Category Archives: CD Review

Really Classic Album Review: Sounds of Silence

Artist(s): Simon & Garfunkel
Full Title: Sounds of Silence
Year: 1966
Label: Columbia/ CBS
Tracks:

1) Sounds of Silence- 9
2) Leaves That Are Green- 8
3) Blessed- 7/8
4) Kathy’s Song- 9
5) Somewhere They Can’t Find Me- 8
6) Anji (instrumental)- 7
7) Richard Cory- 8
8) A Most Peculiar Man-9
9) April Come She Will- 10
10) We’ve Got a Groovy Thing Goin’- 8
11) I Am a Rock-9

Comments:
Simon & Garfunkel kick off this ditty with an impassioned, classic, Folk Rock anthem in the title track. The song showcases the duo’s great talent for harmonious vocals, soft, emotional, pop ballads; a far, far cry from their Tiger Beaty teen idol counterparts. A focal point, I often feel is necessary to make- that S & G were not just another wimpy, sensative, Teeny Bopper group, a category/genre that they are sometimes cast aside to. “Leaves That Are Green,” is a nice, catchy number, not too adventerous, but sound. “Blessed,” at least for my money, doesn’t quite cut as deep; it’s an ok tune, but not on par with other tracks. Enter “Kathy’s Song,” a rather soft spoken ballad, that is extremely direct, musically and lyrically. It’s as if Simon is singing soley for Kathy. The tune utilizes the “less is more” logic: it’s simply Simon and his Gee Tar singing his poetry, without any major choruses or instrumental changes. It really gives the ballad a distinct quality and overall feel. Clearly, the band had a knack for writing poetic numbers with deep themes behind them. Later on in the album, we hear two back to back character studies of two very different (or very similar?) suicide victims. The first being “Richard Cory” (based on the Edwin Arlington Robinson poem of the same name, we read in Brennan’s class, if y’all recall :) a fast paced tale about a extremely successful businessman, who seems to have it all and then one night decides to “put a bullet through his head.” This unexpected suicide is contrasted by the next track, “A Most Peculiar Man,” a slow, softer, song about a lonely man, who “lived all alone, within a house, within a room, within himself.” This fucking guy leaves on the gas in his car and thus takes his own life, much to no one’s chagrin. The two studies brilliantly stand in stark contrast to one another. They are followed up by the gentle, folky, “April Come She Will,” the LP’s strongest track, in my humble opinion. It’s so peaceful and almost Summerlike- reminding me of kicking back, relaxing, and thinking about “life.” And ok, also the fact that the months idenitfied include the Summer season! Another reason why I adore this lesser known S & G track is the fact that it was featured in the classic film, The Graduate (1967) as was the title track, the much, much more famous song. For some reason, April stands out to me more and instantly brings back images of the film and the scene it’s featured in. April, her only crime? Brevity… 1:53 is too short! This LP closes with another Folk Rock anthem in “I Am a Rock,” a highly catchy and memorable ditty that contains just about everything that made the pair loveable to begin with. Overall, this is a solid listen, but comparably weaker than most of their efforts. It feels more like a bunch of decent songs, rather than a whole album. With that being said, if you like 60s Folk Rock, poetic lyrics, songs with stories, a shit load of harmony in your vocals, etc. then you will probably dig this, and naturally if you are a fan of Simon and Garfunkel, then by all means, check this out.

Grade: B+

CD Review: King of the Beach [2010]

Band: Wavves
Release: 6/2010
Label: Fat Possum

1. “King of the Beach” – A+
2. “Super Soaker” – A+
3. “Linus Spacehead” – A++
4. “When Will You Come” – A-
5. “Baseball Cards” – A+
6. “Take On The World” – A
7. “Post Acid” – A
8. “Idiot” – A
9. “Green Eyes” – A-
10. “Mickey Mouse” – A-
11. “Convertible Balloon” – A-
12. “Baby Say Goodbye” – A

Comments: Ye gods, the production quality on this is fantastic. Nathan Williams goes from being a lo-fi tape hissing noise punk on his first two records as Wavves to a pop punk extraordinaire on this one. Count me in on The Impressed Club. These songs are simply warm-weather chilled out re-playable classics. For obvious reasons, Wavves does a much better job at this than any of those ’90s/early ’00s hype summer pop rock bands that birthed hit singles. Wavves is much more real. Thank God they got a nice studio to kick around and experiment. It seems like they really took advantage of that setting by trying out new sounds: a light organ and sleigh bells (reminiscent of something in between Panda Bear and Christmas music) on “When Will You Come,” snapping, more vocal samples, synths, and all around Panda Bear esque psychedelia on “Baseball Cards,” and uncontrollable laughter on “Idiot.” A song built around laughing behind someone’s back? There you go. Like I said before, I’m truly impressed that this is the same guy who recorded simple, but only sometimes really catchy tunes in his bedroom. This isn’t selling out folks. It’s exploring and expanding. It’s…surprising and unexpected. A stripped down “Mickey Mouse” would have fit in Wavves catalog fine a few years ago, but it would have had only two or three layers. The “Mickey Mouse” on here has at least six different layers and every single one of them truly makes a world of difference. “Baby Goodbye” might be really awesome live, but damn that ending is far too long. The first three minutes or so are just fantastic. This record is tied for being my favorite of the year. I really don’t see that changing much. The quality and immediate impact of these songs is currently blowing my mind, but that might be because I’m looking outside it’s 90 degrees and sunny. This kind of weather just works this sound. Good work, Wavves.

Grade: A (94)

CD Review: In and Out and Back Again [2010]

Band: Woven Bones
Release: 5/2010
Label: HoZac

1. “I’ll Be Running” – B-
2. “Guess You Already Knew” – A-
3. “Seven Year Mirror” – B+
4. “If It Feels Alright” – B
5. “You’re Way With My Life” – B
6. “Creepy Bone” – B+
7. “Half Sunk Into The Seats” – B+
8. “Couldn’t Help But Stare” – A-
9. “Blind Conscience” – A-

Comments: Awesome drumming. Vocals can be a little disappointing, but am I the one to talk?! Woven Bones’ got Thee Oh Sees thing going on, but ho ho ho something is lacking. I may never figure out what it is, but it’s not like whatever isn’t here isn’t helping. Whatever is here works to a satisfiable degree. It might be the sometimes apparent cross between shoegaze psychedelia and no-gaze garage rock.

Grade: B+ (87)

Top 5 Labels [1/2 Year 2010 Style]

Top rated albums from January to June 2010 by label. If a label is a subsidiary or an imprint of some larger label, the larger label/owner will be used. Score multiplied by .4 if at least one album scored a 90 or above. Score multiplied by .3 if at least one album scored an 84 or above. Score multiplied by .2 if at least one album scored a 76 or above. Score multiplied by .1 for everything below that.

1. Beggars Group [Includes Matador Records, Rough Trade Records, XL Recordings, and 4AD]: Hippies by Harlem [95]; Gay Singles by Hunx and His Punx [95]; Be Brave by The Strange Boys [91]; Contra by Vampire Weekend [90]; High Violet by The National [88]; Minor Love by Adam Green [85]; The Monitor by Titus Andronicus [84]; Big Echo by The Morning Benders [83]; Before Today Ariel Pink’s Haunted Graffiti [77]; Brutalist Bricks by Ted Leo and the Pharmacists [75]
Grade: 272.5 (38+38+36.4+36+26.4+25.5+25.2+16.6+15.4+15)

2. Warner Bros. [Includes Sub Pop Records, Atlantic Records, Vice Records, and Epitaph Records]: Teen Dream by Beach House [95]; I Will Be by Dum Dum Girls [94]; Expo 86 by Wolf Parade [92]; Avi Buffalo by Avi Buffalo [89]; Male Bonding by Male Bonding [89]; Something For Everybody by Devo [89]; Adventures by Bobby Ray [82]; Brothers by The Black Keys [81]; Shame, Shame by Dr. Dog [75]; Realism by The Magnetic Fields [74]
Grade: 213.3 (38+37.6+36.8+26.7+26.7+26.7+16.4+16.2+7.5+7.4)

3. Merge Records: Work by Shout Out Louds [89]; Swim by Caribou [83]; Transference by Spoon [81]; Volume Two by She & Him [81]
Grade: 84 (26.7+24.9+16.2+16.2)

4. EMI (Includes Capitol Records, Mute Records, and Virgin): This Is Happening by LCD Soundsystem [81]; Plastic Beach by Gorillaz [78]; Sisterworld by Liars [76]; Head First by Goldfrapp [74]; Heligoland by Massive Attack [73]; Of the Colour… by OK Go [69]
Grade: 68.6 (16.2+15.6+15.2+7.4+7.3+6.9)

5. Universal (Includes Interscope, Geffen, and A&M): Permalight by Rogue Wave [84]; Thank Me Later by Drake [78]
Grade: 40.8 (25.2+15.6)

5. Secretly Canadian: Pigeons by Here We Go Magic [83]; Odd Blood by Yeasayer [81]
Grade: 40.8 (25.2+15.6)

——————-

Predictions: If both Black Lips and No Age release new LPs in 2010 and they are awesome (as projected), then the Warner Bros. grouping might just gain some ground. I’m not so sure there are going to be any more really really noteworthy Beggars Group releases besides Interpol for the remainder of the year. We’ll see. Merge, I’m sure, will see its stake rise up with the release of Arcade Fire’s The Suburbs and Superchunk’s Majesty Shredding.

CD Review: White Mystery S/T [2010]

Band: White Mystery
Release: 3/2010
Label: White Mystery

1. “White Widow” – A-
2. “Power Glove” – A
3. “Lions of Tsavo” – A-
4. “Overwhelmed” – B+
5. “Vorpal” – B+
6. “Switch It Off” – B+
7. “Farmer” – A-
8. “Take A Walk” – A-
9. “Don’t Hold My Hand” – A-
10. “Halloween” – B+
11. “Respect Yourself” – A-
12. “Aaron” – B+
13. “Ye Olde Stone” – A-
14. “Trance” – A-

Comments: That voice! She sounds eerily familiar…you know the female vocalist in this band? Maybe Alissa Mosshart? White Mystery know how to rock quick. Press the record, play some inspiring hooks and beats, press stop, and call it a day. Like the Hives and the Dirtbombs, White Mystery plays passionate ’60s rock revival. Sure, most of these songs — for no fault of the female vocalist — sound pretty much the same or have the same construct. That’s a turn-off for a lot of garage enthusiasts. BUT, these songs are too good not to like. They have that “right now” appeal that I treasure.

Grade: B+ (89)

CD Review: The Ding-Dongs S/T [2010]

Band: The Ding-Dongs (Mark Sultan & Bloodshot Bill)
Release: 5/2010
Label: Norton

1. “Ding-Dong Party” – B+
2. “Don’t Ring, Come On In” – A-
3. “Until I Die” – B+
4. “Come On Lil Dolly” – B+
5. “She’s A Tiger” – B+
6. “Woman Cops” – A
7. “Knock Me Down” – B
8. “You Better Hide” – A-
9. “Military Mama” – C+
10. “Worried Man” – B-
11. “What’s That Sound” – A
12. “Crazy Dreams” – B
13. “Last Laugh” – B

Comments: BYODD. Bring your own ding-dong. That seems like the most logical thing to do at a “Ding Dong Party.” Bloodshot and Mark sing with such conviction that I almost forgot that the concept of such a song is total cheese. The same goes for pretty much all the tracks on this record. As you’d probably guess (judging by the ghost of Mark Sultan and Bloodshot Bill past), this is textbook Rockabilly For Dummies or Primitive Rock and Roll for Junkies. “Woman Cops” stuck in my head since I heard it first a few months ago. Walking down the street or sitting down reading a book, the words “Woman Cops, when you love to beat me” suddenly came to me. It’s such a quick song that I got a feeling of, wait a second, I don’t remember it being THIS short! Oh well! Good track. As I mentioned when I reviewed Waylon Thornton’s latest offering…there is only so much you can do within this kind of framework without really changing things up. True, a lot of these songs are just undifferentiated old school party numbers. Unless, you are listening with absolute acuity, it’s hard to argue otherwise. “What’s That Sound” is more gritty and resolute, more instantly catchy than any other track on here. To answer the song title’s question…I’ll guess pee pee. All right, so let’s get something clear: if you are a die-hard Bloodshot Bill fan, you’ll be loving this. If you are a die-hard Mark Sultan fan, but only like BB marginally (who am I talking about?), you’ll be liking this. If you don’t like anything either of the two have put out (in their respective bands), shit, you are out of luck. BUT WAIT…if I like the King Khan and BBQ Show, will I like this? Not as much as you probably wanted to. This is like Hunts Ketchup vs. Heinz Ketchup. Hunts just doesn’t match up.

Grade: B (86)

CD Review: Something for Everybody [2010]

Band: Devo
Release: 6/2010
Label: Warner Bros.

1. “Fresh” – A+
2. “What We Do” – B
3. “Please Baby Please” – B
4. “Don’t Shoot (I’m a Man)” – A-
5. “Mind Games” – B+
6. “Human Rocket” – A-
7. “Sumthin” – A
8. “Step Up” – B
9.”Cameo” – B
10. “Later Is Now” – A+
11. “No Place Like Home” – A-
12. “March On” – B+

Comments: Twenty years later Devo is still “Fresh.” They do what they do. It’s still the same. They still have (now) retro ’80s electro-dance beats going for them. For a somewhat modern reference point, I’d pinpoint you towards the Lost Sounds. There are tons of sci-fi noises, synths, and the kinds of vocal styles that Alicja Trout and the late Jay Reatard mastered. Why compare such a prolific New Wave band to a short lived one? I don’t know! I just did. Of course, Devo is full of more pop hooks and a continually fast rhythm. I would be lying if I said the album through-and-through was constantly catchy. There are some songs that really hit you immediately, others have some lulls. By lulls, I don’t mean bad parts, but rather mild spoilers that bring a song down from memorable to a tad forgettable. Growers like “No Place Like Home” are utterly impressive. The Bob Marley “Buffalo Soldier” esque closer “March On” does its job. It reminds me of some of the dance mixes of Legend. I’m not sure if that is what the band was going for, but it sure sounds like it. Conclusion? This album is awesome. Not awesome in one of the best of the year, but as I’ve said a number of times (about other albums), the great songs on here are just worth listening to over and over. That said, there couldn’t possibly be twelve “Fresh” a-likes. That wouldn’t…be…fresh.

Grade: B+ (89)

CD Review: Thank Me Later [2010]

Rapper: Drake
Release: 6/2010
Label: Young Money Entertainment [Universal Records]

1. “Fireworks” – B-
2. “Karaoke” – B-
3. “The Resistance” – B
4. “Over” – B
5. “Show Me a Good Time” – C
6. “Up All Night” – B
7. “Fancy” – C+
8. “Shut It Down” – B-
9. “Unforgettable” – C
10. “Light Up” – C
11. “Miss Me” – B
12. “Cece’s Interlude” – C-
13. “Find Your Love” – C+
14. “Thank Me Now” – C-

Comments: Aubrey Drake Graham was a nobody without Little Wayne. Little Wayne got a hold of a few of Aubrey’s raps and was like “yo, I want to make this guy big. I want to sign him to my label and a take cut of his income!” Aubrey was like “all right, Dwayne, that’s fine, but I’m not going to make this for commercial purposes.” At any rate, Aubrey was able to get in touch with a shit load of high profile hip-hop players like Kanye West, Nicki Minaj, Timbaland, Jay-Z, and Young Jeezy.  to appear, in some capacity, on the album. That’s all nice and all, but does Aubrey know how to tell a story? Yes. He does that at length. “Over” is incredibly Lil Wayne like. It’s more explosive than any of the previous tracks and, for that reason, has more appeal. The chorus is not traditionally annoying, but it’s not anything special. There’s really not much else to say about anything else. I don’t think Drake could have struck out much more on such an anticipated, ultra-hyped album. Most of the songs on here are just average rap songs, lacking solid beats or decent flow. Little Wayne Weezy single-handedly saves “Miss Me.” Drizzy is just weak, ‘yo. “That’s nasty. Yes, my name is Weezy, but I’m not asthmatic.” Damn, Weezy, keep doing your thing. You drop some great lines.

Grade: C+ (78)

CD Review: Take A Vacation! [2010]

Band: The Young Veins
Release: 6/2010
Label: One Haven Music

1. “Cape Town” – A
2. “Change” – A-
3. “Dangerous Blues” – B+
4. “Defiance” – B+
5. “Everyone But You” – B
6. “Heart of Mine” – B+
7. “Lie to the Truth” – B
8. “Maybe I Will, Maybe I Won’t” – A-
9. “Take A Vacation!” – A
10. “The Other Girl” – A+
11. “Young Veins (Die Tonight)” – A

Comments: So you’d probably expect a spin-off full-length from former members of Panic! At The Disco to suck. Well, I personally can’t say that I know what Panic! sounds like, but I’m sure it’s something not too good. Probably something unlike this. Well, this group takes on a self-proclaimed ’60s sound — reminiscent of what was considered pop and “garage” back then. Fair enough. Sure, this album isn’t original at all. Sure, it gets progressively worse from tracks 1-5, but utterly amazing towards the end. Besides some of the negative points of discussion, though, this is really good. I’ve read people hating on this, but with what justification? If you are a lover of the kind of music that got this band inspired, why pass hatred to these innocent victims? Pretty much the entire album is catchy. Check out, though, if I request you must “Take A Vacation!” and “Cape Town.”

Grade: A- (90)

CD Review: Champ [2010]

Band: Tokyo Police Club
Release: 6/2010
Label: Mom+Pop

1. “Favourite Food” – B+
2. “Favourite Colour” – A-
3. “Breakneck Speed” – B
4. “Wait Up (Boots of Danger)” – B
5. “Bambi – C+
6. “End of a Spark” – B-
7. “Hands Reversed” – B
8. “Gone” – B
9. “Big Difference” – B
10. “Not Sick” – B
11. “Frankenstein” – A-

Comments:
Tokyo Police Club is back with this, their second full length album. The band’s debut Elephant Shell contained a few quirky personal favorites like the semi-punk “In A Cave,” the epically poppy “Juno,” the post-punk-to-the-brim “Citizens of Tomorrow” and “Shoulders & Arms,” and probably the band’s best (and most critically acclaimed) tune “Your English Is Good.” So after such a memorable sub-30 minute record, is a repeat in store? My first impression of this album is: vocalist Dave Monks is best handled in small chunks. He defines the band’s sound for the most part. Lucky for me, I think his voice is pretty tolerable, but over-thinking it…quite annoying. He never really got old on Elephant Shell, yet he is the same Dave Monks on here. He still has a way with words. He hasn’t lost that. Another thing I just thought of: if you’ve never liked this band, you never will. Nope, not on this album. That’s how divisive they are. There aren’t many great songs (if any) on here. It’s too bad. Most of it is average or just barely good.

Grade: B (84)