1. “WTF?” – D 2. “This Too Shall Pass” – C- 3. “All Is Not Lost” – C- 4. “Needing/Getting” – D+ 5. “Skyscrapers” – C- 6. “White Knuckles” – D 7. “I Want You So Bad” – C- 8. “End Love” – D 9. “Before The Earth Was Round” – F 10. “Last Leaf” – B- 11. “Back From Kathmandu” – C+ 12. “While You Were Asleep” – C 13. “In The Glass” – B–
Comments: I don’t want to be one to hate on this band, a band which has received some degree of mainstream success for their Weezer-like ways. The vibe I get from this album is glossy safety. “This Too Shall Pass” has been done before and turns out to be just as shitty as when Weezer did it. Seriously, though, this is bad and way way too repetitive. Also, I would like to bring up a band that’s much much better at its craft than OK Go. The Lovely Feathers do the glam thing, but their expertise relies on a no-bullshit attitude. If you want a good piece of disaster check out “Before the Earth” which is so ridiculous, it’s already a candidate for worst song of the year. Don’t buy this album unless you want a joke. I guess the only track worth checking out would be album closer.
1. “Breaking Locks” – B 2. “Give Them A Token” – C+ 3. “Buddy Bradley” – C- 4. “Goblin” – B- 5. “Bathing Birds” – B- 6. “What Makes Him Act So Bad” – A 7. “Stadium Soul” – A- 8. “Cigarette Burns Forever” – B+ 9. “Boss Inside” – A- 10. “Castles and Tassels” – A- 11. “Oh Shucks” – B+
12. “Don’t Call Me Uncle” – B+ 13. “Lockout” – B+ 14. “You Blacken My State” – B
Comments: Like his former band, Moldy Peaches, Green is an acquired taste. For me personally, his vocals are elegantly boring. The backing instruments aren’t anything extravagant or worth thinking about. His form of sophisticated outsider music begs for Daniel Johnston comparisons, but unfortunately Green suffers from being less of an overall force (not shockingly) than the granddaddy of obscure folk music. Green shines best when he and his back-up band do their best Lou Reed/Velvet Underground impersonation in “What Makes.” The energy and style of that song carries over to the next and the next. Definitely, I’d listen to a great number of these songs again for Green’s exquisite story-telling, which is an art in itself. In the end, I’m split over whether I’m truly impressed by this album or if it is just another release that has a mix of great, good, and average tunes.
Comments: I turned it up, but I’m not a faggot. This shit is pretty much dance-punk at its finest. Crazy dances that is. Don’t expect to grind or do the cha-cha slide, you gotta friggin’ blast this and just do the craziest shit you can conjure up. Like seriously LCD Soundsystem couldn’t even come up with this type of genius. I’m sort of surprised Bradford hates it, I mean there’s nothing to be ashamed of, except maybe a couple (tops) of tracks. It’s a complete volte-face from all of his other music, but still. Definitely, this is solid material for college radio stations. Yeah, a lot of the songs are based on the same ideas of noise and repetition, but it’s not facetious like Lightning Bolt.
Ok, so in previous reviews I would rate a track as 9.5. 8.6, etc. From now on, I want to do my bestest to rate them as solid numbers: 8, 9, etc. If I cannot completely make a decision I’ll settle for a 8/9, 9/10, etc. However, the amount of 10s an album has does not necessarily make that better than an album that has some 10s and some 9s or whatever. It is the strength of those 10s that determines how favorable the album is to me. For example, Rage Against the Machines’ debut album consists of all 10 tracks, but it is ranked #2 on my list of favorite albums. The #1 album is Pink Floyd’s Darkside of the Moon/, which has some 10s, 9s, and 8s. But, the 10s (“Breathe,” “Time, ” “Brain Damage”) are so exceptional. Also, we tend to use the word “classic” around here quite frequently. At least for me the standard for a classic is a decent reputation as a notable LP and a release date prior to 2009. This is the case, since most albums reviewed here are current releases. Godspeed…
Artist: Ween Title: The Mollusk Label: Elektra Year: 1997 Length: 43 minutes Fun Fact: This LP is often considered the band’s magnum opus and supposedly (wikiquote) Dean Ween himself stated, “I will say that the only record that I ever felt really confident about was The Mollusk. That’s my favorite record we’ve ever done.” I am a huge Ween fan and before hearing this record, Chocolate and Cheese (1994) was my favorite Ween album, but I am now convinced that Dean is indeed correct in his confidence.
1) I’m Dancing In the Show Tonight- 9- A cute, funny, little opener. Funny in the weird Ween way, if you know of Ween’s music, then you know what I’m speaking of. This tune reminds me of little girls dancing with their grandpas at some family function. Don’t know why. It just carries a sort of innocence with it, I suppose.
2) The Mollusk- 9- Wonderfully catchy; not catchy in the mindlessly humming to the songs on the radio sense of catchy, but rather creating memorable songs that become etched in your psyche. Lyrically, this song kicks off the album’s theme of ocean like subject matter. I particularly dig the line, “Let’s be forever and forever be free.”
3) Polka Dot Tail- 9/10- Bizarre, trippy images of whales with polka dot tails, shrinking ice creams, and squishing fans in your hand. Yeah, I know crazy, but Ween’s uplifting music satisfies the ears so much that you just take it all in; no questions asked.
4) I’ll Be Your Johnny On the Spot- 8- Unlike, the first three tracks, this number is fast paced and not as humorous.
5) Mutilated Lips- 9- Of course, it’s fucked up, it’s the Ween boys. For a song with such a violent title, this tune is actually quite satisfying to my mutilated ears.
6) The Blarney Stone- 9- Haha, completely hilarious, drunken sing song about fucking some chick! Yeah, not the most savory of songs. This would be apropos in some Irish pub or on a pirate’s ship. Perhaps, the latter, considering the ocean theme.
7) It’s Gonna Be (Alright)- 10- Fantastic pop song! I’ll chop up my limbs to say this is the best tune in the brothers Ween catalog. Sure, lyrically it sounds more like an AM top 20, Madonna love song, “It’s just not our time, but you’ll find a new love and you’ll be fine.” The only flaw here is the brevity: 3:18, which actually isn’t that brief, but still it’s too short, when you have gold on your hands.
8) The Golden Eel- 8- I love how the tempo shifts back and forth from slow to fast and I dig the strange, low vocals. There is some pretty cool jamming going on toward the end. All for this very special eel.
9) Cold Blows the Wind- 8- Back to the more “traditional” vocals. This is a slow number about the powerful desire a man has for a kiss, a kiss of Lilly White lips. Go figure.
10) Pink Eye (On My Leg)- 7- It’s an ok tune, nothing bad, but I don’t have anything special to say about it.
11) Waving My Dick In The Wind- 9- Fast and hilarious. For no apparent reason, the narrator is waving his dick in the wind until he reaches his lover. The old Gee Tar is pretty nasty here. Simple, but nasty.
12) Buckingham Green- 9/10- One of the best tracks on this record. I really dig the sorta low-fi vocals. I don’t honestly know how to describe Ween’s music, which is kind of cool in a way. It’s so spectacular and they switch it up so well, you never know what you’re going to get…. yeah, I just watched Forrest Gump.
13) Ocean Man- 9/10- Good shit! This is perhaps, the album’s most accessible song with it’s danceability, upbeat music/lyrics, and almost Disney/Nickelodeon character like vocals lol.
14) She Wanted To Leave- 9- Solid closer, very passionate lol. If I were “she” I’d feel important. The second half of the song is a subtle reprise of the opener. It’s a perfect way to transition to silence.
Grade/Final Thoughts: A, I highly recommend this crazy, little ditty to anyone that wants to expand their musical horizons and especially to any Ween fans who haven’t heard this.
Kids Like You & Me (KLYAM) 