
I can’t really figure out how to embed these Vimeo videos so just click the link and watch. It’s very informative as they converse about venues, going on tour, and other fun stuff.

I can’t really figure out how to embed these Vimeo videos so just click the link and watch. It’s very informative as they converse about venues, going on tour, and other fun stuff.
This is a new addition that I will attempt (but no promise!) to consistently post every day. Since, we don’t post Hicks related material enought, I figure to make up for it I’ll fill your bellies daily with some Dark Poetry. Enjoy!

Speaking of horrifying, disgusting behemoths, such as major labels, I thouhgt I’d post a link to Steve Albini’s harsh classic, “The Problem With Music.” I searched “Fuck Major Labels” on Google and this was the first thing to come up lol. I don’t agree with all of it, but he makes many good points and has the knowledge to back it up, plus it’s quite humorous in the Albini sense.

Here’s a random rant I wrote a while back:
I often hear artists say they must sign to a major label to gain commercial success in the music world. Supposedly with such corporate support they are able to reach more people with their music, people they would otherwise never reach. Perhaps, this is true. Of course, this would not be the punk rock way of going about things. Signing to a major label is a sign of selling out to most fans of the punk orientation. By the early 1990s, we witnessed various underground (many of the punk variety) artists make the leap from independent labels to major labels. Some achieved the commercial and artistic success they sought, others saw little to no change in album sales or fan base. In fact, several groups have abandoned or have been dropped by their major labels and have made a return to the underground. What really fascinates me is that some of these bands have sold more records on their independent labels than on their major counterparts. This makes one question the earlier assumption that higher status means higher chart positions. There are numerous examples that disprove this theory. Sonic Youth fans recently enjoyed the release of their latest, sixteenth studio album, The Eternal. This album is particularly significant because it marks the first time in twenty years the experimental rockers released a studio album under an independent label; this time it was the prominent and well-respected, Matador Records. Previously they were signed to Geffen Records, a major label. But, naturally, none of this matters because it does not matter if you sell a hundred records or a million or whatever. What matters is if you have integrity in your art and that you are enjoying yourself. Then again, various miserable fucks have made fantastic music over the years, so I guess you don’t even have to enjoy yourself, but you deserve it!
Thank God, I managed to write X amount of words on the music industry without using the bland term “indie,” until now. I hate that word (even though I am guilty of its use) it’s too vague. If anyone has an actual definition for said word. Pitch it to me. For now, keep on rocking (independently) in the free world.
These Hunx vids are always hilarious and queer as fuck, but what else would you expect? If they weren’t, it would be like seeing a bloodless Tarantino flick! For those unfamiliar with Hunx, you may have heard this number in a Lens Crafters ad. THAT WAS NOT AN ENDORSEMENT!
Enjoy
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Band: Ariel Pink
Release: 6/2010
Label: 4AD
1. “Hot Body Rub” – C-
2. “Bright Blue Skies” – B
3. “L’Estat” – B-
4. “Fright Night (Never More)” – C+
5. “Round and Round” – B
6. “Beverly Kills” – C+
7. “Butt-House Blondies” – C+
8. “Little Wig” – B-
9. “Can’t Hear My Eyes” – C-
10. “Reminiscences” – C-
11. “Menopause Man” – C
12. “Revolution’s a Lie” – B
Comments: Lounge music meets oldies! How cool is that? Not really that cool, huh? I’d call Ariel a similar artist to the more high profile (and more polished) MGMT. The problem with Ariel’s Before Today is the same problem with MGMT’s Congraulations. There is hardly any fucking direction. There are speed ups and speed downs. Heaviness and laziness. Of course, all these elements are present all over the place. Consistency? Screw that! Psychedelic pop be damned! Pop?! “Round and Round,” my whole household mistook this for an ’80s pop tune. This record is so damn strange! Maybe it’s the lo-fi element that really makes this thing sound like a lost-and-now-found cassette. If Ariel wanted to create twelve novelty songs, he succeeded. He succeeded so much. I like to say this is one of those albums I didn’t want to hate at all, but after listening to it…shit it sucks. Sucks in a terribly average way.
Grade: C+ (77)
QUOTE:
You are bidding on a brand new copy of the very rare ‘Ding Dong’ LP from two of the garage punkers of all time! – BBQ & BLOODSHOT BILL (King Khan)! 1st pressing!!
FAIL! Bloodshot Bill is not King Khan.
What a little pus! I go through two lighters a day dude… haha seriously he should consider quitting lol. Btw, is that a gun at 1:07-08?
Chris

Whatchu talkin bout Chris? Yeah, sadly I’m talking about Gary Coleman being dead at 42 after suffering a brain hemorrhage. RIP Gary.
Chris
Here it is for your viewing as ordered by King Khan and XYZ.
Chris