Hell at the Hall: Black Lips, Davila 666, X-Ray Eyeballs @ Webster Hall (10/29/11)

Artists: Black Lips, Davila 666, and Xray Eyeballs
Date: Saturday, October 29, 2011
Venue: Webster Hall (NYC)
Comments:
Act I: X Ray Eyeballs: X Ray Eyeballs are a pretty sweet band. I sadly know very little of their material, so I am not totally wrapped up in their performance, but it sets the stage for the next two acts very well. I definitely plan on checking out their work in the future; I see their name pop up all the time now, it seems.

Act II: Davila 666: I have been anticipating seeing these cats for quite some time. I am a casual fan of Davila and like most other fans, I think the energy and rarely matched enthusiasm they bring to the table is probably their greatest feature. In general, they have the whole “garage rock” style down to a tee. It’s just really fun, balls out rock and roll. In particular, the crowd goes wild when they blast into “Patitas,” a favorite of mine as well. The whole performance is solid, every member gives it their all, which is exactly why they are one of the finest live acts around, for sure.

Act III: Black Lips!!!: As you all may or may not know, we are devout Lips fans and making the bi-annual trip from Boston to New York to see our favorite band is a requirement of such excessive fandom. Lips have been my number one live act for a few years now and this night is no exception. The boys in blue hit the stage, decked out in their “Raw Meat” video tinged NYPD uniforms. Per usual they erupt into the classic (and my favorite) “Sea of Blasphemy.” It never gets old! Five Lips shows deep, which I am sure to some is nothing, I can safely say “Sea of Blasphemy” should always be their opener. The crowd simulates the excitement on stage and my composure and sense of right and wrong is suspended for the next hour. Between Cole’s proclamations of DMT Parties and threats of hauling all the dope smokin’ kids off to jail, he busts out one of his best performances, spitting, kissing, and beer can headbutting in all. Jared mans the center of the stage, looking like the classic frontman (though I have never thought of any of them specificially as frontmen, just to note). His vocals on relatively new live cuts, such as “New Direction,” and “Noc-a-Homa,” sound better than ever. To the right of Jared, Ian stands proudly, dishing out all the classic Lips riffs, with that ubiquitous smile he always maintains, kind of like your crazy uncle. In the back, but always on top is Joe, bashing away at the drums with the spirit of a six year old. Joe’s vocal driven songs constantly seem to garner the greatest crowd reactions. Arabia Mountain cut, “Go Out and Get It,” is arugably their most danceable tune and appears to get that extra umph outta everyone, especially the ladies. And naturally, “Bad Kids,” the band’s biggest song makes the kids go wild more than the other songs. In general, this show focuses on their latest record Arabia more than any other Lips performance I have attended. In total, we see/hear seven songs from Arabia, which is more than any other album. This is unusual for the Lips, since their standard is playing mostly Let It Bloom (2005) songs (if you had to name one record that dominated their set lists). With that being said, this does not really affect the overall performance too much and I am actually happy to see more new songs being performed. But, a Lips fan of any and all eras (such as myself) can find plenty to admire. The group even harks back to oldies like “Stone Cold.” Of course, Halloween being the theme, the quartet unleashes some garage soaked horror classics such as “Jack the Ripper,” (though they play this off-season as well). “Wildman,” by The Tamrons is another cover I have never seen them perform live and have waited to see for a while now. One of my qualms about this show, however, is the sound quality. It is not terrible, but it could be much better. Things like that fortunately do not interfere too much with the charisma of a Black Lips show. Not the best I have seen, but definitely up there, one for the books.

Grade: 9/10

Set List (in order by album):

Black Lips (2003):
“Stone Cold”

Let It Bloom (2005):
“Sea of Blasphemy”
“Hippie Hippie Hoorah”
“Boone”
“Fairy Stories”
“Dirty Hands”

Good Bad, Not Evil (2007):
“O Katrina”
“Bad Kids”

Arabia Mountain (2011):
“Family Tree”
“Modern Art”
“Go Out and Get It”
“Raw Meat”
“Dumpster Dive”
“New Direction”
“Noc-a-Homa”

Non Album/Cover Songs:
“Make It”
“Wild Man” (The Tamrons)
“Jack the Ripper” (Pierced Arrows)
ENCORE:
“Bow Down and Die” (The Almighty Defenders)
“Too Much Monkey Business” (Chuck Berry)

Hunx- “Always Forver”/ New Rec “Hairdresser Blues” (2012)

Hunx aka Seth Bogart of Honorary KLYAMer’s Hunx and His Punx is releasing a solo record entitled, Hairdresser Blues on Hardly Art on February 28, 2012! Here’s a song, “Always Forever.” I’m really digging it. Good work, can’t wait to hear the rest!

My Christmas Must Sees!


Glen Maganzini (left), Chris DeCarlo (right)

Okay, so I do this annually and if this looks similar to the post I made last year that is because it is! well, for the most part- not much has changed. Here we go:

Films (in no particular order):
1) It’s A Wonderful Life (1946)
2) A Christmas Story (1983)
3) Home Alone (1990)
4) National Lampoon’s Christmas Vacation (1989)
5) A Christmas Carol (in any of it’s versions, specifically 1951. I usually attend the play, as I will be Saturday night; one of the few plays I enjoy seeing)
6) The Santa Clause (1994)
7) Edward Scissorhands (1990) (okay, so only towards the end of the film this is applicable, but for me it gets me in the mood)
8) The Nightmare Before Christmas (1993) (I suppose this is more apropos for Halloween)
9) Bad Santa (2003)
10) Die Hard (1988)

TV:
1) The Simpsons– “Simpsons Roasting On An Open Fire” (1989), “Bart Gets an F” (1990), “Marge Be Not Proud” (1995), “Mircale on Evergreen Terrace” (1997), “Grift of the Magi” (1999),”Skinner’s Sense of Snow” (2000)
2) South Park– “The Spirit of Christmas” Original (1992), “The Spirit of Christmas” (1995), “Mr. Hankey the Christmas Poo” (1997), “Merry Christmas Charlie Manson” (1998), “Mr. Hankey’s Christmas Classics” (1999), “A Very Crappy Christmas” (2000), “Red Sleigh Down” (2002), “It’s Christmas in Canada” (2003), “Woodland Critter Christmas” (2004)
3) Family Guy– “A Very Special Family Guy Freakin’ Christmas” (2001)
4) At least one Johnny Cash Special
5) Dr.Seuss’s How the Grinch Stole Christmas (1964)
6) Rudolph, the Red Nosed Reindeer (1964)
7) Frosty The Snowman (1969)
8) It’s Always Sunny In Philadelphia: A Very Sunny Christmas (2009)
9) A Charlie Brown Christmas (1965)
10) SNL– various skits

Literature:
A Christmas Carol By:Charles Dickens (1843)
A Story A Day Till Christmas Various Authors (1985)
The Catcher in the Rye By: J.D. Salinger (1951)

I usually end up viewing (or reading for that matter) only half of these! But, either way, I have a lot of work to do and I recommend others to watch/read them too. I would recommend music, but that will take too long. I’ll save it for another day. To kick things off, here’s Kyle’s Christmas ballad, “I’m a Jew on Christmas” from the South Park classic “Mr. Hankey the Christmas Poo” (1997).

Night Sun – “On My Way”


Night Sun
 is the collaboration between Cole Alexander (Black Lips) and Curtis Harding (Kirkland Underwater/Cee-Lo Green back-up singer). Those two played their first show together in Atlanta last night.

Creative Loafing Atlanta has uploaded “On My Way,” which will be featured on their 2012 debut EP.

Check it out: http://clatl.com/cribnotes/archives/2011/11/29/night-sun-feat-cole-alexander-of-black-lips-debuts-tonight

CD Review: Black Keys – El Camino [2011]


Release:
 12/2011
Label: Nonesuch Records

1. “Lonely Boy” – A
2. “Dead and Gone” – B
3. “Gold On The Ceiling” – B-
4. “Little Black Submarines” – B
5. “Money Maker” – A-
6. “Run Right Back” –  B
7. “Sister” – C
8. “Hell Of A Season” – C+
9. “Stop Stop” – B-
10. “Nova Baby” – B
11. “Mind Eraser” – C+

Comments: Before legions of Black Keys fans begin tearing me to pieces let me preface my little review by saying that I’m neither a committed or knowledgeable fan of the band. I’ve liked me some “10 A.M Automatic” for a while now and I thought Brothers was a pretty good album. “Lonely Boy” is deceiving. It’s the best track on here. One of my favorite singles I’ve heard all year, in fact. It’s deceiving, because the rest of El Camino (except for the comparably heavy/catchy “Money Maker”) really doesn’t give “Lonely Boy” a run for its money. There are another slew of tunes (“Sister,” “Hell of a Season,”) that on the surface seem to rock pretty hard, but are just similar, blander versions of other better Black Keys songs. I can definitely see where a big fan of more recent BK albums may really end up enjoying those songs. They could be growers. The organ, which appears in a few of these songs, doesn’t bring much more to the mix. This is a good record. A better record for people with more Kings of Leon/pop-rock leanings than grittier, more psychedelic rock ‘n roll leanings.

Grade: B/B- (83)

EP Review: Spiritual Thangz [2011]


Band:
 Gangsta Love
Release: 11/2011

Comments:
 Sometimes it is pretty damn easy to decipher album/song meaning like with Cum Stain’s Cum Stain. Spiritual Thangz is the same way. Frank Hurricane spits about the heavenly herb, the spiritual herb, the WEED. Holy vibes. What is a “Primordial PYMP”? Frank doesn’t keep you waiting for long: “It’s a true gangsta that’s deep spiritual shrimp. Always rolling with a pound of weed.” Frank makes a strong case to create the first weed-ucational Reading Rainbow show. This EP would be the music. The beats are effective — minimal and basic — and they make you really heed the words of the Hurricayne. This is prime music for the pound-a-day types. “It’s a holy thang. It’s a spiritual thang.” In other words, Frank makes devout Rastafarians look like devout Mormons. Boston, Allston, JP, all be chilling with ease. Tossing and burning big trees! Back on point though, these songs are very sticky like Molasses like sticky schweed. Songs that you start and end your day off with. Dangerous, though, mid-day. Look, I was doing some homework popped on some Shrimps Don’t Go To School. Shrimps don’t, but Klyams do.  “Don’t waste your time with school and class. Make spiritual love and puff spiritual grass.” Fairly convincing though. Ok Ok Ok, so this EP is more than deserving of some Gangsta LOVE, so get highdrayted.

Link To Listen/Buyhttp://hurricanesoflove.bandcamp.com/album/spiritual-thangz-ep

The Walkmen Re-Issuing Debut LP On Vinyl


Everyone Who Pretended To Like Me Is Gone was released nearly ten years ago (March 2002). I’ve heard a fair share of records in my time and I can’t say that I’ve ever listened to one quite like this one. The Walkmen are — above most other things — a very distinct band and that categorization began with this record. Sure, the band came about after the break-ups of Jonathan Fire*Eater and The Recoys, but those bands didn’t sound much like The Walkmen. Jonathan was a proto-punk Velvet Underground/Jonathan Richman kind of thing while The Recoys had a dirty, early rock and roll thing going on. Two Recoys songs, “That’s The Punchline” and “Blizzard of ’93” (later “…of ’96”), would end up appearing on Everyone Who in clearer, more atmospheric conditions. But anyway, the reason why The Walkmen are so different than other bands (and why this is proven on Everyone) is Hamilton’s vocal delivery, the twinkling, yet dark-in-an-instant organ, and the one sharp biting guitarist that is Paul Maroon. And let’s not forget Matt Barrick’s drumming (particularly noteworthy on “Wake Up”).

At any rate, I’m very glad this record is being re-issued on vinyl. It’s only available in limited quantity (1,000 are being pressed) for pre-order so head to The Walkmen’s website to do that.

Video: Ian St. Pe – Fixed Focus – “Movin’ On Up”

The G’est of all G’s, Ian St. Pe, has a video out now for “Movin’ On Up,” one hell of a song that has been around for a while now. According to Filter, he is working on a Fixed Focus album. That’ll be nice, of course. But yeah, check on this video, it’s just about what’d you expect from the man:

http://filtermagazine.com/index.php/media/entry/watch_thefixedfocus_debut_video_movin_on_up

Boston based shows/fests – DIY, punk, noise