CD Review: What Did You Expect From The Vaccines? [2011]


Band:
The Vaccines
Release: 3/2011
Label: Columbia

1. “Wreckin’ Bar (Ra Ra Ra) – A-
2. “If You Wanna” – B
3. “A Lack of Understanding” – C+
4. “Blow It Up” – B
5. “Wetsuit” – C
6. “Norgaard” – A-
7. “Post Break-Up Sex” – A-
8. “Under Your Thumb” – B
9. “All In White” – B
10. “Wolf Pack” – A-
11. “Family Friend” – B

Comments: To answer the title’s question, I honestly had no expectations of the Vaccines. I heard the name, was present for the hype, and so on and so forth. I never gave their singles a healthy listen so this is a fresh start kind of review — the kind I like the best because I’m left with little bias. Anyway, it’s pretty easy to point the comparison finger to homeland counterparts Fratellis (“Wreckin’ Bar), Franz Ferdinand/Editors/Early-Mid 2000s Post-Punk Revivalists, and the like; i.e bands that were able to achieve “indie” stardom with a ‘bigger’ sound — so to speak — that was a few hair-lengths and stylistic choices from the real big name, The Killers. In the Vaccines case, it does feel quite like they are aiming (probably not true) for Killers-esque fame, instead of becoming the next Arctic Monkeys. Their descent into safe pop like “Wet Suit” just goes to show you they really don’t care about developing a Vaccines signature sound. When they speed things up to a near-garage level (“Norgaard”), they become a very fun band to listen to. Single “Post Break-Up Sex” and “Wolf Pack” combine the charisma of catchy garage pop with post-punk revival delicacy. There’s a lot to like on Vaccines, but as a fan of the heavier, louder, ‘dirtier’ stuff, there does not seem to be enough.

Grade: B (85)

CD Review: Rolling Papers [2011]


Rapper:
Wiz Khalifa
Release: 3/2011
Label: Atlantic

1. “When I’m Gone” – B-
2. “On My Level” – C
3. “Black And Yellow” – A-
4. “Roll Up” – B-
5. “Hopes and Dreams” – B-
6. “Wake Up” – B-
7. “The Race” –  B-
8. “Star Of The Show” – B-
9. “No Sleep” – C+
10. “Get Your Shit” – C-
11. “Top Floor” – C-
12. “Fly Solo” – D+
13. “Rooftops” – C-
14. “Cameras” –  C

Comments: We’ve got a new Kid CuDi in town! Now, now, not really, but you can see a theme. Wiz had an intricate revelation after smoking via rolling papers and here we are with this, a very “focused” record. Focus from a stoner….no way?! “When I’m Gone” is an aspirational number — a non-single with the aim of a single — see where I’m going with the CuDi comparison. There’s the opening piano, the OH SHIT’s about to get REAL moment following that, some meh-meh rhyming (“Back in the day money was short, I’m making it taller), and a decent hip-hop chorus. So at this point, it’s pretty reasonable to assume Wiz is about to travel down the “I’m about to get rich” rapping route, a well-traveled path…but wait maybe he’s not! “On My Level” is bass heavy — a deep beat that is a bit too deep and not aided any by a less than spectacular chorus and real rudimentary verses. “Man, I’m high as fuck and I swear I’m on my level. Man, I’m sloppy drunk, man I swear I’m on my level.” Huh! “Black and Yellow” is old news at this point, but it still holds up pretty well. Pretty much one of the freshest hip-hop songs – verse, chorus, break, everything – of 2010! “Roll Up” sounds like a handful of other songs — does it not? It’s pretty lazy — a trait that a lot of the hip-hop records I’ve reviewed possess. A pre-requisite to listening to this album may indeed be smoking, but a well-done record is one that need not require the green leaf to be appreciated. Rolling Papers – I think it can be argued — lacks genuine excitability. It’s perpetually chill, which could be appealing to a lot of listeners. I will give it that. BoB lacked true excitement, I mean he’s not on Wiz’s level if only because he included that girl from Paramore on a song. That’s some weak ass shit. “No Sleep” is like a ghetto Miley Cyrus tune. Lyrically, speaking. Just got to shake your head listening to “Fly Solo,” which is similarly corny. The latter third/half of this is just frustrating. I’m giving Wiz an honest chance too, but it’s hard to find anything better than average. Speaking of BoB, “Cameras” = that silly “Nothin On You”.

Grade: C+ (77)
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Wiz Khalifa performs April 9 at Northeastern’s Matthews Arena with Third Eye Blind, Taking Back Sunday, and Mac Miller as part of the school’s annual Spring Fest concert.

Classic Film Review: Faat Kiné

Full Title: Faat Kiné
Director: Ousmane Sembène
Year: 2000
Comments: Faat Kiné is a Senegalese woman, who runs a successful gas station- a rare feat in the male dominated, oppressive world of Senegal. Kiné’s character is seen as a heroine in her community, having suffered and struggled most of her life to give her kids (whom she had out of wedlock) the education and privileged life she never had. One of the film’s main themes is the repudiation of the old generation. The movie makes itself clear that the former traditions of Senegal are slowly dissipating. As a whole, I thought this message was communicated well and I would say for a movie, this is informative in terms of learning about Senegalese culture. With that being said, it was overall pretty average and did not floor me in any way. There is enough to be appreciated, but not enough for it to stand out as anything of significance. Some parts were mildly amusing, some things were shocking, but the running time without a doubt could have been trimmed, much like most American films. If you read this site’s film reviews, you know we don’t really cover too much foreign material (for no particular reason other than not coming across them and/or not making any effort to come across them either), but I don’t feel like my lack of enthusiasm for this feature has anything to do with a language/culture barrier; I treated this review like any other one. All in all, I would only recommend this to someone that wants to learn about Senegal (and/or how it has changed in somewhat recent years) via entertainment.
Grade: 4/10

Boston based shows/fests – DIY, punk, noise