
This is the guy from Happy Birthday. If you are a long time King Tuff fan then you say to people, “hey, yo, King Tuff is Happy Birthday.”
Here are some fun tunes I found by King Tuff:
– “Kind of Guy”
– “Sun Medallion”
Check him out!

This is the guy from Happy Birthday. If you are a long time King Tuff fan then you say to people, “hey, yo, King Tuff is Happy Birthday.”
Here are some fun tunes I found by King Tuff:
– “Kind of Guy”
– “Sun Medallion”
Check him out!

1) Box Elders- Tiny Sioux
2) Hunx and His Punx- Cruising (officially released!)
3) Wavves- Post-Acid
4) Harlem- Friendly Ghost
5) Mark Sultan- Misery’s Upon Us
6) Hunx and the Punkettes- Lovers’ Lane
7) Happy Birthday- Girls FM
8) Strange Boys- A Walk On the Beach
9) Silhouette Rising- Flight
10) Scouflaws- Stupid and Catchy
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Band: The Roots
Release: 6/2010
Label: Def Jam
1. “A Peace of Light” – C-
2. “Walk Alone” – B+
3. “Dear God 2.0” – A
4. “Radio Daze” – A-
5. “Now Or Never” – B
6. “How I Got Over” – B
7. “DillaTUDE: The Flight of Titus” – C
8. “The Day” – B+
9. “Right On” – B+
10. “Doin’ It Again” – B
11. “The Fire” – B
12. “Tunnel Vision” – C-
13. “Web 20/20” – B-
14. “Hustla” – B+
Comments: I liked “Walk Alone” for the most part, but “Dear God” is where it’s at. The verses are top shelf hip-hop. My gripe with a lot of this album is the amount of half-ass tunes. What I mean is that The Roots seem to have a consistent focus on the way these songs are structured. That might appeal to a lot of folks who like a good amount of rap, but also don’t mind a soulful or R&B flavored chorus. I get bored with that. Also, does this record really need short interludes every five or six songs? OK so this isn’t that great in the whole scheme of hip hop records. It might be one of the best of its kind this year, though.
Grade: B- (83)
Limit One Song Per Band
– “Brian Eno” by MGMT
– “Walk in the Park” by Beach House
– “Tiny Sioux” by Box Elders
– “Fresh” by Devo
– “Jail La La” by Dum Dum Girls
– “Gay Human Bones” by Harlem
– “Go Berserk” by Mark Sultan
– “1000 Years” by Portugal. The Man
– “Be Brave” by The Strange Boys
– “Take On the World” by Wavves
– “Cloud Shadow on the Mountain” by Wolf Parade
I’m leaving out a lot; these are just ones that I found on a quick run through of my media player.

Full Title: Stop Making Sense
Director: Jonathan Demme
Starring: Talking Heads and various special guests
Year: 1984
Set List:
1) Psycho Killer
2) Heaven
3) Thank You for Sending Me an Angel
4) Found a Job
5) Slippery People
6) Burning Down the House
7) Life During Wartime
8) Making Flippy Floppy
9) Swamp
10) What a Day That Was
11) This Must Be the Place (Naive Melody)
12) Once in a Lifetime
13) Genius of Love
14) Girlfriend is Better
15) Take Me to the River
Encore:
16) Crosseyed and Painless
Comments:
Stop Making Sense? When did the Talking Heads ever make sense?! Haha, of course their brand of weirdness, a “good” weirdness is exactly what made the Talking Heads, the Talking Heads. The other night I had the pleasure of revisiting this 1984 classic via a screening at the Sommerville Theater. I had been a fan of the live CD Stop Making Sense for years, but never got around to seeing it’s cinematic coutnerpart. Well, what better a venue than the Sommerville Theater?! And it was. The sound was a tad lower than desired, but besides that it fit really well for this presentation. Now to the film itself. David Byrne kicks things off with the TH classic, “Psycho Killer,” just Byrne himself gently rocking out on acoustic guitar with a tape player. As the song reaches its final moments, Byrne stumbles to the beat. He fake trips then catches himself, then again and again; fitting perfectly with the music. Next, the nerdy, neurotic singer is accompanied by his bandmate, Tina Weymouth (who is looking rather attractive here) on bass. The two launch into an impassioned, acoustic version of “Heaven.” And with each song another member hits the stage to join the circus. It should be noted that the Talking Heads put on an extremely entertaining show with incredible energy, charisma, and showmanship, without any of the big theatrics, i.e. light shows, back drop videos, etc. (at least in the first half of the film), oft-seen in such concert films. This speaks volumes for how well they can captivate an audience with just themselves as the visual stimulants; essentially less is more. They use a lot of light humor in their approach, such antics as the “Running Man” dance; at one point Byrne acutally runs around the whole stage at full speed! We also see him playfully push a lampshade back and forth, each time catching it at the last second just as it is about to hit the floor, amongst other weird, but amusing stunts. Byrne and crew seriously dance their asses off as the tunes become heavier and funkier. Songs that stood out in particular included “Burning Down the House,” “Life During Wartime,” and “Once In a Lifetime.” Perhaps they stood out to me because they are some of the bigger songs and/or some of my favorite TH numbers, but either way the performances were near perfect. Without a doubt, the most iconic moment in the picture is when we see the fabulous frontman in his lovely “Big Suit,” once again a bizarre, humorous, and ultimately memorable element of the Talking Heads’ craft. All in all, there is very little to nothing I can say bad about this movie. My one complaint, (a very small one) is that at some points it drags a bit on some of the tracks I am less enthusiastic about, such as “What a Day That Was” and “Girlfriend Is Better.” I feel like it wouldn’t have hurt to do some time truncating in these areas. Probably just me, but in the long run, this didn’t really harm my opinion of the performance. In short, for concert films this is top notch and certainly sets the bar for competition.
Grade: A/A-
Haha, I wonder what Albini would have turned into if he heard the Partridge Family; an ardent pundit on mainstream teeny bopper music!
I just heard this song on National Public Radio. It’s incredible. Not just like oh yeah, this is pretty great. I might listen to it again sometime soon. No, no. This is high quality tune-age.

Band: The Walkmen
Album: Lisbon
Release: Fat Possum [9/2010]
1. “Juveniles” – Known in some circles as “Tragedy,” I’m just amazed by Hamilton’s delivery on the choruses. I, too, love the laid back, Caribbean-esque feel. What a great album opener! Grade: A+
2. “Angela Surf City” – This one is marked by Matt Barrick’s drumming. At least that’s what stands out to me. I do like this song — Hamilton is as passionate as ever — and how it, like “Blue” that follows soon, has an enormous explosion of instrumentation. Grade: A-
4. “Blue As Your Blood” – Known in some circles as “The Sky Above,” this builds up pretty good. The initial guitar plucks and percussion stay constant — as a good rhythm section usually does — throughout the duration of this tune. I got a feeling pretty early on that this thing was going to explode. Indeed, it does. There are some really nice intricacies toward the end of the song — like a subtle keyboard push and twangy guitar parts. Grade: A
8. “Woe Is You” – This one is comparable to “Tragedy” in how it sounds Caribbean. I really enjoy how it flows. The left panned keyboard sequence is cool at the end. Sorry, I can’t think of anything else to say! Grade: A
10. “While I Shovel the Snow” – A tad tad slow for my liking, but I’ve got to give praise to the lyrics. This one feels old — you know like Sun Records old. Leonard Cohen inspired as well. Tentatitvely I won’t give it the benefit of the doubt, but we’ll see by the time the entire record comes out. Grade: B+
Band: Personal and the Pizzas
Release: 3/2010
Label: Burger Records [CASSETTE]/ 1234GO! [VINYL]
1. “I Don’t Wanna Be No Personal Pizza” – B
2. “I Don’t Feel So Happy Now No More” – B+
3. “I Can Read” – B+
4. “I Ain’t Takin’ You Out” – A-
5. “Brass Knuckles” – B+
6. “Nobody Makes My Girl Cry But Me” – B
7. “Knuckles #2” – B+
8. “Pizza Army” – B
9. “Tearjerker” – B+
10. “Never Find Me” – B
11. “7.99 For Love” – B-
12. “Pepperoni Eyes” – B
13. “Don’t You Go In That Ground” – A-
14. “Toss That Pie” – C+
Comments: Wait a second while I figure out a brief survey.
DO YOU LIKE THE STOOGES? A LITTLE
DO YOU LIKE THE RAMONES? YEAH
DO YOU LIKE WEIRD AL? YEAH
So I’m supposed to like these guys. These greasy pepperoni pisans sound like textbook novelties. This is a live record of sorts recorded with, presumably, a tape recorder in an empty bar. It’s nice to know they can read. Their songwriting style resembles that of the late Bobby Ubangi and the present day Nobunny circa Raw Romance (see “I Ain’t” for reference). They obviously take cues from The Ramones, but who in the Burger in-crowd doesn’t? Personal and crew don’t really mobilize me all that much. Like, ya know, I’m not blown or anything. You have to possess a sense of humor and a degree of patience in conforming your ears to this piece of vinyl. If you aren’t paying much attention while listening or if you are like me and trying to hear this album while reading about Howard Zinn, you might mistake the first half of “Don’t You” as a mockery of mentally challenged individuals. It clicked, though! They’re talking about Jay Jay. “Reatard, Reatard, such a little Reatard, you’re dead, what did you do?”
Grade: B (85)
He’s still spittin rhymes, in fact, the other night I saw him live in concert OUTSIDE the House of Blues.
Nice flip btw!