
You know who I’m talking about!
LOS SAICOS
DEMOLER DEMOLER LA ESTACION DEL TREN
TATATATATATA YAYAYAYA ¡
They cultivated their own dirty jams without knowing what was going on in the US at the time. That’s impressive!

You know who I’m talking about!
LOS SAICOS
DEMOLER DEMOLER LA ESTACION DEL TREN
TATATATATATA YAYAYAYA ¡
They cultivated their own dirty jams without knowing what was going on in the US at the time. That’s impressive!
Band: APACHE
Release: 6/2010
Label: Burger Records
1. “Bad Kids” – A-
2. “Heaven Can Wait” – A-
3. “Finger Banger” – A
4. “Pint Size Punker” – A
5. “Bloody Knuckles” – B+
6. “Outside” – A
7. “Jam Pusher” – A-
8. “Beat Myself” – B
9. “Faster Louder” – B
10. “Hospital Bed” – A
11. “OMC” – A
12. “Boomtown Gems” – A
13. “Kitty” – B+
Comments: “Bad Kids” is not quite “Bad Kids,” but it rock and rolls. Most of these song rock and roll. This is a punk record through and through if you couldn’t already tell from the titles. You’d think they were talking about you Chris on “Pint Size Punker,” but nah, she’s only 17. SHE. Anyway, the music itself is catchier than most punk records I’ve listened to this year. APACHE likes heavy doses of sensible freestyle guitaring, especially on “Outside,” the most memorable jam on this disc. The fast fast fast (FASTER. LOUDER) ones aren’t as fun as the more rhythmic power-poppers, but that’s just my preference. As far as 2010 lowbrow independent record label releases go, this LP definitely has to be near the top of that lit.
Grade: A- (91)
Props of the Day go to Today’s Hits! Yes, yes. The Rifles, a fantastic rock band, were played today on Today’s Hits, a satellite radio station that plays mostly shit mainstream music. So I’m listening to the likes of Taylor Swift and Adam Lambert at work when all of a sudden I hear… The Rifles! What has the world come to? For the better, for the better. I was in complete shock. I finally got to enjoy listening! I saw the Rifles back in September when they played to a crowd of about 70 (if that) at the Great Scott. Let’s just say there are far bigger bands I’ve seen than the Rifles that I could have guessed had a shot at being played. This was a nice surprise. The next song after “Great Escape” was “Beautiful Girls” by Sean Kingston.
LISTEN TO GREAT ESCAPE LIVE: http://www.youtube.com/watch?v=2r3Em__1IIk
This is Part 1 of a 7 Part documentary on Bill, entitled, Outlaw Comic. The rest can be seen on You Tube
Artist(s): Simon & Garfunkel
Full Title: Sounds of Silence
Year: 1966
Label: Columbia/ CBS
Tracks:
1) Sounds of Silence- 9
2) Leaves That Are Green- 8
3) Blessed- 7/8
4) Kathy’s Song- 9
5) Somewhere They Can’t Find Me- 8
6) Anji (instrumental)- 7
7) Richard Cory- 8
8) A Most Peculiar Man-9
9) April Come She Will- 10
10) We’ve Got a Groovy Thing Goin’- 8
11) I Am a Rock-9
Comments:
Simon & Garfunkel kick off this ditty with an impassioned, classic, Folk Rock anthem in the title track. The song showcases the duo’s great talent for harmonious vocals, soft, emotional, pop ballads; a far, far cry from their Tiger Beaty teen idol counterparts. A focal point, I often feel is necessary to make- that S & G were not just another wimpy, sensative, Teeny Bopper group, a category/genre that they are sometimes cast aside to. “Leaves That Are Green,” is a nice, catchy number, not too adventerous, but sound. “Blessed,” at least for my money, doesn’t quite cut as deep; it’s an ok tune, but not on par with other tracks. Enter “Kathy’s Song,” a rather soft spoken ballad, that is extremely direct, musically and lyrically. It’s as if Simon is singing soley for Kathy. The tune utilizes the “less is more” logic: it’s simply Simon and his Gee Tar singing his poetry, without any major choruses or instrumental changes. It really gives the ballad a distinct quality and overall feel. Clearly, the band had a knack for writing poetic numbers with deep themes behind them. Later on in the album, we hear two back to back character studies of two very different (or very similar?) suicide victims. The first being “Richard Cory” (based on the Edwin Arlington Robinson poem of the same name, we read in Brennan’s class, if y’all recall :) a fast paced tale about a extremely successful businessman, who seems to have it all and then one night decides to “put a bullet through his head.” This unexpected suicide is contrasted by the next track, “A Most Peculiar Man,” a slow, softer, song about a lonely man, who “lived all alone, within a house, within a room, within himself.” This fucking guy leaves on the gas in his car and thus takes his own life, much to no one’s chagrin. The two studies brilliantly stand in stark contrast to one another. They are followed up by the gentle, folky, “April Come She Will,” the LP’s strongest track, in my humble opinion. It’s so peaceful and almost Summerlike- reminding me of kicking back, relaxing, and thinking about “life.” And ok, also the fact that the months idenitfied include the Summer season! Another reason why I adore this lesser known S & G track is the fact that it was featured in the classic film, The Graduate (1967) as was the title track, the much, much more famous song. For some reason, April stands out to me more and instantly brings back images of the film and the scene it’s featured in. April, her only crime? Brevity… 1:53 is too short! This LP closes with another Folk Rock anthem in “I Am a Rock,” a highly catchy and memorable ditty that contains just about everything that made the pair loveable to begin with. Overall, this is a solid listen, but comparably weaker than most of their efforts. It feels more like a bunch of decent songs, rather than a whole album. With that being said, if you like 60s Folk Rock, poetic lyrics, songs with stories, a shit load of harmony in your vocals, etc. then you will probably dig this, and naturally if you are a fan of Simon and Garfunkel, then by all means, check this out.
Grade: B+
Not that pussy MCR version.
Cold River
They drug me down to the old cold river
They’re gonna throw me in
Cuz I’ve been caught sleeping with the daughter
Of the only man in town who can swim
I’m facing the old cold river my back against the wind
They gon’ throw me down to the bottom of the river
Never to rise again
I sink down, down to the old cold bottom
Down, to rest with the fish
I sink down, down to the old cold bottom just as the old man wished
The sea sleeps and the moon is hanging
Something I’d rather do
But I’m facing the old cold river
Bed of eternal blue
With no reason to breathe without the right to love free
Sleep in the deep, sink like a drink
Until again when we meet
I sink down, down to the old cold bottom
Without a hope in the clouds
Down down to the old cold bottom
To rest my bones in the ground
They can’t save me
Nobody can save me
They can’t save me now
They can’t save me
Nobody can save me if I must live without
I’d rather drown
Till I rise to the wide open sky
Down to the bottom old lonely bottom
Till I rise to the wide open sky
Leaving this place where love’s forbidden
Life without her love ain’t worth living.
“If anyone here is in advertising or marketing… KILL YOURSELF!”

Find your roots and dig them up! The sound of Phase One is soft jangle pop. The sound of Phase Two is frantic power pop/punk.
Phase One
1. The Go-Betweens “Finding You”
2. Yo La Tengo “Autumn Sweater”
3. The Pastels “Comin’ Through”
4. The Bats “The Rays”
5. The Smiths “Accept Yourself”
—————————————–
Phase Two
1. Jay Reatard “Oh, It’s Such a Shame”
2. The Marked Men “Nowhere,” “Sophisticate”
3. The Old Haunts “Hurricane Eyes”
4. Thee Oh Sees “Maria Stacks”
5. The Sermon “Time Has Come”
Great song. I’ve had it in my music library for a while, but never really got around to listening to it.