Category Archives: pictures

Concert Review: Frontrunner, Empty Phrases, Exposure @ Ant Cellar (12/16/11)

Artists: The Exposure, Empty Phrases, and Frontrunner. These are all the bands I saw anyway.
Date: Friday, December 16, 2011
Location: Ant Cellar (Lowell, MA)
Comments:
Act I: The Exposure– Welly welly welly well, let it be known up front, if you cannot or do not see the publication date on this masterpiece that I am horribly overdue in my review of this fine Lowell show. Also, let me apologize for missing the first  (possibly second or third?) band(s), but I had to journey to the local liquor store and throw away what was left in my wallet by making a Christmas donation, and whaddya know in exchange they handed me a twelve pack of keystone. Nice Fellas. Anyway, why am I discussing all of this under The Exposure’s header? Who knows?  The Exposure played one helluva set, that I do know. Seriously, one of the best New England based bands I have seen all year; they hail from the great state of Connecticut. Paris Mygatt rocks out on the guitar and creates some memorable vocals as well. Brian Grochowski is an impressive drummer and complements Paris’s playing  quite well. I was surprised to hear that the pair had only been together since August! I felt like I had seen a band at least a few years into their career. I definitely walked away with No Age vibes; I know I say that often when it comes to two piece bands, but they really did sound like them. I also heard some Page France in the mix. Either way you can tell they are a fairly adventerous, unique group, with a lot of potential. The sound was great too, but what really stood out to me was their ability to communicate with the audience. In an intimate setting like the Ant Cellar (literally a  cellar) everyone is kooked up together and surrounded by the wonderful odor of sweat and steel reserve beer, but during the Exposure’s set, I was briefly taken to another level beyond the basement and it really felt like a show. Their crowd interaction varied from jokes about fucked up films to the relieving announcement that the War in Iraq finally ceased to exist (hopefully). There definitely was a great sense of positivity to them that I would also liken to No Age. You know, as I am writing this now, I’ve realized that this band best resembles No Age in their ability to produce both an atmospheric aura and simultaneously a great rock vibe. Perhaps my favorite moment of the performance, oddly enough, was when the two unleashed some fine theatrics in the form of glow sticks for everyone in the room. The band wore them over their eyes for a song or two and it was pretty funny, but the best was when Paris flung one of the glow sticks into the crowd and it hit me right in the face. Haha, he sincerely apologized, which I thought was hilarious because it was no big deal whatsoever; it was an entertaining moment nonetheless. Following their set, I briefly chatted with the pair, and found them to be upstanding gentlemen, class act all the way. So yeah, if you’re looking for some new music, check out  The Exposure.  http://www.the-exposure.com/ 

Act II: Empty Phrases– The Empties were pretty great. Empties? I know, I created that nickname, and I like it, like the Stones or the Lips; at some point or another a band has to adopt a nickname. I’ve been meaning to see these guys for quite some time now, so it was a real pleasure to finally witness the band in action. I always thought they had Incubus vibes based on their recordings and from what I hear this is a popular interpretation. I don’t know if that was an intention on the part of the band or not, but either way it’s a decent sound and they defintely expand on it. Live however, I felt less of the Incubus feel and more of an experimental-psychedlic side to the band. I noticed a lot of comparisons to bands I love today like Deerhunter and Best Coast, especially in the group’s use of reverb. Perhaps a little bit too much reverb for my tastes, but it was still pretty cool. It was a fun, rocking performance and the highlight for me was definitely “Groundhog Day.” Another excellent moment was when the band brought LeAnne Piepiora up for some guest vocals on the “Void.” I’m seeing them again tonight, so I’m excited. A lot of potential for these fellas. http://emptyphrases1.bandcamp.com/album/empty-phrases

Act III: Frontrunner– Frontrunner closed the show with an impromptu performance that was like one big ode to hardcore punk, which is always fun. I had just been watching American Hardcore (2006) right before I left my dorm to see this show, so I was right in the mood for some good old fashion hardcore. Considering that their performance was off the cuff they did a damn fine job and sounded really tight, a clear indication that the band consists of some talented musicians. It says on their Band Camp page “Flashback to 1984, this ain’t no tough guy bull shit, its yr dad’s hardcore.” Haha, I like it. Check it out. http://frontrunnerhxc.bandcamp.com/

Belushi and Black Flag

Today is John Belushi’s birthday and if he were alive today he would be 63. Sadly, he died thirty years ago today. RIP and Happy Birthday!

I love the Black Flag shirt! He was a big fan and tried to get them on SNL like he did for Fear. Belushi and old school punk rock always makes a great combo.

Best of 2011- Chris’s Favorite Albums

10) GirlsFather, Son, Holy Ghost (True Panther Sounds): This is undeniably the most ambitious album on this list, probably one of the most ambitious pop records of the year, and I would say definitely the most ambitious sophomore effort I have heard in a long time. Album (2009) was/is one of my favorite records and this LP definitely shares a similar sense of outstanding pop features. With that being said, I do not love this album and in fact I think it is a bit too epic, too diverse, too much. At least for my taste, I am sure there are plenty of people out there that will love every second of it. I really enjoyed this record, but more imporantly I have a lot of respect for the band for making it. Girls really pushed themselves, exploring all sorts of areas of the music world; it really feels like a gigantic, classic rock record, especially with tracks like “Vomit.” If you have heard this, you know what I mean, when it explodes into the “looking for loveee” part(s) of the song. Good stuff. I would have prefered shorter songs, but that’s alright, this list is supposed to be devoted to praise anyway, so nevermind me. “Honey Bunny” is an essential, fucking amazing pop ballad.

9) Fat History MonthFucking Despair (Sophomore Lounge): Fat History Month is representing Boston (KLYAM’s hometown) and the Boston underground on this list, and if you don’t know anything about any bands from this area, then Fat History Month is an excellent place to start. I myself only know some bands, but FHM is the cream of the crop and Fucking Despair showcases everything that is awesome about this duo. It is often hard to describe their music and it seems like everyone comes up with their own little, weird interpretations, so I’ll leave it up to you, because I have faith in you. “Old Lady Smokers” and “Things I Enjoy” are constantly racing around my psyche, seriously these suckers are having fun being stuck in my head. They are short, but sweet, you just want them to never end, kind of like an orgasm. So, yeah it’s a musical orgasm.

8) Atlas SoundParallax (4AD): Bradford Cox is the best songwriter of our generation, at least in my book. Parallax is a great pop record, not the best from Bradford, but that is like asking Scorcese why one of his films is not as good as Taxi Driver; they cannot all be amongst the greatest records of all time, but that does not take away from the fact that this an above average album. “The Shakes,” is my favorite song. I know it sounds extremely cheesy, but I literally am shaking when I hear this song. It is so damn powerful as with nearly all of Bradford’s material. His songs just have that emotional effect that a lot of other artists lack. He can make things sentinmental witout making them come off as lame. Rock and Roll is alive and well.

7) Natural Child1971 (Infinity Cat): I just mentioned about rock and roll being alive and well, Natural Child is a further testament to this. Another artist, I cannot promote more. Seriously, if you dig this “garage” revival kind of stuff like the Black Lips, Ty Segall, Nobunny, etc, then Natural Child is up your alley. But, even if you do not dig those artists and you are one of those bastards that only listens to rock and roll that was created at least twenty-thirty years before you were born and you scoff at others that drink PBR, while you yourself are only drinking Bud Light, well then Natti Child can and will serve a dish you cannot refuse. The name of the record is 1971, just think of it that way. If you really love the Stones, I do not see why these Nashville boys deserve any less of your attention. It’s only rock and roll.

6) Ty SegallGoodbye Bread (Drag City): Need I say more? Okay fine. Ty Segall expands upon the reputation he has built up thus far as a fun, frat rockin’, psychedelic artist. Per usual, the record is sonically amazing, and just engulfs the listener. Strong pop hooks ensue.

5) Smith WesternsDye It Blonde (Fat Possum): Here is a band I really started getting into this year and rightfully so; Dye It Blonde is fantastic pop record, an ode to pop music. Each song is a carefully constructed, melodramatic ballad. Listening to this album is like shooting up pop music, you get that instantaneous pop sensation rumbling through your body from the first few moments of “Weekend.” I can picture Smith Westerns lyrics being plastered all over the facebook walls of bratty, depressed teenagers all across America. “I should’ve realized life is such a joke, it makes me wanna choke,(“Smile”). Mmmm gotta love them at that age!

4) Mark SultanWhatever I Want (In The Red):
I am big fan of Mark Sultan’s past two LPs, The Sultantic Verses (2007) and $ (2010), but I think this LP is even greater, exemplifying Mark’s strengths as a songwriter. The hooks are stronger than ever especially on tracks like “Axis Abraxas,” “Just For a Moment,” and “Song In Grey.” “Axis Abraxas” is an incredible opener and just gets the listener pumped for the whole record. I wish more opening tracks were like this. Definitely one of the year’s finest and one of the most underated.

3) Shannon and the ClamsSleep Talk (1-2-3-4 Go!): One of my new favorites from twenty eleven. Another truly kick ass rock and roll band that is totally underated. I remember hearing this about six months back and thinking this would probably end up on my list and I was right, not much can top it. First and foremost, Shannon Shaw is a fabulous singer, one of the best living today. Secondly, the band are masters at creating (or recreating) early 60s esque rock and roll both in songwriting and in sound quality with really nice, clean, analog. They also add an extra umpph to several of their songs, giving them an old school punk sound as well. All in all, there is not much you can hate about this band/album, they just represent what is great about the music I enjoy. Alas, you will not see this record on any of the major magazines’s or web sites’s end of the year lists like several other underappreciated records on this list.

2) Hunx and His PunxToo Young to Be In Love (Hardly Art): If Sleep Talk has a companion twenty eleven LP then it is Too Young to Be In Love. Shannon Shaw provides vocals in both bands and just like on Sleep Talk, she sings with incredible force and control. In general, all of the girls shine more on this album than the band’s debut, Gay Singles. That is probably the best part of this record, the fact that the band sounds fuller and more complete. Admittedly, I am a bigger fan of the first record, but I adored and still cotinue to greatly adore this record. In many ways, it is completely different: slower, more serious, and more 60s based. If you dig 60s girl groups, I highly recommend this album as it is quite reminiscent of that era. “Lovers Lane,” the opening track is a great example of this and my favorite from the whole record. Hunx’s lead vocals are better than ever and the girls’ backng vocals nicely complement his. Hunx and His Punx are doing something truly unique and unlike anyone else today.

1) Black LipsArabia Mountain (Vice):
What do you expect? Of course, Arabia is number one. Of course, Black Lips are number one, they always are! I have to say though I am not a robotic fan or anything like that, they are not an automatic number one for me by any means. This year they simply released their greatest studio album in my eyes. Like Glen and other punk slimers, I greatly anticipated this release, probably more than any other album in my life. When I heard Mark Ronson was on board, I was not sure what to make of it, but knowing the Lips, I felt we were in good hands. They stayed true to themselves and simply used Ronson’s skill to enhance what already made them great. I see this record as a salute to what makes the Black lips a kickass band: Cole’s weird, raspy vocals (sounding better and clearer and more effective than ever) on “Family Tree,” the band’s simple committment to fun in “Go Out and Get It,” indeed an incredibly simple, but catchy tune, and overall a striking personality that no other band can match. Personality is what makes bands memorable and the Lips have mythologized themselves into the greatest rock and roll band currently in existance.

Best EP of 2011?


Still never going stop him… and his band from appearing on my lists!

WavvesLife Sux EP (Ghost Ramp)

Yep, there should be no surprises here. We spend the whole year yapping about our favorite artists, so when it comes to these year end lists, it should all look familar.

Hell at the Hall: Black Lips, Davila 666, X-Ray Eyeballs @ Webster Hall (10/29/11)

Artists: Black Lips, Davila 666, and Xray Eyeballs
Date: Saturday, October 29, 2011
Venue: Webster Hall (NYC)
Comments:
Act I: X Ray Eyeballs: X Ray Eyeballs are a pretty sweet band. I sadly know very little of their material, so I am not totally wrapped up in their performance, but it sets the stage for the next two acts very well. I definitely plan on checking out their work in the future; I see their name pop up all the time now, it seems.

Act II: Davila 666: I have been anticipating seeing these cats for quite some time. I am a casual fan of Davila and like most other fans, I think the energy and rarely matched enthusiasm they bring to the table is probably their greatest feature. In general, they have the whole “garage rock” style down to a tee. It’s just really fun, balls out rock and roll. In particular, the crowd goes wild when they blast into “Patitas,” a favorite of mine as well. The whole performance is solid, every member gives it their all, which is exactly why they are one of the finest live acts around, for sure.

Act III: Black Lips!!!: As you all may or may not know, we are devout Lips fans and making the bi-annual trip from Boston to New York to see our favorite band is a requirement of such excessive fandom. Lips have been my number one live act for a few years now and this night is no exception. The boys in blue hit the stage, decked out in their “Raw Meat” video tinged NYPD uniforms. Per usual they erupt into the classic (and my favorite) “Sea of Blasphemy.” It never gets old! Five Lips shows deep, which I am sure to some is nothing, I can safely say “Sea of Blasphemy” should always be their opener. The crowd simulates the excitement on stage and my composure and sense of right and wrong is suspended for the next hour. Between Cole’s proclamations of DMT Parties and threats of hauling all the dope smokin’ kids off to jail, he busts out one of his best performances, spitting, kissing, and beer can headbutting in all. Jared mans the center of the stage, looking like the classic frontman (though I have never thought of any of them specificially as frontmen, just to note). His vocals on relatively new live cuts, such as “New Direction,” and “Noc-a-Homa,” sound better than ever. To the right of Jared, Ian stands proudly, dishing out all the classic Lips riffs, with that ubiquitous smile he always maintains, kind of like your crazy uncle. In the back, but always on top is Joe, bashing away at the drums with the spirit of a six year old. Joe’s vocal driven songs constantly seem to garner the greatest crowd reactions. Arabia Mountain cut, “Go Out and Get It,” is arugably their most danceable tune and appears to get that extra umph outta everyone, especially the ladies. And naturally, “Bad Kids,” the band’s biggest song makes the kids go wild more than the other songs. In general, this show focuses on their latest record Arabia more than any other Lips performance I have attended. In total, we see/hear seven songs from Arabia, which is more than any other album. This is unusual for the Lips, since their standard is playing mostly Let It Bloom (2005) songs (if you had to name one record that dominated their set lists). With that being said, this does not really affect the overall performance too much and I am actually happy to see more new songs being performed. But, a Lips fan of any and all eras (such as myself) can find plenty to admire. The group even harks back to oldies like “Stone Cold.” Of course, Halloween being the theme, the quartet unleashes some garage soaked horror classics such as “Jack the Ripper,” (though they play this off-season as well). “Wildman,” by The Tamrons is another cover I have never seen them perform live and have waited to see for a while now. One of my qualms about this show, however, is the sound quality. It is not terrible, but it could be much better. Things like that fortunately do not interfere too much with the charisma of a Black Lips show. Not the best I have seen, but definitely up there, one for the books.

Grade: 9/10

Set List (in order by album):

Black Lips (2003):
“Stone Cold”

Let It Bloom (2005):
“Sea of Blasphemy”
“Hippie Hippie Hoorah”
“Boone”
“Fairy Stories”
“Dirty Hands”

Good Bad, Not Evil (2007):
“O Katrina”
“Bad Kids”

Arabia Mountain (2011):
“Family Tree”
“Modern Art”
“Go Out and Get It”
“Raw Meat”
“Dumpster Dive”
“New Direction”
“Noc-a-Homa”

Non Album/Cover Songs:
“Make It”
“Wild Man” (The Tamrons)
“Jack the Ripper” (Pierced Arrows)
ENCORE:
“Bow Down and Die” (The Almighty Defenders)
“Too Much Monkey Business” (Chuck Berry)

My Christmas Must Sees!


Glen Maganzini (left), Chris DeCarlo (right)

Okay, so I do this annually and if this looks similar to the post I made last year that is because it is! well, for the most part- not much has changed. Here we go:

Films (in no particular order):
1) It’s A Wonderful Life (1946)
2) A Christmas Story (1983)
3) Home Alone (1990)
4) National Lampoon’s Christmas Vacation (1989)
5) A Christmas Carol (in any of it’s versions, specifically 1951. I usually attend the play, as I will be Saturday night; one of the few plays I enjoy seeing)
6) The Santa Clause (1994)
7) Edward Scissorhands (1990) (okay, so only towards the end of the film this is applicable, but for me it gets me in the mood)
8) The Nightmare Before Christmas (1993) (I suppose this is more apropos for Halloween)
9) Bad Santa (2003)
10) Die Hard (1988)

TV:
1) The Simpsons– “Simpsons Roasting On An Open Fire” (1989), “Bart Gets an F” (1990), “Marge Be Not Proud” (1995), “Mircale on Evergreen Terrace” (1997), “Grift of the Magi” (1999),”Skinner’s Sense of Snow” (2000)
2) South Park– “The Spirit of Christmas” Original (1992), “The Spirit of Christmas” (1995), “Mr. Hankey the Christmas Poo” (1997), “Merry Christmas Charlie Manson” (1998), “Mr. Hankey’s Christmas Classics” (1999), “A Very Crappy Christmas” (2000), “Red Sleigh Down” (2002), “It’s Christmas in Canada” (2003), “Woodland Critter Christmas” (2004)
3) Family Guy– “A Very Special Family Guy Freakin’ Christmas” (2001)
4) At least one Johnny Cash Special
5) Dr.Seuss’s How the Grinch Stole Christmas (1964)
6) Rudolph, the Red Nosed Reindeer (1964)
7) Frosty The Snowman (1969)
8) It’s Always Sunny In Philadelphia: A Very Sunny Christmas (2009)
9) A Charlie Brown Christmas (1965)
10) SNL– various skits

Literature:
A Christmas Carol By:Charles Dickens (1843)
A Story A Day Till Christmas Various Authors (1985)
The Catcher in the Rye By: J.D. Salinger (1951)

I usually end up viewing (or reading for that matter) only half of these! But, either way, I have a lot of work to do and I recommend others to watch/read them too. I would recommend music, but that will take too long. I’ll save it for another day. To kick things off, here’s Kyle’s Christmas ballad, “I’m a Jew on Christmas” from the South Park classic “Mr. Hankey the Christmas Poo” (1997).

Boston Hassle Underground Music Comp/ Release Show!

Boston Hassle is a compilation documenting various, fascinating bands in the Boston underground music scene. In other words it’s a gigantic middle finger to corporate Boston or all those who have shunned these fine artists that lurk beneath the outskirts of the vapid music industry. Needy Vision, Dan Shea– the man behind all of this says it best himself: “Boston Hassle is an underground music comp that is being released exclusively on a wearable button/music player format called PLAYBUTTON.” Indeed, the format for this comp is unique and quite convenient. On top of that, there will be a Boston Hassle Comp Release Show on Sunday, December 11 @ Great Scott in Allston featuring Fat History Month, Saralee, Exusamwa, Needy Visions, Creaturos, Kid Romance, more!!! Excellent.
Here are some choice links:
http://www.bostonhassle.com/ 

http://bodiesofwaterartsandcrafts.bandcamp.com/album/boston-hassle-a-boston-underground-music-compilation-on-a-wearable-button-music-playing-format

http://www.forbes.com/sites/leorgalil/2011/11/10/new-boston-music-compilation-is-a-wearable-tribute-to-underground-culture/

In 1787 it was Shay’s Rebellion. In 2011 it is Shea’s Rebellion.