Lee Ronaldo’s Tennis Injury…

…causes Sonic Youth to postpone their West Coast Tour.

Sonic Youth News
Sonic Youth regretfully announce that guitarist Lee Ranaldo has fractured his left wrist — requiring the band to reschedule portions of their upcoming west coast tour to the following new dates:

Mon Jan 04 – Tucson, AZ – Rialto Theater
Tue Jan 05 – Phoenix, AZ – Marquee Theater
Thu Jan 07 – San Diego, CA – House of Blues
Fri Jan 08 – Pomona, CA – Fox Theater
Sat Jan 09 – Los Angeles, CA – The Wiltern

Tickets for the original dates will be honored or, if necessary, refunds will be made available at the point of purchase.
Two of the band’s planned Fall appearances will NOT be rescheduled, however – September 26 in Santa Barbara and October 4 at The Austin City Limits Festival. Refunds for the Santa Barbara performance will be available at the point of purchase. More ticket information on the calendar page.

Lee fractured his wrist while playing tennis. Please join us in wishing him a quick and thorough recovery.

Productivity…Rises!

WASHINGTON (Reuters) — U.S. non-farm productivity was stronger than initially thought in the second quarter as companies slashed costs to protect profits, data showed on Wednesday.

The Labor Department said non-farm productivity rose at a 6.6% annual rate, rather than the 6.4% pace it reported last month. That was the biggest increase since the third quarter of 2003.

Productivity rose at a 0.3% pace in the first quarter.

Analysts polled by Reuters had forecast productivity, which measures the hourly output per worker, rising at a 6.4% rate in the second quarter.

Unemployment still at an inadequate level.

Matt Damon Not Dead!

Got this from Gather.com:

There’s no easier way to start a rumor than online. Don’t believe everything you read. One of the hottest internet search trends out there right now is Matt Damon dead. Don’t believe it! He’s alive, well, and kickin’ it as usual. Why do these rumors start? Who actually believes them? Did anyone out there consider he has a family that could get freaked out by these stories?

Also be careful which links you click through to stories on “Matt Damon dead”. There could be a nasty virus lurking there.

Concert Review: Pains of Being Pure At Heart, Depreciation Guild, Cymbals Eat Guitars @ Mid East Downstairs (9/5/09)

Bands: Pains of Being Pure At Heart, Depreciation Guild, Cymbals Eat Guitars
Venue: Middle East Downstairs, Cambridge, MA
Date: Saturday, September 5, 2009

Cymbals Eat Guitars: A very young band that doesn’t sound musically immature in the least. These guys played a very polished set that sometimes bordered on hardcore punk  and power pop at other times. The lead singer, Joseph D’Agostino, said to his fellow band mates after the second song “My left ear is shot. Between soundcheck and this.” That didn’t seem to make a difference at all. Cymbals was about passion all the way through. They played most songs off their debut Why There Are Mountains in addition to a couple new ones off an EP that will be released on September 22. Their most noteworthy song was “And the Hazy Sea.” Their last song “Wind Phoenix” was correctly predicted by a shouting fan in the audience. Neil the bass player responded “whoever just said ‘Wind Phoenix’ wins.” And that was a great song to cap off the set!

The Depreciation Guild: The Depreciation weren’t bad. They had a projector that featured various rainbow-esque patterns. That was different. A little thing that confused me about this band was that there didn’t seem to be a need for a drummer. The drum machine seemed to work fine along with the plethora of effects pedals. Their sound was somewhere between ’80s new wave and modern day neo-psychedelia. Unfortunately, there weren’t many “noteworthy” tracks. They all sounded roughly the same. I don’t think I’d want to watch them again, but they fall in a line of average-ness that seems to be a hallmark of opening acts.

The Pains of Being Pure at Heart: From the opening chords of “This Love is Fucking Right” I knew the Pains would be awesome! And they did put on a terrific show. Of course, probably like many audience members, I am a very big fan of their self-titled debut. My eyes were fixated on the band so I didn’t get a chance to see audience reaction behind me, but I’m sure people were grooving and singing along. They played “Young Adult Fiction” second, a solid choice…I love the title and play-on song meaning: two people hooking up in the library. They followed with a non-debut album track “103” before playing three more album favorites: “The Tenure Itch” (about student-teacher relationships according to Kip Berman, lead singer), “Stay Alive” (a jangly twee pop number) and “A Teenager in Love” (kick-ass drum beat). After this they stopped for a brief moment as Kip reminded concert-goers that it would be perfectly cool for them to leave if they had to catch a train. He knew the deal from living in Boston. I feel bad if anyone did leave since they sure missed a great second half of the set. A brand new song “Higher Than the Stars” was played then the classic 4 note pop-punk jam “Come Saturday” followed. Another new one “Twins” was showcased before the catchy “Everything With You.” The final song before the encore was “The Pains of Being Pure at Heart,” which was well-done as expected. The encore was “Gentle Son,” the album closer off their self-titled. The band, uber-appreciative of the crowd, thanked us and left the stage. It was too bad they couldn’t play each and every song off Pains, but then again I haven’t encountered a band that played an entire album start-to-finish. Maybe someday. A quick note: Peggy Wang’s backing vocals were awesome! They must be appreciated.

Grade: A

US Funds Colombian Deaths Over Drugs

In her new book, Blood & Capital: The Paramilitarization of Colombia, author Jasmin Hristov writes: “For roughly forty years, the Colombian state has been playing a double game: prohibiting the formation of paramilitary groups with one law and facilitating their existence with another; condemning their barbarities and at the same time assisting their operations; promising to bring perpetrators of crime to justice, while opening the door to perpetual immunity; convicting them of narco-trafficking, yet profiting from their drug deals; announcing to the world the government’s persecution of paramilitary organizations, even though in reality these ‘illegal armed groups’ have been carrying out the dirty work unseemly for a state that claims to be democratic and worthy of billions of dollars in US military aid.”

As the largest recipient of US military aid in the hemisphere, Colombia has long been the US’ most important ally in Latin America. Simultaneously, Colombia has also become the hemisphere’s worst human rights violator, with Colombia’s numerous paramilitary organizations recently taking center stage, as they’ve gradually become directly responsible for more human rights atrocities than the formal military and police. In the name of fighting “narco-terrorism,” poor people and dissidents are massacred, assassinated, tortured, and disappeared, among other atrocities—done to eliminate particular individuals and to “set an example” by intimidating others in the community. 97 percent of human rights abuses remain unpunished.

In recent years, a variety of human rights organizations, as well as mainstream academics and journalists have found it impossible to ignore the astronomical human rights violations. However, even though these groups have accurately reported on the actual atrocities, Jasmin Hristov argues that in their reports, the atrocities are largely de-contextualized from the powerful forces in Colombia and the US that directly benefit from this repression. According to Hristov, this mainstream presentation serves to mask the fact that US and Colombian elites directly support (via funding, training, supervising, and providing legal immunity for) state repression carried out by the police and military, as well as illegal paramilitary groups that are unofficially sanctioned by the government. Whether it is murdering labor organizers or displacing an indigenous community because a US corporation wants to drill for oil on their land, Hristov passionately asserts that death squad violence is purposefully directed towards sectors of society that stand in the way of the ruling class’ efforts to maintain economic dominance and acquire more resources to make even more profit.

In her book, Hristov does make a convincing argument that Colombia’s notorious death squads are inherently linked to maintenance of the country’s extreme economic inequality. Particularly since the neoliberal reforms of the 1990s that have increased poverty, Colombia’s poor continue to resist their oppression in many different ways. In response, state repression on a variety of levels is needed to terrorize unarmed social movements and other community groups and activists.

Throughout Blood & Capital, Hristov seeks to expose the rational motivations behind state violence for capitalism’s economic elites in the US and Colombia. In meticulous detail, Hristov shows how the super-rich benefit from state repression and how the violators of human rights have essentially become immune from any consequences for their actions. If death squads are truly to be abolished in Colombia, we must look honestly at how and why they exist today. Hristov’s new book is a powerful tool for exposing who truly calls the shots.

Neoliberalism or neopoverty?

Hristov asserts that “it is not a mere coincidence that during the era of accelerated neoliberal restructuring, the deterioration in the living conditions of the working majority has been accompanied by an increase in the capabilities and activities of military, police, and paramilitary groups, as well as the portrayal of social movements as forces that must be monitored, silenced, and eventually dismantled.”

I don’t know if it’s fair to blame this atrocity on neoliberal ideology. But surely this helps make the case against prohibiting drugs. You’re only creating crime instead of discouraging it.

Boston based shows/fests – DIY, punk, noise