Bands: Hallelujah the Hills, The Dazies, The Fagettes, Nice Guys Date: Friday, February 14, 2014 Venue: Lilypad (Cambridge, MA)
Nice Guys – NICE GUYS! These Nice fucking Guys right here. And they truly are nice guys, that’s not a misnomer. It’s like you tell your buddy, hey you’re going to like this dude, he’s a nice guy, he’s a goodfella.
Christ, if you haven’t heard the Nice Guys by now, I don’t know where the hell you’ve been man. I’m going to break my fucking back, digging you out of that hole you’ve been in these last couple years. You missed out on boxforts, 420 John Freeman parties, and many a Jamaican Vacation. But, it’s okay dawg, your time has come. We’re going to make it through this. That’s what this is all about, it’s supposed to be a catharsis. It’s Friday night, it’s Valentines’ Day (no wait, fuck that), and the Nice Guys are playing Jamaican Vacation.
I get that tingle, you know, when they announce that the next song is called “Jamaican Vacation.” Before they even play, I’m getting a little stiff. I tell my erect buddy to STAY DOWN! STAY DOWN! Let’s not make a scene. Boy, my folks must be real proud right now. “Son, I love when you freeze your reviews to stop and talk to your dick. I’m so proud of you honey!” There’s love in the air. My love for the Nice Guys stretches far and wide. You can hear the smash hit “Jamaican Vacation” and it’s cannabis reeking chum “Medical Envy” on a Splifft 7″ with fellow chart toppers Miami Doritos. You can order one here from KLYAM Records: http://klyam.bigcartel.com/product/nice-guys-miami-doritos-splifft-7 Do iT!
The Fagettes – After the Nice Guys set, I step outside for a bit, but not for too long, because within just a few moments my ears are dancing to the sweet, serene sounds of The Fagettes’ “When I’m With You – a tune I have been dying to hear live from the group 4eva. Tis in my top two favorite Fagettes numbers (special points for whoever guesses what my favorite Gettes song is. Hint: it’s also a live rarity). “When I’m With You” showcases the band’s softer side and brings to mind Beat Happening and early Best Coast, particularly in Melanie’s vocals. Seriously, it’s a live rarity, so as soon as I hear them playing I have to rush right in to the packed Lilypad space. Before me lies a series of bodies shaking, rocking, and sipping on their PBRs.
For this set, Jake Nice Guy joins the band on bass, reprising his role as a March 2013 Nice Guys/Fagettes Beast Coast Tour champion. Way to go Jake. I’m positive you’re little Valentine’s Day mailbox was always overflowing with Secret Admirers.
Another stand out for me tonight is “You’re Destroying Me,” which features Ryan and Melanie rocking out with the crowd. I think it’s the set closer? Ahh PBR, you’re destroying me.
Hey kids, don’t mean to interrupt your hardcore partying at this hour, I know you already lose an hour of partying tonight anyway, so I’ll keep this short and sweet. Allston, Massachusetts’ finest Nice Guys & Miami Doritos have teamed up for four chart toppin’ hits on this brand spankin’ new 7″ available NOW for pre order from KLYAM Records. Two bands. Four Songs. 1 record. For you. Sludge, Sleaze, and Seven Inches. ORDER NOW http://klyam.bigcartel.com/product/nice-guys-miami-doritos-splifft-7 What are you waiting for?
Catch the Nice Guys and Miami Doritos on tour at the dates below:
If you don’t reside in the Boston area, you may just be in luck, cause both bands are heading out on a two week U.S TOUR starting tonight. Check the dates here: https://www.facebook.com/events/260378950794102
Lastly, I know I know more linkz up yer ass, but you’ll thank me later. The Nice Guys/Miami Doritos Splifft 7″ (KLYAM-002) will be available at all of these shows! The record will also be available through our online store VERY SOON, we’ll keep you posted. https://miamidoritos.bandcamp.com/album/splifft-7
EXCITING NEWS! – KLYAM Records’ own Fat Creeps are releasing their full- length debut via Gnar Tapes this Spring! Gnar Tapes, the sick ass Portland, OR based label run by Erik Gage (White Fang/The Memories), y’all know. Below, you can hear the first single, “Comes in Loudly,” a Creeps live standard for a while now. WAY TO GO GUYS!!!
KLYAM Records’ own Fat Creeps were just recently included in a BDC Wire article on Boston female-fronted punk rock bands! Here’s what they had to say:
“This trio popped up in late 2010 with a handful of short releases and a grittier breed of what bands like Best Coast and Dum Dum Girls were doing, and have since been recognized as kind of the original gangstas of Boston’s new wave of garage girl punk. There’s plenty of pop charm to its tunes, whether it’s the three chord progression of “Horoscope” or the surf shuffle of “Leave Her Alone.” There’s also a dire psychedelic haze behind the trio’s leading harmonies that puts a clean stamp on the band’s sound and keeps things mysterious.” – Perry Eaton (BDC Wire).
I know I’m a little late on this and I already ran my mouth off in my last post regarding my top shows of 2013, so I’ll do my best to keep this one short and sweet. Here we go…
10) Dylan Ewen & The Southern Gospel Gangbusters – Country Fried, Southern Pride (BUFU Records) – Gangbusters? More like Gangbangers! I really got into a lot of Dylan Ewen this year in his various projects and out of all of them this was my favorite. For my money, this has Dylan’s rawest, most in your face lyrics with a nasty, bad ass gangsta edge that puts him up there with Cube, Dre, and Mr. Big. So wild. AND it’s all set to a full backing band (drums, guitar, bass, viola, banjo, mandalin, harmonica, you name it) busting out southern gospel, bluegrass, and country. I had the pleasure of catching the band live in the heart of JP last month and I errr uhh nearly wet myself. TOP SONG: “500 Days of Bummer” http://dylanewen.bandcamp.com/album/country-fried-southern-pride
9) Bent Shapes – Feels Weird (Father/Daughter Records) – I just received this record as a Christmas gift and I’m loving it. As a long time fan of Bent Shapes/Girlfirends this is a terrific mix of classics and some solid new jams. Every track is strong. On one hand, it feels like a greatest hits compilation and then on the other it comes across as a completely new entity. It works both ways. TOP SONG: : “I Was Here, But I Disappear”
8) Shannon And The Clams – Dreams In The Rat House (Hardly Art) – Shannon and The Clams is a big favorite of mine, so this album was a serious treat this year. This one falls in line with all of their previous work: rock ‘n’ roll at its purest. 50’s doo wop, garage rock, Ramones styled punk rock, and some of the best voices you will ever hear. It may not be the most original music, but it’s rock ‘n’ roll. This is the plateau, this is the ideal, this is the benchmark. TOP SONG: “If I Could Count”
7) Idiot Genes – S/T (Self-Released) – The third (but not final!) Boston band on this list, Idiot Genes are one of the most recent bands I have listened to in 2013. I first caught them at a show at O’Brien’s Pub last August and I was enamored with their oddball sense of humor and surly, apathetic punk attitude. Subsequently, I hopped on their bandcamp and I was blown away by what I heard. I related to the band’s sloppy, lethargic, wasted narrative. The feeling of being fucked and fagged and shagged. I was frustrated and hearing the Idiot Genes reminded me why I hold rock ‘n’ roll so near and dear to me in the first place. It is my elixir, the temporary cure to all of life’s problems. They are almost like a different kind of party band, an after party band, a hangover band. This all sounds like one miserable hangover, and by miserable I mean extraordinary. Makes me want to drink too much and then regret some of it the next day, especially when the hangover doesn’t go away by 5 /6 PM like it usually does, so then you just drink more, until the next day after that when you’re even more hungover AND still a little drunk. So, what do you do? you crack open a beer and drink some more and then you listen to Idiot Genes, one of my new favorite rock ‘n’ roll elixirs for that temporary cure. Drunk Consistently. Listen here and join me in a nightcap. Cheers. TOP SONG: “The Charles Mansion” http://stupidpants.bandcamp.com/album/idiot-genes
6) Colleen Green – Sock It To Me (Hardly Art) – Sock it to me? Ok. Ms. Green is one cool cucumber with all her Richard Nixon and True Romance references on her latest album Sock It To Me. Much like Shannon and the Clams, with this album Colleen maintains the same rock ‘n’ roll flavor she’s always had, it’s just stronger than ever. Just a great example of how pop music doesn’t have to be a big mass machine product, instead it can be as simple as a guitar, a drum machine, and passionate vocals. TOP SONG: “Number One” (The Queers cover)
5) The Monsieurs – Rock The Night (Self-Released) – Damn son, this past October I had the enormous fortune of cumming across my legs when I came across The Monsieurs at the Brighton Music Y’all opening up for the holy King Khan & The Shrines. I’ve heard plenty of great garage spunk this year, but this new release from The Monsieurs was/is a real dessert, a dish best served cold. A cold, sudden punch right in the nads that is. Seriously though, these dudettes and dude really fucking rock and pack in the punches. This band has all the bells and whistles and bubblegum and grit that you and your buddies get off on every time you listen to Hunx and Nobunny and hopefully Fagettes at home on your dad’s worn out stereo, BUTT Monsieurs turn it up to 11. From the first few seconds of “Shadow” to the last gasping breaths of “At the Hop,” this record is garage pop on steroids. Lead singer Andy Macbain is a beast, a force to be reckoned with, and his vocals are out of control, off the wall. It’s all sludgey and thuddy and LOUD. If you like rock ‘n’ roll with a rambunctious ummphhh up your ass then here ya go – yet, it’s still as sweet as a little old lady taking 20 hours to cross the street with her little old cane? So sweet it helps that sludge go down smoother… I see big things for The Monsiuers in Twenty Fourteen. In 2014, let their album Rock the Night become your musical lubricant! TOP SONG: “Kari Ann” http://themonsieurs.bandcamp.com/album/rock-the-night-8-song-digital-album
4) King Khan & The Shrines – Idle No More (Merge) – It’s always a great year whenever one of our Honorary KLYAMERS releases an album and King Khan is among our top OG’s. You could say he helped make us who we are today to paraphrase a line in the tune “So Wild,” a song dedicated to the late, great Jay Reatard. RIP Jay forever and ever. For once your wild spirit may rest in peace… the chaos of the world so foreign, yet so familiar, you feel this tone on King Khan & The Shrines’ Idle No More, their first album since 2007. It’s a very personal album, the most mature to date. Highly spiritual as ever, yet it still maintains that fantastic Khan spirit of ubiquitous joy. Love. And coming back to the KLYAM, that’s one thing I love about rock ‘n’ roll (as we see it), all the bands we rep, and this record. No matter how torturous the world can be, there’s still a light. Khan and his crew take the misery, the darkness, and they turn it on its ugly head, ultimately receiving a boisterous, fun filled album as ever been conceived by the Shrines. TOP SONG: “Bite My Tongue”
3) Nobunny – Secret Songs (Goner) – Nobunny continues the trend on this list of artists releasing albums that preserve their raw, rock ‘n’ roll character and yet augment their craft at the same time. Secrets Songs is stacked with smash hit after smash hit haha; every tune is a blast, no filler. Love Visions will probably always be my favorite, but I have to send my accolades to Mr. Bunny here. This LP has the most variety ever on a Nobunny record lyrically, musically, and aesthetically. There’s several fast poppers, screeching hardcore punks odes, and a batch of soft gentle numbers for the ladies and in particular for the Birthday Girl. NO NO 4 LYFE! TOP SONG: This is a toughie, but for now I’m going to go with “Bye Bye Roxie”
2) Peach Kelli Pop – Peach Kelli Pop II (Burger) – I know this came out in 2012, but I heard it in its entirety in 2013 and I loved it so damn much that I just couldn’t leave it off the list! This is one of the greatest pop records I have ever heard. Like I said earlier regarding Colleen Green, pop music doesn’t have to be mass produced and this certainly applies here. I was in love with PKP’s first album and I didn’t think it could be topped at the time. What was I thinking?! As awesome as her debut is, it doesn’t have anything on its sequel. Holy shit, this thing is incredible. PKP II is like Terminator 2, if it was a movie. A full blast of immediate, catchy pop songs from start to finish is what we have here. Peach Kelli Pop – Allie Hanlon channels bubblegum, garage, and 60’s Girl Groups in all of these short, but ever so sweet songs. It’s like injecting yourself with bubblegum pop music and feeling that instantaneous sugary high! This record always puts me in the best mood. Cheers. TOP SONG: “Red Leather”http://peachkellipop.bandcamp.com/
And the weiner is…
1) Hunx and His Punx – Street Punk (Hardly Art) – I know, I know I’m a Hardly Art whore. Haha, that should be a marketing trend. Labels should pick up on this. I can picture it now “I’m a Burger Whore!” or “Be a Burger Whore!” Shirts, pins, posters, let’s do it! I say this all with love. Anywhooo, since the dawn of KLYAM five years ago, Hunx and His Punx is one of the only, if only (possibly?) band that has consistently put out new, exceptional releases each year. With this album, Hunx and his cronies have snarled their way into the bowels of the rock ‘n’ roll/garage/punk landscape. I just adore and admire the way the band mixes up early hardcore punk (Germs, Misfits, Black Flag) with their classic garage rock style. Half of me says it’s an affectionate satire and the other says this is the real deal, this is the music itself. It feels like Circle Jerks or whoever comes to mind. When Hunx says he wants to beat you with a baseball bat, his screams are terrific and serve as a true homage to the aforementioned punk legends, but let’s not forget he’s saying this all because of his BAD SKIN! That’s part of the fun. I’m glad someone finally made (I could be wrong here and I very well may be missing out on loads of great, similarly styled albums) a piece of work that connects the dots in these various styles of pure rock ‘n’ roll music, which is not very pure to begin with. It’s so satisfying. I’ve always felt like that early wave of hardcore punk was like garage rock’s weird, fucked up cousin. It’s all coming from the same place essentially. It’s all about total and agonizing frustration and partying your ass off to cure that frustration. Hunx and His Punx get it. By the way, some of Shannon Shaw’s finest vocals! TOP SONG: “Mud In Your Eyes”
So, that’s it. That’s my list, but before I depart I have to give some mo’ shout outs. Here are some honorable mentions. Ben Tan – Inside Out, The Memories – Love Is The Law, Kal Marks – Life Is Murder, Saralee – S/T, The Gabba Ghouls – S/T, Kaviar Special – S/T, and last but certainly not least Lust Cats Of The Gutters – S/T , an album that was released in 2012, but nonetheless one of the best albums I heard all year.
2013 was also the first year of our record label KLYAM Records. We were/are extremely proud that our first release was one of our favorite records from 2012: Fat Creeps S/T EP
I chose not to include it on this list, because A) It was one of our own releases, B) It was originally released in 2012 and that’s when we heard it and loved it, and so forth, and C) It’s an EP and this is a list of my top LPs. Still, I couldn’t go without repping this record in a year end list of top records. Furthermore, if you haven’t picked up this album yet, then do yourself a favor and grab one now before it’s too late You can order it from KLYAM Records here: http://klyam.bigcartel.com/ The record is also available at Weirdo Records and Armageddon Records, both in Cambridge, MA.
We look forward to 2014 as we have more records and shows and reviews then can be imagined! Stay tuned, then turn on, and then drop out, and we’ll meet up and listen to records or something.
Bands: Way too many to name. Date(s): Friday-Saturday, November 8 and 9, 2013 Venue: Cambridge Elks Lodge
Every year the good people over at Boston Hassle throw a big ass music festival featuring over 40 local and national bands. Essentially, they do what they do best year round, just in the most gigantic way possible. This is the fifth Hassle Fest (formerly known as Homegrown) and the first ever attended by us, the KLYAM and we had a shit ton of fun! We are forever grateful for having the Boston Hassle around us and all of the great music they promote on a daily basis, much of which was on display at this year’s Hassle Fest. We have never experienced anything quite similar. Simply one band after another, with no breathing room in between. Exhilarating. Overwhelming. Punk Slime All Of The Time – at least in spirit. So yeah, I set out to write about every single band. This quickly became impossible due to work schedules, train schedules, and our general black out status over the course of the weekend. The following is a recap of some of the bands we saw that left me with the best impression and/or I remember best.
Zebu! – The Zebu! dudes always put on a good show and interact very well with their audience. They use up their twenty minutes bashing out a string of noise rock fused jams including a cover of The Vaselines classic “Molly’s Lips,” which they twist into “Molly’s tits.” Hehe.
Per usual in Zebu! shows, Ted walks through the crowd, shirtless, singing and shrieking about. He parades all the way to the back, until he is practically in the next room.
The band announces that they are happy to be celebrating their tenth anniversary and that they are releasing a greatest hits album on BUFU Records. Damn, pick that shit up. http://zebu.bandcamp.com/
Kal Marks – I’ve been digging Kal Marks for a while now and I’ve seen them with various line-ups over the years, but this is definitely the finest performance I’ve seen from the band thus far. Lead singer Carl has an undeniably distinct voice that just reverberates throughout the room and rests inside your ear drums for weeks to come. It’s like an odd, mumbly/grungy, southern drawl that one either finds appealing or nauseating. Most fall under the former category.
Besides Carl’s voice, the band has really come a long way since I last saw them (though, they were a rare two piece that night, so I’m not the best one to be judging), particularly with the addition of drummer Nick Egersheim (Big Mess). I’ve long been a fan of Nick’s powerful, sledgehammer drumming and I can’t think of a better fit for Kal Marks.
As a whole the band has a ginormous ROCK sound to them, very epic, very big deal. The guitars jostle back and forth producing incredible build ups and break downs. It’s almost intimidating, overwhelming, and strangely accessible, which isn’t a terrible word. Listen to Life Is Murder here: http://kalmarks.bandcamp.com/ It’s one of the best records you will hear all year.
Ed Schrader’s Music Beat – Here’s a band people have been recommending to me/us for at least a year and a half now, and I can certainly see why. This being our first Ed Schrader experience, I am flabbergasted. The place is roaring to the sweet, sublime sounds of Ed Schrader’s Music Beat. Glen comments that he was inspired by Ed before he even heard him!
Ed Schrader delivers a loony bass heavy sonic blast that drills my ears even way in the back of the Elks Lodge. The place is packed to the gills with Ed Schrader nut bags. I specifically love how Ed switches up between soft, serene Frank Sinatra drenched vocals to fast, pummeling screams. Ed makes it a point to make a special shout out to the Profit$ and how awesome it is to have him in our city. There ya go. The set crashed to its conclusion with a sick little cover of KISS’ “Rock and Roll All Nite,” which must have shoved old Ben Katzman into paroxysms of ecstasy. Check out Ed Schrader’s Music Beat here if you want to be shoved into paroxysms of ecstasy: http://edschradersmusicbeat.bandcamp.com/
The Beets – YIPPEE KI YAY MELON FARMER, IT’S THE BEETS! The Beets from Jackson Heights, Queens, NY, back in beautiful Boston for you and me. And I’ve never seen so many enthusiastic Beets fans all in one room before. It is fabulous to see the Elks filled to the brim with hundreds of kids of all ages, well maybe not all ages (in theory there could be!), all surrounding Juan Wauters (vocals/guitar), Tall Juan Zaballa (vocals/bass), and their Amerikan flag proudly hoisted behind them. Alas, no Chie Mori (vocals/drums) this time around :(, but two beets beat it off just fine, no fumblin’, no foolin’ around. There’s work to be done dawg. Despite the large crowd, this Beets set still feels just as warm and fuzzy as ever. Glen and I snag a nice lil spot up front, so close to the band that we are probably freaking them out, no way!
We first saw The Beets at a secret show at Wellesley College (opening for No Age) back in April 2009. I remember thinking they were a strange combination of Black Lips meets Beat Happening. At the time, I didn’t truly appreciate it though and about a year and half passed by before I started listening to The Beets again. The fall of 2010, a time when folks could find me listening to Spit In The Face of People Who Don’t Want To Be Cool (2009) on repeat, especially the song “Broken English.” Boy, did I love that song. I used to turn up the speakers all the way – I eventually broke them – blaring The Beets and tossing a tennis ball against my dorm room walls, annoying the hell out of all my fellow dormatory chums. I guess they just didn’t want to be cool.
Later that summer (2011) we caught The Beets again on a bill with Slumberland’s Brilliant Colors at a basement show in Allston (Problem House). While that show was fine and cozy, I don’t recall kids going apeshit for The Beets, at least not in serious numbers. Tonight is a different story. As I mentioned earlier there are many enthusiastic Beets fans in the house.
Aside from Glen and myself, Hassle Fest organizers Chris Collins and Ben Katzman are among these Beets zealots, rambunctiously dancing and singing along to each and every Beets song. It’s damn near hard not to; with just a couple of guitars these Queens kids can start a riot if they wanted to. The dudes open with Spit opener “Happy, But On My Way” and they play a satisfying mish mash of material from all three of their distinguished albums. My favorites on this evening include “What Did I Do” and “Why Should I Live If I Won’t Fit.” The latter is a fantastic anthem for all of us outsiders, and if you’re a Beets fan you probably are an outsider or maybe you’re an insider, but an outsider at heart or an outsider, but an insider at heart. The Beets can be puzzling. Make you contemplate life while you dance. Keep your mind moving just as fast as your hips, I dig. Lastly, at the request of the audience The Beets plink out “Friends of Friends.” Tis a great show.
Set – List:
“Happy, But On My Way”
“Let Clockwork”
“Now I Live”
“What Did I Do” (written as “Why Did I Do”)
“Watching Television”
“In Your Head”
“I Don’t Know”
“Why Should I Live If I Won’t Fit”
“Knock On Wood”
“Go Away”
“Friends of Friends”
Lightning Bolt – Lightning Bolt headlines the first night of Hassle Fest and rightfully so. The legendary noise duo formed nearly 20 years ago and have been deafening the youth over and over again ever since. I first heard of Lightning Bolt at the recommendation of a hip college professor in 2009. I was reading The Catcher In The Rye and this young, hip college professor suggested I listen to Lightning Bolt and Hasil Adkins. It was a fun day. Since then, Lightning Bolt has been on my list of “bands to see before I die.” I’ve seen chaotic videos of the pair (Brian Chippendale – drums/vocals and Brian Gibson – bass) in wrestling masks (as they appear tonight) playing on the floor while a crowd of crazy kids pile all around them. It looked amazing and I wanted in.
Last I heard of Lightning Bolt till now was that they were playing and even selling out the Paradise Rock Club, a large venue, not exactly what I expected from the band. Glad to see they have made it to a bigger level and still retain their gritty, abrasive nature, but I am so happy that my first Lightning Bolt show is here at the much smaller Cambridge Elks Lodge. And as I predicted, the place is full of vast amounts of Lightning Bolts fans, all tucked away in this tiny spot, and balls out bedlam ensues.
I’ve/we’ve never experienced anything quite like a Lightning Bolt show. It’s LOUD as fuck (thankfully I threw on some earplugs, about the second or third time I have ever done this) and it’s just a non stop mosh pit. The ear splitting, constant barrage of noise coming from the Brians’ drums and bass is the perfect soundtrack for mayhem. It’s like a 30-40 minute tornado. Kids even crash into the drum set and it topples over from time to time. By the end of the set, I’m drenched in sweat and I remain soaked for the next two hours. So yes, go see Lightning Bolt if you get a chance. Footage shot by Sixdust/NYC Music
Night 2…
Fat Creeps – KLYAM Records’ own Fat Creeps are among the most anticipated bands to play the Hassle Fest and by the time they hit the stage (or lack thereof), a solid crowd is built up around them.
Tonight’s set consists of some of the band’s louder, noisier tunes and the whole performance is one of the heaviest I have seen from the trio. Songs include the pop gems like “Fooled” and “Secrets,” which feature some nasty, extended vocals – “I Can’t hear youuuuuu!” as well as some fast punk rockers like “Going to the Party” and “Daydreaming.”
I notice a lot of new faces at this show, I can see that many of them are taking a shine to the Fat Creeps. The seemingly younger crowd produce a healthy, fun loving mosh pit during “Going to the Party,” something that typically doesn’t occur at most Creeps shows.
Spacin’ – Spacin’, some dudes from Philly, some seriously spacin’ dudes. These fellas are fun, laid back, dare I say psychedelic. It’s an overused description, but for all intents and purposes, we’ll stick with psychedelic for now. No need to get into all the hairy, in depth, emotional details. What do I look like their fucking biographer? So yeah, it’s jam, bluesy psych stuff. They’d pal around with the likes of Moontower and Future Days if they were around these parts; a bit dirtier than those folks though. Not downright filthy either.
A pair of hoolgians grab the band’s mic and sing into it while the band continues to solo as if nothing is going on. They all spaced out. Maybe. Space out with Spacin’ right here: http://spacin.bandcamp.com/album/1-1-11-demo
Guerilla Toss – There’s been a lot of commotion surrounding Guerilla Toss lately and they’ve earned it. I mean there’s always commotion surrounding Guerilla Toss. It’s that primal, incomparable rawness that sets them apart from just about every other band I have ever seen and most other bands you will see too. I’m not going to pretend like I understand the technical sophistication that makes up the music of Guerilla Toss. I don’t know much about no wave or free jazz or whatever, but I know what I like and I like Guerilla Toss.
So, instead of throwing out names like Boredoms or another noise/experimental/avant garde band I don’t actually know anything about as a means of comparison, I’m going to stick with what I know: my own gut feeling and Jay Reatard. Huh? yes, I am probably the only person that will compare Guerilla Toss to Jay Reatard. But, I can only speak from personal experience. When I see Guerilla Toss, I get that same, uncertain, somewhat uncomfortable feeling in my stomach that I got all those years ago when I saw Jay all revved up on stage before he passed away far too young. While the late musician played comparatively far more straight forward rock ‘n’ roll than Guerilla Toss, both artists share a similar brutal aesthetic that is particularly amplified during a live show. With Tard and Toss the music serves as a gigantic bulldozer that rolls over you with little to no care for your preservation. There is no conventional verbal interaction with the audience. There is no applause after each song to serve as an ego boost for the artists. There is no time check, time is suspended. In a few simple words, Guerilla Toss is the most confrontational band I have seen since Jay Reatard; the band and the audience together behave as they ought to at a rock ‘n’ roll show, like primitive, savage animals.
Give Guerilla Toss’ new record Gay Disco (NNA Tapes) a listen and check out everything else G Toss here: http://guerillatoss.com/
All around Hassle Fest was a mesmerizing experience, a constant assault of excellent music – both foreign and homegrown. Can’t wait for next year.
Bands: Bleeding Rainbow, Fat Creeps, Nice Guys Date: Tuesday, July 2, 2013 Venue: Great Scott (Allston, MA)
Nice Guys – When the show was just Fat Creeps and Bleeding Rainbow I was intensely anticipating this evening, but when Co – KLYAMER Glen informed me that Nice Guys were added to the bill, hot damn! Seriously, a great thing to hear when you’re sweating your balls off at work. Speaking of sweating balls off, Nice Guys consistently produce sweaty, screaming, clamorous (KLYAMorous!) sets that jostle the hairs on my sweaty testicles and tonight’s show fits in well with that description.
I have seen a healthy chunk of Nice Guys sets now and most of them have been in DIY settings that tend to lend themselves to looser, wilder behavior. These nice dudes however, don’t let the typical rock venue, performer/crowd barrier get in the way of a good time and they put on one of their most entertaining sets thus far. Guitarists Alex Alexson and Matt Garlick even hop off stage into the crowd at one point during the set.
The foursome play several familiar tunes such as boneshakin’ essentials like “Drunk As Fuck, Stoned As Fuck,” (aren’t we all guys? aren’t we all?) “Pizza Bong,” and my favorite “Cop Walk.” I’ve sucked Cop Walk’s sonic dick (sonic dick, ooohhh I smell a band name!) long enough now, but you know what? I think I’m going for seconds or should I say fifths or sixths, I lost count. When Cop Walker hits those violent bolts of guitar fuzz and sledgehammer drums it’s like those little, involuntary spasms a dude’s dick gets before an orgasm is achieved. Well, the orgasm is achieved tonight at Great Scott. Jesus Christ.
Set – List:
“Free”
“Herb Chambers”
“Unholy”
“New” as in a new, untitled song.
“HD”
“Cop Walk”
“Drunk As Fucked, Stoned As Fuck”
“Pizza Bong”
“Pilgrim”
“Finale”
Make it your life mission to listen to these bad boys, errr I mean Nice Guys right here and for all eternity: http://niceguys666.bandcamp.com/
Fat Creeps – Local outlaw Ben Tan has created a drinking game in my name in which one of the rules is every time Chris DeCarlo name drops Fat Creeps in a review you take a drink. I would advise you not to play this drinking game, for I see various lawsuits against KLYAM in the near future. Point being, Fat Creeps have been a household name on this site for over a year now and I am proud to say our first release (10″ Vinyl EP) on KLYAM Records! So, it is exciting to catch the band live at Great Scott in the middle of their first major tour ( https://klyam.com/2013/06/19/fat-creeps-bleeding-rainbow-summer-tour/) with Bleeding Rainbow. Congrats guys!!!
The trio kicks things off right with Creeps classics such as “Nancy Drew” and “700 Parts,” which are often, if not always played side by side. The former is an upbeat, jangly pop number while the latter is a slow, murky ballad – both are immediate and showcase the band’s talents better than anything else in their catalog.
The band continues with some songs introduced in 2013 including “Blue” and “He Comes In Loudly.” It’s funny, I always mistake “Blue” for “He Comes In Loudly” until they play “He Comes In Loudly” and I don’t realize it until they sing “he comes in loudly.” Wow, that’s a lot of he comes in loudlys. I don’t think I’ve ever seen so many he comes in loudlys jam packed into one regular sized paragraph ever before in my life. Now, I’m curious exactly how he comes in loudly.
In addition to Fat Creeps (you know I be pluggin’ that 10″ EP YO!) gems like the surfy hits “Fooled” and “Leave Her Alone,” and one of my favorite album openers “Secrets,” the band also performs a new song entitled, “Having So Much Fun.” I’m not exactly sure how it goes or what it sounds like, but I’m going to keep my eyes and ears open for this newbie at future Creeps shows.
After nearly two weeks of shows, Fat Creeps are still kicking it and sounding fresh as ever, without a single hint of weary. Their lively and fun filled performance is well appreciated as Great Scott attendees sway and bop back and forth to the Creeps’ light noise pop; a sweet soundtrack for a sweet Summer night, brings me back to last Summer when I first started actively listening and seeing these guys on a regular basis. Fittingly, they close their set with a heavy, headbanger known as “Going to the Party!”
Got me another set list!
“Nancy Drew”
“700 Parts”
“Blue”
“He Comes In Loudly”
“Leave Her Alone”
“Fooled”
“Having So Much Fun”
“Secrets”
“Going to the Party!”
Bleeding Rainbow – I don’t know a whole lot about Philadelphia’s Bleeding Rainbow other than checking out a couple of songs before the show, so I am going in with an open mind, expecting to hear some sweet, chill tunes and while I can’t say I am in love with the band, I do enjoy myself. At this point in the evening, I am pretty sauced and Bleeding Rainbow is a smooth, dreamy soundtrack to my intoxicated state of mind. The only song I recognize is “Waking Dream,” that guitar riff is pretty neat!
Bleeding Rainbow don’t fuck around and they are most likely hitting up your city some time in the not so distant future. Check em’ out: http://bleedingrainbow.bandcamp.com/
Bands: Fat Creeps, Headband, Nice Guys Date: Saturday, June 8, 2013 Venue: Discovery Zone (Allston, MA)
As soon as Glen and I enter the Discovery Zone, Allston’s Nice Guys are already kicking out the jams, just inches away from us. The nice dudes are decked out in their beach garb: short shorts and pasty whites and what have ya.
Nice Guys are a truly fun group and they provide some comical on stage (floor) back to back banter. This aspect of the group brings to mind early Smith Westerns (1st album) and early Black Lips, not to mention their garage punk tendencies. There’s something charming about them, like young male bonding or some shit like that, I don’t know anymore, I’ve been doing this for too long (says the twenty something). I have notes, I came prepared I swear, they just never seem to make it to the reviews. ANYWAY…
They appear to be at home in the Discovery Zone space, after all they have played several shows here before. It’s best to see this foursome in an underground setting such as this as opposed to a club, and this has to be the best set I have seen from the guys. It’s loud, fast, and fuzzy, reminding me to invest in some serious ear plugs in the not so distant future.
Nice Guys certainly have a sharp sound that rattles my bones and mangles my teeth, uh huh, but I feel like the songs could be stronger. They are fun for sure, but they could use more character/personality to fully bring those pizzas, boners, and bongs to life as if they were being placed in my lap. With that being said, “Cop Walk” is a juicy beast and I never get sick of it’s factory like guitar riffage at the beginning and how it just bursts into heavy, spastic jolts of primal rock ‘n’ roll. Up close and personal (I wouldn’t have it any other way), I can feel Jake Gilbertson’s hollering vocals vibrate down my spine, a feature of the band I had overlooked in the past. Dude can scream.
I should also mention that drummer Cam Smithers hops on the mic (mike?) for what is apparently a cover of an Andy Kaufman song. I didn’t know that Andy Kaufman made music…
Towards the end of the set, Jake and Alex shake things up a bit, rushing into the crowd with their guitars, even breaking a fan in the process. Just to clarify, when I say fan I mean the kind that provides cool air for all of us, not a human body. After all, these are Nice Guys.
And Matt Garlick is also the man. I just realized that he was the only Nice Guy (and Fagette!) I haven’t mentioned yet. I don’t want him to feel left out, because he is a pimp, and pimpin’ ain’t easy. http://niceguys666.bandcamp.com/
The rockin’ and rollin’ grande times ramble on with Headband – a Boston mainstay. To quote one, Jake Gilbertson, “There was a Headband before I could even spell Headband.” Jake isn’t letting his mind run wild; Headband has existed since 1996, damn that’s quite a feat! Most bands don’t last more than a mentos, let alone two decades. Beyond being impressed with their longevity, I am genuinely impressed with some of their music. At times it reminds me of the strange, cave pop of the Box Elders and then at other times, I feel like the music drags or never takes off. They have a wealth of material on their bandcamp. Knock yourself out. http://buzzardrock.bandcamp.com/
Fat Creeps are the last band to play tonight and their performance is nothing short of thrilling. Twenty one Creeps shows deep, I can safely say this is one of their best yet, and that appears to be a popular sentiment among tonight’s attendees. Straight up, being one half of the people that put out the band’s 10″ EP on KLYAM Records, naturally I am an ecstatic fan of the trio, but I don’t bullshit when I write about bands, even ones on my label, so when I say this is one of their best, I mean it. Oddly enough, it’s kind of hard to articulate exactly why this show is finer than most I have experienced in the past. I am going to attribute the high quality of this gig to two features: set and setting. Much like a psychedelic experience, the Fat Creeps evoke an altered state of consciousness in me, one that I feel is shared with everyone in the room.
The set, that is the mindset, as one Dr. Leary labeled it, is a young band performing in front of a sea of familiar faces – a collective group of friends and fans alike, an audience that has grown to know and love the songs that the band has mastered over the past couple of years.
The setting is an intimate, cozy living room space and when combined with the aforementioned set, it creates a serene feeling, an aura if you will. It’s as if everyone is simultaneously appreciating the music of the Fat Creeps all as one consciousness. From the first chords of “Horoscope” the crowd is hooked and the Creeps never let go. Besides playing an outstanding set, part of my joy is simply observing the reactions of others in attendance; seeing kids’ faces light up in anticipation for the do do do doos in “Nancy Drew” or getting pumped for Mariam’s belting line “COME CLOSER I CAN’T HEAR YOU!” in “Secrets.”
The Discovery Zone setting itself is an impressionable one. I always get a kick out of the ubiquitous, random barrage of bizarre films being projected behind the bands while they play. During the Creeps set however, the video material is familiar, but equally enticing. There is an outburst of cheers as a clip of Beavis and Butthead comes on. This is followed by a Wendy’s commercial during the haunting ballad “700 Parts.” That’s trippy.
Even better order the Fat Creeps 10″ EP (VINYL) on Coke Bottle Clear and/or White from KLYAM Records! http://klyam.bigcartel.com/ ORRR pick up a copy at one of the following Boston area record stores:
Brothers and sisters, don’t stop there! Fat Creeps are currently on a big ass tour with Bleeding Rainbow (http://bleedingrainbow.bandcamp.com/) and they may just be hitting your town any day now. Here are the remaining dates. Boston peeps, they’re hitting up Great Scott on Tuesday July 2!
Fri – June 28: Toronto, ON The Drake Hotel
Sat – June 29: Montreal, QC il motore
Mon – July 1: Winooski, VT The Monkey House
Tue – July 2: Boston, MA Great Scott
Wed – July 3: New Haven, CT BAR 254 Crown St.
Fri – July 5: NEW YORK Mercury Lounge https://www.facebook.com/events/121765888020343/
In the immortal words of The Doors “The time to hesitate is through.”
Kids Like You & Me (KLYAM) 