Category Archives: Lists

Shattered Records Tour: Jay Reatard, Nobunny, Hunx and His Punx, Box Elders, Useless Eaters @ Harpers Ferry (10/2/09)


Artist(s): Jay Reatard, Nobunny, Hunx and His Punx, Box Elders, and Useless Eaters
Location: Harpers Ferry, Alston, MA
Date: Friday, October 2, 2009

Pre-Show Activity: Doors opened at 8, so we arrived at 8, but that was not good enough apparently. Doors were now to open at 8:30. In the meantime we shot the shit with Billy, drummer for Nobunny, whom would later play before Jay Reatard. Billy was a great guy and provided Glen and myself with insight on the real world of garage rock: Grueling tour schedules (driving in vans to and fro, none of that pussy bus shit), partying, and fun fun Rock and Roll! Having played with Jay for some time, Billy voiced his admiration for the band, particularly the incredibly fast guitar playing. He also mentioned the light and dark sides of Mr. Reatard (calm at one moment and gonzo the next); no surprise.

The Show:
Useless Eaters:
Chris: This duo composed of Reatard on bass with a fierce, energetic comrade on guitar and vocals. Clearly, guitar-driven music; vocals were weak. But, I thought it was decent, a good start to the show. I am glad to see Jay keeps busy with side projects.

Glen: Played hard punk-influenced garage rock that sounded at times like early Jay Reatard. Jay’s bass play is what made this band, but I got to complement the guitarist on his fine solos. The last song, which was at leat over five minutes long, stood out in my mind as the group’s best. Jay played the same bass line over and over again while the guitarist went through a few different effects.

Box Elders:
Chris: With this group we see a slight progression in crowd reaction. This progression would sharply follow with each group up to and including Jay Reatard. Anyway, Box Elders (I thought they were “Box Cutters” until just now haha) offered me a rare experience. Only once in a blue moon, if that, do I see a live band, especially an opening act and almost immediately find myself singing along to their tune. So, props to Box Elders for that. They displayed plenty of passion and high energy, particularly the drummer, who stood up the entire and simultaneously played keyboards the entire set! He also made goofy faces and body movements, which was funny and entertaining, to say the least. The guitarist sported a fancy, double guitar, which I have never seen in person, so that was cool. Well, I can really see their music appearing on my ipod in the future.

Glen: Really really catchy. Old sounding garage-pop, fun for the entire family! The drummer made this band in my opinion. He was quite the character, doing aerobics and stretches all whilst playing the drums with one hand and using the other to hit some organ keys. The two singers voices went well and definitely this is a band I’ll keep a fine eye on in the future. Their best two songs in my opinion were “Jackie Wood” (brought back memory of Ramones + arm aerobics!) and “Librarians” (awesome little keyboard part).

Hunx and His Punx:
Chris: Wow! Bruno Live! Which I’m sure disgusted or irritated, or possibly enticed many. For me, I just laughed my ass off in bewilderment. If you think you have seen homocore or queercore, then look again. Hunx and His Punx is just about as gay as it gets and unabashedly so. I will admit, the music was fine, but nothing special. Wit that beings said, singer Hunx (? lol) demonstrated fabulous showmanship, albeit in tight spandex, which he disrobed until her was down to a thong. The guy next to me had his face planted in the singer’s crotch…. it looked like he enjoyed it though haha. By the way, he looked like Cole Alexander.

Glen: When it comes down to it, Hunx and His Punx played some pretty awesome good music. That’s beside their stage presence which made everyone in the audience except for one guy feel really awkward. A homo-punk band taken to the most literal sense, the singer chanted about how he “likes [his] boys like meat – juicy and raw.” The singer actually reminded me of a really flamboyant Dean Allen Spunt plus an intense lisp.

Set List:
1. You Don’t Like Rock & Roll
2. Hey Rocky
3. Cruisin”
4. Teardrops
5. Do the Makeup
6. GOOD Kisser
7. Gimme Gimme Back Your Love

*On October 1, 2009, Hunx and His Punx arrived at the Holiday Inn in Montreal. How much did it cost to accommodate five individuals? Why 126.99, in case you wondering. Seth Bogard made the reservation. Yeah, next time don’t put your set list on the back of your hotel invoice. Good times.

Nobunny:
Chris: Perhaps the best band to play straight before Jay. These wild bunnymen, (yes there was a bunny!) continued the trend of charisma Hunx created. Playing loud, fast, garage punk, they garnered the crowd in to intense dancing, moshing, pogoing and just about any -ing you can think of. The guitarist (drummer, Billy’s bro) spent most of their set at the very front of the stage with and sometimes in the audience. I even grabbed one of his fluffy bunny tails, which he proceeded to Jay(ha!) with. The set concluded with some good old fashion Pyrotechnics! Unfortunately, the security stomped them out merely after seconds of ignition. I dug the last line of their performance, right after the pyro was put out, “We still have seven more songs to play.” Something to that effect.

Glen: The crowd really got into Nobunny. They fuckin’ rocked the place. Their formula for success was essentially the same as the other bands, except they just seemed to have a little something extra. The singer was really interactive, jumping into the crowd on a few occasions. The bassist also didn’t hate going up to the crowd. We met the drummer Billy! Such a cool dude…besides him dressing in only underwear. That’s what the singer did too and a bunny mask too. Apparently, the lead singer of Hunx is the lead singer of Nobunny, but I can’t confirm this. They pulled similar antics on stage, except Nobunny was far less gay. “BoneYard” was probably their biggest hit.

Jay Reatard!!!!:
Chris: Looking back at my earlier post, “Jay Hopes and Expectations,” I can say most were ultimately satisfied in this great concert. He played over half of the favorites I envisioned him playing. He did not get pissed and leave abruptly. There was no animosity between the audience and the performers. His set was about forty minutes I believe that is the exact time or longer than I expected. Unfortunately, he did not play all of my favorites; these are songs I wish he would have played: “Blood Visions,” “Waiting For Something,” “Screaming Hand,” “Always Wanting More,” “DOA,” “No Time,” “You Were Sleeping,” and “Rotten Mind.” It seems like he will never play those really soft songs like “No Time,” “You Were Sleeping, and even one of his latest, “There Is No Sun.” Nahh, Jay has to maintain that unrelenting, brutal, live assault. His music live is much different than on record. I know this true of all artists, but especially true of him. Live, sometimes you cannot even tell which song it is, even if it is a number you would normally recognize if you heard the recording; it’s all heavy, great for rocking out, moshing, crowd surfing, stage diving, etc. And our crowd certainly did so. We Reatards had tons of fun bashing around and singing along to his malevolent, anti-social lyrics. “My Shadow,” “It’s So Easy,” and “See/Saw” evoked tremendous crowd response, more than any other tracks. Fans, self-included, got a massive kick out of screaming “IT’S SO EASY WHEN YOUR FRIENDS ARE DEAD! IT’S SO MUCH EASIER WHEN YOU DON’T EVEN CARE! ALL THESE FACES MEAN NOTHING TO ME! ALL THESE FACES MEAN NOTHING TO ME! ALL THESE FACES MEAN NOTHING TO ME!” Just taking a quick gander at the set list (which is featured below) one will notice most of the songs were from Reatard’s earlier albums, Blood Visions (7) and Singles ’06-’07 (8, though some of those are BV tracks). This is another indication that he plays mostly raw, heavy, guitar fuzz-driven songs in his concerts, since these albums feature such music much more than his past two releases: Matador Singles ’08 and Watch Me Fall

Glen: I was pleasantly surprised that the crowd was 10X more into Jay this time around than they were in July. He played all good ones. He’s rocked for a while and probably will for years to come. “See/Saw” certainly got me the most excited.

The following is Jay’s set list for the night; in parentheses is the album/compilation of which the song appears:

An Ugly Death (Matador Singles ’08)
Nightmares (Blood Visions and Singles ’06-’07 but under the name “Haunting You”)
Fading All Away (BV and S0607 as “Searching For You”)
It Ain’t Gonna Save Me (Watch Me Fall)
Trapped Here (MS08)
Greed Money Useless Children (BV)
_*_*_- Switch To Acoustic- _*_8_
All Over Again (S0607)
I Know A Place (S0607)
I’m Watching You (MS08 and WMF)
–_*_*_-Switch Back-_*_*_–
It’s So Easy (BV and S0607)
Not A Substitute (BV)
MY Shadow (BV)
Oh It’s Such A Shame (BV and S0607)
See/Saw (MS08)
Hammer I Miss You (S0607)
Faking It (WMF)
A Whisper (demo)
Let It All Go (S0607)

Final Thoughts
:
Chris: My 3rd favorite concert! Behind Black Lips, King Khan & The Shrines and just ahead of good old No Age. Four solid opening bands, a lot of charisma/energy, highly entertaining. I always get really exited when I see my ABSOLUTE FAVORITES and Jay is #4 for me, so this was big time. Pure Rock And Roll Fun!

Glen: Overall the experience was similar to the best concerts I’ve gone to…and that’s always awesome!

Grade: A

Chris

Top Modern Artists

These are my favorite modern artists, whom I highly recommend to all. What is the criteria for modern?

– Formed in 2000 or possibly late 90s, but for most I will only accept if their breakthrough LP was not released until the second half of the decade(’06’-present)

– Must appear on my absolute favorites list as seen on facebook under music.

– Must have listened to their music extensively (at least 1 recording or a comparable amount of songs)

– Must be currently active in some way. shape, or form. Otherwise, Page France would appear on this list, but Michael Nau wanted to focus on another project, therefore they split.

Ok, so here they are:

1) Black Lips
2) Jay Reatard
3) King Khan & BBQ Show
4) No Age
5) King Khan & The Shrines
6) Animal Collective
7) Arcade Fire
8) The Almighty Defenders
9) The Nightwatchman
10) The Pains of Being Pure At Heart
11) Arctic Monkeys
12) Head Automatica
13) The Editors
14) mewithoutYou
15) Deerhunter
16) Immortal Technique
17) Strange Boys
18) Wavves

Bold = Seen them live or going to see them live
So, twelve out of sixteen are signed to independent labels and only one unfortunately is of the rap/hip hop persuasion. Oh well, most of my rap guys are from the past.
This list, like a teacher’s class schedule, are subject to change.

Chris

Top Albums of ’09

5) The Almighty Defenders- The Almighty Defenders
Top Tracks: “Cone of Light,” “The Ghost With the Most,” “She Came Before Me,” “Over the Horizon,” “Bow Down and Die,” and “All My Loving”

4) Animal Collective- Merriweather Post Pavilion
Top Tracks: “Summertime Clothes,” “My Girls,” “Brothersport,” “Lion In a Coma, ” and “No More Runnin”

3) Deerhunter- Rainwater Cassette Exchange EP
Top Tracks: “Disappearing Ink,” “Game of Diamonds,” “Famous Last Words,” and “Rainwater Cassette Exchange

2) The Pains of Being Pure At Heart- The Pains of Being Pure At Heart
Top Tracks: “Hey Paul,” “A Teenager In Love,” “Come Saturday,” “Everything With You,” “Young Adult Friction,” “Contender,” “Stay Alive,” and “This Love Is Fucking Right!”

1) Black Lips- 200 Million Thousand big surprise lol
Top Tracks: “I’ll Be With You,” “Old Man,” “Drugs,” “Big Black Baby Jesus of Today,” “Starting Over,” “Trapped In a Basement,” “The Drop I Hold,” “Short Fuse,” “Take My Heart,” and “Let It Grow”

This list could possibly change if I hear other albums I like from this year, such as the recent Editors album, which is supposedly amazing and/or the upcoming King Khan & BBQ Show release.

Chris

Subversive Book Club: Black Panthers Speak

Title: Black Panthers Speak
Author(s): Phillip S. Foner. Includes writings by all your favorite Panthers: Bobby Seale, Huey P. Newton, Eldridge Cleaver, Fred Hampton, Angela Davis, and Stokely Carmichael, amongst others.
Year: 1995
Pages: 328
Good Guys: Black Panthers and some of their vanilla comrades who fought beside them in the black struggle
Bad Guys: Oppressive, White AmeriKKKA: Police, businesses, the entire U.S. Government (particularly the most rotten pigs, the FBI), and average, apathetic, ignorant citizens
My Rating: A-

Why Subversive?:
I suppose it is “strange” for a white, suburban kid to walk around, clutching a book of militant black politics demonizing the wahhitte man and all his evils. But, then again I am a “strange” guy. So, why did I read this gem of incendiary material? Well, two main reasons: 1) I’m chiefly a propagandist, if anything. Without a doubt the Panthers are accountable for some truly outstanding propaganda. They are completely biased, unabashedly, may I add and write for their side/interests. The point of their works is not to offer you a fair look at how our society works or how certain events went down. Ohh no, they share their perspective of what it is like to be a free-thinking black revolutinary in an extremely racist and violent country that does not value them as human beings. If one were to read “objective” newspapers of the day they would not have the same reaction. The media was never fair to the Panthers, because they served and still serve the government. So, the Panthers fought the mainstream propaganda with their own propaganda and successfully did so. Crucial events such as the Chicago Conspiracy trial, Huey P. Newton’s manslaughter charge, the brutal murder of Fred Hampton and Mark Clark at the hands of Chicago Police with connection to the FBI are discussed extensively. 2) This book has helped me better understand how fucked up our nation was and still is and how ignorant, we white Americans are. Of course, by reading this or anything else, it does not immediately make me an expert on race relations and I certainly can not say I understand what it was or still is like to be a minority in the US of A. But, it does offer me an awareness of the American Nightmare for blacks, minorities, revolutionaries, and especially black revolutionaries (longer sentences than white revolutionaries). If the Weathermen were black they would all have been imprisoned. For those that doubt the sinister nature of our government, please look through the lens of the black experience in America. If you are privileged and white, then you will not be able to relate to it, but you will have a better understanding of how our vicious, racist system works.
I’m not saying I agree with all the Panthers’ tactics, but this subversive book at least demonstrates how positive and successful the Panthers were in their individual communities. They were a national organization and in each of their many chapters, they had schools, free breakfast for children programs, free medical clinics, and drug rehabilitation for poverty-stricken blacks. Unfortunately, history textbooks and other media outlets place too much emphasis on the violent conflicts and militancy of the Party and not as much focus on their positive, survival programs. Don’t get me wrong, the militancy was an important factor, after all their name was the “Black Panther Party for Self-Defense” and these were clearly violent times with extreme Police Brutality. In the following video, Co-founder, Bobby Seale details the Party’s Ten Point Program/Platform:

If you like this subversive book and/or want to learn more about the Black Panthers, the Black Struggle, or racist white scumfucks, then I recommend the following:

Soul On Ice
By: Eldridge Cleaver
Seize the Time By: Bobby Seale
The Autobiography of Malcolm X As Told To Alex Healy
Malcolm X Speaks
Live From Death Row By: Mumia Abu-Jamal

Seen above are Co-Founders, Bobby Seale, Chairman (left) and Huey P. Newton, Minister of Defense (right). Very badass.

Chris

Tops of the Decade Part II

This time I am covering my favorite albums of the 00s, but I am including all of my favorites from the artist. Yay!

Against Me!- The Acousic EP (2001), Reinventing Axl Rose (2002), As the Eternal Cowboy (2003)

The Almighty Defeneders- The Almighty Defenders (2009)

Animal Collective- Here Comes the Indian (2003), Feels (2005), Strawberry Jam (2007), Merriweather Post Pavillion (2009)

Arcade Fire- Neon Bible (2007)

Arctic Monkeys- Whatever People Say I Am, That’s What I’m Not (2006)

At the Drive-In- This Station Is Non-Operational (2005)

Black Lips- Black Lips (2003), We Did Not Know the Forest Spirits Made the Flowers Grow (2004), Let It Bloom (2005), Los Valientes Del Mondo Nuevo (2007), Good, Bad, Not Evil (2007), 200 Million Thousand (2009)

Bright Eyes- I’m Wide Awake It’s Morning (2005)

Deerhunter- Rainwater Cassette Exchange (2009)

Deftones- White Pony (2000)

The Editors- The Back Room (2005)

Fugazi- The Argument (2001)

GlassJaw- Everything You Ever Wanted to Know About Silence (2000), Worship and Tribute (2002)

Head Automatica- Decadence (2004)

Jay Reatard- Blood Visions (2006), Matador Singles ’08 (2008)

King Khan & BBQ Show- What’s For Dinner? (2006)

King Khan & The Shrines- The Supreme Genius of King Khan & The Shrines (2008)

The Mabuses- Mabused (2007)

MewithoutYou- Brother, Sister (2006)

The Nightwatchman- One Man Revolution (2007)

No Age- Weirdo Rippers (2007), Nouns (2008), Losing Feeling (2009)

Page France- Hello, Dear Wind (2005)

The Pains of Being Pure At Heart- The Pains of Being Pure At Heart (2009)

Sonic Youth- The Eternal (2009)

System Of A Down- Toxicity (2001), Mezmorize/Hypnotize (2005)

Tool- Lateralus (2001), 10,000 Days (2006)

The Used- The Used (2002)

More albums may be added….

Chris

Tops of the Decade Part I

Yes, I know there is still three months left of the decade, but I do not feel like waiting said time to do this post. So, basically here are my favorite songs for each year of the 00s. I cannot believe the decade is coming to an end! It was ok…. but musically fantastic. Enjoy.

1) Fatlip- What’s Up Fatlip?- 2000
2) The Shins- New Slang- 2001
3) Against Me!- Baby, I’m An Anarchist!- 2002
4) Johnny Cash- Hurt- 2003
5) Head Automatica- Beating Heart Baby- 2004
6) Page France- Chariot- 2005
7) King Khan & BBQ Show- Too Much In Love- 2006
8) Black Lips- Bad Kids- 2007
9) Jay Reatard- See/Saw- 2008
10) Deerhunter- Disappearing Ink- 2009

Clearly independent record labels dominate. 7/10 songs were on independent labels. Fuck Yeah! Top Albums are coming next….

Chris

Which Was Better?

I’m going to throw out some titles and deem whether I feel the novel/book or the film was better. Of course I’m only including works I’ve both read and viewed.

1) Fight Club– Film (novel was very close though)
2) Willy Wonka/ Charlie and the Chocolate Factory– Film (1971)
3) One Flew Over the Cuckoo’s Nest– Film
4) The Shining– Novel (I love the film too)
5) A Clockwork Orange-Film
6) Fear and Loathing in Las Vegas– Novel
7) Fast Times At Ridgemont High– Film
8) The Motorcycle Diaries– Novel
9) Manufacturing Consent Book
10) The Outsiders– Novel
11) The Autobiography of Malcolm X– Book
12) To Kill A Mockingbird-Novel
13) Of Mice and Men– Novella
14) Julius Caesar– Play
15) Macbeth– Play
16) A Christmas Carol– Novella
17) A Separate Peace Novel
18) Girl, Interrupted– Novel
19) American Hardcore– Book
20) The Great Gatsby– Novel

Chris

My Favorite Record Labels

1) Sub Pop– No Age, Nirvana, Beat Happening, Mudhoney, Soundgarden, The Shins, Handsome Furs, Wolf Parade, The Vaselines, Iron and Wine, Modest Mouse, Rogue Wave, Sebadoh, The Jesus and Mary Chain, The Postal Service

2) SST– Black Flag, Meat Puppets, Dinosaur Jr, Sonic Youth, Bad Brains, Minutmen, Husker Du, Descendents, Soundgarden

3) Matador– Jay Reatard, Sonic Youth, Fucked Up, Cat Power, Mission of Burma, Yo La Tengo, Pavement, Interpol, Lou Reed

4) In the Red– Black Lips, Jay Reatard, King Khan & BBQ Show, Mark Sultan, Dirtbombs, Vivian Girls, Deadly Snakes- Nice, little label!

5) Vice– Black Lips, King Khan & The Shrines, Death From Above 1979, Fucked Up, The Raveonettes

6) Domino– Animal Collective, Arctic Monkeys, Lou Barlow, The Fall, Stephen Malkmus, Will Oldham aka Bonnie Prince Billy, Pavement, Elliott Smith,

7) Rough Trade– The Smiths, Arcade Fire, Galaxie 500, Beat Happening, Vaselines, Libertines, Babyshambles, Mabuses, Butthole surfers, The Moldy Peaches, The Raincoats, Sufjan Stevens, Stiff Little Fingers, The Strokes, The Veils,

8) Bomp!– Black Lips, The Stooges, The Germs, Dead Boys, Devo, Mark Sultan, The Modern Lovers, The Warlocks

9) K Records– Calvin Johnson, Beat Happening, Beck, Bikini Kill, Built to Spill, Kimya Dawson, Modest Mouse, Vaselines

10) Alternative Tentacles– Jello Biafra, Dead Kennedys, Mumia Abu-Jamal, Noam Chomsky, Howard Zinn, D.O.A, Half Japanese, Butthole Surfers, The Crucifucks, Lard, Melvins, Wesley Willis

11) Touch and Go– Big Black, Rapeman, Shellac, Jesus Lizard, Scratch Acid, Butthole Surfers, Naked Raygun, The Rollins Band, TV On the Radio, Yeah Yeah Yeahs, Urge Overkill

12) Dischord– Fugazi, Minor Threat, The Evens, The Teen Idles, The Nation of Ulysses, Scream

13) Fat Wreck Chords– Descendents, NOFX, Anti-Flag, Against Me!, Propagandhi, Rise Against

14) Epitaph– Bad Religion, Social Distortion, NOFX, Descendents, Green Day, Circle Jerks, Vandals, Converge, The Sounds of Animals Fighting,

15) Saddle Creek– Bright Eyes, Two Gallants, Tokyo Police Club, Cursive

16) Merge– Arcade Fire, Dinosaur Jr, Conor Oberst and the Mystic Vallye Band, … And You Will Know Us By the Trail of the Dead, Lou Barlow, Buzzcocks

I’m probably forgeting some. Oh well. Feel free to post suggestions.

Chris