Comments: There isn’t much to say about this album. It’s a lot of what Mission of Burma fans love above Mission of Burma. If you don’t love Mission of Burma, you are going to probably write this album off as meh-verage old guy punk rock. There is some really really catchy, drill Sargent drumming and blistering noisy guitar especially in the last five songs.
hi
in the past couple of weeks i’ve been getting a band together for fun to play the eraser stuff live and the new songs etc.. to see if it could work!
here’s a photo.. its me, joey waronker, mauro refosco, flea and nigel godrich.
at the beginning of october the 4th and 5th we are going to do a couple of shows at the Orpheum Theatre in Los Angeles.
we don’t really have a name and the set will not be very long cuz ..well …we haven’t got that much material yet!
but come and check it out if you are in the area. we’ve also got locals Lucky Dragons playing.
all the best
LA Weekly The two don’t like each other, apparently so much that when both bands played last month’s FYF Fest in LA, intermediaries feared that fisticuffs might erupt at any moment. The two never crossed paths in LA, though. That changed Saturday night, when both were at Daddy’s Bar in Brooklyn. Someone apparently served someone else a knuckle sandwich.
Williams of Wavves, in a MySpace post, describes Swilley as “just looking for a fight at 4 in the morning talking shit to my face and his girlfriend is spitting in the face of all my friends.” Swilley begs to differ, and says a cowardly Williams relied not on his fists but his posse’s: “I’ve never ‘come after’ that kid, it wasn’t four a.m., that wasn’t my girlfriend, no one was spitting, and I didn’t attack him. .. The only thing I did was walk up to him and say ‘You’re that faggot from Wavves and I don’t like you.’ He smiled a bit but didn’t say anything.”
Later in the night Swilley stumbled into Wavves turf, where he “saw their tour manager hanging around with some guys. They started getting all chuckles with me and so I told them I wasn’t gonna have it. After that, Wavves tour manager hit me square in the face with a bottle. Blood started pouring out and six dudes fucking started kicking me until I blacked out.”
How about no violence! Both seem like cool dudes. But wait:
“We’re gonna set up a boxing match between the two kids. We’re getting sponsors now. Jared from The Black Lips told us he’s 100% down to do it and we’re waiting to hear back from Nathan but from what I’ve heard he’s down too. The event itself is gonna be held in Los Angeles, in an actual boxing ring, will be filmed and the winner will not only win a “Buddyhead Title Belt” but he’ll win a large cash prize.”
Keller describes the bill thusly: “Two skinny white dorks with boxing gloves on trying to punch each other.” He also wants them to do a split single on Buddyhead Records: “Diss tracks!”
Swilley has maybe a foot advantage on Williams, who is truly incredibly tiny…Then Swilley just had to be a complete immature asshole:
He’s coming to Atlanta October 3rd and we’re gonna get ugly on him. We’re gonna destroy their van, we’re gonna destroy their faces, we’re gonna get crazy on em’. Nasty style.”
Sioux City Root Beer: No alarms and no surprises with this one. Really traditional. No pre-taste or after-taste. Sweet and smooth. Good on its own merit. Grade:9.2
Abita Root Beer: Good…mild…not as sweet. Would go pretty damn well with food. Nothing too crazy about it. Flavorful. A really neutral good tasting root beer. Grade: 8.9
Bands: Many Mansions, Ganglians, Wavves Venue: Great Scott (Allston, MA) Date: Sunday, September 27, 2009
Many Mansions This band embodies what has become of the psychedelic trance/drum and bass genre. Their set up was different for sure: one man controlling the drum and bass machine, the effects pedals, and singing while the other dude was just on stage to (apparently) play with the visuals on the projector. And the visuals were weird as hell. Some of the images: an African boy running in a field, an African guy nailed to a cross and decaying, trees, a bunch of people moving away from a building, people break dancing, and an African woman doing a dance in the forest. These images did all sorts of crazy things like spin, flip, illuminate, and fade. The visual arts component was better than the music. I felt bored by the music, at least initially. A few of the electronic drum schemes were catchy and maybe one song was actually “good,” but other than that this band just didn’t do too much for me.
Ganglians The best I can describe Ganglians is proto-Wavves. They played a lot of catchy noise-pop that certainly the crowd was into. There was definitely an element of their music (the bass lines, probably) that really allowed for dancing and grooving. The lead singer was rocking out and everyone in the band looked like they were having a blast. I sensed a lot of Jay Reatard garage-pop, especially in the drumming and singing. There was one number in particular that had a near identical drum part as “Blood Visions.” A song I highly recommend checking out that they played is “Blood on the Sand.” “Hair” had me mistaking this band for the War on Drugs with its active keyboards. Overall, this was a really good second band!
Wavves After ten minutes of “technical difficulties,” the crowd got a little antsy. Like…maybe Nathan Williams consumed Valium and E before the show and couldn’t figure out which amp to plug his guitar into. Or maybe not since the only amp on stage was a huge Marshall double-stack mammajamma. Safe to say that no public breakdown happened last night. Williams, with his New York Death Adders hat and tee, welcomed the crowd saying “Hi, we’re Wavves” before blasting into “So Bored,” my favorite song! Everyone easily recognized this song because it’s Wavves’ biggest and just started going nuts, singing along, dancing, etc. The next set of seven or eight songs potentially ended with the word “Goth” or “Demon,” I just can’t remember. That’s because there was, at least for me, an unexpected amount of moshing. The first I got hit I was kind of like wtf okay that’s cool. But then I looked behind me and people were getting pushed around like crazy, bumping into each other. So the next twenty minutes turned out to be an awesome re-visitation of old No Age shows, because of both the music (noisy punk) and the crowd response (moshing). The final song they played was “No Hope Kids,” an awesome song to end the show! Pure pop beneath the massive wall of noise. Unfortunately they only played for 30 minutes, but it was a lengthy 30 minutes. After sweating my ass off from all the moshing and losing track of time, it felt like just enough.
Final Comments: Wavves put on a great show and the experience of watching them play was very top notch. Wouldn’t it have been better if I knew a majority of the songs performed? Probably. I didn’t let them bug me and in the end I walked out of Great Scott knowing that I had a shitload of fun. That said, this show is not comparable to some of the best shows I’ve seen. I would give it somewhere in the B+/B range.
Crowd during WavvesOnce Nathan Williams got stuff to work, all was well!
I used to be a Daddy’s Donuts junkie before it closed its doors a few years back. They had a great honey dip stick and a pretty solid blueberry donut. Since then I’ve mainly been patronizing Honey Dew Donuts simply because I find Dunkin’ Donuts to be extremely lackluster. DD is the hallmark of meh doughnuts, in fact. Honey Dew is a bit better than Daddy’s was…I find the honey dip stick to be pretty filling and it has a nice amount of glaze. There is certainly the question of freshness in my mind when I eat it. Any questions or concerns I had were eliminated when I took my first bite of a Kane’s old fashioned glaze stick. It was as fresh as you can possibly imagine, overflowing with glaze, and very soft on the inside all around. Sometimes with Honey Dew I find the batter to be a bit hard on the inside. Not at all with Kane’s. I had a circular honey dip in addition to the old fashioned stick and it was awesome as well! Ten thousand times better than DD and much much better Honey Dew.
The capabilities of doing things other than blogging on WordPress are few and far between, at least to semi-beginners like me. I do prefer organized pages (see É2.0 Fail for more details) occasionally. I’ve added an extension of KLYAM that will strictly sort out all music related stuff. It’s in its very very early stages right now…I’ll update about it more. Click below to check it out:
5. “Machine” – 8.5
6. “Laughing With” – 9.3
7. “Human of the Year” – 9.0
8. “Two Birds” – 8.8
9. “Dance Anthem of the 80’s – 9.2
10. “Genius Next Door” – 8.411. “Wallet” – 8.2
12. “One More Time With A Feeling” – 8.7
13. “Man of a Thousand Faces” – 8.6
Comments: I know this about Regina…she has a beautiful voice! I have a crush on her, sort of, not just because of her music. Like many of her contemporaries she has a great way with words and is obviously a tremendously skilled pianist. I prefer her minimalist, piano/vocals only numbers. It’s interesting how easily she can go from all anti-folkish to blarinly pop-ish. No “Us” or “Hero” kind of awesomeness, but that’s fine.
LOVEBIRDS Steven and Kathryn share a well-organised home in bustling Las Vegas.
They have a neat, if compact kitchen, a furnished living area, and a bedroom complete with double bed, wardrobe and bookshelf featuring a wide selection including a Frank Sinatra biography and Spanish phrase book.
And they make their money in some of the biggest casinos in the world.
But their life is far from the ordinary.
Because, along with hundreds of others, the couple are part of a secret community living in the dark and dirty underground flood tunnels below the famous strip.
Comments: Girls!!! Omg! The whole internet is buzzing about Girls! Or maybe just a few “indie” sites here and there. But are they really deserving of the hype? Singer Christopher Owens has a (unique) voice that causes me to deeply wonder whether it is musically fit or semi-annoying. The melodies are there. Pretty damn awesome! Anthem-esque at times, sunshine poppy at others. A bit more obscure than say the Pains of Being Pure at Heart and maybe a bit more older sounding, but structurally there are similar elements between the two bands. “Big Bad Mean Motherfucker” is one heck of a song, reminding me a bit of the lo-fi throwback elements of Wavves and Black Lips. The album’s throwback nature is sort of funny and maybe a bit superfluous…making it sound like a Weird Al original. There are some boring spots towards the end. Overall, this album will be memorable in some way at some point down the line. If they crank out more “Big Bad” tunes then I see a shitload of potential.