Summertime, soak up the sunshine with you!
Chris
I Don’t Control Time Zones
Once upon a time I was at a party and some gal mentioned Terry Gilliam and I told her my favorite Terry Gilliam film was Fear and Loathing in Las Vegas (1998). She responded that it was “too mainstream,” a point I beg to differ, but regardless, I was taken back. I tend to pride myself on my love of relatively obscure and non mainstream artists (particularly in music). Now, let’s not mince ;) our words here, I do not base my tastes on how commercially successful or not a piece of music is. It’s simply not a factor. I listen to a song/album and if I like it I do, if I don’t, then I don’t. As simple as that. The mainstream just isn’t my bag and I have a hatred for much of it, there’s no reason I need to be associated with it, like Chomsky and Porn. With that being said, if we Klaymers, especially me, grew up in the 60s, we would be surfing safari on the mainstream. You would probably catch me crying my eyes out with all the ladies in the sea of Beatlemania. Now today, my favorites conist of 90-95% independent, underground artists and 5-10% heavy hitters in the mainstream. If we took Doc Brown’s Delorean for a spin and hit up 1967, it would be vice versa, and even my then unknown faves of that era like the Velvet Underground, were on the majors. Strange. The reason I find this peculiar is because I feel like the whole DIY, Punk ethic and aesthetic and what have you is something I highly value and is a big part of music/art for me. If I was a teen a few decades back I would have a totally different experience. In this respect, I am really glad I was born twenty years ago.
Anyone else’s mind wander like mine or do I just have too much time on my hands? lol
Chris
MCS “Cut Your Hair” Cover
Motion City Soundtrack covers Pavement
Very well done cover I’d say.
Everybody Come Dancing!
Is this different from Chic-a-go-go or no?
Defenders Goodies
I know what you want on your cone!!! I saw the light.
EP Review: Square Shells [2010]
Artist: Kurt Vile
Release: 5/2010
Label: Matador Records
1. “Ocean City” – A-
2. “Invisibility: Non-Existent” – B
3. “Losing Momentum” – C+
4. “I Wanted Everything” – B+
5. “I Know I Got Religion” – B+
6. “The Finder” – C+
7. “Hey, Now I’m Movin” – B+
Comments: Back when I first heard of Kurt Vile in March 2009, he was a relative nobody. He had released a solo record entitled Constant Hitmaker in 2008, but that hardly got any attention until its year later reissue. Vile and his group The War on Drugs had also just put a record called Wagonwheel Blues on Secretly Canadian. Some songs on that record like “Arms Like Boulders,” “A Needle in the Eye…,” and “Taking The Farm,” really won me over and convinced me to go see the band perform at TT The Bears. They played a short, but enjoyable set featuring those songs. All ten of us in the venue (that actually paid attention) seemed to have had a decent enough time. Fast forward to…right now. Vile is signed to Matador Records, is still touring a shitload both solo (with his back-up band The Violators) and as the lead guitarist of The War on Drugs, and put out a fairly well received Matador LP Childish Prodigy later in 2009. Well, Vile is not slowing down. There’s this seven song EP that has just been released for free digitally. And, if Matador isn’t lying, another LP is due out soon enough. You, at this point, may be asking yourself if it is worth downloading the 50.5 MB MP3 folder. It’s only 50.5 MB so you might as well just give it a try anyway. The simple acoustic “Ocean City” ain’t nothing spectacular, but captivates the spirit for a little while. The dude strums heavy, by the way. Instrumental from Vile on “Losing Momentum”??? He’s too young for that. Even though it is a chill tune. Haunting vocals and an excellent rhythm section make up “I Wanted Everything.” If you are a sucker for acoustic rock that is filled with heartfelt emotion and passion then you will enjoy this. If you are someone like me that finds value in this kind of music, but isn’t easily convinced of its beauty, this may only come across as a decent/good record. There’s a slew of similar artists that excel at this craft, perhaps leaps and bounds better than Vile (perhaps not) so it really is a matter of opinion. I guess it is more apropos to mention that for this record than others — minus the instrumentals.
Grade: B (84)
KK BBQ Interview
The Walkmen Album…Soon?!
It seems like everyone these days is just waiting for The Walkmen’s sixth studio album to drop! No name. No release date. A tour of England with the Black Keys? That is something that is known. The dates are known, too.
Check around their official site for news and other stuff: http://www.marcata.net/walkmen/
Black Lips Adult Swim Single
June 21 – Black Lips
Consequence of Sound – Starting May 17th, Adult Swim will host a new single weekly until July 12th. Kicking off the series will be Superwolf (Will Oldham and Matt Sweeney). From then on, it’s Madvillain, Killer Mike, Washed Out (featuring Chairlift’s Caroline Polachek), High on Fire, Black Lips, LCD Soundsystem, Cults, and Freddie Gibbs. Just an FYI, LCD Soundsystem’s contribution is the previously released Holy Ghost remix of “Drunk Girls”, along with a video. And if that weren’t enough, the Cults will also have a video premiere. That and television featuring stop-motion animation; what a company.
CD Review: Melted [2010]
Band: Ty Segall
Release: 5/2010
Label: Goner Records
1. “Finger” – A
2. “Caesar” – A
3. “Girlfriend” – A
4. “Sad Fuzz” – A
5. “Melted” – A-
6. “Mike D’s Coke” – B-
7. “Imaginary Person” – A
8. “My Sunshine” – A+
9. “Bees” – A-
10. “Mrs.” – A-
11. “Alone” – A-
Comments: With such a soft beginning, I’m sure you got a little bored with “Finger” at first. Next thing you know, the song becomes a noisy medley of effects and distortion. “Caesar” stuck out in my mind as a top-shelf single and my thoughts on the song haven’t changed much as I’ve been listening to it on a fairly regular basis. “Sad Fuzz” is this album’s most overt attempt at a ’60s psychedelic-pop retrospective. It’s a success. “Melted” ends rather abruptly…aka the point that I was about to get into it. “Mike D’s Coke” seems a bit unnecessary and…filler. Filler alert. Segall’s best attempt at trying to sound like Jay Reatard — songwriting and actual voice/instrumentation — comes on “Imaginary Person.” Of course, Segall is a great songwriter himself, so he adds in a few solid touches of his own. The four chord dirty sound of “My Sunshine” is engaging. I really love the wet lead guitar riffs. This “sound,” if you will, continues onto the next track and, of course, folks, that means we have a great song on our hands. When the Strange Boys esque (minus the vocals) “Alone” speeds up…damn! Awesome. Besides a few bumps in the road, this LP contains plenty of exciting tracks. Listen!
Grade: A- (92)
Kids Like You & Me (KLYAM) 