Category Archives: Music

Box Set Review: Bill Hicks The Essential Collection

Full Title: Bill Hicks: The Essential Collection
Year: 2010
What’s On It?: “Ryko is proud to announce the release of The Essential Collection, a four disc set (2 CD/2 DVD) that encompasses Bill Hicks’ short but influential career as a satirist, social critic and stand-up comedian. The package contains double DVD discs with over five hours of footage from Bill Hicks’ personal archives including rare, never-before-seen performances from the early 80’s, the cult short film Ninja Bachelor Party (starring Bill Hicks, Kevin Booth and David Johndrow), in-depth interviews with Hicks and a photo gallery from his family’s keepsakes. The 2 CD discs offer over two hours of his best stand-up material with never-before-released performance pieces from a San Ramon , CA show recorded by Bill Hicks that was found in his archives. The box set also features new liner notes written by family members as well as renowned figures (including Henry Rollins, Eric Bogosian, noted UK author Paul Outhwaite, and UK journalist/tv personality, Clive Anderson), and a download card containing original song recordings by Hicks (that were mastered at Abbey Road Studios – London, England) entitled, Lo-Fi Troubadour.”- http://www.billhicks.com/essentialcollection.html

Comments: I am a die hard Bill Hicks fan (if you visit the site frequently, you should know that- hence the “Hicks Vid of The Day” posts), so when I heard about this box set I knew I had to have it. First, I threw in the CDs only to be somewhat dissapointed that I knew all the material. Hicks fans should be warned (though it was advertised) that the CDs on here are essentially the same as those found on Rant In E-Minor, Dangerous, and other Hicks albums. I had the impression that this would be new material and already owning all of Hicks’ recordings pretty much made nearly half of this box set obsolete. With that being said, considering this is an Essential Collection, it should have his best material. So, I guess I can’t complain. Now, the DVDs are another story. With a few exceptions, I had never seen any of the live performances they offer us here. They truly are rare, never before seen shows. Mostly we see early Hicks, all the way back to his teen years (or close to it) mocking his parents, teachers, and the drinkers of the world. Then just a couple of years later he, himself is pounding them back and discussing his experiences with cocaine and acid; I’ve never seen Hicks talk about doing blow before and being a Hicksian scholar, I knew he did plenty of it, but this just goes to show you how obscure and old some of these performances are. With some exceptions out there, before this collection was released you would be hard pressed to find footage of entire performances of Hicks from 81-88 (the wild, drunken, drugged out Hicks era). Though, on this DVD, his sets are all comedy and there’s no hullabaloo a la audience members heckling “YOU SUCK!” and Hicks retaliating with verbal rape. His routines range from school/home life to his earliest forays into the realm of politics/society, jokes about the military and government, amongst other topics. Some of the material you have seen/heard before, but there is plenty on the plate I guarantee you have not. Besides performances, the interviews are fun to watch as well as the epic kun-fu classic, Ninja Bachelor Party, which I was already a big fan of. If you’re into Hicks, I recommend this and if you have never heard of him or are not that familiar with his work, then this is a good place to start.

In the spirit of Bill

Grade: 8/10

Funny Hunx Interview!

“It tastes like Gatorade.” Haha, probably why I hate Gatorade. I agree with Seth “Hunx” Bogart here for the most part, he has a good grasp on his image. Personally, I’m like 90% about the music and the remaining 10% comprises of all the other zany things that make Hunx and His Punx who they are including their dress/appearance and attitude, which are just offshoots of the music. I don’t really care if people dress up or not in general, but if H & H P didn’t it probably would be dissapointing to some degree, kinda akin to Nobunny without bunny masks, ears, etc.

Band of the Week: Lost Sounds

This week we are breaking the mold of expectation just a smidgen. For the first time we are harking back to an older group as our Band of the Week. In honor of the recent first year anniversery of Jay Reatard’s death, here is the Lost Sounds, one of Jay’s earlier bands- a synth heavy, bizarre Punk outfit that had a nice flavor of Jay to it, but was also completely disparate from his solo work that you could enjoy on both levels. From what I hear, they were fantastic live. Oh, it’s such as shame! Jay Reatard: 1980-2010.

Classic CD Review: Cuts [2005]


Band:
Toy Love
Label: Flying Nun

1. “Squeeze” – A
2. “Rebel” – A+
3. “Don’t Ask Me” – A
4. “Sheep” – A
5. “I Don’t Mind” – B+
6. “Swimming Pool” – A-
7. “Death Rehearsal” – B+
8. “Bride of Frankenstein” – B+
9. “Toy Love Song” – B+
10. “Photographs of Naked Ladies” – A
11. “Bedroom” – A-
12. “The Crunch” – A
13. “Ain’t It Nice” – A
14. “Cold Meat” – B+
15. “Don’t Catch Fire” – A-
16. “Green Walls” – A-
17. “Pull Down the Shades – A++
18. “Frogs” – B
19. “Fast Ostrich” – A-
20. “Amputee Song” – A-
21. “Good Old Joe” – A-

Comments: Toy Love was an extremely short lived (’78-’79) band from New Zealand. Their legacy proved more lasting as Flying Nun decided to re-master the band’s first LP and include unreleased tracks in a greatest hits compilation called Cuts. The first disc in that set called The Authorized Version is a journey in new wave and punk rock. A song like “Squeeze” is a “Shout To The Top” before “Shout To The Top.” It’s one very rooted in New Wave before most of the world even knew of New Wave.  Speaking of that kind of stuff, “Rebel” sounds like a reaction to the Mod Revival that was occurring around the time of Toy Love’s inception. Choice lyrics: “Credit cards and a maserati/Don’t go to films/Less he knows they’re arty/Likes Women’s Lib/And the Values Party/He’s a Rasta, he’s New Wave/Don’t do nothing/Less he’s told exactly/How to behave.” “Don’t Ask Me” takes a sojourn back to the days of the Velvets/early early punk rock ‘n roll. A catchy chorus “I don’t know where I’m going to” followed by a lush organ equals a neat song in “Sheep.” I’m not so sure I can really grasp how well constructed most of these songs are. Kiwi rock was functioning on a different plane than most of its genre counterparts, taking aim at a bunch of thriving sub-genres from outside the island nation. The transition from “Green Walls” to “Pull Down The Shades” might be the most brilliant of its kind that I’ve heard. I first heard “Pull” when Jay Reatard covered it for Stroke, a Chris Knox tribute album. I prefer the one on this album, with its absolute raw energy and hooky as hell vibe. It’s one of my favorite songs (in general). As a whole, I’d say this record is on the very good end of things. Only a few tracks truly standout, but the rest of them are worthy of some merit. It’s easy to see the influence that this may have had on ’80s alt-rock and ’90s and beyond post-punk/power-pop.

Grade: A-

Artists As Businesses

I posted a short clip a few days back that involved Black Lips drummer Joe Bradley briefly discussing the band’s record label situation. The full discussion on the topic is entitled “Artists As Businesses” and involves a panel additionally including DJ/Fool’s Gold Records founder A-Trak and Greg Anderson, guitarist of the drone metal band Sunn O))) and Southern Lord Records co-founder. All three offer insights on how they got started, the transition from being a band to a ‘professional entity’, the division of labor within bands and their ‘team’, and other functions that go beyond just playing music. Once a band crosses the professional threshold, things naturally become more complicated and there are more worries than merely worrying about dividing the check up amongst band members after playing a show. Lawyers, accountants, business managers, booking agents, and publicists enter the fray, requiring bands to divvy up their gross income amongst these persons. I find this to be very interesting and am eager to check out the other panel discussions that occurred during this Music Conference. A skeptic or a purist might wonder why a car company is involving themselves with underground music and will probably even scoff at the title of this post, but I never got a sense that any of this particular discussion was ‘corporate’ or brand enabling.

Link To Watch: http://www.scionav.com/music/musicconference/index.html#general3

CD Review: Cape Dory [2011]


Band:
Tennis
Release: 01/2010
Label: Fat Possum

1. “Take Me Somewhere” – A
2. “Long Boat Pass” – A
3. “Cape Dory” – B
4. “Marathon” – B+
5. “Bimini Bay” – A-
6. “South Carolina” – A-
7. “Pigeon” – A-
8. “Seafarer” – A
9. “Baltimore” – A-
10. “Waterbirds” – A-

Comments: This band’s back story has been blogged about and blogged about and blogged about some more. Their music has been written about just as much, too. So how is the music, since that’s all we care about?…well pretty good.  It’s kind of like Best Coast if Best Coast was folkier and surfier. Cape Dory is pretty all-around surfy. Minimal surf, though, not hectic. That should be noted. The girl singer (what’s her face!) in Tennis can do some fine stretching of her vocal cords. The first song on here isn’t illustrious in the sense of musical creativity/expansion, but it’s merely a light pop song to be enjoyed. Her voice is like that of trad/mod pop singer, but she really packs the punches better and possesses that innocent-but-really-pretty quality. I’m a sucker for the drum beat on “Long Boat Pass” and the surf guitar twang. Don’t twang and surf go well together? That said, how much shore line can we take, damn it?! Not all is awesome (rarely is everything); some of the techniques are pretty tired a la “sha la la sha la la” on “Cape Dory” for instance. On “Bimini Bay,” Tennis brings to mind the stripped down, laid-back nature of label-mates Walkmen’s 2010 LP Lisbon. This aesthetic carries on deep into the second half of the record. Another album I’d compare this to purely based on the metric of ambition is Teen Dream. ‘Course that was one of the best things that I heard last year and this does not match up to that record, BUT compositionally and sonically Cape Dory similarly sounds so natural and free-flowing. I can’t really praise it enough for that. At the end of the day, the hype that Tennis has received seems well warranted. Their take on girl group/oldies revivalism is unique nowadays and will probably stay around for a while.

Grade: A- (90)
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Tennis plays Great Scott on February 28.

Classic DVD Review: Dinosaur Jr Live in the Middle East

Full Title: Dinosaur Jr: Live in the Middle East
Director: Philipp Virus
Artists: Dinosaur Jr: J Mascis- Vocals, Guitar. Lou Barlow- Vocals, Bass. Murph- Drums
Year: Filmed in 2005, released in 2006
Set List:
1) Gargoyle
2) Kracked
3) Bulbs of Passion
4) Little Furry Things
5) Lose
6) Forget the Swan
7) The Post
8) Budge
9) The Lung
10) The Wagon
11) Raisans
12) Sludgefeast
13) Mountain Man
14) Chunks
15) In a Jar
16) Repulsion
17) Just Like Heaven

Comments: I’ve seen Dinosaur Jr live and without a doubt they are a tour de force, one of the most powerful live bands in the world. This concert in particular is special for two reasons: 1) It was not too long after their reunion, sixteen years after the demise of the original line up. 2) This concert is shot at the Middle East in Cambridge, MA (for the most part) the home state of Dinosaur. The venue is a small, comfy place and gives the band/DVD a certain character. It makes the performance feel homey and intimate. Typically, most Concert DVDs you see feel the total opposite. Since, the Middle East is my favorite venue, I also felt a greater connection and it seemed like Dinosaur was right at home. Overall, I enjoyed the performance and the band were incredible as usual, playing mostly 80s, You’re Living All Over Me (1987) material, which naturally added its own vibes and made the concert/DVD feel all the more like the good old times of the original Dinosaur years. With that being said, the band really carries this DVD. In other words, the DVD offers very little beyond filming the band and a few crowd shots, not much more. It is akin to a youtube video and for me this is surely not enough. In terms of bonus features, we have some treats: interviews with Thurston Moore, Kim Gordan, Steve Albini, Mike Watt, Mat Dillon, and others. They provide great insight and clear appreaciaton for the group. Here, we also see the lack of dedication for this DVD, for the footage itself is given little treatment and poor audio/lightning, but once again the content saves the viewer from running away. We also see a few performances from the band and a radio station performance/interview, which are decent.

Grade: 7/10- Great band, great show, but not a great DVD per se. Still if you’re a big fan I’d recommend it, I will watch it and enjoy it over and over again, because I’m just one of those kinda guys.