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Concert Review: Hunx and His Punx, Heavy Cream, Radio Control @ Great Scott! (4/2/12)

Artists: Hunx and His Punx, Heavy Cream, Radio Control
Date: Monday, April 2, 2012
Venue: Great Scott (Allston, MA)
Comments:
Act I: Radio Control– The show begins with Radio Control, a rock duo from Somerville consisting of Matt Studivan on vocals and guitar and Kristina Otero on vocals and drums. Radio Control are excited to play as are their supportive fans in the front row (just a couple folks, but nonetheless ultra supportive of their bros). As the set moves along more and more people show up, which is good because they deserve it. I have never heard of Radio Control before this evening, but now I wish I had at least checked out some of their music before entering the Great Scott. They rock pretty hard and the sound is solid. I admire their musicianship and in fact they are one of the tightest bands I have seen as of late. I do not know if it is just me, but I seem to have a thing for two pieces, maybe because I see them so often. Overall, I can hear a lot hooks in their songs and I am positive that if I knew their material beforehand, then I would be singing along to them. Here’s a link to their glorious band camp page: http://weareradiocontrol.com/

Heavy Cream @ Great Scott (Papa KLYAM Photo)

Act II: Heavy Cream– I have been hearing a lot of good things about this Nashville band recently, so when I saw that they were playing with Hunx and His Punx it gave me all the more reason to be hysterically pumped up for this show. Alas, I have only had a small taste of Heavy Cream, but based on what I have heard I know they will not disappoint me.  And of course, they do not.  Heavy Cream definitely has their shit together, both sonically and visually. Singer, Jessica MacFarland is wearing an eye catching leopard skinned outfit and it is hard not to keep your eyes off her especially with her seemingly endless charisma and occasional spitting to boot.  I honestly only know one song from their repertoire and that is 2010’s classic “Watusi,” which is accompanied by one helluva music video.  The song is quite catchy and sounds terrific live, making the kids move and shake a little. I also see a familar face in bassist Seth Sutton, whom I saw way back in October ’09 when he played side by side with the late, great Jay Reatard in the kickass, guitar driven powerhouse known as Useless Eaters. Mr. Sutton isn’t the only Seth I have not seen live since October ’09, but I will get that later, back to Heavy Cream.  I do not want to pin the group down to one sound or style, but fans of bands such as fellow Nashville rockers, Those Darlins, Nobunny, Bleached, and Mika Miko will probably enjoy Heavy Cream. I also hear a lot Runaways/ Joan Jett in their music and performance as well.  Just like Radio Control, they are pretty damn tight and in terms of overall attitude, I cannot think of too many better bands to play before Hunx; they share the same Rock and Roll aesthetic, that is thee best aesthetic.

Act III: Hunx and His Punx– HUNX AND HIS PUNX!!! HOLY SHIT!!! Yes, they truly deserve all of those exclamation points. I am a humongous fan of Hunx and His Punx, so this show means a lot to me. Unfortunately, I have not seen the band since the Boston Shattered Records Tour show at Harpers Ferry on October 2, 2009. Yes sir, Jay Reatard, Nobunny, Hunx and His Punx, Box Elders, and Useless Eaters. To this day the greatest bill I have ever witnessed. At the time, I did not know who or what Hunx and His Punx was, so it was an exciting and bizarre experience that will stick with me forever. Flash forward a few months and Hunx is on my iPod every single day, and that has continued for the past two years. Due to some poor scheduling, lack of money and transportation I have missed the past two Boston Hunx shows, but today is my day. The Great Scott has never seemed so wonderful, and I have seen my fair share of Great Scott shows: Wavves, Harlem, Handsome Furs, all great, but none of them compare to Hunx at this moment. When the band hits the stage, I am harder and higher than ever and I am about to explode (INSERT DRAMATIC EFFECT). Tonight the band opens with the recent Hunx solo effort, “Hairdresser Blues,” and not being a hairdresser myself, I cannot say I have actually experienced these blues, but Hunx sings with so much passion I can tell he has. Next up is “Private Room,” another hit from the new record, and definitely one of the catchiest.  Too bad there does not appear to be any gay dudes in the audience for Hunx to share a private room with, and in general the crowd is a bit reserved. No need to worry though, the band brings their A game and they truly rock the place. I was discussing watching YouTube videos of live performances versus actually being present for the shows with a fine gentlemen earlier in the evening and we both agreed that sometimes it is just not the same if you were not there.  Tonight is a great example of this. I have seen Hunx vids before, but honestly  they do not do justice to the live act.  The band is extremely tight and every song  just fucking hits you like a hurricane. It brings me back to the old days of Jay Reatard, but with a smiley face.  Hunx is one of the greatest performers I have seen.  He simply has a contagious personality, a persona that rivals the likes of King Khan, Nobunny, and Bradford Cox, all of which I admire greatly. The whole group is fantastic: Shannon Shaw (also of the fabulous Shannon and the Clams) belts out incredible vocals on “If You’re Not Here” and “The Curse of Being Young” amongst others.  Shaw is one of my favorite singers right now, truly only on par with some of today’s greatest such as Mark Sultan. Erin Emslie (also of The Foxx) is a sick drummer, her drumming is simple on the surface, but she has undeniable skill and finesse. She keeps the beat at a fast, steady pace the whole show and there is a lot of physicality and power to her performance.  Then there is that creepy, mystery guitarist to the right of Hunx.  The songs would not be the same without him though, but he surely is one creepy motherfucker. JK! Often you think of “garage” as sloppy, but as far as I am concerned Hunx and His Punx has their shit together, much like the first two bands tonight. Every song hits you hard and the set consists of so many classics from both records, Gay Singles and Too Young To Be In Love. My favorites are “Cruising” and “U Don’t Like Rock and Roll.”  I am just in my own world when they play these songs. I love them to death so much,  when I hear it live I am in near cardiac arrest! The show concludes with “Lovers Lane,” and the band departs the stage for the errr dresser room (or lack thereof), but not for too long. “Good Kisser” is unleashed and all is well. Heavy Cream join the band on stage for the final song, which is a cover of a Pleasure Seekers tune: “What A Way To Die”. All in all, a great time is had by all. Hunx and His Punx is real Rock and Roll and it is KLYAM’s mission to bring Rock and Roll into the high schools, middle schools, elementary schools, and if we have time, the pre schools of America! Instead of an Easter Bunny, kids can come and sit on Nobunny’s lap! I can see the lovely mall riots in my mind. God bless America! I am a patriot, I hide in trees.

Set List:
Hairdresser Blues (from Hairdresser Blues)
Private Room (HB)
Cruising (from Gay Singles)
Bad Boy (from Too Young to Be in Love)
Gimmie Gimmie Back Your Love (GS)
Too Young To Be In Love (TY)
Let Me In (HB)
The Curse of Being Young (TY)
U Don’t Like Rock ‘N’ Roll (GS)
If You’re Not Here (I Don’t Know) (TY)
Do the Make Up (GS)
Lovers Lane (TY)
*ENCORE*
Good Kisser (GS)
What A Way To Die (Pleasure Seekers Cover)

Upcoming SKIMASK Shows!


Photo from http://skimaskmusic.blogspot.com/ Check it out!  Here are some awesome, upcoming SKIMASK shows:

Wednesday, April 4 @ Middlesex Lounge Central Square Cambridge w/ Bugs and Rats

Thursday, April 12 @ Butcher Shoppe (Allston) w/ Mounds, Black Pus (Lightning Bolt), Buck Gooter

Tuesday, April 17 @ ….. somewhere in Brooklyn, NY w/ Arvid Noe

Friday, April 20 @ Twin Towers (Allston) w/ New Highway Hymnal, The Terribles, and Rotten Apples

Saturday, April 28 @ Paradise w/ Future Islands, Ed Schrader’s Music Beat

Wednesday, May 2 @ O’Brien’s Pub w/ Fat History Month, Pile, Ugh God

Awesome Boston Globe Article on Boston Hassle (12/9/11)


Sam Potrkus (left) and Dan Shea (right)- Photo taken by Boston Globe

http://www.bostonglobe.com/arts/2011/12/09/with-boston-hassle-underground-music-gets-more-visibility/2y93UMdjNYRHZ93ZeQdURP/story.html

Yeah, I know I’m about four months late on this, but I just came across it tonight and felt it was important enough to share with everyone. This article by Matt Parish does a good job of explaining what Boston Hassle is all about and the background behind its dedicated creators.

Concert Review: Atlas the Atom Smasher (CD Release)@ UML Fox Common

Artists: Atlas the Atom Smasher, Big Mess, Bella Birds, In the Direction of the Sun, and Crashing Cars
Date: Friday, March 2, 2012
Venue: UMass Lowell Fox Common (Lowell, MA)
Comments:
Act I: Crashing Cars– Nice alliteration in the title! Crashing Cars is seriously a great way to describe this band, there’s a lot of aggression to their performance and they play driving, loud, fast rock music.  I definitely get a lot of early to mid 90s  grunge vibes and there is a lot of emotion in each of their songs. and the performance itself.  It’s not exactly my cup of tea, but they are undeniably talented musicians and I can imagine there is a decent amount of appeal for their angsty approach to this style of music. Check out their band camp page here: http://crashingcars.bandcamp.com/

Act II: In the Direction of the Sun– Unfortunately, much of the audience that witnessed Crashing Cars vanish in the time between Act I and II. Which is a  damn shame because these guys really rock hard and give it their A game … for just the four or five of us that are left standing there. It is a set full of tesosterone fueled, angry, death metal/hardcore blast after blast. Once again, this isn’t my kind of music, but I commend them for a charismatic and passionate performance, especially considering the sudden decrease in attendance. At times, I feel like it is the death metal version of Atlantic Thrills, which of course is a great “I don’t give a fuck, let’s just have fun and go wild!” attitude. The best attitude to have. If you’re big  into heavier, more diabolical stuff check these guys out here: http://inthedirectionofthesunma.bandcamp.com/

Act III: Bella Birds– Next up is Bella Birds, a charming folk duo with strong hooks and strong harmonies. A bit more people show up and it is cool to see yet another transition in genre/style/approach, which is a characteristic I always note about thse Fox Common shows. Their performance is engaging and they interact well with the audience, often with light humor and positivity. Here’s the link to their site:  http://www.thebellabirds.com/

Act IV: Big Mess– Ahh yes, the mighty Big Mess. Generally speaking, I’m not the biggest fan of instrumental music, but Big Mess is a massive exception. This trio rocks and kills it at each and every show. The bands plays slow, haunting quasi metal/hardcore with an equal proportion of sludge and pop sensibility. The songs aren’t poppy, but all of them have incredible hooks that get stuck in my head on a daily basis. When I wear my badass, redneck esque snowboots “The Hook” instantly pops in my head, for example. If I worked out I’m sure Big Mess would appear on my playlist. During this performance I hear a lot of My War/Slip It In era Black Flag in their music.  The Big Mess on this evening is no different than the Big Mess on any other evening, but I walk away with those early hardcore/crossover metal, mid 80s-SST vibes. I see a lot of similarities in the two bands, though Big Mess is more in control in their musicianship, it’s less chaotic, but just as cathartic. I’ve seen them several times now and the sets are always familiar, but it never gets old, the songs are strong enough that it’s  always refreshing. http://bigmessma.bandcamp.com/album/big-mess

Act V: Atlas the Atom Smasher– Atlas the Atom Smasher is one of the hardest working local bands in Boston and tonight’s show is a celebration for the release of their latest CD, The Snowmiser Suite, a 12 minute punk epic about the impending apocalypse. Despite the dour subject matter behind the muisc, Atlas is infinitely positive and enthusiastic, especially drummer Tyler Bisson, and this is reflected in their music. They play loud, fast punk driven songs, but with a bit more variation and experimentaion than most bands that fall under that category. The sound is incredibly loud and much of that can be attributed to the Fox Common’s permanent ear damaging PA, but it certainly fit really well with the music. Their performance overall is impressive as is The Snowmiser Suite itself. Give it some much earned ear time: http://atlastheatomsmasher.bandcamp.com/album/the-snowmiser-suite

MARK SULTAN HITTING UP PA’S LOUNGE (5/12)!

As you all should know by now Mark Sultan’s “War On Rock ‘n’ Roll Tour” is coming up this spring and until recently a venue had not been announced for Boston. Well, you’re in luck Bostonian Mark Sultan fans, because the master himself is playing PA’s Lounge in Somerville, MA on Saturday, May 12! If you like good old, no bullshit, Rock and Roll, come out to the show, you won’t be dissapointed.

Below is a link to the tour facebook page, where you can see all the tour dates.
http://www.facebook.com/#!/events/348861051820746/

Enter Nig Heist…

Y’all punkers love Black Flag, right? Well you must check out Black Flag’s roadie, Mugger’s band, Nig Heist, which often opened for Black Flag in the 80s. Here’s a great interview from Vice with Mugger.
http://www.vice.com/read/mugger-nig-heist– “Scoring a Three With Mugger” By Richie Charles

Find out Mugger’s tips on picking up girls at shows

 

This band always reminds me of junior year of high school.

Review: New Highway Hymnal (Lowell 7″ Release Show)@ Dirty Douglas (2/17/12)

Travis drums
Photo taken by Paul Gaughran

Artists: New Highway Hymnal, Big Mess, Dirty Virgins, BTSS
Date: Friday, 2/17/12
Venue: Dirty Douglas (Lowell, MA)
Comments:
For starters, I hate the term “concert review,” and I see these write ups more as show documentations, but that just sounds stupid. More importantly, I still use the term “concert review,” because I do not distinguish these shows from any other musical performances I would see, at least in terms of quality. I remember one time at a Douglas show, some kid said he usually just goes to shows because it is something to do, and most bands he sees are not that great. There’s nothing wrong with attending these shows just for the kicks, not at all, but I have to totally disagree when it comes to the quality of the bands, and everything else for that matter. I cannot really think of a time when I walked away from a basement show feeling dissapointed, not to say my mind is always blown. But, for me it is more than just “something to do,” and this night is a great exmple of what I mean. Before the show, as I am taking a quick perusal at the merch table, I overhear Travis, drummer for NHH (and overall awesome dude) telling a friend that there is a pretty cool scene here. He jokingly says, ” It’s better than Allston.” I concur.
“Yeah, it’s better than Allston!”
“We’re from Allston.”
“Ohh. Allston’s cool too.” Haha, I actually have enjoyed the few basement shows I have seen in Allston, but I do find Lowell to be superior. I don’t know if it’s the bands themselves, the sound, the merch table, or the ubiquitous DIRTY DOUGLAS sign hanging behind each band as they play. Whatever it is, there’s more of an energy and character to the place, making it perfect for a New Highway Hymnal 7″ Release Show. Before NHH plays, three unique, entertaing opening acts get the crowd rockin’ and rollin, including one of my favorites, Big Mess.
Act I: Between Tall Saints and Sinners (BTSS)- I’m curious just how tall are these Saints? I’m a short guy, but I think I could take them on, being a sinner myself. BTSS is actually just one man, a very talented young man named Brad from Bennington, VT. Brad opens the show on a very serious note: “I just want to say RIP to Whisty Houston, one of the greatest black comedians of all time.” Of course, we will also miss Whisty’s groundbreaking comedy. Besides being a comedian of sorts himself, Brad plays guitar, keyboards, and makes heavy use of loops. The music isn’t conventional, but it is pretty interesting, sometimes it’s just really solemn and hard for me to get into, and then in a matter of seconds I’ll hear something that really draws me into the song. In a way though it just felt like one big collection of songs instead of one song; one long psychedelic experience, with songs simply seaming into each other. At some points, the crowd didn’t really know whether they should appalud or not. It made the moment somewhat awkward, but it totally fit and almost felt right. BTSS just seems like awkward music to begin with. Overall, I enjoyed the music very much, but I spent most of the set wondering why there was a vhs copy of When Harry Met Sally sitting on his amp. It kept me curious the whole time and then suddenly Brad picked up the video, hucked the cover into the crowd and began to rape both Harry and Sally with his guitar, just playing his gutiar with the damn thing, it was great! I have never seen anyone play the guitar with a vhs tape. I’ve seen guys play the gutiar with their teeth, forks, drum sticks, and yes I’ve even seen some guys play with their penises. But for BTSS, vhs tapes do the trick and after abusing Harry and Sally with his axe, he let the kids dish out the rest of the damage, smashing the tape to smithereens. A fabulous ending indeed, a forecast for the wonderful, chaotic endings that would occur later in the evening. I hope to see Mr. BTSS again. He seems like a nice dude, a real inspiration. If I choose a career as a Trash Humper, I would want this man to be my co-conspirator. We all have dreams.

http://betweentallsaintsandsinners.bandcamp.com/

Act II: Dirty Virgins–  I’m sure they get this all of time, but awesome band name! It goes without saying, but I’m going to say it anyway. Probably the best oxymoron I’ve ever heard. Is it an oxymoron? I suppose virgins could be dirty, at times they may actually be outright filthy. In any case, these guys are just as fun and odd as their moniker, playing noisy garage punk with definite psychedelic flavor. Fans of garage rock revival bands or those that are labeled such, especially those championed on this site will most likely enjoy Dirty Virgins.  http://dirtyvirgins.bandcamp.com/

Act III: Big Mess– Big Mess is the second best New England based band, or at least my second favorite. Who is number one? That’s a story for another review, right now Big Mess are the stars and as always they destroy it.  “The Hook,” is one of the finest openers I have ever heard and I always look forward to hearing it every time Big Mess hit the stage or floor. Nick Wiedeman and Josh Tracy deliver jostling guitar riffs, whilst Nick Egersheim bashes the drums, each hit is made to kill. When he smacks the drums the sound is nothing short of thrilling.  Big Mess are able to capture rock music at its barest, most stripped down state, cutting out all of the bullshit. Nick and Josh  rapidly swing their guitars around as they bust out driving groove after groove. The band is often loud and I love it, but some of my favorite moments are when the  volume slowly builds up like in Big Mess classics, “No Good Time” and “Gueule de Bois.” This is easily the best set I have seen from them. I can’t wait for the next show.  Check out their music here: http://bigmessma.bandcamp.com/album/big-mess

Act IV: New Highway Hymnal!–  The New Highway Hymnal have played several 7″ Release shows for their latest and greatest effort, “Blackened Hands,” but it is at the Dirty Douglas where the band feels most at home. The place is packed and everyone is ready to rock. I’ve never seen a crowd more engaged and energetic before at the Douglas, there is just an unbelivable feeling of triumphant and joy. NHH are sound performers, but what I find most appealing about their music is the way in which they are able to smoothly mix various genres of music into one form. I hear elements of The Doors (especially in the vocals), the noise experimentation of Sonic Youth, and garage music, where current bands like the Black Lips and Natural Child come to mind. With that being said, the band has definitely found their own style both on record and live; you can tell they play a lot just by their prescence alone. As the band finishes its last tune, the crowd goes wild and pandemonium ensues. Suddenly, the music ends and guitars are flung, mic stands fall down, and there is just one giant pig pile over Travis’s drum kit. One of the coolest endings I have ever seen!
Listen to NHH here: http://thenewhighwayhymnal.bandcamp.com/

New Cumstain- “Ghost Love” + Old OC Weekly Interview

Check it out! http://www.reverbnation.com/play_now/12525886# “Ghost Love,” “Sippy Cup” (Rough mix), and “Smoker” (old demo) are provided at the above link. I think I actually dig the Smoker demo more than the final version. Either way, it’s all good.

Cumstain is one of the best bands going right now. It is one of my dreams to see them live some day!

I also just stumbled upon an old OC Weekly Interview/Article entitled, “Cum Stain Aim to Shock” (March 25, 2010) http://www.ocweekly.com/2010-03-25/music/locals-only-cum-stain/