All posts by G. Gordon Gritty

CD Review: Halcyon Digest [2010]

Band: Deerhunter
Release: 9/2010
Label: 4AD

1. “Earthquake” – B-
2. “Don’t Cry” – A
3. “Revival” – A
4. “Sailing” – A
5. “Memory Boy” – A_
6. “Desire Lines” – A
7. “Basement Scene” – A-
8. “Helicopter” – A-
9. “Fountain Stairs” – A-
10. “Coronado” – A
11. “He Would Have Laughed” – A+

Comments: Deerhunter is another one of those bands whose releases I greatly anticipate. Last year’s EP Rainwater Cassette Exchange tickled my fancy, as I gave it about as high of a grade as anything else I heard. I anticipated that I’d be doing the same with this LP. Not the case. There are some cuts that seem like leftovers from Rainwater: the jungle-jangle “Revival,” coincidentally the best song on here, the upbeat saxophone-included ditty “Coronado,”and “Don’t Cry,” an engaging encounter with a youngster who’s in a difficult situation similar to the one that Bradford was in at the same age. Though, more likely, it might just be adult Bradford talking to child Bradford. Next topic: atmospheric songs. These are quintessential to Deerhunter’s discography and probably always will be. Atmosphere + singing is a little bit better than plain old instrumental, but I’m a proponent in the belief that a band can do without these. The folk-tinged “Memory Boy” delves into some thought provoking issues. “Is there anyone who wants to see the sun go down, down, down, down, down, down, down?!” “Desire Lines” has Lockett Pundt and crew taking a stab via vocals, dominant bass lines, arpeggios, and consistent drum beats at the sound of ’90s alternative. “Basement Scene” is reminiscent of ’50s and ’60s Buddy Holly/girl group material with, of course, a decent amount of psychedelia thrown in the stew. “Helicopter” is refreshing and, for lack of a better word, chill. The Jay Reatard dedicated “He Would Have Left” is a similarly chill exposition that holds up well over its near 8 minute length. In conclusion, this record deserves a spot among Deerhunter’s best. It might not contain several game-changing songs that Microcastle or Rainwater possessed, but it does come close.

Grade: A- (92)

Band Recommendation: Red Mass

Red Mass is a group of musicians who fit in the general category of a band. They’re on the psychedelic/experimental side of rock and roll AND will be opening for King Khan and the Shrines at select shows! Among those select shows is the Royale Boston one that we’ll be attending. Ahh, the excitement! Well, anyway, I like what I hear and thought I’d share them with all of you guys. You know, move them to the next level of recognition.

“Male Models” – Haha! This one is funny. They sound like they’ve been at this since the ’80s. The style is dance-rock, but it’s eclectic and nearly parodies mainstream ’80s rock while still maintaining an edge that none of the shitty bands ever had at that time.

CD Review: Crush [2010]

Band: Abe Vigoda
Release: 9/2010
Label: Post Present Medium

1. “Sequins” – B+
2. “Dreams of My Life (Chasing After You)” – B
3. “Throwing Shade” – B
4. “Crush” – B+
5. “November” – B
6. “Pure Violence” – B
7. “Repeating Angel” – C+
8. “To Tears” – B
9. “Beverly Slope” – B
10. “We Have to Mask” – C+

Comments: Ha ha! What funny guys Abe Vigoda are. Well, funny…sort of. They’ve all but ditched their lo-fi “tropical” punk aesthetic for something more…hi-fi and softer.  This record sounds a bit like a Bloc Party record in that it combines traditional post-punk revival tendencies with synth/electro pop. It’s a wimpy showcase that is momentarily fun, but rather stale. I sense they had a hard time parting with their earliest asset: tropicalismo. There are some slight elements of that genre present on this record like on “Pure Violence” in the form of reverb-drenched guitar riffs (a la Real Estate and the like). The band gets all Arcade Fire Suburbs on “To Tears.” I might even have to call this out as “chillwave.” Gross. I guess if you plan on falling asleep in the middle of listening to this then it’s all right.

Grade: B- (83)

Classic Review: Stanley Road [1995]

Artist: Paul Weller
Label: Go! Discs

1. “The Changingman” – A
2. “Porcelain Gods” – A-
3. “I Walk On Gilded Splinters” – B+
4. “You Do Something To Me” – A+
5. “Woodcutter’s Son” – B+
6. “Time Passes” – B+
7. “Stanley Road” – B+
8. “Broken Stones” – B
9. “Out of the Sinking” – A-
10. “Pink on White Walls” – B+
11. “Whirlpool’s End” – A+
12. “Wings of Speed”- A+

Comments: I consider this the Modfahjah’s serious, yet bittersweet phase. I’ve been listening to these songs on a fairly irregular basis since about the year 2000. Collectively, they’ve never struck me as worthwhile listens… up until very recently. After seeing Weller in a live setting, I realized that the guy isn’t that bad! No, no, even more shockingly…he’s good! Of course, the sound he’s maintained over his solo career is in a faraway land from punk rock or “mod” rock…whatever that was. On this release in particular, Weller is pretty much down for anything. An extended guitar solo here and there, a soft piano-rock unrequited love ballad, an inspirational oldies power-pop number, country sounding tunes, and other goodies. Even the songs that aren’t “great” tend to flow real well with this album as a whole. The core of this album is in “You Do Something to Me,” Weller’s solo magnum opus “Whirlpool’s End,” and, of course, the gospel piano track “Wings of Speed.” I remember listening to “Wings” when I was a wee lad. I hadn’t heard anything like it. Its gospel swagger (which was something I never would have termed it years ago) was captivating. I think I downloaded it on Napster or Kazaa. That’s how much impact it had on me. It’s still such a touching ditty.

Grade: A- (90)