great. “In the Direction” is a bit draggy, I’ll admit, but overall it is pretty consistent in being that, which isn’t bad. There are things I like. As I mentioned in song reviews “Ghost Pressure” features excellent synthesizer notes and a killer bridge/chorus. “Pobody’s Nerfect” has a cool rhythm section. Not breath-taking, but well enough. Too long? It makes the next song, “Two Men,” seem like an extremely short number. Comparatively so. “Oh You, Old Thing” is tight. It’s a very variable tune. It certainly has me not knowing what to expect next. For now, I’ll label it as a grower. Fantastic ending. “Yulia” just keeps getting better and better as it progresses. Matter of fact, that’s how a lot of Dan’s songs are. Cool effects are also present on “Cave.”

Grade: B+ (89)

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Compilation Review: Florida’s Dying Party Platter [2010]

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Bands: Various!
Release: 5/2010
Label: Florida’s Dying

1. “C-H-I-C-A-G-O-I-L-L-I-N-O-I-S-U-S-A” – Johnny & The Limelites – A-
2. “Hocus Pocus” – Nobunny – A
3. “Shim Shang” – The Yolks – A
4. “Hoosier Twist” – Sweet Sixteens – B+
5. “The Hucklebuck” – Sexcapades – A-
6. “Do The Make Up” – Hunx and His Punx – A-
7. “Wiggle It Around” – Brian’s Dirty Business – A
8. “Cuddle Up” – The Rantouls – A-
9. “Toss That Pie” – Personal and the Pizzas – B-
10. “Nice Girls Don’t Explode” – Garbo’s Daughter – A-
11. “Totally!” – Puddin Pops – B+
12. “Come On Do The Dolphin” – Coconut Coolouts” – B
13. “Shake That Bear” – Slippery Slopes – A-

Comments: We have, for starters, a catchy old timers number. Let me explain to you my favorite part. It’s when they say OOOOOOOOOOOOOO and SSSSSSSSSSSSSSS and AAAAAAAAAAAA. After that it’s a rock and roll freak out…how all rock and roll freak outs should be, specifically. Also, at the (sort of) end when the dude says “down on the floor. How low can you go? Yeah. Shhh. That’s right. Shhh.” That’s great family fun. Everyone’s favorite riff ripper, Nobunny, insists on you doing the “Hocus Pocus” abracadabra, which may or may not involve you getting low. You better be down for anything. Make sure your mask’s on. “Shim Shang” with me…right now! This dance is more of a slow dance, although it is flexible as fuck. Prerequisite: you have to be smooth. This isn’t the shim sham. Don’t be confused! You will fail. If you are a punk from the Caribbean, then please proceed with the Hoosier Twist. It’s not hard. “The Hucklebuck” is hot shit. It’s both a sex position and a groove. Does anything get better? “Turn off the lights and do the make up!” As you might imagine, Hunx wants to get right to the bottom of it. Haha! That was too easy…but so isn’t the make up! The description in “Wiggle It Around” is telling: “Put your right foot back, your left foot back. Come on little girl and shake it just like that. You put your right hand up, your left hand down. Come on little girl you could wiggle it around.” Sort of like the The Rantouls explain, there is no music necessary to do the Cuddle Up. AKA you are free to do that shit anywhere. P.S. do I hear auto-tune? “Toss That Pie” just keep tossing. Just don’t toss the salad. Yet. “Nice Girls” is, as someone commented, “poptastic.” Pop listeners of today would be like WTF YO? but if we go back a half century or so then this fits right in with that description. With a howl like Nobunny, I thought PP was Nobunny. Gee whiz. There’s horns and shit on “Totally!” Totally acceptable. “The Dolphin” ain’t my thing. It just ain’t. I mean, I might still come over and do it just because, but yeah that’s about all. Maybe I don’t feel confident enough in my dancing ability to venture into that territory. It’s risque. This is probably my longest review and I should probably stop now. The bottom line is that I like it. I do. It didn’t increase my serotonin levels or get me all fuzzy inside, but I did leave with a feeling of happiness. You know?

Grade: B+ (89)

CD Review, Entertainment, Music

CD Review: Nothing Hurts [2010]

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Band: Male Bonding
Release: 5/2010
Label: Sub Pop

1. “Year’s Not Long” – A-
2. “All Things This Way” – B+
3. “Your Contact” – A-
4. “Weird Feelings” – A-
5. “Franklin” – B+
6. “Crooked Scene” – A
7. “T.U.F.F” – B+
8. “Nothing Remains” – A-
9. “Nothing Use To Hurt” – B+
10. “Pirate Key” – B
11. “Paradise Vendors” – A-
12. “Pumpkin” – A-
13. “Worst to Come” – A-

Comments: A band that did not excite me at all live, Male Bonding was actually a “band that I wanted to like.” Could the record make up for their lackluster performance? The answer is “yes!” I’m sort of glad this record isn’t of a terribly low fidelity. Thank you… Sub Pop? Anyway, there are really fun spots in a bunch of these songs. For example, the hook in “Your Contact” is welcoming and the high string notes in “Weird Feelings” save the song from drum-centricness. For some kind of modern reference point, I’d have to point in the direction of Abe Vigoda. Male Bonding is from Dalston, England, which would seem to be like the California of that country, but it really isn’t that at all. I’m getting tropical vibes on “Crooked Scene,” although it may just be the structure of that song that conjures Abe. A casual or first time listener might have alarms going off in their head along the lines of: song A sounds like song B sounds like C. That kind of sucks as it’s hard to make distinctions between tracks, especially at the early stages of familiarity. At other times, the group sounds like Wavves. Bottom line: is this good? Yes. Is it great? Sometimes. There’s even Vivian Girls’ Cassie Ramone singing on the last track.

Grade: B+ (89)

Cassette Review, Entertainment, Music

Cassette Review: Tape [2010]

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Band: Brian Flannel
Release: 2/2010
Label: N/A

1. “Restraining Order” – A
2. “Date Rape (Real Estate)” – B
3. “Symptom Set” – B+
4. “Dogs Not Dead” – B
5. “RMPM” – A-
6. “Bonus Track” – A

Comments: Damn catchy start to the cassette. The chorus is really awesome as it features a male/female harmonious assault. “Date Rape” is more lo-fidelity and faster. I’m thinking “Symptom Set” is similar to some heavier Sonic Youth punk jams. “RMPM” is a notable jam. The exchange between the dude and chick leads to a really solid ending in the Bonus Track.

Grade: B+ (89)

7" Review, Entertainment, Music

7″ Review: The Fiery Tears of St. Laurent [2010]

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Band: King Khan & Pat Meteor
Release: 3/2010
Label: Sub Pop

1. “The Fiery Tears of St. Laurent” – B+
2. “Bon Bon” – A-

Comments: The kind of music you’d expect with a title such as The Fiery Tears of St. Laurent. This is slow cooked rock and roll with a distinct rural aesthetic. Would it be okay to call it at least one part country? It’s French-Canadian goodness…what I believe they call néo-trad.  I’d like to say Meteor sings on the first track and that Arish Khan spearheads the treat called “Bon Bon.” Even though “Bon Bon” is as lyrically simple as a song can come, it has a great atmosphere that reminds me positively of the culture surrounding the classic visit to Quebec that Chris and I (amongst other students) embarked on five years ago.

Grade: B+ (89)