and
As always excellent camera work from Eurogael! And why not also toss in a clip of “Secrets” taken by our buddy mr. Melody Matters aka Bernie. http://www.youtube.com/watch?v=XKutBR7Rar8 Fat Creeps are heading on tour next week, fuck yeah!
and
As always excellent camera work from Eurogael! And why not also toss in a clip of “Secrets” taken by our buddy mr. Melody Matters aka Bernie. http://www.youtube.com/watch?v=XKutBR7Rar8 Fat Creeps are heading on tour next week, fuck yeah!

Artists: Nobunny, Bad Sports, Xray Eyeballs, Liquor Store
Date: Friday, September 21, 2012
Venue: The Living Bread Deli (Brooklyn, NY)
Comments:
Preliminary Activities: We wandered the desert for forty years and somehow we wound up in Brooklyn, destined to see Nobunny. “There it is, the Living Bread Deli!” That’s right Glen my boy, we have arrived and we are hungry for some rock ‘n’ roll, well actually we are just plain hungry. Alas, the Living Bread will not open its doors for another two hours :( As foreigners, we wander some more, careening through the streets of Bushwick with our stomachs rumblin’ and tumblin’, fortunately stumblin’ upon Darrel the “Tour Guide,” as he is known to no one. “Darrel, my main man, where is a good place to sit down and eat and grab a few drinks?” Darell looks at us as if we have five heads, and proceed to exchange our heads, playing a game of musical decapitation. According to Darrel, you can either eat at one of the delis or drink at the bar, but you can’t do both. You can, however, bring your grub into the bar and chow down while you drink. In fact, Darrel’s next mission in life at this moment was that very act itself. Deeming this as suitable behavior, we follow in Darrel’s footsteps, but the menu is not to our liking. We are nomads once again, starving nomads. Walking down the street, I notice a big ass chicken wearing boxing gloves, and I point this out to Glen and Papa KLYAM. When we reach the chicken, a young woman standing next to him asks us if we would like to witness a chicken death match. Sure, why not? As long as we can sit down and eat, and we do! More importantly, the man behind the mask is Dylan, bassist for Robot Death Kites- a band I have never heard until now- catch them if you can son- a band that has shared a bill with the likes of Boston behemoths Guerilla Toss. We discuss both the Boston and Brooklyn music scenes and both Glen and I can say it is of great pleasure to have made your acquaintance Dylan. Rock on brother! Alright, let’s get to the show….

Act I: Liquor Store– Since the Living Bread is a deli, it is a small space, and tonight the place is packed. Liquor Store kicks off the show and they do it with incredible finesse. They blast away with loud, roaring guitars. I dig how they epically strum their guitars with almost this windmill like force a la Pete Townshend. Similarly, I find some classic rock elements in their sound, but it does not seem generic in any way. This is my first time seeing these Jersey boys, but Glen saw them a couple of months ago at the Great Scott opening for Natural Child. Lucky bastard. But, now I too have experienced Liquor Store, YEAH BUDDY!!!

Act II: Xray Eyeballs– Last time KLYAM ventured out to New York we caught Xray Eyeballs opening for Black Lips and Davila 666 at last year’s Hell At the Hall Halloween show. Good times! Once again, Xray Eyeballs are one of the more visually memorable bands I have come across. Tonight their stage show features various bright lights, giving their psych garage sound some extra flavor. Alas, I miss some of their set because there is one helluva line for the bathroom! Fortunately, whilst waiting in this monstrosity of a line, I bump into “teacher’s pet” the drummer for Hector’s Pets, a Brooklyn band I saw open for King Khan & The Shrines at the Brighton Music Hall a couple months back. It is awesome to see you again dude! Anyway, check out Xray Eyeballs, if you have not yet. http://xrayeyeballs.bandcamp.com/
Set List:
Dejaw
Die Little Love
My Strange
Sundae
Gator
Derailed
NY Strip
Four
Crystal
Pill Riders

Act III: Bad Sports – Bad Sports is a name I have seen pop up every now and then, but I honestly have never sat down and listened to their music, so I came into this performance with an open mind, curious to see what will happen next. Bad Sports certainly earned their privilege to be on a tour with Nobunny. These guys don’t fuck around, they create chaotic noises in the midst of power pop. The crowd seems to get more pumped up during Bad Sports’ set with few outbursts here and there. Safe to say, Bad Sports will be kicking it for a while as they have for the past few years. http://badsports.bandcamp.com/

Act IV: NOBUNNY!!! -Nobunny=rock’n’roll. It’s as simple as that. Surely, Nobunny is not rock ‘n’ roll unto himself, but he represents what is amazing about all great rock ‘n’ roll: building a connection between the performer and the fan and everyone having fun together. On this tour, Bad Sports serve as Nobunny’s backing band, and I must admit I miss the Nobunny regulars but at the same time, Bad Sports are fantastic, providing the bunnyman with a killer sound. Tonight the name Nobunny is to be taken literally, for our hero in disguise is seriously not wearing his typical bunny mask. Instead, he is decked out in a black tape robber’s mask with some branches at the top. Well this transformation from bunny to branchman must have done the trick because No No is on top of his game more than ever (5th KLYAM show), moving and shaking like a maniac, as if he doesn’t have even two seconds to spare. As soon as the band hits the stage, our hero and gang burst right into “Hippy Witch” and as soon as that ends they immediately thrash right through to “Mess Me Up,” sending all the horny bunnies in the room into a frenzy. This set features so many classics: “I Am A Girlfriend,” “Chuck Berry Holiday,” “Boneyard,” “It’s True,” “Tina Goes To Work,” (which I have never heard live before) “Blow Dumb,” “Live It Up,” “Motorhead With Me,” and there’s even a brief rendition of the Sex Pistols’ “Pretty Vacant,” putting a strong emphasis on the CUNT! My favorite moment is without a doubt “I Can’t Wait” (a Sneaky Pinks cover). Nobunny says “this is an all ages show” before kicking into the classic tune, with everyone screaming “EIGHTEEN YEARS IS A LONG LONG TIME!” That’s the greatest thing about Nobunny, it’s an interactive event, as all great shows should be. But, Nobunny has it down pat, he’s a quality performer, in many ways unlike anyone else in the game today. As I said earlier, the greatest aspect of Nobunny live is how he communicates with his audience. He is just as much apart of this show as you are, a Nobunny show relies heavily on how much energy the audience gives, it’s back and forth. It’s terrific to see kids bashing around and shouting out all the words to their favorite Nobunny tunes, and Nobunny knows this, so he holds out the microphone at the most opportune moments, allowing fans to join in. Naturally, this is commonplace in rock, but with Nobunny it’s a recurrent feature amongst other bunny antics that amount to pure entertainment making everyone feel included in the show. Nobunny is part punk, part bubblegum- sweet, sweet, sugary fucking bubble gum pop, part dirty, grimy garage rock, and simply part circus, pro wrestling actually. The set closes oddly enough with Love Visions opener, “Nobunny Loves You,” which simply makes you want more and more! Final thoughts? Nobunny is one of the best live shows around; him and his band put their balls into it and transcend conventional, boring rock band behavior. If your just sitting at home listening to the records alone, playing with your dong, then you are not getting the full experience! Why would you do such a thing to yourself?! In short, GO SEE NOBUNNY!

Bands: Ty Segall, Thee Oh Sees, K-Holes
Date: September 22, 2012
Venue: The Well (Brooklyn, New York)
Comments: Heading far away from Beantown to see show isn’t a frequent occurrence for us at KLYAM, but when we do, it always ends up being a fun time. When I first saw in June that Ty and Thee Oh Sees were playing in Brooklyn, but not in Boston (or Portland or Providence), it was a no-brainer to make the voyage. Not to mention that Nobunny shortly thereafter announced a date in Brooklyn for the night before. So yeah, what a nice weekend.

Act I – K-Holes – By the time the K-Holes hit the stage, The Well had filled right up. I could tell the crowd didn’t want to miss any of the action, and why would they? K-Holes are what I call mainstays as openers for some of the rock ‘n roll underground’s bigger bands. I’ve seen them open for Black Lips twice in New York and once for King Khan and the Shrines in Boston. They’ve certainly built up a reputation as a band that brings all they’ve got to the stage. On this night, the stage is quite large for them (“I feel like I’m at the Emmys” singer/guitarist Jack Hines informs us), but this of course doesn’t change their performance. They plow right through several dark, saxophone crazed songs, which to me sound even better than in the past. Also, I’ve never seen a band with their set-up (saxophone, vocalist/tambourine, guitar, bass, a drum kit with three floor toms). They are interesting. I enjoyed closer “Rats,” off their most recent LP Dismania [Hardly Art], the most. It’s a full steam ahead ass-kicker, fitting in perfectly with what’s to come.

Act II – Thee Oh Sees – Finally! It took me three years (approximately) to see these guys and finally I can say it…I saw them. Seeing a lot of live footage on YouTube and hearing people rave incessantly about the live shows – not to mention my very many listens to the records – all of this is awesome, but you’ve got to be there. So I was there along with about a thousand others and we witnessed the same thing. A band that truly has it together and quite easily engages the audience’s attention to something that makes blue shirted security guards want to join in on the fun. Thee Oh Sees got it started with “The Dream,” which is an insane tune, but there’s so much more build-up in the live setting that it is really hard to describe to be honest. After that we were blessed with “Lupine Dominus,” a stand-out off just released Putrifiers II. Then came that song that sounds like “Have Love Will Travel” — oh yes — “Tidal Wave,” which is just as cool as it sounds. They also got in “Carrion Crawler/The Dream,” the wild and quintessential sing-along “I Was Denied,” the superbly lengthy a-a-a-a-a-ah-ah-ha-ha-ha-a-a-a-a of “Contraption/Soul Desert,” and some others which I can’t quite remember right now. Either way, this was one performance that I will surely remember and I can not wait to see them again. It would be cool to catch them in a littler place, but they are at the point where they’ve got a pretty sizable and energetic fan base so I’m not sure what’s to come. No one does.

Act III – Ty Segall – Ty (and band) – if you read this site, you know there is a whole bunch o’ coverage, so disregard the obvious – are near the top of the charts as far as the kind of music I really love. It’s not even one sound – it’s more of the experience and variety of selections that gets me pumped. Whether it is the cuts from Slaughterhouse that they opened with, a throwback classic like “Standing at the Station,” or the many Melted jams “Imaginary Person,” “Finger,” “My Sunshine,” “Caesar,” “Girlfriend,” the current Ty set is all over the place categorically, but it’s all marked by an unbeatable combination of loudness, fuzz, and pop. It is no wonder why more and more people are being turned onto Ty and his band. And they’ll continue to be. The heavy rains that came during “Finger” seemed to coincide with the intensity of the song and they never really stopped. I was pleasantly surprised by “My Head Explodes,” my favorite from Goodbye Bread, which the band hasn’t really played too often. You could say more surprises came with a little “Sweet Home Alabama” and an encore of The Doors “The End”. It should be said that the first couple of rows represented a danger zone for crowd surfers. There was one fan who took a particularly gruesome fall near the stage that drew the concern of Ty, who requested medical attention for the man. We all hope he is okay. Ty shows shouldn’t be dangerous and apart from that incident, everything went pretty smoothly. There were also several photographers and a cameraman on hand – and they were having just as great of a time as the crowd. It was a cool sight! Back to the songs. Closer “Wave Goodbye” and oldie “Skin” bear mentioning along with the finale of all finales, “The Drag”. Hope to see these guys soon in Boston, but you know, if New York is the only option, New York is the only option. That’s easy.
September 24
Casanovas In Heat/ Lube / Yale, MA @ Charlie’s Kitchen [ EVENT LINK ]
September 27
Sonic Avenues/ ExPlanets / Guilty Party / Rockin Prophets @ Starlab [ EVENT LINK ]

From June 21-23 Deerhunter will be curating the UK ATP festival at Pontins Camber Sands. “they will play three different sets, each showcasing a performance of one of their LPs “Cryptograms”, “Microcastle” and “Halcyon Digest” in full. There will be an Atlas Sound show, and Deerhunter will also of course be picking the rest of the June festival line-up.” Damn, that sounds awesome! http://www.atpfestival.com/newsview/1209181000.php

Bassist in Wavves, former bassist in Jay Reatard’s band, guitarist in Barbaras turns 27 on this day in history!

“Full album cover of the classic Velvet Underground record, featuring reimaginations by Kelley Stoltz, Warm Soda, Ty Segall, Blasted Canyons (featuring Jeremy Cox of Royal Baths), White Fence, The Fresh & Onlys, Burnt Ones, The Mallard, Here Comes the Here Comes, K Dylan Edrich, and Thee Oh Sees!!! Limited to 1000 copies EVER. On Banana Yellow vinyl, with original art by David Shrigley. Only available through this site and from the bands at shows, no distro.”
1. Kelley Stoltz: “Sunday Morning”
2. Warm Soda: “I’m Waiting For The Man”
3. Ty Segall: “Femme Fatale”
4. Blasted Canyons feat. Jeremy Cox (of Royal Baths): “Venus In Furs”
5. White Fence: “Run Run Run”
6. The Fresh & Onlys: “All Tomorrow’s Parties”
7. Burnt Ones: “Heroin”
8. The Mallard: “There She Goes Again”
9. Here Comes The Here Comes: “I’ll Be Your Mirror”
10. K. Dylan + The Black Angel’s Death Songsmen: “The Black Angel’s Death Song”
11. Thee Oh Sees: “European Son”

Montreal madman, Bloodshot Bill is opening for the legendary Jon Spencer Blues Explosion at the Middle East Downstairs on October 12, 2012!!!
But, the fun doesn’t stop there because on Saturday, October 13 rampant rock ‘n’ rollers Atlantic Thrills are playing with Bloodshot Bill and Jon Spencer Blues Explosion at The Colonel’s 4th Annual Super Dooper Guitar Party! Check out this bad ass flier!


Artists: Fat Creeps, Radio Control, Wet Nurse, Vacation, ExPlanets
Date: Friday, September 14, 2012
Venue: Starlab (Somerville, MA)
Comments:
Act I: ExPlanets– Let me start off by saying, how nice it is to be back in the Starlab! This is KLYAM’s second time here, with our last venture being wayyy back in April 2011- seeing The White Wires from Ottawa, Canada. Great show! I love the look of the Starlab- arcades, couches, and Boston Counter Cultural Compasses hanging around to boot! Check out the KLYAM plug in this month’s compass btw, thanks again guys! http://www.bostoncccompass.com/ The basement itself has to be one of the nicest looking basements I have ever seen. So when the ExPlanets start their set I am feeling pretty good, remembering the fun times I had hear about a year and half ago. For the first few minutes of the band’s set the lights are on, which seems kind of odd, because I have never seen a band perform in a fully lit basement, an intriguing sight, I suppose. The lights begin to dim and everything is back to normal, so to speak. ExPlanets are fun to watch and their sound (at least tonight) reminds me of the aforementioned White Wires as well as the legendary garage rock band The Spaceshits. And no I am not just name dropping Canadian bands I know! They share similar pop sensibilities as these bands, but with a louder, faster delivery. In any case, I plan on further exploring the work of the ExPlanets. http://explanets.bandcamp.com/
Set List:
Can’t Wait (3 Count)
All You Want
Punch Line
Don’t You
Close The Door
Gutter Blind
Not Going Away
Mary
Free To Go
Wrapped Up
Catching Up
Talk About It
Act II: Vacation– Vacation voyaged all the way from Ohio and I am applauding them for making the trek to Boston for this evening’s show. They are a solid band, a lot of fun actually. The spirits amongst the attendees seems to increase during their set as people pogo and chant along to their catchy pop drenched punk tunes. Everyone is having a gay olde time and then suddenly the lights go out and the room is pitch black. I can’t see anything. Next, I hear the words “HAPPY BIRTHDAY TO YOU!!!” The lights flicker on and one of the Vacation’s guitarists is plastered with a nice l’il birthday cake. Happy Birthday! Fun set! http://vacation.bandcamp.com/
Act III: Wet Nurse– Florida’s Wet Nurse is the perfect band to follow Vacation and ExPlanets, for they share their predecessors’ taste for balls out, rock ‘n’ roll fun! Their songs are short and catchy; straight to the point, no filler, the way it should be. They definitely appeal to the garage side of me, which is a large chunk of my musical tastes as if this web site could not be further evidence of that. As I am writing this now I am listening to Wet Nurse’s latest offering, Daily Whatever and I am totally digging it! Check it out here: http://wet-nurse.bandcamp.com/
Set List:
Peace
Cig
Ill
Girl
Sassy
Stranger
Nature
Wasted
Whatevs
Personal
Backwards

Act IV: Fat Creeps– The one and only Fat Creeps, one of my favorite bands. NO WAY REALLY?!! I can only imagine someone that visits this site frequently must be thinking that. SHUTTT UP! Anyway, before I drift, it is cool to see these Creeps in a basement again, since I usually see them perform at clubs/bars, I appreciate the change of setting, it’s good to switch things up. Tonight, the trio opens with “Horoscope,” a fine tune from the Fat Creeps EP released last month and a fan favorite at that. Most of the set contains various Creeps classics like “Secrets,” “Nancy Drew,” and my personal fave “700 Parts.” In addition to these vintage tunes, the band unleashes some fresh material in the form of the relatively new “Dad Weed” and a totally new song I am not familiar with at all. Then, the group starts to play a song that seriously fucking rocks and I think to myself “damn, this new Creeps song sounds like The Stooges.” As soon as I recognize the lyrics I realize it is in fact a cover of The Stooges’ “I Wanna Be Your Dog.” Impressive cover to say the least. Speaking of old school punk, my favorite moment in their set is the mini trivia session held in between songs. Vocalist/Bassist Mariam Saleh announces that they are giving away a free beer to anyone that can name Joey Ramone’s real name. Without any hesitation I holler “Jeffery Hyman!” Naturally for providing the correct answer Mariam prestents me with a delicious Narragansett. Thanks again! Moral of the story, go see (and listen) to the Fat Creeps and you can one day be a winner just like me. http://fatcreeps.bandcamp.com/

Act V: Radio Control– This fun filled evening of no bullshit punk rock and roll is capped off by one of Somerville’s sweetest bands, Radio Control. Radio Control is Matt (vocals/guitar) and Kristina (vocals/drums) and together the two create a mish mash of garage, post-punk, and undeniable pop hooks. I hear a lot of The Replacements, especially in Matt’s vocals. In many ways their music feels like it’s a full band, at least to my ears. This is the second time I have seen these cats, with the first being an epic show at the Great Scott on April 2 of twenty twelve, opening for Hunx and His Punx and Heavy Cream. Great show! I dug the pair that time, but this show is even better. An excellent way to close tonight’s festivities.
P.S. RC are super cool people and it is a pleasure to have made their acquaintance, hope to see y’all in the near future! Keep on rockin! http://weareradiocontrol.com/