Category Archives: CD Review

Elvis Perkins-Ash Wednesday-CD Review

Elvis Perkins

Artist: Elvis Perkins
Year: 2007
Label: XL Records

Track Listing

1.”While You Were Sleeping” 9/10
2.”All The Night Without Love” 8/10
3.”May Day!” 9/10
4.”Moon Woman II” 8/10
5.”It’s Only Me” 9/10
6.”Emile’s Vietnam in the Sky” 9/10
7.”Ash Wednesday” 8/10
8.”The Night & The Liquor” 7/10
9.”It’s a Sad World After All” 9/10
10.”Sleep Sandwich” 8/10
11.”Good Friday” 9/10

Final Grade 95/100

Elvis Perkins father, the great actor Anthony Perkins, died a painful death in 1992 of complications related to AIDS, when Elvis was 26. His Mother, Berry Berenson, died in a plane on the September 11 attacks. While he started work on his first album before his Mother’s death, it is clear that the death of his Father and Mother was very influential in the albums creative process. As Elvis states the very title ‘Ash Wednesday’ “refers to being left on Wednesday with nothing but ash, because [my mother] died on a Tuesday – being left with ash on September 12. That was also the day my father died, September 12 [1992, of Aids]. It first occurred to me on Ash Wednesday itself – my consciousness was largely ruled by having lost my mother six months previously”.

Giving his history a person would expect an album full of death and destruction, an album asking questions that nobody can really answer, but Elvis Perkins is smart enough to go a different route. What he delivered is an album that is honest and based in reality, true it is full of lost and yearning, but it is also full of beautiful imagery, imagery of someone who has truly lived. The album opens with the haunting and beautiful ‘While You Were Sleeping’ (my favorite track on the album) where in his best Rufus Wainwright says “while you were sleeping, the babies grew, the stars shined and the shadows moved, time flew, the phone rang, there was a silence when the kitchen sang, its songs competed like kids for space, we stared for hours in our maker’s face, they gave us picks, said go mine the sun, and gold and come back when you’re done”. Elvis Perkins walks a fine line the entire album between the beautiful images he sees and the hardships he’s experienced. Musically he reminds me of Paul Simon and a dozen other folk singers, but he doesn’t copy a particular one, a rare feat. Overall it was an extremely strong debut and a promising effort from a very talented singer songwriter. If you are looking for good modern folk music, it will be hard to beat this album.

Album Review: Maine Coons-Maine Coons

Artist: The Maine Coons
Full Title
: Maine Coons
Year: 2010
Label
: Spent Planet

Tracks:
1) My Kinda Luv- 9
2) I Am a Motherfucker- 9/10
3) Hey Dickhead- 9
4) Ghetto Queen- 9
5) Pull the Plug On Grandma- 9
6) Hologram (Urinals)- 7
7) Uniform Choice- 8
8) Tired and Unispired- 8/9
9) Fast and Easy Livin’- 7/8
10) Can’t Follow Thru- 7/8

Comments: This is good jerkin off music. Yeah, I said it. I figured the nature of this band fit such a description. This is truly slimy Punk Slime right here, guerrila pop art at its finest. The first five tracks serve as instantaneous catchy classics. With very little effort they seap into yer psyche and crawl around for a while. Just fast, punk ditties with that gorgeous garage rockin’/ early Black Lips/King Khan & BBQ underbelly. This album has an incredible beginning, like nothing else I have seen in a while. Rarely, does an artist hit me with a ton of bricks like these guys- from “My Kinda Luv” to “Pull the Plug On Grandma,” I’m totally hooked. I love the direct vulgarity of tracks like “I Am a Motherfucker” and “Hey Dickhead,” where fans of Garage Punk, so to speak, will find themselves chanting the lyrics everytime it blasts thru their speakers. Alas, after “Pull the Plug” I am somewhat severed from the initial appeal.”Hologram” is okay, but feels more like a filler track. “Uniform Choice” and “Tired and Uninspired” are really good songs and definitely save the second half of the album from spoiling the whole LP. The last two tracks are not terrible, but simply do not cut it, at least for my money. Overall, this is a fun, invigorating, and at times fantastic record that needs to gain more recognition. Musically, I am always fascinated by the sparse production, which is relatively easy on the ears and that is not a bad thing; the simplicity of just vocals, keyboards, guitars, percussion. Two guys run this show- one on vocals/keyboards while the other bro plinks his gee tar, commands the drums a la Mark Sultan (with his feet) and shares vocals duties with his comrade. Lastly, I missed some of my favorite MC songs in “How Long Is It Going to Take For You to Find God” and “Inside You,” both of which do not appear here and I think should have replaced some of the weaker numbers. Ohh well, if you like immediate pop hooks in the vain of Black Lips, Jay Reatard, King Khan BBQ, Box Elders, Harlem, and others usually featured on this site, then I am positive you will enjoy this motherfucker. Without a doubt, the Maine Coons are amongst my new favorite bands and I hope to see them live again soon. Peace out, I gotta go kill some dickheads and then piss on their graves.

Grade: A-

Classic CD Review: The Rekoys [2003]

Band: The Recoys
Label: Troubleman Unlimited

1. “Song on the Paper Dolls” – A
2. “Shake Off Your Nerve” – A
3. “Over Your Shoulder” – A-
4. “That’s the Punchline” – A
5. “Blizzard of ’93” – A-
6. “Let’s Get Educated” – A
7. “Let You In” – A-
8. “Modern Art Museum” – A-
9. “Look Out Your Window” – A-
10. “Roy Orbison” – B
11. “Tribute: The Recoys” – A

Comments: As a big Walkmen fan, I’m impressed by the mere fact that Hamilton Leithauser was playing stuff this good when he was only 19 to 22 years old. You’ll be able to tell these guys had been playing in bands since middle school. Right off the bat, “Song of the Paper Dolls” is distinctively Hamilton. It’s clean garage/power pop — at least compared to most of the stuff I call that on this site. “Shake Off Your Nerve” has shakers and saxophones. It’s a dancer that’s more punk than most of anything that would end up coming out of The Walkmen catalog. Speaking of The Walkmen catalog, “Over Your Shoulder” starts a trend on this collection of tunes (The Recoys never released an LP) of “Walkmen” songs. “Over” has all the niceties that Leithauser and Bauer would wind up incorporating in their future band. Of course, “That’s the Punchline” and “Blizzard of ’93” (renamed “Blizzard of ’96) wound up on the Walkmen’s debut full-length Everyone Who Pretended To Like Me Is Gone. This has nothing to do with anything, but when Ham says “that’s a change of style” on “Punchline,” I realized that these songs actually do represent a change of style. “Blizzard” is sloppier and heavier on Rekoys. “Let’s Get Educated” is perfect garage rock revivalist material. It’s like the Strokes, but before the Strokes. Dirtier than the Strokes. Nice and dirty. “Modern Art Museum” is a passionate rocker. You can really hear it in Ham’s voice. “No one understands The Recoys” is sung on the very last song. Don’t worry, though, when their “ship comes in” you will understand them. What that means I don’t know! Fans of The Walkmen, definitely try to get your hands on this. You’ll appreciate this as a reference point in Hamilton Leithauser’s (and Pete Bauer’s, if you’re really looking) career. The Recoys broke up in 1999 after a three year stint.

Grade: A- (92)

CD Review: Down There [2010]

Band: Avey Tare
Release: 10/2010
Label: Paw Tracks

1. “Laughing Hieroglyphic” – B
2. “3 Umbrellas” – B
3. “Oliver Twist” – B+
4. “Glass Bottom Boat” – B-
5. “Ghost of Books” – B
6. “Cemeteries” – B-
7. “Heads Hammock” – B+
8. “Heather In The Hospital” – B+
9. “Lucky 1” – B

Comments: Primary song-writer and founding member of Animal Collective, Avey Tare decided to give a go at a solo album. Right from the start, it is fairly obvious that the sound is retro to the direction that Merriweather Post Pavilion went in. The first two tracks are of the experimental variety while “Oliver Twist” is still pretty weird, yet danceable. Credit the drum beat on that one. The next two are old time AC sounding. So yeah if anyone, anyone at all, was expecting some kind of clean pop MPP sort of stuff, you will be disappointed! Fans of early work might be like “yo, this is pretty good” and people sympathetic to these creative voyages might just think “yeah, it’s okay.” If Deerhunter and Atlas Sound and so forth make “efficient ambiance” than Avey makes rather run of the mill ambiance. Your mind won’t be blown after listening to this. In the rare event that it does, you better find a new brain. Then again you might have been listening to this on some kind of psychedelic substance, so who am I to judge such a subjective experience? I’m calling out “Heads Hammock” as the best thing on here. So, yeah, Avey, good attempt, bro. Real solid effort. You did your thing and people should respect it.

Grade: B (84)

CD Review: Civilized [2009]

The drummer of the band,

Artist:

stellastarr* 

Label: Bloated Wife Records

1. “Robot”  B-

2. “Freak Out” A

3. “Tokyo Sky” B

4. “Numbers” B-

5. “Graffiti Eyes” A-

6. “Prom Zombie” B-

7. “Warchild” A

8. “People” B+

9. “Move On” B+

10. “Sonja Cries” A-

Comments:  After their last album Harmonies for the Haunted that spawned the hit single “Sweet Troubled Soul” the band stellastarr* (sometimes just referred to as Stellastarr) took to their own label Bloated Wife Records (named after a hidden track on Harmonies for the Haunted) after leaving RCA Records, and in 2009 came up with the album Civilized.  While not nearly as polished as their previous efforts and nothing is produced that was as marketable as “Sweet Troubled Soul”, major improvements has been made.  Most notably, Bassist and back up vocalist Amanda Tannen is used much more frequently and more efficiently, then in previous efforts.  Secondly, guitarist and lead singer Shawn Christensen sounds much more relaxed and comfortable on this album.  Lastly stellastarr has become much better song writers and crafters, previous efforts has really been hit and miss (although when they hit, their really good), like I said nothing measures up to “Sweet Troubled Soul” or even “My Coco”, but overall the album is much more consistent.   The album starts off with a good effort sung entirely by Amanda on “Robot” and comes close to their best work with “Freak Out”.  From then out its one solid song after another that will please any hipster, which eventually peaks with the song “Warchild”.  The album winds down after that ending on a strong note with “Sonja Cries”.  Overall the album isn’t a game changer for music, the post punk genre, or even the band, it just happens to be a solid effort, from a band who has shown sparks of greatness, but has not shown us what they can do.  But after listening to this album a few times, I have hope that maybe one day they can craft that masterpiece that they always been hinting at but never delivered on, yet.

 Grade: B- (82/100)

CD Review: Come Around Sundown [2010]

Band: Kings of Leon
Label: RCA
Release: 10/2010

1. “The End” – B
2. “Radioactive” – B+
3. “Pyro” – C
4. “Mary” – C+
5. “The Face” – C
6. “The Immortals” – C
7. “Back Down South” – B
8. “Beach Side” – C+
9. “No Money” – B+
10. “Pony Up” – C-
11. “Birthday” – C-
12. “Mi Amigo” – C-
13. “Pickup Truck” – C+

Comments: Kings of Leon are a pretty polarizing bunch. For starters, they’ve never been “indie” — a terrible label to begin with, but even worse when people use it on a band that’s been signed with major label giant RCA since the get-go. Glad I’ve got that out of the way. They’ve been derided as “boring arena rock,” but they make “good music” compared to one Justin Beiber. Original fans seem (on the Internet, anyway) a dime a dozen, but have the Kings really compromised anything in the last six or seven years? Debut “Red Morning Light” was (still is) typical southern pop-rock. The next year’s Aha Shake Heartbreak had a bunch of the same kinds of songs — fun (oh no, not that!) well produced guitar-oriented anthems. Like I was trying to say, they never really came in “indie” and went downhill to “pop” from there. There was never that kind of transition. Somewhere along the line we are left with 2008’s Only by the Night. I liked Only by the Night. Not a whole lot, but the instrumentation was minimal, yet affective. When I first heard Kings of Leon being played on the radio — you know “Sex on Fire” (a bit more like their southern-y stuff of the past) and the huge “Use Somebody” which was (and still is) well overplayed but it undeniably has a catchy progression and pleasing guitar work. Two years have past and now Kings of Leon have brought us Come Around Sundown. Right from the get-go with “The End,” I’ve noticed they’ve haven’t changed. Surprise! It’s a pretty good song…incorporating the typical elements of post 2000s clean southern/garage pop-rock. “Radioactive,” the album’s lead single, is sing-a-long material…something like their arena friends U2 have been accustomed to making over the years. Keep in mind I don’t know much about U2, but it’s all about the “big” landscape of the song…potentially “bigger” than “Use Somebody.” If you want to go to sleep, listen to “Pyro.” Even though it has a sizable build-up, it’s boring. “Mary” is bland. Pretty awesome guitar solo, but otherwise bland. Looks like they really hit a poor streak because “The Face” is the same damn fodder! The thing that sort of keeps Kings of Leon somewhat sane in times of distress are their bridges and outros. Not saying they are good, but they can really make an awful song turn into something manageable. “The Immortals” is pretty average. It doesn’t suck, but it’s almost like they’ve done somewhat of the same variation for the past three songs. “Back Down South” seems like an honest descent into southern music. The noisiest song on the record goes to “No Money.” A little more of that direction couldn’t really hurt the band. OH YEAH IT COULD. So yeah, this album is pretty terrible, but it’s not that terrible. I’ve listened to some terrible records this year, but it does have a few trick ponies that act as saving graces.

Grade: C+ (77)

CD Review: I Am Not A Human Being [2010]

Rapper: Lil Wayne
Release: 10/2010
Label: Young Money

1. “Gonorrhea” – B
2. “Hold Up” – C+
3. “With You” – A-
4. “I Am Not A Being Human” – C-
5. “I’m Single” – C+
6. “What’s Wrong With Them” – B+
7. “Right Above It” – A
8. “Popular” – B-
9. “That Ain’t Me” – B-
10. “Bill Gates” – B

Comments: Lil Wayne is an interesting fellow. He has an adoration of playing around with words. He particularly utilizes metaphor and simile. His rhymes range from cheesy Weezy to fairly intelligent and thoughtful. Beats have never really been a focal point for Weezy, especially on non-singles. He almost can’t be taken seriously, nor can his guest rappers, but some how they always end up with something called a song. It’s striking. On the R&B slow jam “With You,” we get a good sense of what Wayne is capable of in terms of sensible writing. He effectively tells a romantic story without much effort. What I’m saying is “With You” doesn’t sound forced or random. “Tonight it’s moonlight and candles and shit.” That’s all. It’s so Human Being. Imitating Beastie Boys rock-rap style isn’t Weezy’s thing. He made a terrible rock-esque album earlier this year, didn’t he? Let Wayne shine. He doesn’t need power beats or abrasive guitars. I was expecting Nicki Minaj to rap not sing a chorus on her feature in “What’s Wrong,” but I must say she doesn’t do that bad of a job. Wayne’s verses are solid. “Right Above It” was the first single (featuring Drake) from this record and contains the record’s most distinguishable beat/chorus. It deserves all the accolades it has/is getting. I didn’t expect much out of this relatively short LP. There are high points and other points that just seem to exist without much fanfare.

Grade: B- (82)

CD Review: Cum Stain [2010]

Band: Cum Stain
Release: 6/2010
Label: Burger Records

1. “Bachelor’s Life” – A+
2. “Broke My  Dick” – A
3. “No Hearts/Big Mean Maniac” – A-
4. “Just A Kid” – A+
5. “Vicdumb” – A-
6. “Slip It Off Slip It In” – A-
7. “Smoker” – B+
8. “I Want It Now” – A
9. SuckHer4U” – A
10. “Jack Shack” – A
11. “Cum Stain” – A+

Comments: Just when I thought I heard the ‘last of the libertines’ so to speak, I hear this. Cum Stain. Whether the composers of Cum Stain realized it or not, they boldly described bachelor life from start to finish. Literally. When push comes to shove, the narrator is just another “cum stain on your rug.” This man is a heavy drinker, a heavy smoker, and a passionate lover. Except, he doesn’t actually love you or want to. Well, he wants to, but he figures that’s just a waste of time. He just wants to do it and get it over with. On “Bachelor’s Life” we learn a little bit about the dude. Every hour he “masturbates” and “just sits around and watch cartoons.” On a more positive note, he stocks whiskey and rum. “Broke My Dick” is pretty self-explanatory, but the narrator offers an alternative like none other: “slap you in the face while it’s limp.” Might as well do something, right? In a proto-hardcore punk, let me tell you what’s up kind of way, the narrator reiterates on “No Hearts/Big Mean Maniac” that he has no heart and that he is a maniac. The guy is straight nuts. Fuck, he even invented his own fetish: throwing manure in the faces of grade school children. So, just a quick recap. The dude is in his 20s, but he’s purely “just a kid.” He exemplifies that word, but puts an added spin on in it. I’m not really sure what he’s going for on “Vicdumb.” It seems like he is necessarily stating the obvious. Anything anyone does to you makes you a mere vicdumb. Perhaps the “dumb” instead of “tum” allows him to get away with whatever he wants. You’re the dumb-ass, not me for screwing you and then leaving. Vicdumb. “Slip It Off/Slip It In” is probably the maniac’s fantasies after a long day at the beach. Oh yeah, and everything you learned about smoking is all a bunch of shit. Smoking is for winners and the more the better. Another thing: impulse control? This guy has none and doesn’t care. If you can’t give him what he wants (as he says on the apropos “I Want It Now”), then he’ll go find it. Peace! It seems as if maybe there was a possibility for a relationship at one time (“SuckHer4U”), but he just couldn’t commit to anything more than casual. “Jack Shack” tells of a ride down to a “Gentleman’s Spa” where no (sleazy truck driver) knows your name. I must say, this is one of the best stories I’ve ever heard. The lyrics aren’t genius or intricate in any regard, but the narrative comes across very clearly. The music is incredibly lo-fi garage pop (similar to Nobunny circa Love Visions). It makes you think, too. Is this your average single guy with a job or an unemployed psychopath who has never had any women in his life?

Grade: A- (93)

CD Review: The Age of Adz [2010]

Band: Sufjan Stevens
Release: 10/2010
Label: Asthmatic Kitty

1. “Futile Devices” – B
2. “Too Much” – C
3. “Age of Adz” – C+
4. “I Walked” – B
5. “Now That I’m Older” – B+
6. “Get Real Get Right” – B-
7. “Bad Communication” – C
8. “Vesuvius” – C+
9. “All For Myself” – B-
10. “I Want To Be Well” – C
11. “Impossible Soul” – B

Comments: S.S has made a return to show business…as the band Phoenix. Not quite, but as you may or may not know, this is an electronically driven piece of work. A bit like when Peter Bjorn and John went electronic…except that actually worked rather well. Sufjan is still pretty much Sufjan of old. He sort of “wow”-ed me with Illinois — not going to lie — though I’d never consider myself particularly fond of his work, holistically. You either have to stick orchestral or go full electronic. None of this half and half BS is acceptable in my eyes. Sufjan thinks since he’s Sufjan he can do whatever he wants. He’s not Radiohead. Some of these tunes are decent throw-away listens. That’s a depressing thing to say given the current music culture, but it’s true. I mean, I have a pretty short listening span so these 4+ minute tunes aren’t ever going to cut it. Even the shorties are just little one timers. Twenty-five minute songs aren’t acceptable…ever.

Grade: B- (80)

CD Review: Rock and Roll [2010]

Band: Woozy Viper
Release: 2010
Label: ?

1. “You Can’t Find Me” – A
2. “Dinner And A Movie”- B
3. “Dirty” – B+
4. “Party Town U.S.A.” – B
5. “It’s Such A Drag” – B+
6. “I Want To Strangle You” – B+
7. “She’s Mine” – B+
8. “Black Is The New Black” – A-
9. “Real Good Time” – A-
10. “Dislocated Shoulder” – A

Comments: Good stuff. To me, it’s rather run of the mill rock and roll (appropriate title) that plays like your (above) average power-pop/garage rock revue. Not too much on here blows my mind, but there are a lot of fun listens to be had. I’ve read about Black Lips comparisons and that’s simply not appropriate or fair. These guys are more Nobunny than Lips. Lyrically and musically.

Grade: B+ (88)