The weather reminded me of this sorta.
Chris
The weather reminded me of this sorta.
Chris

The oldest and most stylish Black Lip, Ian St. Pe, has got himself a side project called theFixedFocus.
The band’s first demo “Movin’ On Up” has a slick “Big Black Baby Jesus of Today” heavy guitar rhythm on top of a light reverb laced guitar. And features lyrics you’d expect from St. Pe like:
“Needed peace of mind/Oh hell yeah I got more than a lot/Laying back, feeling good/Doing like I’ve always done.”
“Can you hear that sound?/ Can you move it around?”
“Am I ready? Ready as I always was.”
“Question, am I all right? All right? In fact, I’m doing gooood.”
You ought to check ’em out: http://www.myspace.com/thefixedfocus
Hahahahahahahaha. Gotta love Dave. Look at those psychosomatic arm aerobics.

Artist: Lost Sounds
Full Title: Lost Sounds
Year: 2004
Label In the Red
Tracks:
1) There’s Nothing- 9
2) Destructo Comet- 9
3) I Get Nervous- 9
4) Clones Don’t Love- 9
5) I Sit I Watch I Wait- 8
6) Ophelia- 8
7) Your Looking Glass- 8
8) Let’s Get Sick- 8/9
9) And You Dance?- 8
10) We’re Just Living- 8
11) Mechanical Feelings- 9
12) Bombs Over M.O.M.- 9
Grade: A
Comments: I’m always glad to hear “new”- meaning music I’ve never heard before- material from my favorite artists. Being a massive Jay Retard fan, I had to check out his earlier, Synth Punk band, The Lost Sounds. This was their last record and it is simply a delight. Much of it sounds nothing like Jay’s previous and later works. This is obviously due in part to the excessive (in a good way!) use of keyboards and vocalist/guitarist/synthist lol, Alicja Trout. “There’s Nothing” is a solid opener and sets the mood for the rest of the album. In fact, the songs do not really vary in sound/presentation all that much, but I do not see that as a flaw, it works very well here. The songs nicely flow into one another, creating an entire experience, rather than simply some songs thrown together, which often happens with other records. With that being said, the best tracks are at the beginning and the end, as indicated above. Most of this record, as I mentioned before, to me, does not resemble other Reatarded music, but the track “Mechanical Feelings” really does, especially the lines “don’t count me out, don’t count me out, I’ll scream and shout, don’t count me out.” The “ohh no no no, they won’t get me, they won’t get me” in Jay’s “Waiting for Something,” but faster and more intense. Anyone? Well, for me they sound alike. The LP concludes with the triumphant, “Bombs Over M.O.M.” one cannot help but chant along to the impassioned chorous, “All the Walls are Falling, Falling DOWN!” Trout then continues to sing, “FALLING FALLING FALLING….” for what seems like an eternity. Excellent closer, one of the best I have ever heard. Most closers are weak, in my opinion, parce que, they make overly ambitious attempts to floor the listener with an EPIC! ending. BOM is just right. This record honestly sounds like it could be a follow-up to 2009’s Watch Me Fall , if Jay added synth and a feamle vocalist. In other words, it’s nothing like his earlier Reatards work and in some ways sounds futuristic, if you will. All in All, I recommend this to Jay fans and anyone else. It’s KLYAM RECOMMENDED, but I’m not grabbing that little logo lol.
Chris
Ok, so it’s been some time (like two weeks!) since I’ve been on here. I know, you’ve bee missing me, whoever is reading this. I had a really busy week before and then I lost firefox, thus not able to make posts. But, now I’m back and I assure you posting away. My vacation from blogging is over. Just to irritate you hipsters out there and Glen, here’s a song.
Chris
@ Middle East Downstairs
Chris: The Black Lips put on the best show I’ve ever seen. Very extraordinary, wild, and unpredictable. Of course, they garnered the most audience response and rightfully so. As soon as they stormed into “Sea of Blasphemy,” the crowd went into a frenzy, never remaining still or apart till the end. They played a fairly diverse set with songs from 4 of their 5 studio albums. In my opinion, the best performances were “Dirty Hands” (by far, the whole crowd was most united for this number, rocking back and forth and singing the chorus, def. a highlight of not just this show, but all shows in my somewhat brief concert going career), “Buried Alive,” “Fairy Stories,” “Bad Kids,” “Starting Over,” you know what they were all amazing…. I tried avoiding that, but I couldn’t. The band was more energetic and enthusiastic then most other bands I’ve seen, specifically singer/guitarist Jared Swilley, who often hopped into the crowd and shredded on his guitar. Excellent use of feedback, I must say. He was just a pro in stage antics. Overall, my favorite show by miles. I can’t wait to seem them again, whenever that is.
Glen: Obsessed with the Black Lips for well over two months, I was, for lack of a better word, pumped to see them. Chatting it up with guitarist Cole Alexander before the show was quite a treat. Cole talked to us about what kind of venues the Black Lips are capable of playing in, their lack of ability to play certain songs, and finally their snorting coke and partying with Radiohead producer Nigel Godrich in England. When Alexander and his crew took the stage, the crowd erupted in shouts of “ooooooooohhhhhhhhhhhh” — similar to the Mexican crowd on the opening track off their spectacular live album Los Valientes Del Mundo Nuevo. Then, in a blink of an eye, Jared Swilley picked up his guitar, and so did Cole and Ian St. Pe. Joe Bradley readied himself behind the drumset and the group opened with “Sea of Blasphemy.” The crowd erupted in a moshpit that involved lots of contact and screaming. The contact and the screaming never relented. Between songs, Jared kept remarking how he couldn’t hear the audience for shit (they were screaming out requests). Also between songs involved the tossing of multiple beers. Swilley dropped a pass and joked, “I didn’t play football in high school.” St. Pe, who a little later caught a beer pass, said “I played football in high school.” St. Pe was playing guitar in front of me the whole time. He was clearly inebriated but was still able to strum amazingly. He handed me one of the beers he caught and gave me a high five. Good man. The band was absolutely full of energy and lived up to their “one of rock’s best live acts” reputation. There was no mooning, making out, or pissing on the audience — and there didn’t need to be…crowd surfing and spitting sufficed. The Black Lips played a hodge podge of great tracks ranging from oldies “Bad Kids,” “Buried Alive,” “Dirty Hands,” “Cold Hands,” a 10 minute epic of “Hippie Hippie Hoorah,” “Not a Problem,” “Stranger,” “Katrina,” to songs off their 2009 release 200 Million Thousand like “Drugs,” “Short Fuse,” “Starting Over,” and “Take My Heart.” The last song came, at least for me, unexpectedly. I was having the most fun I’ve ever had and thus began “Juvenile.” Jared let the front row play with his guitar a little before full out diving into us. He was hanging onto the condensation-dripping wall while being pushed around. Beers were being spilled everywhere and everyone was going absolutely nuts. The security guards were getting so pissed that they cut the plug to the mics and started dismantling the band’s equipment. The crowds’ calls, “Encore! Encore!” were repudiated as the lights turned on and the background music played. I would have loved one more, but I can’t complain. If they were going to do an encore…the security were just assholes. It took almost 2 days for my inner-ear buzzing to stop, but it was well worth it and I’d relive the concert again in a heartbeat. Black Lips, if you read this…Boston loves you! Come back this summer…please!
Turner on “My Propeller” :
“That’s describing a mood, I assure you, not an organ.”

Band: MGMT
Release: 4/2010
Label: Columbia
1. “It’s Working” – B-
2. “Song For Dan Treacy” – B
3. “Someone’s Missing” – C-
4. “Flash Delirium” – C+
5. “I Found A Whistle” – B
6. “Siberian Breaks” – C
7. “Brian Eno” – A
8. “Lady Dada’s Nightmare” – C-
9. “Congratulation” – B+
Comments: MGMT rhymes with Polyphonic Spree. It’s true. “It’s Working” makes me mistake the two psychedelic pop bands. MGMT made this record filled to the brim with pretty basic weird music. It’s pretty listenable, but repetitive and unnecessarily exploratory. Unlike some people, I don’t necessarily hate “Flash Delirium.” It’s a bit too much to really handle, but at the same it’s relatively average. “I Found A Whistle” is one of those tracks where I imagine a bunch of people holding whistles and each other’s hands in a large auditorium. The band successfully rips off the likes of the late Jay Reatard with “Brian Eno” for nearly two minutes before a small jazz break and psychedelic mash-up sets in. So for a dude like me “Brian Eno” represents the very best of this album and is right up there with all those Oracular songs that people hold near and dear. “Congratulation” is a neat softie rock song. It won’t get you dancing or really doing anything, but it’s chill. I’d be pretty shocked if anyone really falls in love with this album.
Grade: B- (80)
1. Sea of Blasphemy
2. Drugs
3. Short Fuse
4. O Katrina
5. Dirty Hands
6. Make It
7. Cold Hands
8. Hippie, Hippie, Hoorah
9. Not a Problem
10. Lock and Key
11. Take Me Home (Boone)
12. Fairy Stories
13. Boomerang
14. I’ve Got a Knife
15. Buried Alive
16. Bad Kids
17. Juvenile