1. “Year’s Not Long” – A- 2. “All Things This Way” – B+ 3. “Your Contact” – A- 4. “Weird Feelings” – A-
5. “Franklin” – B+ 6. “Crooked Scene” – A 7. “T.U.F.F” – B+ 8. “Nothing Remains” – A- 9. “Nothing Use To Hurt” – B+ 10. “Pirate Key” – B 11. “Paradise Vendors” – A- 12. “Pumpkin” – A- 13. “Worst to Come” – A-
Comments: A band that did not excite me at all live, Male Bonding was actually a “band that I wanted to like.” Could the record make up for their lackluster performance? The answer is “yes!” I’m sort of glad this record isn’t of a terribly low fidelity. Thank you… Sub Pop? Anyway, there are really fun spots in a bunch of these songs. For example, the hook in “Your Contact” is welcoming and the high string notes in “Weird Feelings” save the song from drum-centricness. For some kind of modern reference point, I’d have to point in the direction of Abe Vigoda. Male Bonding is from Dalston, England, which would seem to be like the California of that country, but it really isn’t that at all. I’m getting tropical vibes on “Crooked Scene,” although it may just be the structure of that song that conjures Abe. A casual or first time listener might have alarms going off in their head along the lines of: song A sounds like song B sounds like C. That kind of sucks as it’s hard to make distinctions between tracks, especially at the early stages of familiarity. At other times, the group sounds like Wavves. Bottom line: is this good? Yes. Is it great? Sometimes. There’s even Vivian Girls’ Cassie Ramone singing on the last track.
Band: King Khan & Pat Meteor Release: 3/2010 Label: Sub Pop
1. “The Fiery Tears of St. Laurent” – B+
2. “Bon Bon” – A-
Comments: The kind of music you’d expect with a title such as The Fiery Tears of St. Laurent. This is slow cooked rock and roll with a distinct rural aesthetic. Would it be okay to call it at least one part country? It’s French-Canadian goodness…what I believe they call néo-trad. I’d like to say Meteor sings on the first track and that Arish Khan spearheads the treat called “Bon Bon.” Even though “Bon Bon” is as lyrically simple as a song can come, it has a great atmosphere that reminds me positively of the culture surrounding the classic visit to Quebec that Chris and I (amongst other students) embarked on five years ago.
1. “Truth Sets In” – A- 2. “What’s In It For” – A- 3. “Coaxed” – B+ 4. “Five Little Sluts” – B+ 5. “Jessica” – A- 6. “Summer Cum” – A- 7. “One Last” – B+
8. “Can’t I Know? – B 9. “Remember Last Time” – B+ 10. “Where’s Your Dirty Mind” – A
Comments: Avi Buffalo the successor of the late Page France? That’s my initial impression. Catchy folk influenced pop binds this record together. Much has been written about the whipper-snappers who came up with this fun record. I won’t get into that. All I’ll say is that it’s really freaking impressive! “What’s In It For” has a particularly memorable ending…recalling a young (more epic) Built to Spill if you will. The heartfelt “Jessica” strangely gave me Weird Al vibes. That’s not a bad thing, but it’s strange. I like it. “I’ve got lost in your summer cum” sings young Avigdor on the fittingly titled “Summer Cum.” Haha! Laugh, damnit! It’s a funny song title and you know it. The song’s particularly more freaky than anything that came before it (no pun intended). Not to be real negative, but this record sort of loses its charm during the second half.
Kids Like You & Me (KLYAM) 