Summer Flashbacks

On By G. Gordon GrittyIn Music, Rene ChambersLeave a comment

The following are excellent songs to listen to this summer. They aren’t new or old.

Saralee – “Take What You Can Carry” – What might be the greatest Boston basement band of the early 2010s? Saralee is in the running, without any doubt. Stoned haze, half drunk High Lifes, and pungent mildew perfectly communicated with as little as drums, guitar, and vocals. Sara and Lee. I think I’ve called Saralee “memory music” and I wonder if anyone disagrees? This particular song is the most exemplary of my past descriptions. Sorry if you didn’t get a chance to see them in the old days, but not too sorry because you can close your eyes, too.

Wakes – “Widows” – Timmy hit a sweet spot of dynamite “bedroom pop” before that label became more associated with industry plants! A label in the UK was wise enough to release the Feral Youth LP. I’ve thought this album, this song, was like audio mumblecore. Emo, but not the shitty, whiny stuff. Anxious, superstitious, you know, your average 20/(now?) 30-something laments.

Rene Chambers – “Kathy Cross” – A local anthem has emerged! Like the two previous songs, this one is cloudy and introspective. The tale of Kathy Cross is familiar. She’s runnin away to upstate NY from the city. After a day, the guy is getting kind of worried because she hasn’t returned his calls. It turns out that her getaway was a legit vacation, not some existential escape from academia as he might have suspected. “She just wants to be somebody.” Always count on Rene Chambers (now an active band in the Boston area) for intelligent rock ‘n roll commentary/comedy on the young and confused.

Miracle Johan – Green 17

On By G. Gordon GrittyIn Band Spotlight, KLYAM Records, Music, UncategorizedLeave a comment

“Antoine Walker! Antoine Walker! Antoine Walker! Welcome hoooooome”
Sings Miracle Johan over a gutsy self-produced medley of sound effects, and one passionately laid down drum track. And such was the start to a four year, one-of-a-kind creative streak that began in 2005 when Antoine Walker was traded back to the Celtics after stints in Dallas and Atlanta. So just as Danny Ainge, the boss of the team, had vowed to rebuild the C’s and get a 17th banner hanging in the rafters of the Garden, so did Miracle Johan eventually make a vow: to record a song for every player on the roster of our beloved basketball team until they got that Championship. Weird, yeah, but we’re talking Miracle Johan.

He was easing himself back into 4-track recording after having played bass in the western Mass. band Bears. In his words, he recorded a “weird instrumental using crash cymbals as hi hats and was going to put vocals down when I realized I had no idea what I was going to sing about. Antoine’s first game back after the initial trade was happening that night, so I just sang about that (assuming I’d someday return to do something more serious over it).” So what did he do? He showed some friends his creation and mustered up the courage to post the song to Celticsblog.com in a very 2005 “Hey-look-what-i-found-on-the-internet” way.

His friends made him a Myspace and a second song “I Swear to God I’m Funky” was in the works. This one was about seven foot, gum-chewing center Mark Blount. Miracle Johan raps from the perspective of Blount. Brilliant. What I love about these songs: they are raw, imperfect recreations of moments in time. I was a teenager writing about the Boston Celtics on my Boston-sports themed website when I first encountered Miracle Johan. He would join my staff and write some amazing articles, but at the same time he was leading a charge of what some may call Outsider Music; Miracle was amassing from scratch a four volume musical of his thoughts on the Boston Celtics in real time. And, these were real heady tunes, something collectively closer to underground punk rock/hip hop than anything seeking approval via formula or precedent.

One example of the spaciest of space jams: Dan Dickau, the not oft-remembered reserve guard, sings on Volume 2: “sitting in the hospital bed. Used to play basketball, now I’m learning how to play the guitar. It’s a good, good thing that I don’t don’t need my ACL to jam out on the guitar.” Miracle Johan’s Dickau is either a brilliant Jandek or a talentless hack, but more likely messed up on meds as he sings of “A Zillion Ponies.” Miracle’s songs displayed, in his own words, “musical evolution,” and the variety over the years certainly displays this.

So there’s “Scabs,” the redhead current Boston Celtics analyst/broadcaster Brian Scalabrine who needs very little introduction. White Mamba is a legend among basketball fans around the world. Not the most gifted player (career average 3 points per game and only 61 total starts over 10 years), his personality and hustle is/was A+. Miracle Johan paid fun tributes to him with the tough-guy jam “Hard Rock Life” (featuring a more than on-point guitar solo and overall virtuoso playing) and the french horn elementary throwback “Awesome O’Clock”. Scal, if you haven’t heard these, check these out now! Right now!

The one constant each year was a song for future Hall of Famer and hometown hero Paul Pierce. First was the “Return of the Truth,” which has Pierce rapping: “This city’s more than irish pubs and bars, you want proof? I’ll show you about a dozen scars, I’m the truth.” Pierce sounds optimistic about raising another banner to the roof, but patience is a virtue they say. The next year freaking Paul Pierce informs us in “No Media Love” that he knows he’s one of the best players in the league. Any other chatter about him is irrelevant. Well, until he got injured during the 2006-2007 season. Pierce was hampered with foot and elbow injuries and the Celtics ended up losing eighteen straight games, a franchise record. Something had to be done. Over a spacey synth sequence, Pierce wonders, after the awful season has ended, in “Nowhere to Go But Up”:

“Am I really the captain of a team with the second worst record in the entire NBA? The most celebrated franchise in the entire history of the NBA. And now it has nationally been criticized and accused of tanking to get a high lottery pick? Are you serious? This is the Boston Celtics.”

We all know what happens next. Danny Ainge ‘wisened up” and made some deals to “be at an elite level”. Banner 18 level. Ray Allen, Kevin Garnett. The Big 3 they were called. An unstoppable force with a 66-16 record. “A Whole New Pierce” speaks of the new team dynamic that got everybody excited. Things were much easier with proven all-stars playing next to and bringing the best out in Pierce. At the end of it, there’s a snippet of Naismith Hall of Famer Bob Cousy, who did some commentary alongside beloved announcer-duo Mike Gorman and Tommy Heinsohn. With the Celtics off to a 7-0 start to the season, Cooz asks “Why does it seem like a lot more fun so far this year? Why are we smiling a lot more?” We all know the ending: they won it all. And ten years later (earlier this year), Pierce’s #34 got raised to the rafters at the Garden.

The up-and-down and all around events year-in and year-out gave Miracle plenty of material, but there was usually a little scrambling as Miracle found himself in the quagmire of devoting free time to the endeavor, not to mention recording VHS copies of every game (to use for sampling the commentary of Mike and Tommy). Miracle’s lyrics could almost be analyzed as separate from the music, as listeners are presented with engaging captions of the season and all of these player personalities. Different and more exciting than reading a blog or watching a post-game show on TV. A solid supplement or stand-alone endeavor!

So you’re wondering: how popular was Miracle Johan at the height of his game? Other than real life friends and in Celtics message board enclaves, Miracle got around a bit. One day he noticed a gigantic spike in his daily PureVolume listenership: 3,000+ listens. What’s the story with that, he wondered. It turns out his page had been linked to on a Bill Simmons’ ESPN daily links posting. Not bad. A couple other noteworthy media mentions turned up: his friends in The Mobius Band name dropped him in a Pitchfork interview and more locally, the Boston Phoenix hunted Miracle Johan down, invited him to a game, took his picture, and next thing you know: a feature story was published. (The Boston Phoenix shut down in 2013 and with it came down the article, which had also been posted online.)

As for the actual Celtics – were they bumping Miracle Johan in the locker room? Rumor has it, yes. Maybe. Perhaps Justin Reed (rest in peace) passed along the legend of Miracle Johan after they had a chance meeting in the bowling alley adjacent to MJ’s high school reunion. The Celtics second round draft choice Reed just so happened to be at Kings Bowling Alley. Miracle mustered up a bit of old fashion bravery, approached the big dude with the goatee and eventually slipped the baller a link to his PureVolume. Wild!

The legacy of Miracle Johan is that damn, some guy actually did this. And he did it so good. He inspired me in my own home-recording adventure, reminding us, much like Kevin Garnett did after the Celtics won: ANYTHING IS POSSSSSSSSSIBLEEEEEEEE. Heck, he might have also inspired a Paul Pierce commercial on ESPN. A passion and a sense of humour wins you championships. Scalabrine knew that. Miracle Johan did, too.

To commemorate the Boston Celtics championship run in 2008, to celebrate all of the music that Miracle Johan created since he began the project in 2005, and to optimistically anticipate Banner 18, KLYAM Records is proudly releasing eighteen, four tape box sets of Miracle Johan’s music. Each individual volume/year will be available as well! All of Miracle Johan’s Green 17 and other recordings dating back to the late ‘90s (special shout out to the Hawaii Demos) are streaming on Bandcamp!

Band Recommendation: Model Zero

On By G. Gordon GrittyIn Band Recommendation, Music, UncategorizedLeave a comment

0012226074_10

We all know that Memphis, Tennessee has/had the greatest bands. STAX. Goner Records, Jay Reatard, The Oblivians, NOTS, The Barbaras, Girls of the Gravitron, Yesse Yavis. I’m forgetting a lot. I know, I’m sorry. So what about the contemporary group called Model Zero?  Dang, I don’t even know if they’re around anymore. First and last I heard of them (until now) was at Gonerfest, outside of Memphis Made. Their stuff clicked with me – drum machine + real drummer, a variety of dance punk, but like if Giorgio Murderer was less bare bones and got funky on us. I remember hearing “Japanese Death Poem” live and being like “yup, I’m in.” Except it was one and done. Until I decided to do an ole search. An ole Googling of “Model Zero Bandcamp,” because I was craving for more of this group. They had to have recorded something right?

And look at this. https://modelzero.bandcamp.com/releases

That’s a four song tape with my favorite damn one on there. If the members of this group catch wind of this post, please keep doing what you’re doing. I’m not a freaking barometer of what is cool and in fact I hope the opposite, but let me tell you that you’re one of the most exciting groups going right now and that is based on very limited, limited information.

Cheers

AMERICAN WHIP APPEAL ON TOUR (JANUARY 2018)

On By G. Gordon GrittyIn American Whip Appeal, Local Music, Music, UncategorizedLeave a comment

American Whip Appeal rides again. James Coarse (vocals/guitar), Hannah Barbarian (bass), and Buck Palace (drums/guitar) doing their own realest rock, bizarre in content and presentation, and groovy and fun. Making their way down to New Orleans, where the _________________. Please do see them:

January 2 – Amherst, MA – The Internet
January 3 – NYC, NY – Live in LoveLove Studio
January 4 – NYC, NY – American Light Beer Reading (ask)
January 5 – Philly, PA – TBA
January 6 – DC – Slash Run
January 9 – Memphis, TN – Bar DKDC
January 11 – Birmingham, AL – The Nick
January 12 – New Orleans, LA – Snack Shack

Band of the Week: The Glue

On By G. Gordon GrittyIn Band of the Week, UncategorizedLeave a comment

The Glue is no longer underground! In fact the New England based group is proudly our new Band of the Week.

Maybe you were at the KLYAM show they played on November 17 or perhaps you caught ’em a week later at the Newton Underground Pop Arts and Performance Showcase. Maybe not. The Glue said that they are a one/two-times a year band, but we’re hoping that is surely not the case.

One of the more unique outfits I have caught in the past year or so, The Glue is made up of Lily (keyboard/vocals), her dad Mike (cello), Lena (bass/vocals), and Martha (keyboard/vocals). Their sets brought to mind the short, sweet, cozy unpredictability of a band like The Beets, although with a whole different set of instrumentation and performance character. The Glue were in a perfect comfort zone without a PA as Lily emerges from behind her keyboard and shouts about Ten Mile Creek. This anything-is-possible, plus classical tinged cello improvisations, nature is encouraging and liberating. Just what we all need!

Check out The Glue on YouTube:

“Pie song”
“Ten Mile Creek”
“Field of Diamonds” (Johnny Cash)
“Cut Your Bangs” (Radiator Hospital) 

GONERFEST 14 HIGHLIGHTS PT.1 (L.A. & NOLA)

On By G. Gordon GrittyIn concert review, Goner, Gonerfest, Music, UncategorizedLeave a comment

gf14banner

Everyone’s Gonerfest is a personal Gonerfest. Everyone’s Memphis is a personal Memphis. Folks travel far and wide, or in some cases – not at all – to get to Gonerfest to see the best bands in the land. For us, this was our third trip down there. Veteran status? King Louie might beg to differ. At any case, if it was not for the precise organization of the heads at Goner and the cooperation of the city, venues, groups, and fans, this might be a different animal. Instead, it’s for the most part a meeting of minds, a reunion for many, or for the uninitiated – the first annual.

I will call it an international summit, with some representation of the past, present, and future. Where bands unite, where bands stop on tour, where bands play their first (and maybe last?) show. Is there a Goner sound? If anything I learned this weekend, it’s that no, no there is not. Maybe in 2009, but not in 2017. And the record label/store is better off for it. There are some sounds and scenes that curry a bit more favor across the board. Los Angeles and New Orleans have some wild bands, shoving that straight-ahead, raw, fast sound into our welcoming ears. Die Group (Los Angeles) are mainstays and were a definite highlight for me on Thursday night at the Hi-Tone. Almost from the second they begin to play, I’m into it and there is no resting after that. Sex Tape Records – Die Group’s record label – put on a Friday early morning afterparty at Bar DKDC and this was a choice shindig with the Sex Tape’s very own Brain Bagz (Salt Lake City) and Tenement Rats. Now, it being a long drunken night, I thought Tenement Rats’ Jonny Watkins was Pitbull. A garage punk Pitbull. Yes, that Pitbull. It took some clarification. Count me in as a big fan of both groups, both with the noisy, catchy immediacy we need in these modern times.

New Orleans deserves a paragraph of its own. From my very first Gonerfest (12), I gathered some intel that this is a very incestuous group of music playing individuals. Playing in each others bands, supporting each other. From the start we had NOLA king King Louie (weirdly called King Louis on a Memphis news website?) playing opening ceremonies in a new band with Abe White, formerly of The Manatees (Memphis). A few hours later BENNI started Night One at the Hi-Tone. With an album recently released on Goner, the mysterious BENNI might just be the weirdest project of the bunch. Armed with a few synthesizers and a talk box, he eased us into what would be a night of heavy rock ‘n roll. Kind of like Couteau Latex did last year. It would be more than 24 hours until we got another dose of freewheeling New Orleans punk – this time at the legendary Murphy’s for the Night Two afterparty. Gonerfest alum Die Rötzz, and Dummy Dumpster (both been around for more than a decade) along with newer crew Enoch Ramone got the booze spent revelers moshing around into each other. Maybe it was the peck on the cheek from Don Perry (eternal gratitude for the rides to the afterparties and the laughs), or maybe it wasn’t, but the Enoch frontman was in a frenzy start to finish, save for the “Gates of Steel” DEVO cover, which was sung by Sam from Trampoline Team. Maybe Murphy’s is the true second home of these NOLA characters as this year’s  Saturday afternoon Blowout brought us three performances: GUSHERS, IS IS, and HEAVY LIDS. While the first and last just mentioned groups are more in line with the above mentioned quick zip, speedfire r’n’r and absolutely rocked it, it’s that middle group that put on arguably the most subdued, but interesting performance. Masterminded by Giorgio Murderer and featuring members of Trampoline Team and Black Abba. This was the closest thing we got to that unmistakable Giorgio/Buck Biloxi sound. Click the link and go be offended.

Pt. Two coming soon…………………….

FALL FESTIVALS/SHOWS (9/28 to 10/7)

On By G. Gordon GrittyIn KLYAM Presents, KLYAM Recommended Shows, Local Music, Music, UncategorizedLeave a comment

SEPTEMBER 28 to OCTOBER 1 – GONERFEST 14 – Memphis, Tennessee – Simply stated the best rock ‘n roll festival in existence. Line-ups featuring some of the more exciting groups from all over the world. Headlining this year (Thursday night) is our Boston brethren, late ’70s punk heros and one of papagiorgio’s favorites – Unnatural Axe. Friday night headliners are some Aussies called feedtime and Saturday night we’ve got Derv Gordon (of the Equals). But those night time Hi-Tone shows are like dessert during this bender with weekend afternoon shows at Memphis Made and Murphy’s. And there is nothing like strolling into the famed After Parties at 2 AM. In between all the music there is so much to do and so little time. This is Memphis and there is still time for you to hitch a flight and check out what we rant and rave about every year.

SEPTEMBER 28 to SEPTEMBER 30 – Boston Fuzzstival 2017 – Boston, Massachusetts – One of our favorite local festivals for a few years now, this three day event is in its 5th year, and is curated by the trustworthy Jason of Illegally Blind. Bummer it has to be the same time as Gonerfest, but what can you do. Expanding beyond the primarily garage/psych niche of the initial runs, these gigs are jam packed with local up-and-comers alongside mainstays.

OCTOBER 6 – Johnnie & The Foodmasters/Dylan and the Ded Beets/_HighlightReel/Picnic Lunch – Cambridge, Massachusetts @ Club Bohemia – As you know, every now and then, or maybe “most of the time,” we KLYAM like to throw some weird shows. This is one of them – almost like a mini/smelly club version of our Mouth is a Mouth Noise fest. New Bedford’s PICNICLUNCH is an offkilter outfit, ramshackle, maybe but maybe not put-together post punk cubed. Happy to have them up for this one! Going further down the odd rabbit hole is _HighlightReel. We know jackshit about experimental (dance?) music, perhaps our most deviant foray since Field of Sheep graced Club Bohemia’s presence at one of our shows a couple summers ago. Dylan and the Ded Beets might be playing their first show? It might just be a one man band? Sounds like a deranged early Ty Segall or the reincarnation of the Maine Coons. Yup. The mystery can’t wait much longer. And the “two year anniversary” of Johnnie & The Foodmasters. You’ve seen the name, maybe you’ve seen them. There is the intersection of the musical and the nonmusical, bla bla bla but for the less descript – there is the proliferation of oldies, good time tunes. Love us, hate us, bye!

OCTOBER 7 – Crocodiles/St. Pe/Boston Cream/Second Becky – Cambridge, Massachusetts @ First Parish Church. Former lead guitarist of Black Lips stepped away from our favorite group a couple years back and turned his focus to his own music, which he had called The Fixed Focus, but is now known as St. Pe. He kept Fixed Focus for the name of his first album which dropped earlier this year. Now Ian is on the road, touring with poppy noise advocates Crocodiles. We’ve been tracking St. Pe ever since he casually released a music video for a song called “Movin On Up” in 2011. He was like a recklessly wild step-brother in the Black Lips with primetime quotes and a ubiquitous friendly spirit. His new stuff seems to be dialed back a bit, but rest assured this Ian guy is one helluva performer that we’re pumped to see play once again. And we’re pumped to see Boston Cream, a bonafide local music supergroup, as well as Second Becky, who we last saw play at Night 1 of the first Rama Lama Ding Dong.