Full Title: Small Town Ecstasy Year: 2002 Director: Jay Blumenfield Comments: Small Town Ecstasy is a documentary that offers us an up close and personal look at the perils of a modern suburban family: divorce and the resulting custody issues, generation gaps between kids and their parents, oh and a father that attends raves and does ecstasy with his children and other young people. Whattttttttt?! you must be thinking. But, it’s true. This man is cuckoo for E and we watch as it tears him apart from his beloved ones. His son, an experienced drug user, questions why his father is acting the way he is and why he does not feel the need to intefere with the well being of his children (i.e. them experimenting with E and other drugs). Despite what you have just read (and yes it is nauseating and uncomfortably laughable) this man in many ways is a good father and clearly loves his children, but because of his increasing drug use and resulting loss of custody, he sees them less and less. That’s one thing I dig about this doc, the fact that he has redeeming qualities; in most of such videos, the parent steals their little babies’ lemonade money and buys crack with it on their birthday or slaps them senseless in the midst of a vicious meth binge… Here, instead we see a different kind of dysfunctional family. Overall, this is a good doc, highly entertaining and fascinating, but at the same time, I always asked myself, “where is this going?” It didn’t move that much, but it was a nice slice of life, which is exactly what this kind of documentary should do. A spin on the mid-life crisis hoopla! If you want to find out what happens to the man and his family, then see the film, part one can be seen below.
P.S. All seriousness aside for a moment, wouldn’t this premise of your clean cut, forty something, dad suddenly dropping E and attending raves make for one helluva of It’s Always Sunny style sitcom?! It could be called “XTC Dad!” as Glen referred to the leading man. Producers reading, take notice, I think I have something up my sleeves!
Reminds me a little of the "Good Bad Not Evil" cover
Not too long ago somebody recommended that I learn about the historical roots of the music that I presently enjoy. You know what? Old time “garage rock” of the 60s just doesn’t have the same appeal to me as newer stuff. I tried Count Five’s Psychotic Reaction and Iggy Pop’s Raw Power and while there are some gems on those records, they just aren’t as fun through and through as say Black Lips! or Blood Visions.
Band: King Khan & Pat Meteor Release: 3/2010 Label: Sub Pop
1. “The Fiery Tears of St. Laurent” – B+
2. “Bon Bon” – A-
Comments: The kind of music you’d expect with a title such as The Fiery Tears of St. Laurent. This is slow cooked rock and roll with a distinct rural aesthetic. Would it be okay to call it at least one part country? It’s French-Canadian goodness…what I believe they call néo-trad. I’d like to say Meteor sings on the first track and that Arish Khan spearheads the treat called “Bon Bon.” Even though “Bon Bon” is as lyrically simple as a song can come, it has a great atmosphere that reminds me positively of the culture surrounding the classic visit to Quebec that Chris and I (amongst other students) embarked on five years ago.
For you Simpsons fans! What is the best (or worst) season of the “The Simpsons?” and why? I myself am torn between various seasons lol. For those of you that have prejudice towards yellow people, what is your favorite season from any other TV show? or favorite overall season from any show?
Band: The Dead Weather Release: 5/2010 Label: Third Man Records
1. “Blue Blood Blues” – B- 2. “Hussle and Cuss” – B- 3. “The Difference Between Us” – B- 4. “I’m Mad” – B 5. “Die By The Drop” – B
6. “I Can’t Hear You” – B 7. “Gasoline” – B- 8. “No Horse” – C+ 9. “Looking at the Invisible Man” – C 10. “Jawbreaker” – B- 11. “Old Mary” – C-
Comments: These guys! I think I may have mentioned this in my review of Horehound: these songs (especially the first five) are really memorable, but not necessarily my cup of tea. If you like what they call ‘blues-rock’ then I could definitely see this as a suitable fit alongside a collection of Raconteurs, White Stripes, Black Keys, and Them Crooked Vultures records. The first single released in March “Die By The Drop” brings back crazy memories of Rage Against the Machine. Same with the next song.
1. “Truth Sets In” – A- 2. “What’s In It For” – A- 3. “Coaxed” – B+ 4. “Five Little Sluts” – B+ 5. “Jessica” – A- 6. “Summer Cum” – A- 7. “One Last” – B+
8. “Can’t I Know? – B 9. “Remember Last Time” – B+ 10. “Where’s Your Dirty Mind” – A
Comments: Avi Buffalo the successor of the late Page France? That’s my initial impression. Catchy folk influenced pop binds this record together. Much has been written about the whipper-snappers who came up with this fun record. I won’t get into that. All I’ll say is that it’s really freaking impressive! “What’s In It For” has a particularly memorable ending…recalling a young (more epic) Built to Spill if you will. The heartfelt “Jessica” strangely gave me Weird Al vibes. That’s not a bad thing, but it’s strange. I like it. “I’ve got lost in your summer cum” sings young Avigdor on the fittingly titled “Summer Cum.” Haha! Laugh, damnit! It’s a funny song title and you know it. The song’s particularly more freaky than anything that came before it (no pun intended). Not to be real negative, but this record sort of loses its charm during the second half.
Full Title: Anarchism In America Director(s): Steven Fischler and Joel Sucher Year: 1983 Grade: B Comments:AIA is a good starting point for those that want to learn about Anarchsim, because (as displayed in the documentary) most people have little to no idea of what it really is. The doc does a good job of explaining to viewers that anarchism is a strong social, political, economic, and spiritual philosophy and/or movement built on individualist principles and the belief that society would be better off without the state. The filmmakers distinguish this from the narrow minded view that anarchists are just about chaos and throwing bombs, which unfortunately most folks believe. The film features various anarchsits including, Emma Goldman, returning to America after having been deported for years in rare video footage, veteran Murray Bookchin, tax resisting, “market” anarchist, Karl Hess, the Dead Kennedys (interview and performance), amongst other famous and unknown anarchists. The film also shows various implicit anarchists including American workers committed to the rugged individual ideals of America and they associate this with anarchism, or at least the filmmakers do as well as a sowing company in which the workers run the show a la Chomsky! Speaking of Noam, he is nowhere to be seen and other prominent anarchists and related groups/organizations like the trailblazing paper, Fifth Estate>. I suppose they can’t document everything, but still they focused too much on the implicit Americanism rather than the explicit characteristics; albeit a nice feature. In addition, we see footage of the Liberatarian Party and how this connects to the anti-government (or anti-state power) stance of anarchism, historical events such as the Spanish Civil War, Russian Revolution, and the execution of Sacco and Vanzetti. Lastly, my only other complaint is the fact that they didn’t include any anarchists that used violence or force as a political means, justified or not. Granted, this might reenforce the negative connotations of the philosophy that naive viewers have, but at the same time, it would be nice to provide a balanced picture, considering some anarchists are violent. Overall, it was worth a watch and I would recommend it, not for those who want an in depth history of anarchism, but rather for those who are curious or unaware of it and want to learn about the philosophy/movement, at least the American aspects up to the early 1980s.
The following site has a lot of information on this documentary as well the film itself, which can also be viewed on Youtube as seen below.
Here are some cool quotes from the movie, which also appear on the above site.
“Almost anyone, I suppose, can call himself or herself an anarchist, if he or she believed that the society could be managed without the state. And by the state—I don’t mean the absence of any institutions, the absence of any form of social organisation—the state really refers to a professional apparatus of people who are set aside to manage society, to preempt the control of society from the people. So that would include the military, judges, politicians, representatives who are paid for the express purpose of legislating, and then an executive body that is also set aside from society. So anarchists generally believe that, whether as groups or individuals, people should directly run society,” Murray Bookchin
“My understanding of anarchism has as part of its element a connection between ends and means. To me, if one is an anarchist, then, from my point of view, one also must be nonviolent, and if one is nonviolent, one must be an anarchist—I see the linkages very clear[ly]. A person who believes in nonviolence is a person who believes that the sort of society we want to achieve is a society without violence, without wars, and without injustice; and to use wars, violence, and injustice to achieve that society is to be counterproductive,” Ed Hedaman
“Well, it’s hard to tell on the basis of the Party’s rhetoric, after all they’re running for state office, but my experience is that most people who are in the Libertarian Party have pretty decent anarchist impulses, even if they do not say they are anarchists—most of them will say they are libertarians, at any rate. And one thing that is useful is that they have a fairly well-refined analysis of why they aren’t conservative. It took the New Left to do a proper analysis on American liberals, it seems to me, and I suspect that the libertarians are doing the best analysis of American conservatives. I think that they are quite good people, and that the Party contains within it probably more people of an anarchist tendency than any other organisation in the country,” Karl Hess
