All posts by Chris DeCarlo

Concert Review: Harlem, Tulsa, Girlfriends, DJ Carbo @ Great Scott (4/25/10)

Artists: Harlem, Tulsa, Girfriends, DJ Carbo
Location: Great Scott, Allston, MA (not Austin, Texas as my French Professuer thought I said lol)
Date: Sunday, April 25, 2010

Act I: Girlfriends: For starters, they were a notable opening band, a treat I as a fairly common concertgoer am not always acustom to. The songs were modestly catchy, meaing they didn’t hit you a la Box Elders, but they had an inviting aura, which kept me paying attention and possibly will make me check out their music further, a rare feat for opening acts, for me at least. The guitartist displayed some sweet showmanship: playing guitar with his teeth and behind his back. As a whole they rocked out and delivered a rather energetic performance.

Glen: Girlfriends are pretty special. About two or three songs deep into their set, I became convinced that they are awesome. Their flavor of power-pop/garage rock/punk was simply catchy and fun. It was nice to see the guitarist/vocalist rock out and play with a kind of passion that seems to be lacking from most openers. If I was forced to compare them to some bands I’d go with Blue Album era Weezer and The Ponys. They have a shit ton of local and national dates booked up through August. If you like this kind of music, do some reading up, yo.

Act II: Tulsa – I don’t have much to say here. About two songs in, I was mentally through with them. I just couldn’t wait for the singer to say, “this is our last one tonight.” They’re talented musicians and all, but their songs don’t come through to me. It’s more of a case of individal parts, rather than a sum. It’s the sum that matters to my ears. That’s what makes a memorable band. In other words, they bored me.

Glen: Tulsa, guys. You had me going for a little while. A little while! It’s kind of hard to describe your sound; all I know is that I was feeling all fast-paced and shit until you came on. Buzzkill, kind of. Listening to you after the fact (aka right now on MySpace), I actually dig y’all. That said, your set was draggy and maybe you shouldn’t have played that extra fan request at the end. Just saying. Random pairing I guess?

Act III: Harlem: I can see why they named their album Hippies. Looking and behaving like mellow, “yeah dude,” hippies, really enthusiastic to put on a show. They must have taken giggle juice before the show, because they were lit up with laughter and smirks, snickering the entire performance. It was amusing as a crowd member. Their joy came through in their energetic, astonishingly fast (not of the Jay variety, but pretty damn quick) performance. Unfortunately this energy didn’t seap into the audience, whom were really boring fucks! I mean I was rocking out and pogoing and what have you, and a few others were too, but most just stood and stared. Alas, the trio didn’t seem as into the show as one may have hoped and their set was under 30 minutes, if I’m not mistaken. I appreciated their humor about the situation. They constantly amused themselves and the audience with their lighthearted demeanor. I really dug the way the members switched back and forth from drums to guitar, something I rarely see live unless it’s just for fun, which of course all of this is, but these dudes were playing some of their best material, not just random strummings lol. In mellow, hippie fashion, they asked each other on stage which songs they would play, without having a big Congressional hearing about it either. So, one could find humor in it, without getting impatient with the artists. I must say they have a great pop sensability and I hear a lot of the Kinks in their music. Maybe it’s just me… Most of their songs sound the same or very similar and I DO NOT mean that in mean manner lol. It’s a great sound and it works like a charm. If it was AC/DC’s sound I can only deal with that for a few tunes, but not Harlem, it works everytime for me. In other senses, their numbers are not all the “same,” but I really dig that big ass drum beat, the jangely, garagey guitars, and the poppy, sing along vocals. But, I digress… Anyway, they played many of my favorites from their recent LP: “Friendly Ghost,” “Be Your Baby,” “Gay Human Bones,” “Torture,” and others. FG and GHB were wise openers and closers, respectively. I wish they played other Hippies tracks like “Poolside” and “Pissed,” but what are you going to do? My other complaint was the length. I expected them to play wayyyy longer, oh well, if the crowd was more engaging than perhaps we would have seen/heard more jams. They came back for what I call a “reluctanct encore” and then goodnight.

Glen: So it’s pretty known. Hippies is currently the best long-player (out of about fifty) I’ve heard in the Year 2010 and that’s that. You probably know Harlem’s deal: they got a huge ass bass drum leftover from the Middle Ages AND Michael Coomers and Curtis O’Mara alternate between drums and guitar. That’s that. It was a pleasurable concert experience for me having them bang out ditties in Jay Reatard 25 minute fashion. I also noticed that most songs were way more sped up live than on record like the opener “Friendly Ghost.” “Beautiful and Very Smart” was touching, as was the encore “Caroline” — both of these off the band’s 2008 LP goodie Free Drugs;-)

Set Included (no particular order, save the first one):
1. “Friendly Ghost”
2. “Torture”
3. “Number One”
4. “Be Your Baby”
5. “Gay Human Bones”
6. “Tila And I”
7. “South of France”
8. “Caroline”
9. “Beautiful and Very Smart”
10. “Someday Soon”

Final Grade:
Chris: (B+)- I enjoyed myself and was stunned at how great Harlem sounded, but I just needed more! Overall, a good show.
Glen: (A-)  —–> A great show, but I wouldn’t say a top one.

Chris and Glen

Chris On…

The “Fall of the Roman Empire.”: I saw one documentary on the history of Rock and Roll in which Pete Townshend was asked about the music of the 70s and he commented that it was the “Fall of the Roman Empire.” My interpretation is that he was saying that Rock and Roll was the equivalent of the Roman Empire in its own way and that by the 70s it had completely plummeted. It began in the 50s as rebellious, black music with strong black roots that crossed over into white america and broke down the color barrier, to an extent. It was something that belonged to kids and not their parents. This continued in the 60s as the music progressed and expanded, which I won’t get into here. Much of popular music matured, sonically and lyrically, with artists developing a social consciousness and often expressing such sentiments through their songs. I suppose one could point to Woodstock, being the pinacle of this era. The early 70s served simultaneously as the leftover of the 60s as well as the precursor for what would come next. By this time Rock was losing its soul, slowly becoming a big business game. Technically, it had corporate backing most of the time since it’s creation, but the word “corporate” began to come up in association with Rock music more and more. Cameron Crowe’s film, Almost Famous (2000) takes place in 1973 and nicely chronicles these final days of the orignal empire of Rock and Roll, as it was dying. Then it was recessitated via Punk and what have you, but that’s a whole other story…

More Chris ONs a comin….

Chris

Harlem H & E

Hopes: I hope this is one of the best shows I have ever seen. I witnes an extremely high energy performance in which they play mostly cuts from Hippies(because I haven’t heard their other LP lol), particularly “Friendly Ghost,” “Be Your Baby,” “Poolside,” “Pissed,” “Faces,” and others.

Expectations: It is a really good show, but not one of the best I have ever seen. They play most of the above numbers, but also several I am unfamiliar with from their first record or elsewhere.

Chris

Greatest Album Closers!

Since, most records I hear do not deliver Killer Klosers, this list is shorter than the openers list. Most artists close their albums with songs that aren’t epic enough, way too epic, drag on for too long, or are simply some weird thing at the end, more akin to a filler track. For me the best closers create a great feeling of conclusion, when you hear it you know it’s the final track; it sums up the mood of the record. The following do just that and then some!

1) Pink Floyd- Brain Damage- Eclipse- Darkside of the Moon (1973)

2) The Beatles- A Day In the Life- Sgt. Pepper (1967)

3) Deerhunter- Twilight At Carbon Lake- Microcastle (2008)

4) Bright Eyes- Road to Joy- I’m Wide Awake It’s Morning (2005)

5) Mark Sultan- Unicorn Rainbow Odyssey- The Sultanic Verses (2007)

6) Page France- Feather- Hello, Dear Wind (2005)

7) Rage Against the Machine- Freedom- Rage Against the Machine (1992)

8) The Doors The End- The Doors (1967)

9) Fugazi- KYEO- Steady Diet Of Nothing (1991)

10) Animal Collective- Derek- Strawberry Jam (2007)

11) Nirvana- All Apologies- In Utero (1993)

12) The Who- Won’t Get Fooled Again- Who’s Next (1971)

13) Pixies- Gouge Away- Doolittle (1989)

14) Jay Reatard- Waiting For Something- Blood Visions (2006)

15) Lost Sounds- Bombs Over M.O.M.- Lost Sounds (2004)

16) Arcade Fire- My Body Is A Cage- Neon Bible (2007)

17) Simon & Garfunkel- 7 O’Clock News/Silent Night- Parsley, Sage, Rosemary and Thyme (1966)

18) David Bowie- Rock and Roll Suicide- Ziggy Stardust (1972)

19) Beach Boys- Caroline, No- Pet Sounds (1966)

20) Weezer- Only In Dreams- Blue Album (1994)

21) Dead Kennedys- Stars and Stripes of Corruption- Frankenchrist (1985)

22) Ramones- Today Your Love, Tomorrow the World- Ramomes (1976)

23) Smashing Pumpkins- Farewell and Goodnight- Mellon Collie and Infinite Sadness (1995)

24) Box Elders- Death of Me- Alice and Friends (2009)

25) Sex Pistols- EMI- Nevermind the Bollocks (1977)

26) Elliott Smith- The Biggest Lie- Elliott Smith (1995)

27) System Of A Down- Soldier Side- Mezmerize/Hypnotize (2005)

28) Arctic Monkeys- A Certain Romance- Whatever People Say That I Am, That’s What I Am Not (2006)

29) Head Automatica- I Shot William H. Macy- Decadence (2004)

30) Slayer- Raining Blood- Reign In Blood (1986)

Chris

Greatest Album Openers!

Note: The following list is comprised of my favorite album openers and feel free to comment on your own. When I mean album, I mean full length, studio, LPs. In other words, no EPs, live recordings, single compilations or Greatest Hits. So, what constitutes greatest? Why do these stand out? Well, they have to be outstanding tracks, which goes without saying, but also they must set the tone for the rest of the album and for debut albums that artists’ music as a whole, message, attitude, etc. Greatest closers are coming next.

1) Pink Floyd- Speak to Me/Breathe- Darkside of the Moon (1973)

2) Rage Against the Machine- Bombtrack- Rage Against the Machine (1992)

3) Velvet Underground- Sunday Morning- The Velvet Underground and Nico (1967)

4) Ramones- Blitzkrieg Bop- Ramones (1976)

5) The Stooges- Search and Destroy- Raw Power (1973)

6) Sonic Youth- Teenage Riot- Daydream Nation (1988)

7) Animal Collective- Peacebone- Strawberry Jam (2007)

8) Against Me!- Pints of Guiness Make You Strong- Reinventing Axl Rose (2002)

9) Black Flag- Rise Above- Damaged (1981)

10) Bad Brains- Big Takeover- Rock For Light (1983)

11) Beach Boys- Wouldn’t It Be Nice- Pet Sounds (1966)

12) Who- Baba O’Riley- Who’s Next (1971)

13) Girls- Lust For Life- Album (2009)

14) Page France- Chariot- Hello, Dear Wind (2005)

15) King Khan & BBQ Show- Anala- Invisible Girl (2009)

16) Pixies- Debaser- Doolittle (1989)

17) Sex Pistols- Holiday In the Sun- Nevermind the Bollocks (1977)

18) N.W.A- Straight Outta Compton- Straight Outta Compton (1988)

19) GZA- Liquid Swords- Liquid Swords (1996)

20) Dinosaur Jr- Little Furry Things- You’re Living All Over Me (1987)

21) Metallica- Battery- Master of Puppets (1986)

22) Kimya Dawson- Tire Swing- Remember That I Love You (2006)

23) Radiohead- Airbag- OK Computer (1997)

24) Tool- Stinkfist- AEnema (1996)

25) Bright Eyes- At the Bottom of Everything- I’m Wide Awake It’s Morning (2005)

26) Jay Reatard- Blood Visions- Blood Visions (2006)

27) Black Lips- Sea of Blasphemy- Let It Bloom (2005)

28) The Doors- Break On Through- Doors (1967)

29) Frank Zappa and The Mothers of Invention- Hungry Freaks, Daddy (1966)

30) Nirvana- Serve the Servants- In Utero (1993)

31) Led Zeppelin- Good Times, Bad Times- Led Zeppelin (1969)

31) Jimi Hendrix- Purple Haze- Are You Experienced? (1967)

31) Beatles- Taxman- Revolver (1966)

32) Shellac- My Black Ass- At Action Park (1994)

33) Wu-Tang Clan- Brind Da Ruckus- Enter the Wu-Tang: 36 Chambers (1993)

34) Elliott Smith- Speed Trials- Either/Or (1997)

35) The Clash- London Calling- London Calling (1980)

36) The Nightwatchman- California’s Dark- One Man Revolution (2007)

37) Sly and the Family Stone- Stand!- Stand! (1969)

38) Glassjaw- Pretty Lush- Everything You Ever Wanted to Know About Silence (2000)

39) Mark Sultan- Beautiful Girl- The Sultanic Verses (2007)

40) Deftones- Feictera- White Pony (2000)

41) Slayer- Angel of Death- Reign In Blood (1986)

42) Weezer- My Name Is Jonas- The Blue Album (1994)

43) David Bowie- Five Years- Ziggy Stardust (1972)

44) Galaxie 500- Fourth of July- This Is Our Music (1990)

45) Nick Cave and the Bad Seeds- Mercy Seat- Tender Prey (1988)

46) Box Elders- Jackie Wood- Alice and Friends (2009)

47) Black Sabbath- War Pigs- Paranoid (1971)

48) Deerhunter- Cover Me (Slowly)- Microcastle (2008)

49) Harlem Soon- Someday Soon- Hippies (2009)

50) System Of A Down- Suite Pee- System Of A Down (1998)

… and some more!
Bob Dylan- Rainy Day Woman #12 and 35- Blonde On Blonde (1966)

Arctic Monkeys- The View From the Afternoon- Whatever People Say I Am That’s What I Am Not (2006)

Lost Sounds- There’s Nothing- Lost Sounds (2004)

Mabuses- Dark Star- Mabused (2007)

Smashing Pumpkins- Cherub Rock- Siamese Dream (1993)

Head Automatica- At the Speed of A Yellow Bullet- Decadence (2004)

Strange Boys- Woe Is You and Me- The Strange Boys and Girls Club (2009)

Those Darlins- Red Light Love- Those Darlins (2009)

Spacehsits- Can’t Fool With Me- Misbehavin’ (1998)

Chris