Category Archives: CD Review

Talking and Whiny Voices: Worst Album Ever Made


Artist: The Moldy Peaches
Title: The Moldy Peaches
Label: Rough Trade
Year: 2001
Length: 44 minutes

Just to clear things up, the title is an “attention grabber,” and in fact I loved the album, that was actually my mom’s opinion of the record lol. Anyway…

1) Lucky Number Nine- 9.4- Solid opener, in many ways sets the tone for the rest of the album: minimal, soft, child like vocals, off beat lyrics, garagey, low-fi production. Vocals. Guitar. Drums. Simple

2) Jorge Reugla- 9.0- Funny little ditty (Yeah, I think I’ll stick with this spelling over “diddy”). Vocals are mostly spoken and Adam Green sings one line, then Kimya Dawson repeats it and so on. Then they both sing doo dit doo dit doo… There’s even a tuba thrown in there… I think lol.

3) What Went Wrong- 9.3- This track is noisy and fuzzy and just downright wacky, but it works. It’s mostly screaming and shouting, “Take Me to Your Leader.”

4) Nothing Came Out- 9.7- Maybe the album’s best track, not sure yet. A Complete departure from the previous track and really the other two tracks as well. This reminds me of Kimya’s solo work, but with drums and better guitars. Her vocals are really top notch though. It’s a slow, ballady, love song about our heroine’s desire to be with her man and ride bikes and watch cartoons with him.

5) Downloading Porn with Davo- 9.6- Hilarious song, perhaps the most licentious tune in the Peaches’ catalog. Adam and Kimya and (I believe others?) rock on their guitars, drums and keyboards, creating a fast, funny track.

6) These Burgers- 9.1- Weird track, to say the least. Soft spoken singing about wild hipsters and the “happy pill.” I really dig the 70s kung fu sound, I don’t know what that is, but I like it.

7) Steak For Chicken- 9.5- Another ballady kinda song. Sorta.The dynamic duo share great vocals duties on this track. I especially adore the line, “Who mistook the steak for chicken, who am I going to stick my dick in.”

8) On Top- 9.3- A really unexpected catchy, rap number. Play that funky music white moldy peach boy!

9) Greyhound Bus- 9.0- A simple song about the joy of riding a greyhound bus. Not much else I really have to offer here.

10) Anyone Else But You- 9.7- Ahh yes, we’ve all heard the Juno induced, love ballad by now. Indeed, it is a classic and certainly has exposed the Peaches to the rest of the world and still has not lost its integrity. The pair’s vocals perfectly complement each other as they usually do. It’s an adorable song!

11) Little Bunny Foo Foo- 9.3- Short, but sweet. Highly catchy and inspiring with it’s unpolished production style. And of course, it gives me a chuckle… makes me want to toss on my bunny suit, cause when I wear it I feel cute! I just had to say it.

12) Ballad of Helenkeller & Rip Van Winkle- 9.2- Yet, another ballad. It’s very good and similar to the previous ballads. I know if Helenkeller was alive and had the ability to hear, then she would dig it and dance to it at her Commie get togethers.

13) Who’s Got the Crack- 9.6- Definitely, one of the Peaches’ strongest tracks. Just a great, off colour, bizarre, hooky number. I really dig how the song starts off slow then erupts into a mini rocker, then slows down a little again, then back to rocking, and back and forth with bunch of shouted vocals. Perhaps they found the person with crack.

14) Lucky Charms- 8.9- Not a bad track, but it doesn’t bring that much to the table for me. Still decent and I dig the little, incredibly modest drums in the background. Lyrically, it is pretty funny, like most of their songs, I must admit.

15) D.2 Boyfriend- 9.0- A strange number about boyfriends, Duran Duran, and middle school lol. Just Kimya here on vocals and they remind me of the lady’s voice on those Garment District commercials. Anybody else hear this, if you remember those ads, since I haven’t seen them in a while? lol. The percussion is just simple tapping. It works.

16) I Forgot- 8.8- See 14 basically. Though, I will add, I like how they don’t care about their vocals here and just fuck around. I also dig the weird noises at the end.

17) Lazy Confessions- 8.7- Lower “quality” production for some reason, but in a way it gives the track, its own feel, so I guess it’s a good thing. Overall, it doesn’t stand out though, but it’s a good song.

18) NYC’s Like a Graveyard- 9.4- Fun Fact: This album was released on 9/11/01, so coincidentally this title is kind of creepy. Anyway, I dig the garage rock guitars and overall sound. The vocals are of the punk variety, in a way. It’s a rocker and once again the lyrics make you smile; suckers, fuckers, and retards. I haven’t been to NYC, so I’ll take their word for it.

19) Goodbye Song- 9.0- A good closer, nothing too epic, but it does the job. Very soft and as usual great duet between Adam and Kimya. But, this time it’s unique because Adam is singing some lyrics and Kimya is simultaneously singing entirely different words. Goodbye!

Overall: A, Most music fans will write this group and this album off as amateurish, talentless noise of low quality,but to me quality means passion, integrity, and creating memorable songs; The Moldy Peaches satisfy all of these desires with the highest of “quality.”

Chris

Classic CD Reviews: KK + His Shrines

Title:  Three Hairs And You’re Mine
Release: 2001
Label: Voodoo Rhythm

1. “Three Hairs and You’re  Mine” – A
2. “Kukamonga Boogaloo” – A
3. “Don’t Walk Away Mad” – A
4. “Fool Like Me” – A+
5. “Saba Lou” – A
6. “King of the Jungle” – A+
7. “Live Fast Die Strong” – A+
8. “Que Lindo Sueno” – A
9. “Tell Me” – A
10. “Cracking Up” – A+
11. “The Mashed Potato Itch” – A+
12. “Shivers Down My Spine” – A

Comments: This is a sneak peek into what the Supreme Genius was up to when the Shrines was just an infantile big band. At least on record, these guys sound like a seasoned band, not a two year old independent outfit on a no-name label. The energy is off the chart, which is to be expected from Khan. At the time of this release he was just in his early twenties; pretty quickly after performing in a prolifically “frenetic” Canadian punk outfit called Spaceshits. On this record, Khan adds a mere teaspoon of garage punk to a clan of foreign soul/blues obsessed foreigners. This album consists of a number of tracks that later appeared on the Vice Records released greatest hits collection: most of  “Side B” and “Fool Like Me,” a poised love song ditty. “Saba Lou” is interesting. That’s because Khan has a daughter named “Saba Lou,” but was she even in born at the time of recording? I wouldn’t necessarily call this release a thing of absolute beauty (it’s close), but it’s definitely typical Shrines. Rock ‘n soul. You’ll be smiling for days after listening to this. It does serve as a decent confidence booster and a slight euphoric enhancer.

Grade: A (95)

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Title: Mr. Supernatural
Release: 2004
Label: Hazelwood Records

1. “On The Street Where I Live” – B+
2. “Mr. Supernatural” – B+
3. “Destroyer” – A-
4. “On A Brass Bed (In Paradise) – B+
5. “Pickin’ Up The Trash” – A-
6. “Stone Soup” – B+
7. “Lovesick” – B+
8. “Train No 8” – B
9. “Chatter” – N/A
10. “I Don’t Have To Tell You”  – A-
11. “Shattered” – B-
12. “Burnin’ Inside” – A+

Comments: Initially, this record is a bit of a forced effort it seems. It seems like the band’s crazy experimental factor has been reduced and the music has returned more to its roots. It’s still fun, don’t get me wrong. Even a “great hit” like “Destroyer” is a lackluster (compared to other magnificent songs) until the groovy as heck interlude “GOOD BAD UGLY…DESTROYER!” So in this respect, it’s noticeably weaker (but chiller, if that’s your thing) than probably every other KK + Shrines released. The innate catchiness just isn’t there. It’s more like a soul aficionados’ wet dream.

Final Grade: B+ (88)

CD Review: Odd Blood (2010)

Band: Yeasayer
Release: 2010
Label: Secretly Canadian

1. “The Children” – C-
2. “Ambling Alp” – A+
3. “Madder Red” – B+
4. “I Remember” – B
5. “ONE” – A-
6. “Love Me Girl” – C-
7. “Rome” – C
8. “Strange Reunions” – C+
9. “Mondegreen” – C+
10. “Grizelda” – B+

Comments: Sometimes robotic electronic noises can be annoying. That’s the case on the first song. It’s a stark contrast from the upbeat positively spun “Ambling Alp,” which is undeniably an instant classic, albeit a little cheesy. “Stick up for yourself, son” really Yeasayer, really? Whatever man. I really dig the pseudo neo-soul that begins “And those thunder clouds…” It reminds me of OutKast. I’m a bit unfazed with the next tune. There are some sweets licks and catchy sequences, but it starts out a bit slow. “I Remember” has a good beat. “ONE” is wanna-be Peter Bjorn and John Living Thing (meets Julian Casablancas) material, except a bit more psychedelic and outer worldly. I don’t hate it. What’s up with the Justin Timberlake-esque stuff on “Love Me Girl.” It’s got the title and chops to fit on a JT collection. It takes guts to name a song after a great song by Phoenix (Rome). Especially when your version is many times worse than the original.

Grade: B- (81)

Classic CD Review: Hind Hind Legs

Band: Lovely Feathers
Label: Equator
Release: 2006

1. “Pope John Paul” – A+
2. “In the Valley” – A+
3.  “I Really Like You” – A
4. “Frantic” – A+
5. “Wrong Choice” – A+
6. “Mildly Decorated” – A+
7. “Photocorners” – A+
8. “The Only Appalachian” – A
9. “Ooh You Shocked Me” – A
10. “E Man Sorrow” – A+
11. “Rod Stewart” – A++
12.  “Breakfast Cake” – A+
13. “Lion Eats The Wildebeest” – A+

Comments: Talk about a fun album! Lovely Feathers are overflowing with energy and power-pop charisma. It’s sort of synth-pop meets straight up garage-pop. A fun combination! Although it looks like I am worshiping this album or what have you, I am not. It’s damn good, though. If I was doing a normal review for this, it’d probably end up as a best album of the year candidate, not to mention one of the best albums of the decade. There is nothing epic about this one. What you hear is what you get. Fast, quirky, pseudo-dance numbers. “Rod Stewart” sort of exemplifies the spirit of this album. Heavy and catchy. Unfortunately, haters might decline to take this album seriously. That’s unfortunate for them, because sometimes sappy is much needed in music. Most of the tracks on here are multi-layered. So inevitably some parts are catchier and better than others. But I tell you that the catchy parts are really really really catchy.

Final Grade: 96 (A)

Classic CD Review: The Libertines

Band: The Libertines
Release: 2004
Label: Rough Trade

1. “Can’t Stand Me Now” – A+
2. “Last Post on the Bugle” – B+
3. “Don’t Be Shy” – B
4. “The Man Who Would Be King” – A-
5. “Music When The Lights Go Out” – A-
6. “Narcissist” – A
7. “The Ha Ha Wall” – B
8. “Albeit Macht Frei” – B+
9. “Campaign of Hate” – B-
10. “What Katie Did Next” – A
11. “Tomblands” – A
12. “The Saga” – B
13. “Read to Ruin” – A
14. “What Became of the Likely Lads” – A+

Comments: Our band could be your life. For a short period of time, this band was my life. Well, not quite, but I regarded them as my favorite of all time. “Can’t Stand Me Now” was quite the anthem for me, with just enough post-punk and garage pizazz. Sidenote: I’d love to see this band live and it just might be possible. At least a few credible sources have it that the ‘Tines will fully re-unite for the first time in six years in 2010. This record isn’t the band’s best because, principally, it lacks flow and direction. There are some real gems to be found, but a good chunk of these tunes aren’t really memorable. For Pete’s sake (pun intended), Grace/Wastelands kicks this album’s ass. Speaking of album closers and such, “What Became”  is among my favorites. It’s arguably the best song on here.

Final Grade: A- (90)

Classic CD Review: Funeral

Band: Arcade Fire
Release: 2004
Label: Merge

1. “Neighborhood  #1 (Tunnels)” – A+
2. “Neighborhood #2 (Laika) – A+
3. “Une Annee Sans Lumiere” – A-
4. “Neighborhood #3 (Power Out)” – A-
5. “Neighborhood #4 (7 Kettles)” – A
6. “Crown of Love” – A+
7. “Wake Up” – A+
8. “Haiti” – A++
9. “Rebellion (Lies)” – A++
10. “In the Backseat” – A

Comments: As the good man Matt alluded to a few posts back , this is truly a beautiful record. It does have tear-jerking attributes as well as uplifting pump-your-fists kind of moments. There isn’t much to critique, though I’d opine that some tracks definitely have more of an epic factor than others. Take “Crown of Love,” for instance. I don’t know whether to feel happy or sad. It’s like one of those feelings you get when you feel like you are going to pull through, yet you still feel a shitload of remorse. I guess that’s the best quality of this album: you can connect with it in a plethora of ways. I’m not good at interpreting songs from a lyrical point of view (at least the first time around), so I can’t comment too much on what’s actually going on during these ditties. It’s something amazing, though. Don’t know about your thoughts, but the transition from “Crown” to “Wake Up” is fucking incredible. You know the little old school jitter-and-jive on “Wake Up” gets me every time. It’s so random, yet so fitting. I’m going to wager “Haiti” to be my favorite song on here. It’s just about perfect. Not quite there, but just about. Ask your average AF fan, and they’ll probably say “Rebellion” is their flava-fave and it’s damn great, don’t get me wrong. In fact, it’s probably the most epic song of all time. Or something like that.

Final Grade: A (96)

CD Review: Sisterworld (2010)

Band: Liars
Release: 2010
Label: Mute

1. “Scissor” – C
2. “No Barrier Fun” – D+
3. “Here Comes All The People” – C
4. “Drip” – D+
5. “Scarecrows On A Killer Slant” – B-
6. “I Still Can See An Outside World” – C+
7. “Proud Evolution” – B
8. “Drop Dead” – B-
9. “The Overachievers” – B+
10. “Goodnight Everything” – C
11. “Too Much, Too Much” – B-

Comments: Based on what I’ve read about Liars, I was expecting something along the lines of No Age on this album. I hate the term “alternative rock,” but does this boil down to anything other than that? It’s the kind of freaky experimental rock that wouldn’t disappoint metal-heads or hard-rockers who appreciate sub-mainstream modern roll. I have more fun listening to Lady Gaga than this! But wait! After four miserable tunes, things brighten up for these folk who now call Berlin there home. They change-up their style from straight up eclectic to pop-eclectic (art rock). “Scarecrows” is a kind of ode to the noise-surf of Wavves. It still blows (a little bit), but it’s a very nice departure. “I Still” is the equivalent of aVeckatimest B-Side until some fuzzy noise enters. I can definitely see bitchfuck media raving about this album in the same way they did Veckatimest, perhaps hailing it as some major breakthrough experimental crossover in “chill-wave” or whatever the kids are going to call it in 20-10s since “chill-wave”  is soooo 2009. “Proud Evolution” is Liars’ best attempt at duplicating The Verve’s sound. It’s a corny repetitive ditty that is admittedly somewhat catchy thanks to it’s rock solid beat. You can only be so artsy before becoming too corny. I’ll give them props on “The Overachievers.” That’s a really catchy one. For freaks sake, they should just cut to the chase and open up with noise. Quit messing around!

Final Grade: C (76)

Matt’s Top Albums from 2000-09

These are some of the my favorite and in my opinion some of the best albums of the first decade in the 21st Century.

5. 19-Adele. This was one of my personal favorites from an amazingly talented girl. The album has everything heart felt ballads galore (Daydreamer, Hometown Glory, First Love among others) giant swelling songs (Chasing Pavements, Right As Rain, Tired) and even a dance track (Cold Shoulder). Written about Adele’s experience leaving her home in London and experience with love, 19 proved to be one of my favorite records of the decade.

Pretty, pretty, pretty good.

4. Funeral-Arcade Fire. The debut from one of the leading bands in indie rock. Funeral, which was named after several of the bandmate’ss relatives passed away, like 19 just has it all. It has your soft personal acoustic (Crown Of Love, Neighbor Hood 4 [7 Kettles], In The Backseat) your thunderous rock songs (Wake Up, Rebellion[Lies], Neighborhood #3[Power Out]) and yet again even kind of a dance track (Neighborhood #1 [Tunnels]). I credit this as the only record to ever make me close to really crying my eyes out. Phenomenal record. Should be in everyone’s collection.

3. The White Stripes-Elephant. Wow. All I can say about this record. What really made this stand out to me was its lack of true production. Jack had this recorded all on tapes and he spliced the tapes together. Some of my favorite songs are Seven Nation Army, Ball And Biscuit, There’s No Home For You Here, Little Acorns and You’ve Got Her In Your Pocket. An amazing outing from arguably my favorite band.

2. Radiohead-In Rainbows. What is a top ten list without Radiohead. And this record in particular is the one that really made me take notice of Radiohead. An album that makes an artist wait to put out the next record so the one before won’t overshadow it is something special. With some of the best production, arrangements and lyrics my old ears have ever heard, In Rainbows is a record not to be fucked with.

1. Radiohead-Kid A. I am speechless when it comes to this record. It’s such a… special record. Defining Radiohead’s sound most likely for the next few records and defining us as people, its just scary good. I frown on anyone who thinks they can do better. I don’t want to say anymore because my words can’t praise it enough

.

Classic CD Reviews: BLACK LIPS



LP Name:
Black Lips!
Release: 2003
Label: Bomp!

1. “Throw It Away” – A+
2. “Freakout” – A+
3. “Ain’t No Deal” – A
4. “Stone Cold” – B
5. “I’ve Got a Knife” – B+
6. “Down and Out” – B+
7.  “Steps” – B-
8. “Fad” – A+
9. “Sweet Kin” – B+
10. “Crazy Girl” – A
11. “Everybody Loves A Cocksucker” – A
12. “Cant Get Me Down” – B-
13. “You’re Dumb” – A-

Fun Facts:
– Recorded 100% in Georgia from 2000 to 2002!
– Cover art by Bradford Cox
– Guitar/noise specialist Ben Ederbaugh died before this was released.

Comments: This is truly a special record that will be forever admired by Black Lips purists. During the band’s beginning years, they relied almost exclusively on a lo fi-punk sound heavily influenced by early garage and country rock outfits. In many ways, Black Lips were much different in the old days. Their music was more cut-to-the-chase like-it-or-you-don’t. Their last two records (’07 and ’09) were put out by Vice, a much larger/notorious corporation than say In the Red or Bomp!. Arguably, their sound has become increasingly fine-tuned and more ready for the masses than ever before. Getting back to this record, more than few songs aren’t garage poppers. You might think “damn, this is draggy OR when does this get good?’ Black Lips don’t care what you think, though. They just shat tracks out of their musical ass (seemingly) and put them on this record. Whatever the excretion system did to them worked, with very few exceptions.

Grade: A- (90)

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LP Title:
We Did Not Know The Forest Spirit Made The Flowers Grow
Release: 2004
Label: Bomp!

1. “MIA” – A+
2. “Time of the Scab” – A+
3. “Dawn of the Age of Tomorrow” – B+
4. “Nothing At All” – A+
5. “100 New Fears” – A-
6. “Stranger” – A+
7. “Juvenile” – A+
8. “Notown Blues” – A+
9. “Ghetto Cross” – A+
10. “Jumpin Around” – B
11. “Super X-13” – B+
12. “Hope Jazz” – B+

Comments: Great to watch a band  grow, isn’t it? This time around Black Lips were actually able to accomplish more in terms of  catchy songwriting while maintaining that lo-fi fuzzy sound that got everybody going on their debut. Even something as completely out of left field (at the time) as the organ-infested “100 New Fears” ends up fitting in well and introduces us to the genius of Joe Bradley. “Stranger” is probably the most crazy yet instantly fun-loving track on here. “Juvenile” continues that vibe. What I really love a great deal about this album, too, is how well the guitar and lead guitars complement each other. For songs like “Jumpin” and “Super,” I wish they were cleaned up only a teeny weeny bit. They have (had?) so much potential.

Grade: A- (93)

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LP Title: Let It Bloom
Release: 2005
Label: In The Red Records

1. “Sea of Blasphemy” – A
2. “Can’t Dance” – A+
3. “Boomerang” – A+
4. “Hippie Hippie Hoorah” – A+
5. “Not A Problem” – A+
6. “Gung Ho” – B+
7. “Everybody Doing It” – A
8. “Feeling Gay” – B
9. “Boone” – A
10. “Gentle Violence” – A
11. “She’s Gone” – A-
12. “Fairy Stories” – A+
13. “Dirty Hands” – A+
14. “Workin” – B+
15. “Punk Slime” – A
16. “Empassant” – A-

Comments: It’s fun to listen to this record because it’s coated with tunes that are excessively lo-fi. Keep in mind how I said that some songs on We Did Not needed some cleaning up to reach their potential. Same deal here pretty much! In some cases, it’s more sad than others. Soon we find out that they do get purified albeit in a live setting two years later. The most pure song on here is  “Dirty Hands,” perhaps by a long-shot.

Grade: A- (93)

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LP Title:
Good Bad Not Evil
Release: 2007
Label: Vice Records

1. “I Saw A Ghost (Lean)” – A+
2. “O Katrina!” – A+
3. “Veni Vidi Vici” – A
4. “It Feels Alright” – A+
5. “Navajo” – A+
6. “Lock and Key” – A+
7. “How Do You Tell” – A
8. “Bad Kids” – A+
9. “Step Right Up” – A
10. “Cold Hands” – A+
11. “Off The Block” – A+
12. “Slime and Oxygen” – B+
13. “Transcendental Light” – A

Comments:The first really really really really awesome through-and-through Black Lips LP.

Grade: A (95)

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LP Title: Los Valienteles Del Mundo Nuevo
Release: 2007
Label: Vice Records

1. “M.I.A.” – A+
2. “Boomerang” – A+
3. “Sea of Blasphemy” – A+
4. “Stranger” – A+
5. “Not A Problem” – A+
6. “Hippie, Hippie, Hoorah” – A+
7. “Boone” – A+
8. “Everybody’s Doing It” – A+
9. “Fairy Stories” – A+
10. “Dirty Hands” – A+
11. “Buried Alive” – A+
12. “Juvenile” – A+

Comments: Yup, that’s right. This is my probably my favorite record of all-time. Flaws? Try pointing them out to me. Every song on here is amazing.

Grade: A+ (100)