Category Archives: Rap

Chris On…

Gangsta Rap and Hip Hop in General:
There are many aspects of (QUALITY) Rap and Hip-Hop that I love, but two things have always stood out to me more than anything: 1) The harshness in the lyrics, sometimes sound, and most definitely the delivery. This is what I adored in old school Gangsta Rap groups like N.W.A. and Wu-Tang Clan, amongst several others. In general, I really have an affinity for confrontational art and these artists certainly got the job done and scared all the White Folks. 2) The dark, caustic and occasionally absurdist humor that one can find in said harsh lyrics. One of the first rap songs I ever heard that hit me hard was Eminem’s “My Name Is,” I saw its video on MTV when it was “Brand Spankin’ New” at the wholesome age of 8. I then went out and purchased the entire record. I fell in love with the Slim Shady “character.” I was frightened and simultaneously amused. And the rest is history… Nowadays, I don’t like as many rap artists, especially those that call themselves “Gangsta Rap.” Now, it could just be my taste and I’m sure there are plenty of awesome underground rappers, but certainly the state of mainstream hip hop has taken a turn for the worse in the past 10-15 years or so. Modern rappers that I dig include Immortal Technique, Dead Prez, and Necro. All of those artists have been around for a while however, but they are still holding the intimidating/militant character of rap music/culture that I cherish. I’m sure there are others out there as I already said, but they simply haven’t caught my attention; rap/hip-hop is a style of music I enjoy, but makes up a small percentage of my eartime. Anyway, in mainstream hip pop the production is far too clean, commerical and the songs are just poppy dance numbers. Really wimpy, pussy shit. Even people like L’il Wayne do very little to nothing for me. ME! I’m a privileged, little, white suburbanite that knows nothing of “street life” and has no gangsta credibillity whatsover (don’t want any for that matter) and yet these supposedly tough guys on the radio do not initmidate me with their craft. There’s nothing threatening about it. I’m sure in real life they are “tough,” but with their music they have no balls. In short, for me Hip-Hop shares the same story as Rock and Roll, but in way less time and far less pleasing too my taste, albeit some very classic material. It’s like both started out as small, underground, regionally based, black music that was threatening and rebellious to white people. The style became popular and hit the mainstream, then matured (sonically, lyrically, aesthetically,etc), then slowly became more and more mainstream until there was a massive chasm between commercial and underground Hip Hop, with the former sucking massive Corporate Cock. The only thing is the Rock story lasted way longer (Early 50s- Mid 70s- started to go downhill in the mainstream) than Hip Hop (Early 80s- Early-Mid 90s). I know I know Hip Hop technically started wayyyy before then, but it didn’t really take off until the early 80s. So, in other words to the silly Mainstreamers out there in Rap and/or Rock and Roll, in the fine words of N.W.A. “EAT SHIT AND DIE!”

Kurt’s Top 50


A list of Kurt Cobain’s top 50 favorite albums:

50. Raping a Slave – Swans
49. Mazzy Star – Mazzy Star
48. Over the Edge – Wipers
47. Youth of America – Wipers
46. Is This Real? – Wipers
45. The Man Who Sold the World – David Bowie
44. Beach Party – Marine Girls
43. Takes a Nation of Millions – Public Enemy
42. Flowers of Romance – Pil
41. The Record – Fear
40. Damaged – Black Flag
39. Locust Abortion Technician – Butthole Surfers
38. We are those who Ache Amorous Love – Half Japanese
37. Meet the Beatles – Beatles
36. Generic Flipper – Flipper
35. Yip Jump Music – Daniel Johnston
34. Superfuzz Bigmuff – Mudhoney
33. Last Sessions Vol 1 – Leadbelly
32. Tales of Terror – Tales of Terror
31. Jamboree – Beat Happening
30. Rites of Spring – Rites of Spring
29. Void/Faith EP – Void/Faith
28. Combat Rock – Clash
27. Typical Girls – Slits
26. Burning Farm Cassette – Shonen Knife
25. Green – R.E.M.
24. What is This? – Punk Comp California
23. Rocks – Aerosmith
22. Colossal Youth – Young Marble Giants
21. Raincoats LP – Raincoats
20. Anything by: – Kleenex
19. Know Your Product – The Saints
18. Get the Knack – The Knack
17. Daydream Nation – Sonic Youth
16. Dry – P.J. Harvey
15. It’s only Right and Natural – Frogs
14. Nevermind the Bollocks – Sex Pistols
13. Entertainment – Gang of Four
12. Rock for Light – Bad Brains
11. My War – Black Flag
10. Pee Pee the Sailor – Butthole Surfers
09. 1st EP – Saccharin Trust
08. 1st EP – Scratch Acid
07. Millions of Dead Cops – M.D.C.
06. Land Shark – Fang
05. Philosophy of the World – Shaggs
04. Sun Of A Gun – the Vaselines
03. POD – The Breeders
02. Surfer Rosa – Pixies
01. Raw Power – Iggy & The Stooges

Retrieved from “http://nirvana.wikia.com/wiki/Kurt_Cobain%27s_Top_50_Albums”

CD Review: How I Got Over [2010]

Band: The Roots
Release: 6/2010
Label: Def Jam

1. “A Peace of Light” – C-
2. “Walk Alone” – B+
3. “Dear God 2.0” – A
4. “Radio Daze” – A-
5. “Now Or Never” – B
6. “How I Got Over” – B
7. “DillaTUDE: The Flight of Titus” – C
8. “The Day” – B+
9. “Right On” – B+
10. “Doin’ It Again” – B
11. “The Fire” – B
12. “Tunnel Vision” – C-
13. “Web 20/20” – B-
14. “Hustla” – B+

Comments: I liked “Walk Alone” for the most part, but “Dear God” is where it’s at. The verses are top shelf hip-hop. My gripe with a lot of this album is the amount of half-ass tunes. What I mean is that The Roots seem to have a consistent focus on the way these songs are structured. That might appeal to a lot of folks who like a good amount of rap, but also don’t mind a soulful or R&B flavored chorus. I get bored with that. Also, does this record really need short interludes every five or six songs? OK so this isn’t that great in the whole scheme of hip hop records. It might be one of the best of its kind this year, though.

Grade: B- (83)

Big Pink/Smith Westerns Cancel Boston Date/Dead Prez Replaces!

The Big Pink and the Smith Westerns were supposed to play July 29 at the Middle East Downstairs. That’s not happening. If you bought tickets, go to the Middle East and get your money back or get tickets to see their replacement –> Dead Prez, the critically acclaimed political hip-hop duo. Check out their songs “It’s Bigger Than Hip Hop” (2000) and “Far From Over” (2010).

CD Review: Sir Lucious Left Foot [2010]

Rapper: Big Boi
Release: 7/2010
Label: Def Jam

1. “Feel Me (Intro)” – N/A
2. “Daddy Fat Sax” – B
3. “Turns Me On” – C+
4. “Follow Us” – B-
5. “Shutterbugg” – A-
6. “General Patton” – C-
7. “Tangerine” – B-
8. “You Ain’t No DJ” – B-
9. “Hustle Blood” – C
10. “Be Still” – C+
11. “Fo Yo Sorrows” – B-
12. “Night Night” – B-
13. “Shine Blockas” – A-
14. “The Train Part II” – B
15. “Back Up Plan” – B-

Comments: This album is too confusing for a guy like me. The choruses on “Turns Me On” and “Follow Us” are pretty stale and generic. “General Patton” is just shy of terrible. “Shutterbugg” is the first song on here that flows wonderfully, a throwback to late ’90s hip-hop. Unfortunately, not one other song makes such an impact as that one. “Shine Blockas” reminds me of a song that I heard a while back (5+ years ago) that is just realistically chill and comforting. It’s not overdone at all. It’s real. Overall, I’d recommend this to people who are more into hip-hop than I am.

Grade: B- (80)

Songs About Wanting…Pussy!!!

This song is so generic and so straight-forward it ain’t even funny. But it’s such a grotesque novelty. The rhymes are so terrible it makes me feel like I’m the shit at rapping. While other rappers spit about actually getting with a femme and doing it, all these sad fucks can do is crave “nasty sluts.”

LISTEN @ DONE WAITING: http://www.donewaiting.com/wp-content/uploads/2010/07/The-Pack-We-Want-Some-Pussy.mp3