I’m going to give this a 7/8, out of all the new songs Wavves have been conjuring up for us recently, this ditty is definitely one of the better ones. I really dig the “Post Acid” esque production: heavy percussion, loud guitars, prominent-poppy vocals, etc. Lyrically, we see the same themes of laziness and overall apathy that often appear in Wavves’ tunes. This track is certainly catchy, but doesn’t reach the emotional level of a “So Bored,” or the innovation of a “Linus Spacehead.” With that being said, it looks like they are moving in a positive direction and this is a step forward from King of the Beach, which admittedly is a hard record to top. In the end, there are no surprises here, but it’s also not a carbon copy of previous Wavves songs. Fans will most likely enjoy this, I did.
Category Archives: Wavves
Concert Review: Best Coast, Wavves, No Joy @ Paradise (2/4/11)
Artist(s): Best Coast, Wavves, and No Joy
Date: Friday, February 4, 2011
Venue: Paradise Rock Club (Boston, MA)
Comments: For starters, it was a blessing that we actually made it to this show alone. Long story short, the concert sold out and we had no tickets! After a frusturating 24 hour journey, thee Best Coast/Wavves tickets were finally in the palms of our hands and all was well in the KLYAM Concert Atending Universe.
Act I: No Joy-
If their name was their aim, then they did not succeed. I felt plenty of joy seeing this “female Deerhunter” as Glen put it (though half the band consisted of men) and from the moment they picked up their instruments I could tell we were in for a loud band. I know fans always say stupid shit like that ” from the very first moment it was gold blah blah blah.” Nah, it wasn’t earth shattering and I’m not saying I knew immediately they would be a sound opener, I didn’t, but I had a feeling from the first guitar riffs that whether good or bad they weren’t a band you could turn away from. Luckily, they put on a decent set and though they didn’t share the same pop qualities as their headliners, they did give off some summery vibes that fit with the mood of the evening. Overall, they rocked hard and clearly weren’t a band that begged for your attention, but rather let their music do the talking. I will be sure to further check out No Joy one way or another in the future, hopefully they will swing by Boston again sometime soon.
Act II: Wavves!-
Yes Best Coast is superb, but unlike most of the attendees on Friday, the KLYAMers were perhaps the few that hail Wavves as the one and only King of the Beach. That’s right, our boys Nathan, Stephen, and Jacob unleashed their best KLYAM attended set thus far- playing all the hits one would hope one of their favorite bands would play. Immediately following a jab about innerband analingus, the trio exploded into King of the Beach classic, “Idiot” and the crowd erupted into moshing and pogoing and the whole nine. I could tell just from this intro that the band sounded better than they did the last time I saw them in June and that was a great performance unto itself. I could hear everything Nathan uttered, making it easier to sing along to all my beloved Wavves tunes. Speaking of which the group played a fair amount of the old (“Wavves,” “Beach Demon,” To the Dregs,” “So Bored,” “No Hope Kids,) the new (“Bug,” “In the Sand,”) but mostly cuts from last year’s landmark record King of the Beach- (“Super Soaker, “Take On the World, “Linus Spacehead,” etc.). All in all they were tighter than ever and the sound was great; there’s just this undeniable musical onslaught that hits you so hard, it’s terrific. I think their musicianship has definitely increased over this past year as well as their roles as performers. This time around they really came off as a “Rock Band,” in a good way. The set concluded with the 90s commericalish pop esque sounding “Post Acid,” a great choice for a closer, certainly leaving me with a smile.
Setlist (not actual set list, but songs they did play in no particular order):
Idiot
King of the Beach
Super Soaker
Friends Were Gone
Wavves
Beach Demon
To the Dregs
Linus Spacehead
Bug
In the Sand
Nervous Breakdown (Black Flag)
Take On the World
Green Eyes
So Bored
No Hope Kids
Post Acid
Act III: Best Coast-
Right now, I’m a little crazy for Best Coast and this set just jostled me into insanity. Bethany Cosentino, Bobb Bruno, and Ali Koehler offered Boston a 60 minute taste of the Summer, California, and youthful AM Pop heartbreak drenched in vintage, reverby Rock and Roll. The reverb was done just right, you could hear everything Bethany sang, which for this kind of music that is key. I noticed throughout their invigorating set the crowd enthusiastically sang along as if they knew the pain Bethany articulated (probably because they did)- though it was mostly the ladies that felt this connection, it seems. Right off the bat with “Crazy For You,” Bethany displayed excellent showomanship and almost naturally shared a wavelength (no pun intended) with the audience. Stand outs from the performance included “Boyfriend,” “When I’m With You,” “Our Deal” (a song NOT about weed, but mentions it!), “Bratty B,” amongst others. One of the most powerful moments of the evening was without a doubt the finale of “Each and Every Day” (CFY’s closer)- the trio rocked hard into the breakdown building up to Bethany’s soft, gentle vocals at the very end of the ballad. When she cried “Every day I wake up and I thank the stars above for sending me a man who I could really love if only I could convince you to feel the same way we could be so very happy each and every day” I could see the passion in some of the girls’ eyes and in just that alone I think Bethany and Best Coast have accomplished what they set out to do.
Setlist (Not in any particular order and I’m definitely missing some songs):
Crazy For You
The End
Goodbye
Summer Mood
Wish He Was You
Our Deal
Sun Was High (So Was I)
Bratty B*
When I’m With You
Something In the Way
When the Sun Don’t Shine
Fist City (Loretta Lynn)
Each and Everyday*
* For these songs seeing them live jolted me into excessive fandom for each in their own right; for whatever reason they never hit me before, but now I’m addicted :)
Final Comments: Some shows deliver surprises (Shattered Records Tour), others offer extreme visceral euphoria (Black Lips, No Age), and then there are simply those shows that satisfy exactly what you anticipated they would and a little bit more. This concert was definitely one of those shows. I can’t say anything was unexpected, but it didn’t have to be. All corniness aside, I think Best Coast/Wavves/No Joy did bring some Summer cheer to this froid as fuck region of the world. And as for first KLYAM attended concerts of 2011, what a way to kick off the year!
Grade: Strong 8 to Light 9
SOTD: Best Coast- Bratty B
Okay, to make up for the late arrival of the Best Coast/Wavves concert review, here is a vintage Best Coast ballad in “Bratty B.” I assure you tomorrow the review will be up!
Band of the Week: Wavves
Yep, you guessed it. Wavves is the KLYAM’s Band of the Week. What warrants such an honor? Let’s see dropping the greatest LP of the past year (King of the Beach)-at least our favorite, playing one of our top shows of Twenty Ten, or just being all around great guys! In any case, Wavves deserve the recognition, as they have been rightfully receiving from various media outlets in recent time. Absolutely one of my top ten favorite bands right now; can’t wait to see them live again this Friday, February 4 at the Paradise Rock Club opening for Best Coast.
“There’s something about the Summer.”
Song of the Day: Best Coast- Summer Mood
With this number Bethany definitely achieves her objective of making the listener feel at the beach no matter where they are. And right now in January in New England I could really use the warmth of the sun; at least this ditty puts me in a Summer Mood :)
Currently Best Coast has teamed up with Honorary KLYAMers Wavves for the “Summer is Forever” tour and both will be appearing at Boston’s Paradise Rock Club this Friday, February 4.
Song Review: “Mutant” (Wavves)
This tune is immediately catchy (like the best of King of the Beach) with a prominent drum beat, distorted guitars, and clear vocals. “Mutant” has immediately hooky verses, a nice whistling interlude, and a powerful finish a la “Linus Spacehead,” but not quite as strong. This is a good one, for sure.
Grade: A
New Wavves Single!
http://bananasmusicclub.com/post/2686099138/let-bananas-into-yr-heart-with-this-new-wavves
The new song is entitled “Stained Glass (Won’t You Let Me Into Yr Heart)” it is part of their split single with Best Coast, “Summer is Forever.” Both bands will embark on an epic tour in a few weeks including a stop at Boston’s Paradise Rock Club on Friday, February 4, can’t wait! In terms of this song, I’m not really into the whole psych dance 80s thing a la “Convertible Balloon” (though I actually liked that song). But we’ll see what direction they take with it.
Classic Album Review: Wavvves
Artist: Wavves
Full Title: Wavvves
Year: 2009
Label: Fat Possum
Tracks:
1) Rainbow Everywhere- 8
2) Beach Demon- 8/9
3) To the Dregs– 10 :)
4) Sun Opens My Eyes- 8
5) Gun In the Sun- 8
6) So Bored– 10
7) Goth Girls- 7/8
8) No Hope Kids– 10
9) Weed Demon- 9
10) California Goths- 9
11) Summer Goth- 9
12) Beach Goth- 6/7
13) Killer Punx, Scary Demons- 7
14) Surf Goth- 9
Comments: This record savagely raped my speakers. It just went in, did its thing, and then came back for some more. Seriously though, this album will fucking knock your teeth out and destroy your ear drums, especially if you blast it from a stero. If you listen to it on low volumes or from your ipod/computer, your ears should stay intact however. I first heard of Wavves about a year and half ago. Before hearing the music, my first impression was “this is just another whiny emo/teeny bopping angst group.” Boy, was I wrong! Looking at the titles: so many friggin suns, beaches, goths, demons, etc. I thought it was a joke. “No Hope Kids” sounded like a phrase a twelve year old would utter because his mom couldn’t take him to Newbury Comics that day. Haha, but as I said previously, I was totally wrong. Naturally, I didn’t just eschew them, I gave them a chance and I was blown away by how amazing the recordings were with such limited tools. They were sooooo damn catchy! I could tell Nathan had a true talent for songwriting. With all this being said, I didn’t “love” Wavves and I failed to listen to the first two LPs in their entireties, but I still tossed on some of my favve wavve tunes fairly frequently. Fast forward to June 2010. I hear King of the Beach and if you read this site you know how much we love that record (best of the year!), in any case, Wavves became one of my favorite bands (top ten). The songwriting was better, the production (though cleaner a shock for some perhaps) was greater/more adventerous, and overall the music was more mature. Since, becoming such a massive fan of the group, I decided to revisit their older material. Enter Wavvves. The album kicks off with the noisy, psychedelic “Rainbow Everywhere,” this smoothly transitions into the extremely loud “Beach Demon,” just a pure wall of noise and sets us up for what is to be expected on the rest of the record, both sonically and lyrically (Nathan yelps “going nowhere, going nowhere, going nowhere” this is teenage angst I can actually dig). Hell, if you can’t tolerate the sound of this song, then you might as well stop trying here, you little puss. The third track, “To the Dregs,” is easily my favorite Wavves number. This one truly showcases Nathan’s abilities as a songwriter. TTD is just a classic pop song, a burst of fun, unbelievably euphoric music, it’s almost anthemic. And to the critics out there, Nathan hollers “you see me, I don’t care!” The next few tracks (“Sun Opens My Eyes” and “Gun in the Sun”) continue the experimentation, but aren’t quite of the same quality as the first few songs. They are not bad though and the lo-fi recording still works quite well. Songs like “So Bored” and “No Hope Kids” are Wavves essentials and follow in the vain of “To the Dregs”: all three songs are undeniably powerful, as if we are being coerced to hear the emotion in them. Definitely my three favorite Wavves songs in general. On “So Bored,” Nathan hits an emotional tone, simply beyond the confides of a typical song, it’s unlike anything I can think of, with perhaps comparisons to similar “emotional” artists as Daniel Johnston, Roy Orbison, and Johnny Cash (particularly on “Hurt.”). SB exemplifies those great reverb drenched Wavves vocals. The rest of the LP features some kick ass rockers in “Summer Goth” and “California Goths, ” and “Weed Demon” is a fantastic, spacey-psychedlic number that just crawls under your skin and stays with you for a few days. Two tracks I’m not as fond of appear toward the end: “Beach Goth” and “Killer Punx, Scary Demons.” I like them, but not nearly as much as the others. I feel like they don’t bring anything new to the table to suck me in and captivate me. But, maybe with further eartime, I will favor them more. The final track “Surf Goth,” for me anyway, is very “unWavves.” I don’t know why, but it has this really dark underbelly to it, as if it could be featured in some Harmful Korine flick. I feel like I have to take a shower when I listen to it; this is precisely what fascinates me about it. A great closer for a great sophomore effort from Wavves. After hearing King, it has made me realize how invigorating Nathan’s songwriting has always been. For noise pop and lo-fi fans out there, you probably have already heard this, but if not, you have some serious homework to attend to. Not as harsh as the debut, Wavves and not as poppy/accessible as 2010’s King of the Beach, but without a doubt Wavvves stands proudly on top of my shelf of albums.
Grade: A-
Chris’s Top Songs of Twenty Ten
The Top Song of 2010 for this cat is none other than the Box Elders’ classic “Tiny Sioux” released on Hozac records. Being a massive fan of the Box Elders, I naturally elected this ditty as Song of the Year, but with all that excessive fandom aside, I think this tune has attributes that can be genuinely appreciated by “non-garage” fans: the sincerity of the lyrics and the heartfelt delivery of the vocals. The lo-fi, home recording insanely complements the overall innocence of the number, making it feel like a sad, but beautiful children’s song, as if to be heard before falling asleep. I didn’t think the Omaha boys could top themselves after “Atlantis” from last year’s LP Alice and Friends or at least do it so soon, but indeed they did and this is without a doubt my favorite BE number. Y’all have to hear this!
Okay, so the rest of this list will be in alaphabetical order and I have set it to a three song per artist limit. Here we go…
Sadly no A’s :(
B:
Best Coast:
“When I’m With You”
“Boyfriend”
“Summer Mood”
Box Elders:
“Tiny Sioux” :)
“Plenty of Room At the Bottom”
C:
Cum Stain:
“Cum Stain”
“Broke My Dick”
“Bachelor’s Life”
D:
Deerhunter:
“Basement Scene”
“Don’t Cry”
“Desire Lines”
H:
Happy Birthday:
“Girls FM”
Harlem:
“Friendly Ghost”
“Someday Soon”
“Gay Human Bones”
Hunx and His Punx:
“Cruisin'”
“Gimmie Gimmie Back Your Love”
“Hey Rocky”
Note: these songs had been released previously, but this year marked their official release (Gay Singles) on True Panther Sounds. So, I’m breaking my rule here by sharing two more rockin’ Hunx tunes.
“Lovers’ Lane”
“Too Young to Be In Love”
M:
Magic Kids:
“Hey Boy”
“Candy”
“Summer”
Maine Coons:
“Pull the Plug On Grandma”
“I Am a Motherfucker”
“My Kinda Luv”
Mark Sultan:
“Ten of Hearts”
“Misery’s Upon Us”
“I Am the End”
N:
No Age:
“Life Prowler”
“Glitter”
“Fever Dreaming”
Nobunny:
“I Was On (the Bozo Show)”
“Live It Up”
“(Do the) Fuck Yourself”
S:
Sex Beet:
“I’m In Love With You (So Shut the Fuck Up)”
Strange Boys:
“A Walk On the Beach”
“Be Brave”
“Laugh At Sex (Not At Her)”
T:
Ty Segall: need to hear more of this guy!
“Caesar”
V:
Vomit Squad:
“Burning With Beelzebub”
W:
Wavves:
“Post Acid”
“Linus Spacehead”
“Take On the World”
Chris’s Top Ten of Twenty Ten
10) Cum Stain– Cum Stain (Burger)
Cum Stain exemplifies what is fantastic about Punk: putting passion over musicianship and just fucking rocking out! These ditties are far from perfect but, such memorable tracks as “Bachelor’s Life,” “Broke My Dick,” and “Just a Kid” are the epitome of youthful exuberance. On a lyrical level I could totally relate to these guys; “Cum Stain,” the album closer is an unsavory anthem that is our generation’s “Touch Me I’m Sick.” It just speaks the truth about the relationship between men and women, at the end of the day “I’m just another cum stain on your floor!”
Grade: B
9) First Blood– Nobunny (Goner)
This is another fun rockin’ classic from one of the greatest showmen of modern times. With this record, Nobunny takes his Ramones esque bubblegummy sound to new levels. I wouldn’t go as far as calling the production “adventerous,” but it definitely sounds bigger, cleaner, and more mature. Even lyrically, there are some dark undertones slid underneath the jovial mayhem of the music. Tracks like “Breathe” showcase said transformation. Don’t get me wrong, this still is the same old fun loving, wacky, and entertaining Nobunny we have come to adore. “Live It Up” and “(Do the ) Fuck Yourself” are new classics amongst others. My favorite tune and arguably the bunnyman’s greatest offering is the final track “I was On (the Bozo Show): I really dig the simplicity of just acoustic guitar, drum, vocals. One of his most heartfelt songs (vocally and lyrically) and the inclusion of the circus noises perfectly parallels this. After all, Nobunny’s music/performance is akin to a wild, bizarre circus show.
Grade: B/B+
8) Everything In Between– No Age (Sub Pop)
Everybody’s favorite music duo, No Age is at it again, unleashing another Noise Pop induced adventure! Admittedly, this was a disapointment, at least compared to their previous efforts, but Nouns (2008) is hard to top, so I’ll lay off their case for now. With that being said, this LP has grown on me and I have come to realize there are several amazing numbers on this record. “Life Prowler” has become my favorite No Age opener and when I saw them live the experience was phenomenal. All in all, I would recommend this to NA fans and non fans alike, glad they continue to make relentless, noisy, Punk music for all of us. Definitely one of my favorite bands of all time and certainly one of the best of today.
Grade: B/B+
7) Memphis– Magic Kids (True Panther Sounds)
I have had the great pleasure of recently hearing this modern pop masterpiece. Memphis is sonicly within the Brian Wilson/Beach Boys/Pet Sounds realm and is just as uplifting if not more. These kiddies indeed create a magical experience from start to finish. It is seemingly impossible to not feel ecstatic after listening to Memphis. Top tracks for me include “Summer,” “Hey Boy,” (reminds me of a Summer Heights High song!) “Superball,”Cry With Me Baby,” “Phone,” “Candy,” and “Skateland.” Alas, this record/band will not get the recognition it deserves; it’s a gorgeous, ambitious and overall euphoric Pop album.
Grade: A-
6) $– Mark Sultan (Last Gang)
Mark Sultan follows up his In the Red classic The Sultanic Verses (2007) with $ his most adventerous album to date. The BBQ tosses various ingrediants into his Garage dish: intense/trippy as fuck psychedelia (“Icicles”), doo wop (“Ten of Hearts”), and Anthemic Punk (“Go Berserk” and “Misery’s Upon Us”), amongst other styles. Sultan’s vocals are better than ever, best exemplified on tracks such as “I Am the End” and the aforementioned “Ten of Hearts.” He maintains his careful recreation of early 60s Rock and Roll, but goes so far beyond that and has created his best solo work yet. $ reenforces Mark Sultan’s Status! as a unique and inventive figure in the musical landscape.
Grade: A-
5) Hippies– Harlem (Matador)
Someday soon you’ll be on fire and you’ll ask me for a glass of water, but I won’t hear you because I’ll be blasting this Garage classic! To be frank, this LP isn’t even a “great” album in the truest sense of the word, but rather a collection of great songs, sometimes marvelous songs. I really dig the immediate pop hooks, comparable to those of Jay Reatard and Hunx and His Punx, though not quite the same style of those acts. Harlem is all about fun and they certainly deliver here, via sloppy, but definitely listenable production. This thing is filled with “hits.” Highlights include, but are not limited to “Someday Soon,” “Friendly Ghost, “Be Your Baby,” “Gay Human Bones,” and “Poolside.” If you are a fan of catchy Garage/Punk Rock, check out Harlem; by far one of my current favorite bands.
Grade: A-
4) The Maine Coons– The Maine Coons (Spent Planet)
Who? Yeah, I bet most of y’all have no idea whom these cats are. Before last June, I was guilty of such ignorance as well, until I saw them open for Nobunny. Goodtimes. I loved them then, but I really appreciated this duo when I tossed on their licentious debut LP. MC have a knack for creating bizarre, savagely hilarious, and infinitely memorable tunes. The first five tracks on this ditty serve as one of the greatest line ups I have heard in a long time. All solid songs. Then after tha there’s some filler, but overall this record is a nice assault on the pollitcally correct, uptight squares of the world. This is slimy Punk Slime at its finest, not to be taken too seriously. What should be taken seriously is checking out their music to begin with. I am honestly surprised these fellas aren’t as big as they could be (big meaning on Goner or a similar label). Just listen to classics like “My Kinda Luv,” “I Am a Motherfucker,” “Hey Dickhead,” “Ghetto Queen,” and “Pull the Plug On Grandma.” You’ll get the picture… or be completely terrified. Either way, The Maine Coons have done their duty.
Grade: A-
3) Halcyon Digest– Deerhunter (4AD)
Let me just say there is a big fucking trench between how much I love 4-10 and 1-3. Don’t get me wrong the first seven records enumerated here are more than decent, but this top three is extremely special to me, if not already indicated by the augmentation of the photos. Okay, so Halcyon pushes forward Deerhunter’s incredible gift for experimental (and emotional) pop music further than anyone could imagine. Perhaps because I am a huge fan of said styel I believe this is their greatest effort, but I think it goes way beyond that. Not to sound trite, but on this record Deerhunter have captured a true “Rock” identity whilst still maintaining their peculiar, unique aesthetic. These songs feel like FM Radio staples, songs you would hear in the mainstream, yet in spite of this accessible sound they remain anything but. It still boggles my mind how this is not a much bigger release, not that it matters, I am content with Deerhunter being appreciated for the right reasons. In any case, this record has had an enormous emotional effect on me and I can imagine the same for most folks out there. When Bradford sings “Come on, little boy you don’t have to cry” in “Don’t Cry” it reminded me of Lennon’s line “It’s getting hard to be someone, but it all works out, it doesn’t matter much to me” from “Strawberry Fields Forever.” In both accounts the singers speak directly to their listeners and affirm us that we are all human. On a separate note, the flow here is spectacular, as I said before this album is filled with strong “hits,” but it never feels like a compilation or a greatest hits collection, instead we hear a complete idea/experience and that’s another key factor in what makes this record one of the best, if not the best of the year. Finally, let me point out, just so people do not misconstrue me, I am not insinuating that Deerhunter has found their sound or style or any sort of crap like that. This is similar to what Anthony Fantano of The Needle Drop said about Animal Collective when reviewing Merriweather Post Pavillion (2009): Deerhunter is not the kind of band that just “finds” their sound and sticks to it. That seems like an insult to a band that constantly evolves and ventures into new territories and I see the future as no different. So, check out Halcyon Digest and Deerhunter today, classics include: “Don’t Cry,” “Revival,” “Sailing,” “Memory Boy,” “Desire Lines,” “Basement Scene,” “Helicoptor,” and “He Would Have Laughed,” Yeah, practically the whole damn thing. On a side note to fellow KLYAMer, Andrew Bedsole, right here is an album that should appear on Rolling Stone’s top ten list.
Grade: A
2) Gay Singles– Hunx and His Punx (True Panther Sounds)
This is simply astounding Rock and Roll (of the early 60s Girl Group variety)- extremely fun and catchy. Nothing more. Nothing less. Just the highest of its form. Keep Rocking!
Grade: A
1) King of the Beach– Wavves (Fat Possum)
No, not Kings of Leon, you fools. We Want Fun! King of the Beach! Haha, nothing against KOL, but this record like those of the Black Lips, Jay Reatard, The King Khan & BBQ Show, etc. seriously criticize their peers via music. This record brings out so much joy and euphoria in me I can’t help but pitty anyone that’s not listening to it. I know I sound like an elitist douche bag right now, but I don’t think you realize just how happy this shit makes me! I liked Wavves a lot before this record, but I was really thrilled when Nathan teamed up with Stephen Pope and Billy Hayes (formerly of Jay Reatard’s touring band), hopped into a studio and the rest is history. The cleaner production admittedly ameliorated the sound of the band, but without a doubt the brilliant pop songwrting already existed and vigorously unleashed on this album. For me, I will always cherish this masterpiece and associate it with Summer Twenty Ten. I would go as far as to label this as the greatest Summer record of all time, okay maybe the Beach Boys have the lead on that one, but Wavves are not too far off. What I specifically adore about Wavves is the fact that they don’t reject the music they grew up with (Blink 182, Green Day, and much lesser respected Commercial bullshit of the 90s), they pack it up with them and still wear it just like an old shirt you have grown into, but don’t want to show off anymore. With Wavves that 90s mersh shit is still intact and very much part of their sound, albeit sunk beneath the loud, surfy psychedellic, Animal Collective influenced Noise Pop of Wavves. They just threw a bunch of styles into a blender and hit go! It works. I have to put this at number one, I listened to it multiple times a day, nearly everyday this Summer and still listen to it a few times a week, more or less, and it is amongst my top five favorite albums of all time. With a couple of exceptions, every songs on this record is in the 9/10 range. Here are my favorites: “Post Acid,” “Linus Spacehead,” “Take On the World,” “King of the Beach,” and “Super Soaker.”
Grade: A
Honorable Mention: Best Coast’s Crazy For You, another great Summer album, one that serves as a terrifc companion with King of the Beach and more importantly showcases heartfelt love ballads and the exceptional songwriting/singing of Bethany Cosentino. Can’t wait to see BC and Wavves at Paradise in a few months!
Overall, my favorites of Twenty Ten are all Pop oriented in one way or another, in fact this is a great list of diverse Pop music.
Kids Like You & Me (KLYAM) 