Black Lips 2009 Live Review

@ Middle East Downstairs

Chris: The Black Lips put on the best show I’ve ever seen. Very extraordinary, wild, and unpredictable. Of course, they garnered the most audience response and rightfully so. As soon as they stormed into “Sea of Blasphemy,” the crowd went into a frenzy, never remaining still or apart till the end. They played a fairly diverse set with songs from 4 of their 5 studio albums. In my opinion, the best performances were “Dirty Hands” (by far, the whole crowd was most united for this number, rocking back and forth and singing the chorus, def. a highlight of not just this show, but all shows in my somewhat brief concert going career), “Buried Alive,” “Fairy Stories,” “Bad Kids,” “Starting Over,” you know what they were all amazing…. I tried avoiding that, but I couldn’t. The band was more energetic and enthusiastic then most other bands I’ve seen, specifically singer/guitarist Jared Swilley, who often hopped into the crowd and shredded on his guitar. Excellent use of feedback, I must say. He was just a pro in stage antics. Overall, my favorite show by miles. I can’t wait to seem them again, whenever that is.

Glen: Obsessed with the Black Lips for well over two months, I was, for lack of a better word, pumped to see them. Chatting it up with guitarist Cole Alexander before the show was quite a treat. Cole talked to us about what kind of venues the Black Lips are capable of playing in, their lack of ability to play certain songs, and finally their snorting coke and partying with Radiohead producer Nigel Godrich in England. When Alexander and his crew took the stage, the crowd erupted in shouts of “ooooooooohhhhhhhhhhhh” — similar to the Mexican crowd on the opening track off their spectacular live album Los Valientes Del Mundo Nuevo. Then, in a blink of an eye, Jared Swilley picked up his guitar, and so did Cole and Ian St. Pe. Joe Bradley readied himself behind the drumset and the group opened with “Sea of Blasphemy.” The crowd erupted in a moshpit that involved lots of contact and screaming. The contact and the screaming never relented. Between songs, Jared kept remarking how he couldn’t hear the audience for shit (they were screaming out requests). Also between songs involved the tossing of multiple beers. Swilley dropped a pass and joked, “I didn’t play football in high school.” St. Pe, who a little later caught a beer pass, said “I played football in high school.” St. Pe was playing guitar in front of me the whole time. He was clearly inebriated but was still able to strum amazingly. He handed me one of the beers he caught and gave me a high five. Good man. The band was absolutely full of energy and lived up to their “one of rock’s best live acts” reputation. There was no mooning, making out, or pissing on the audience — and there didn’t need to be…crowd surfing and spitting sufficed. The Black Lips played a hodge podge of great tracks ranging from oldies “Bad Kids,” “Buried Alive,” “Dirty Hands,” “Cold Hands,” a 10 minute epic of “Hippie Hippie Hoorah,” “Not a Problem,” “Stranger,” “Katrina,” to songs off their 2009 release 200 Million Thousand like “Drugs,” “Short Fuse,” “Starting Over,” and “Take My Heart.” The last song came, at least for me, unexpectedly. I was having the most fun I’ve ever had and thus began “Juvenile.” Jared let the front row play with his guitar a little before full out diving into us. He was hanging onto the condensation-dripping wall while being pushed around. Beers were being spilled everywhere and everyone was going absolutely nuts. The security guards were getting so pissed that they cut the plug to the mics and started dismantling the band’s equipment. The crowds’ calls, “Encore! Encore!” were repudiated as the lights turned on and the background music played. I would have loved one more, but I can’t complain. If they were going to do an encore…the security were just assholes. It took almost 2 days for my inner-ear buzzing to stop, but it was well worth it and I’d relive the concert again in a heartbeat. Black Lips, if you read this…Boston loves you! Come back this summer…please!

CD Review: Congratulations [2010]

Band: MGMT
Release: 4/2010
Label: Columbia

1. “It’s Working” – B-
2. “Song For Dan Treacy” – B
3. “Someone’s Missing” – C-
4. “Flash Delirium” – C+
5. “I Found A Whistle” – B
6. “Siberian Breaks” – C
7. “Brian Eno” – A
8. “Lady Dada’s Nightmare” – C-
9. “Congratulation” – B+

Comments: MGMT rhymes with Polyphonic Spree. It’s true. “It’s Working” makes me mistake the two psychedelic pop bands. MGMT made this record filled to the brim with pretty basic weird music. It’s pretty listenable, but repetitive and unnecessarily exploratory. Unlike some people, I don’t necessarily hate “Flash Delirium.” It’s a bit too much to really handle, but at the same it’s relatively average. “I Found A Whistle” is one of those tracks where I imagine a bunch of people holding whistles and each other’s hands in a large auditorium. The band successfully rips off the likes of the late Jay Reatard with “Brian Eno” for nearly two minutes before a small jazz break and psychedelic mash-up sets in. So for a dude like me “Brian Eno” represents the very best of this album and is right up there with all those Oracular songs that people hold near and dear. “Congratulation” is a neat softie rock song. It won’t get you dancing or really doing anything, but it’s chill. I’d be pretty shocked if anyone really falls in love with this album.

Grade: B- (80)

CD Review: Pigeons [2010]

Band: Here We Go Magic
Release: 6/2010
Label: Secretly Canadian

1. “Hibernation” – B
2. “Collector” – A-
3. “Casual” – B-
4. “Surprise” – A-
5. “Bottom Feeder” – B+
6. “Moon” – C+
7. “Old World United” – B+
8. “F.F.A.P”- C+
9. “Land of Feeling” – B+
10. “Vegetable Or Native” – B-
11. “Herbie I Love You, Now I Know” – C-

Comments: This is one of those mistakes where some intern at Secretly Canadian got a hold of this LP three months before its official release and decided that it was somehow in his best interest to upload online. The thing about my dad, Luke Temple, is that he knows deeply what he wants to accomplish, but his music is too much for the average miscreant to understand. Well, pops got himself a band this time around and a few overt pop hooks. Been to a Here We Go Magic show sometime in the past eight months? You definitely heard “Collector.”  By the by, the band went down hill the second they dismissed Greg as the drummer. Yes, he only played one gig with them in Boston, but still you can’t do that. Dad didn’t hear the end of that one. You might ask well “why aren’t you giving your father high marks on every song?” Because that’d be bullshit and plus he left me for New York City. This LP is less weird than when pa did hard drugs. Think of the self-titled as a heroin trip and this as your average acid trip.  At any rate, I bet you’ll find yourself liking some songs on here at least. It can get kind of freaky at times like in “Moon,” but that’s expected with a hermetical title like that. I’d say in general the band is like a messed up Grizzly Bear. “Vegetable Or Native” is my principal reference. It’s just one of those songs that you never thought adults could come up with.

Grade: B- (83)

CD Review: Hippies [2010]

Band: Harlem
Release: 4/2010
Label: Matador

1. “Someday Soon” – A+
2. “Friendly Ghost”A+
3. “Spray Paint” – A
4. “Number One” – A+
5. “Be Your Baby” – A
6. “Gay Human Bones” – A+
7. “Torture Me” – A
8. “Cloud Pleaser” – A
9. “Faces” – A
10. “Tila And I” – A
11. “Three Legged Dog” – A-
12. “Prairie My Heart” – A-
13. “Scare You” – A
14. “Stripper Sunset” – A-
15. “Pissed” – A-
16. “Poolside” – A

Grade: I don’t know if I’m in an extra special good mood because of the fine weather I see from staring out the window or what. This record is really really awesome. Like “Friendly Ghost” is one of those great garage tracks that gets you happy as fuck. Then you got stuff like “Be Your Baby” which is the surf-punk answer to the classic 1960s track “Be My Baby” by The Ronnettes. This is definitely one of the top-bottom best crafted albums I’ve heard not only in 2010 so far, but this decade. The flow is freaking incredible until “Prairie My Heart.” Comparisons you ask? Nobunny covered in (King Khan and) BBQ sauce somewhere in Texas. If Chris DeC looking for an early favorite recording of 2010 this will be it. I know the kid. He got all warm and fuzzy with Album and this is a similar trick pony (same record label and all) except much better! You’d think these guys have been cranking LPs for years.

Grade: A (94)

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Analysis of “MIA” Vid

I love concert-goer descriptions. It’s just a fun topic. Pretty much everyone reacts differently to live music.

Instructions:
1. Watch this video of Black Lips “MIA” – http://www.youtube.com/watch?v=t-_kNZOjMto

Observe:
A. Bradford Cox – White Sweatshirt W/ Hood – Cox is all head…no pun intended. He has his arms folded and seems a bit chilly. But vigorous head motions? That’s what he does..

B. Man With Hat – He’s sort of bobbing up and down, but he’s too worried about spilling his beer. He’s loving life.

C. Black Shirt, White Tie – Looks like he just got out of a tough meeting with a client. Interesting attire for a punk gig. He’s awfully afraid of getting hit by a firecracker. He progressively has more fun. At first he’s just kind of there but then he really starts getting into it…until the firecrackers.

D. Coffee Lady – She clearly stumbled upon the show after getting her mochafuckachino from Starbucks. Like the Man With Hat, she doesn’t want to spill that $3.00 concoction. God forbid.

E. Grey Long Sleeve Druggie – This guy takes the cake for being a pretty die-hard fan, but it’s all about the weed for this guy. Take a hit, dance around. Take a hit, dance around. He knows his routine. Stomp it out. Pull out expensive digital camera from pocket? What the fuck! Where’d that come from? Gets really fucking scared when the firecrackers set in. He curls up behind Black Shirt.

F. Frat Boy W/ Scarf – This guy is only shown for like 10 seconds total, but he’s worth nothing. He has on a pink scarf and is drinking from a solo cup. Frat party sucked so he took a road soader. He was also a late arrival.

Boston based shows/fests – DIY, punk, noise