US Funds Colombian Deaths Over Drugs

In her new book, Blood & Capital: The Paramilitarization of Colombia, author Jasmin Hristov writes: “For roughly forty years, the Colombian state has been playing a double game: prohibiting the formation of paramilitary groups with one law and facilitating their existence with another; condemning their barbarities and at the same time assisting their operations; promising to bring perpetrators of crime to justice, while opening the door to perpetual immunity; convicting them of narco-trafficking, yet profiting from their drug deals; announcing to the world the government’s persecution of paramilitary organizations, even though in reality these ‘illegal armed groups’ have been carrying out the dirty work unseemly for a state that claims to be democratic and worthy of billions of dollars in US military aid.”

As the largest recipient of US military aid in the hemisphere, Colombia has long been the US’ most important ally in Latin America. Simultaneously, Colombia has also become the hemisphere’s worst human rights violator, with Colombia’s numerous paramilitary organizations recently taking center stage, as they’ve gradually become directly responsible for more human rights atrocities than the formal military and police. In the name of fighting “narco-terrorism,” poor people and dissidents are massacred, assassinated, tortured, and disappeared, among other atrocities—done to eliminate particular individuals and to “set an example” by intimidating others in the community. 97 percent of human rights abuses remain unpunished.

In recent years, a variety of human rights organizations, as well as mainstream academics and journalists have found it impossible to ignore the astronomical human rights violations. However, even though these groups have accurately reported on the actual atrocities, Jasmin Hristov argues that in their reports, the atrocities are largely de-contextualized from the powerful forces in Colombia and the US that directly benefit from this repression. According to Hristov, this mainstream presentation serves to mask the fact that US and Colombian elites directly support (via funding, training, supervising, and providing legal immunity for) state repression carried out by the police and military, as well as illegal paramilitary groups that are unofficially sanctioned by the government. Whether it is murdering labor organizers or displacing an indigenous community because a US corporation wants to drill for oil on their land, Hristov passionately asserts that death squad violence is purposefully directed towards sectors of society that stand in the way of the ruling class’ efforts to maintain economic dominance and acquire more resources to make even more profit.

In her book, Hristov does make a convincing argument that Colombia’s notorious death squads are inherently linked to maintenance of the country’s extreme economic inequality. Particularly since the neoliberal reforms of the 1990s that have increased poverty, Colombia’s poor continue to resist their oppression in many different ways. In response, state repression on a variety of levels is needed to terrorize unarmed social movements and other community groups and activists.

Throughout Blood & Capital, Hristov seeks to expose the rational motivations behind state violence for capitalism’s economic elites in the US and Colombia. In meticulous detail, Hristov shows how the super-rich benefit from state repression and how the violators of human rights have essentially become immune from any consequences for their actions. If death squads are truly to be abolished in Colombia, we must look honestly at how and why they exist today. Hristov’s new book is a powerful tool for exposing who truly calls the shots.

Neoliberalism or neopoverty?

Hristov asserts that “it is not a mere coincidence that during the era of accelerated neoliberal restructuring, the deterioration in the living conditions of the working majority has been accompanied by an increase in the capabilities and activities of military, police, and paramilitary groups, as well as the portrayal of social movements as forces that must be monitored, silenced, and eventually dismantled.”

I don’t know if it’s fair to blame this atrocity on neoliberal ideology. But surely this helps make the case against prohibiting drugs. You’re only creating crime instead of discouraging it.

Report: Xe Services Seen In Pakistan

(WMR) — The mercenary private security contractor once known as Blackwater and now called Xe Services LLC is being reported in the Pakistani press as being seen with “other suspicious foreigners” in Peshawar and other parts of Pakistan.

A little history: “private security contractor” is a euphemism for “Team America.” Blackwater is a private militant force that helped the US government fight its war in Iraq. They’re not government-owned but they still work alongside US troops and other allies. As for this latest development, so much for that “respecting Pakistan’s status as a sovereign nation” bull. Let’s get Osama and then get the Hell out of the Middle East!

Andy Murray Loses In Staggering Upset

And now, some tennis news!

Playing an oddly listless match while exhibiting the body language of a man undergoing a tax audit, No. 2 seed Andy Murray was battered by No. 16 Marin Cilic in a stunning 7-5, 6-2, 6-2 fourth-round loss on Tuesday that produced a rare men’s upset in the United States Open.

Perhaps more surprising than the result, though, was how it happened. Murray, who used to have a reputation for moping when things went poorly, had climbed to the top of the rankings on his ability to adjust mid-match and create ways to win. But in this match, Murray’s game disintegrated as Cilic, an up-and-coming 20-year-old from Croatia, plowed through the match without showing any emotion.

“It just got away from me,” Murray said. “I couldn’t get myself back in the match. I couldn’t find any way to get into the games and he was dominating the points.”

Murray had come into the tournament looking strong, having won one of the two hard-court warm-up tournaments — in Montreal with a victory over Juan Martin del Potro — and losing to No. 1 Roger Federer in the semifinals of the other in Cincinnati.

But his game had no bite and after Cilic overcame some errors early in the match, he turned all of his varied weapons on a mystified Murray.

The match started slowly, with errors on both sides until they reached 5-5 in the first set. There, Murray played a horrible service game, double-faulting to 0-40 and Cilic converted his first break. He then held off Murray’s attempt to break and grabbed the first set.

“I returned poorly and he served well,” Murray said. “That was really the difference. Once he got that first set, he hit the ball really well and started playing really aggressive.”

Murray visibly sagged after that swing of events and Cilic pounced on his growing vulnerability, breaking Murray in the first game of the second set.

From there, it became a march to Murray’s demise. He hung his head, swung his racket in frustration and swore to no one in particular after one Cilic mis-hit dropped in for a point. After the second set loss, Murray threw his racket to the ground.

From there, Cilic kept his all-business expression and never let Murray back into the match. He was painting the lines with forehand winners while Murray struggled to keep his forehand in the court. Murray never adjusted his game or tried any new tactics, other than growing continually more annoyed at what was happening.

Serving at 2-4 in the third set and defeat seemingly inevitable, Murray played perhaps his most dispirited game, flubbing a forehand into the net to get broken a final time. Cilic served out the set with ease and the upset was complete.

Cilic was not the most likely candidate to pull off this upset. Though on the rise at age 20, having reached his No. 17 ranking, he had never beaten a top-three player. While he is a strong server, it has never been a true weapon in top-tier matches. Against Murray, though, he had 10 aces and faced few challenges on his service games.

Now, he draws del Potro in the quarterfinals after del Potro advanced with a dominating 6-3, 6-3, 6-3 victory over Juan Carlos Ferrero in their fourth-round match.

Germany Defends Killing Of Afghan Civilians (or, Sometimes Humorous Comments Just Write Themselves)

Angela_Merkel

BERLIN — The German chancellor, Angela Merkel, pushed back Tuesday against international criticism over an airstrike ordered by German troops that claimed the lives of scores of people in northern Afghanistan, even as NATO announced that it appeared civilians had been among those killed in the bombing.

Well hey, we have a war to fight, and unfortunately civilians will sometimes be victims. So this is totally justifiable, right?

I mean, it’s not like the chancellor of Germany has no problem killing innocent people, right?

…right?

Live Stream of Education Speech

Hear the socialist propaganda!!! (Kidding):

http://www.whitehouse.gov/live/

And by the way…ironically it’s being held at Wakefield High School (in Virginia, though)

Edit: It’s 12:23 PM and it’s all over. In case you missed it you can read the transcript on the white house website: http://www.whitehouse.gov/MediaResources/PreparedSchoolRemarks/

What Do You Get When…

You put two of my favorite bands of all time, Black Lips and No Age, on the same stage at the same time?

A cover of G.G Allin’s “Don’t Talk To Me,” which coincidentally was performed back in November at the Middle East except with No Age and Silk Flowers. The mere presence of the Black Lips with No Age is enough for me to safely say that this cover is way better! Oh yeah and Ian, you gotta calm down. You can’t be jumping on my boy Randy with his broken shoulder and all.

CD Review: Man on the Moon: The End of Day

Rapper: Kid Cudi
Label: Dream On
Release: 2009

Act I: The End of Day
1. “In My Dreams” – 8.7
2. “Soundtrack 2 My Life” – 9.1
3. “Simple As”9.5

Act II: Rise of the Night Terrors
4. “Solo Dolo” – 9.4
5. “Heart of a Lion” – 9.2
6. “My World”9.5

Act III: Taking a Trip
7. “Day N’ Nite”9.6
8. “Sky Might Fall” – 9.0
9. “Enter Galactic” – 8.4

Act IV: Stuck
10. “Alive”9.8
11. “Cudi Zone” – 9.3
12. “Make Her Say” – 8.8
13. “Pursuit of Happiness”9.7

Act V: A New Beginning
14. “Hyyerr” – 8.9
15. “Up Up & Away”9.6

Comments: Woah! That’s right I just decided to review a rap album. This album is more than just rap though. There’s a lot of electro, a lot of psychedelia, and a lot of mainstream hip hop. Cudi does not lack talent. He might just be the top rapper out there today. Emile, who produced four tracks, is really sharp on those tracks. Kanye West failed to meet my expectations, but still is decent on this. The two jams that feature Ratatat are the best in my opinion. Really really awesome. The last track is awesome too.

Final Grade: 9.2

CD Review: Here We Go Magic

Band: Here We Go Magic
Release: 2009

1. “Only Pieces” – 8.2
2. “Fangela” – 8.7
3. “Ahab” –8.3
4. “Tunnelvision” – 9.2
5. “Ghost List” – 8.3
6. “I Just Want To See You Underwater” – 8.4
7. “Babyohbabyijustcantstanditanymore” – 6.4
8. “Nat’s Alien” – 7.2
9. “Everything’s Big” – 8.9

Comments: Freak folk can, on any given day, be a genre of its own. Here We Go Magic escape what is traditional folk and produce songs that embody major elements of modern epoch psych-folk (slightly think Grizzly Bear) YET still maintain a strangely post-punk sound (in some areas), which is similar to the Walkmen, if only the Walkmen took acid. The sort of problem, if you want to call it that, is that if Animal Collective made these songs they’d be better. Music snobbery right there. Anyway, songs that are completely instrumentals of thunder and ocean waves can, in fact, be decent. And then there are songs that are completely instrumentals of alien noises that can, in fact, be awfully obnoxious. Could I stand watching this band two nights in a row for thirty minutes or more? Yes. Maybe I will grow more of an appreciation of them. Maybe I won’t and I’ll just make it through because I know that one of my favorite bands of all time will follow.

Final Grade: 8.2

Here We Go Magic open along with the Dig for the Walkmen on September 18 and 19 at the Middle East Downstairs.

Zach Galifianakis Review

Comedian: Zach Galifianakis
Location: UMASS Lowell, Campus Rec Center
Date: September 4, 2009
Grade: C+

Here’s Why: Well, unlike about 80-90% of the people in the audience (it was a rather large crowd of anticipating college students) I knew of Zach and his work before his breakthrough success in this summer’s comedy blockbuster,The Hangover. With that being said, my knowledge of his routine was quite minimal. I heard someone describe his act as “awkward comedy” and I couldn’t agree more. Unfortunately, the show was a bit plagued by poor audio. I’m not sure whether it was the university’s PA system or Zach’s ill-oratory skills. I tend to think the former, but either way people in the back (including me) put forth a valiant effort to comprehend what the comic was articulating. At various points in the show, kids shouted “FIX THE MIC! WE CAN’T HEAR YOU!” Zach merely shouted back and challenged the young men to come up front and confront him about it. This altercation between the funny man and the audience was a recurring episode throughout the evening. He simply employed the mishap as part of his show; a mitigated version of a Hicksian technique. Much of the show was Zach, as he usually performs, on the piano making bizarre, almost absurd, sometimes offensive one-liners. This was followed by brief, impromptu interviews with audience members (all college kids, mostly Lowell students) in which he poked fun at their majors or occupations. Here’s one jab that stood out to me: paraphrasing:
Zach: What year are you?
Girl (innocently): I’m in Sophomore
Zach: Yeah, I was in a Sophomore once too
The show ended with a projected video of Zach’s spoof of Whacko Jacko’s “Man In the Mirror,” which ended with our friend gaining a nice set of breasts!
Haha! Well, overall I thought it was decent; I thought it would have been better though. Some audience members, however, left right in the middle of the show, so I guess they detested it. Perhaps, he is better on recording. I’ll check it out sometime.

Chris

Boston based shows/fests – DIY, punk, noise