Category Archives: history

Kucinich On Afghanistan

This is a bit old, but I’m using it for Poli Sci debate, so I figured I’d post it here for the hell of it. I like Dennis Kucinich a lot and really admire him for his integrity, but I always hate the way him and others like Ron Paul treat these conflicts as “issues” when they discuss them. Don’t get me wrong, they are extremely rare for their comparitively radical views as Congressmen, but comments such as “I like Obama…” blows my mind. HE’S A WAR CRIMINAL, MASS MURDERER! Perhaps they can’t speak out in that manner because they are public officals. I mean they have the right ideas with the knowledge and evidence to back up their platforms, but it’s as if they treat the president’s policies as poor political moves rather than crimes against humanity. Then again, Kucinich valiantly proposed impeachement of Bush as a War Criminal, so kudos to him. I also dig O’Reilly’s line about Obama being closer to Bill on the War, which is absolutely true. Oboma cheerleaders should take note. If you’re Antiwar and support Obama, then that’s fine for you, but it ain’t my cup of tea. I think y’all better choose a side soon.

Chris

I LIKE POP MUSIC!

…For the most part. About 80-90% of the music I listen to I consider catchy, pop numbers, one way or another. I agree with Jay, the pop master, that when you get away from the basic pop song, you lose people. I dig primitive, guerrila sounds, like the Black Lips and King Khan. Usually, most of my modern favorites are lo-fi to some extent or another and quite noisy, at that. Basically, it boils down to what are you going to do with pop music that makes you stand out to me. I suppose I have a few favorites here and there that lack this quality, but most are cutting edge, even if they’re not the most original cats around, try and wrap that around your dome. Quality doesn’t equal clean production. Far more often than not, it means some slick shits are doing the devil’s work and doing a fine job. The public overwhelmingly has been conditioned to eat up pounds of sugar coated mindless,souless,balless, garbage from the biggest corporate cocksuckers known to mankind. Some seriously sick motherfuckers that I’m surprised haven’t become extinct yet- due to overload of the stomach, having been pumped too much santanic sperm. I don’t know, what happened when, but it’s been decades, long before this radical nerd was even considered for existence, of horseshit ramming down our throats, perhaps they’re slipping roofies in the kids meals at Micky Dees? Anyway, if one were to take a quick paroozle (yeah, idk the spelling Glen!) of my album collection, mainstreamers if any readin’, would probably think I’m crazy, totally mad, fucked in the head, when I say I like pop music… with the likes of The Stooges, Ween, No Age, Big Black, etc present. I’ve streamed and screamed for too long, I’ll leave y’all with a poppy favorite of mine.

Chris

Malcolm McLaren Dead at 64

Malcolm McLaren, the former manager of The Sex Pistols and the man who claimed to have invented punk, has died aged 64.

McLaren died in New York this morning after a long battle with cancer.

His spokesman, Les Molloy, said the impresario had been suffering from cancer for some time and he expected his body would be returned to the UK shortly.

An unashamed self-publicist, McLaren gained notoriety as manager of the Sex Pistols who were propelled to No 1 in the charts with God Save The Queen in 1977. Having brought together the roguish band members he went on to become a household name in his own right, entering into the public spotlight again in recent years when he stood for the newly created London mayoralty in 2000. His policies included the serving of alcohol in libraries.

Having dropped out of art school – McLaren said the experience taught him “that it is better to be a flamboyant failure than any kind of benign success” – he made a first foray into music management in the early 70s after convincing the New York Dolls to employ him as manager.

The band flopped at the time, but the experiment, complete with red leather and Soviet-style clothes, heralded the start of a career-breaking ground in fashion and music.

McLaren, who was born in North London, frequently professed to leading the capital’s avant garde art scene during the 70s.

He opened a shop in fashionable King’s Road 1971 with his then girlfriend Vivienne Westwood. The shop was renamed SEX in 1974 and quickly gained iconic status drawing in the “young, sexy, assassins” who would become the Sex Pistols.

The couple had a son, Joseph Corre, the co-founder of lingerie shop Agent Provocateur.

His reputation was carved by the success of the Sex Pistols and an eye for publicity stunts which would grip the British and American culture scene through the 70s.

McLaren also managed a number of other bands, including Bow Wow Wow before producing his own records including the much-sampled track Double Dutch from the 1983 album Duck Rock.

He continued to be involved in the culture and arts scene up until his death, earning him in equal measure acclaim as a doyen of music and design and criticism for his marketing of pop culture.

http://www.guardian.co.uk/music/2010/apr/08/malcolm-mclaren-dies-sex-pistols

A few days late with this story… but anyway, he was perhaps more of an exploiter of the arts than a practioner, but nevermind his bollocks for now, RIP Malcolm… maybe I wouldn’t have discovered the Sex Pistols without you.

Chris

The “Real” Che

Damn, those models are fine; I’ve always dug Che Tits! Anyway, this is totally biased, which comes as no surprise, worse than the bias of the Che cheerleaders. Of course, I think the caricature of Che is a farce, but as Jay Z put it he’s “complex,” haha, far more complex than this bullshit would leave you to believe. Some things they say are true and naturally they’re horrible. But, they don’t apply the same standards to the U.S. and other figures, which are far, far worse, even if justified. I feel awful for those women, but you don’t think Nazis’ had family? or any other terrorist. That’s what war is, it’s violence on a grand scale. I also feel bad that their loss is being exploited for ratings and pathetic agendas. To compare Che to Bin Laden and the reasons why he, Fidel, and the other Cubans were fighting to America’s reasons for fighting a war is not only childish, but shows the sheer lack of concern for honest observations of foreign policy. In terms of people starving in Cuba, well that would be greatly decreased if the U.S. didn’t place sanctions on them. We easily could aid them, but Castro doesn’t want to be our little puppet bitch like other dictators, so no food for you Cuba. Lastly, the whole racist deal, ( I love how Faux News is saying this of all networks!) Beck is clearly utilizing this to appeal to people’s feelings about race and what have you. Divide and conquer! I have never seen that quote about black folks. I’m not saying it’s not true, but I’m not denying it could be either. I know for a fact that Che sympathized for blacks in the U.S. and he also met with Malcom X when he came over here; both shared great admiration for one another. So, basically follow the woman’s advice, do your own research.

Chris

Subversive Book Club Review: We Are Everywhere

Author: Jerry Rubin
Full Title: We Are Everywhere
Year: 1971
Grade: A-
Why Subversive?/Comments:
The Yippie Master takes us on another visceral journey into the everyday life of a 1960s, Amerikan Revolutionary. Written, while serving a setence in Cook County Jail, WAE reveals the highs and lows of said lifestyle: Riots, conspiracy trials, police brutality, being spied/wiretapped, stoned, LSD, Molotov Cocktails. In fact, the book is dedicated to the Weather Undeground and Rubin discusses them quite a bit, amongst other Revolutionary heroes and heroines, including the Black Panthers, Dave Dellinger, the Women’s Liberation Movement, John Sinclair, Timothy Leary and more. Though this work of incendiary material is quite subversive and colorful (figuratively and literally; filled with pictures and most pages are green, purple, etc) it lacks the zaniness and “shit in the middle of a bank” attitude of it’s predescessor, Do iT!, to an extent. Sure, compared to most books, it’s far more out there, but placed side by side with other Yippie works, it’s far more serious and not as humorous or wacky. I speculate this is for two reasons. For one, Rubin, by his own words, matured… a little bit. He abandoned his machoism and homophobia. In Do iT!, he made cracks about gays and ignored women’s role in the movement/revolution. In WAE, this is not the case, hence there are no photos of naked Revolutionary hunnies, he even condemns the phrase, “getting a piece of ass.” Secondly, the times got worse, with more governmental repression, that called for more militance. People were going to jail for longer sentences (Bobby Seale, John Sinclair, etc) good folks were being assasinated (Fred Hampton), and many were forced underground or into exile (Timothy Leary, Eldridge Cleaver, The Weathermen, etc). The FBI was cracking down on dissidents, like no other time before, they even had many spies, whom posed as activists for years, thus causing distrust amongst eveyone. The government attempted to use psychological warfare to destroy the movement from within. They failed, but it still left many devastated and often fucked up their lives. Therefore, Rubin’s book is not as happy as one would expect. Though, don’t misconstrue me, it’s still quite amusing and inspirational, if incredily outdated (it’s actually outta print!) At one point, Jerry and folk singer, Phil Ochs visit Charlie Manson in prison and “rap”- Revolutionary chat- with him for hours. Go figure. All in all, this serves as a fantastic statement against corrupt and boring Amerika and instead for the creation of a better, more humane society.

Chris

Summer 2009 Blockbuster Comparison

The following essay was for my Cultural Studies class, therefore it’s not of the same quality as my other material. Read it anyway lol.

Inglourious Transformers
I see a few newly released films each year and sadly most are of average quality. Last Summer, I saw two movies in particular that stood out; one was quite exceptional and the other was pure garbage with some mild entertainment. The former was Quentin Tarantino’s war film, Inglourious Basterds and the latter was Michael Bay’s Science Fiction film, Transformers: The Revenge of the Fallen. Both pictures are similar in some ways and at the same time, there is a world of difference between them. In terms of culture, Inglourious Basterds is of much higher art than it’s counterpart, Transformers because director Quentin Tarantino has far more “cultural capital” than his rival, Michael Bay.
Both Inglourious Basterds and Transformers are action films in their own unique ways, but Basterds does not rely solely on special effects and fun filled mayhem to dazzle it’s audience. There are various similarities between the two movies and it should be noted that each obtained well beyond it’s fair share of box office/commercial success. Both had gun shots, explosions, “good guys, “bad guys,” gorgeous females in leading roles, and a healthy chunk of humor. Without seeing both features, a cultural theorist may rush to rule both films as equally “mass art,” merely manufactured products to be gobbled up by millions of dumb Americans as Matthew Arnold would contend. Of course major corporations financed both films and as I previously mentioned each profited quite well at the box office, but it seems clear that there is much more to IB than simply “action” that makes up most of Transformers. IB focuses on World War II and particularly the fall of the Third Reich at the hands of the “Basterds,” a band of Jewish American soldiers. Of course this is not historically accurate at all, but it still gives the film more depth than a light hearted flick about robots. IB also features various references to older, spaghetti western films and obscure war films as well as other aspects of both American and European culture. Tarantino’s cultural capital certainly adds to the “higher quality” of the film.
As I previously explained, both movies can fall under the action genre, but the styles of action displayed in each film makes one high art/culture and the other low art/culture. In Inglourious Basterds, scenes are built up with suspense and clever dialogue. This suspense then erupts into bloody battles and shoot outs and so on. In contrast, in Transformers, the action is not stylized and is mostly non-stop, relying on special effects and very little suspense. The film utilizes most of the conventional techniques Hollywood blockbuster/popcorn movies usually employ, but no substance to balance out the mindless mess. The old phrase, ” a spoon full of sugar makes the medicine go down” comes to mind. In this case, there is no medicine and moviegoers are being inundated with pounds and pounds of sugar, mentally consuming as much junk as they purchase in movie snacks. Clearly, if Arnold was alive today he would use Transformers as a chief example of low/mass art.
In short, although both films, Inglourious Basterds and Transformers: Revenge of the Fallen can be seen as action movies and worthy of commercial success, Basterds definitely is of higher art/culture than Transformers. Writer/Director, Quentin Tarantino effectively used his cultural capital of historical and cinematic knowledge to make a greater film. The action was entertaining, but carefully balanced with extraordinary acting, memorable dialogue, and superb character development. Michael Bay, on the other hand, merely made a big special effects movie, he knew people would rush to the theaters to see, enjoy, and never ponder over anything meaningful to the human experience.

Chris