From August 8:
Les Paul (The Man) Dies
From AP:
NEW YORK — Les Paul, the guitar virtuoso and inventor who revolutionized music and created rock ‘n’ roll as surely as Elvis Presley and the Beatles by developing the solid-body electric guitar and multitrack recording, died Thursday at age 94.Known for his lightning-fast leads, Paul performed with some of early pop’s biggest names and produced a slew of hits, many with wife Mary Ford. But it was his inventive streak that made him universally revered by guitar gods as their original ancestor and earned his induction into the Rock and Roll Hall of Fame as one of the most important forces in popular music.
Paul, who died in White Plains, N.Y., of complications from pneumonia, was a tireless tinkerer, whose quest for a particular sound led him to create the first solid-body electric guitar, a departure from the hollow-body guitars of the time. His invention paved the way for modern rock ‘n’ roll and became the standard instrument for legends like Pete Townshend and Jimmy Page.
God rest his soul.
The Oprah Book Club Minus Oprah!
This is a new set of weekly posts inspired by some facebook chat with our very own Ben “The BBT” Tan. Every week we’ll discuss one subversive book, from the obvious to the obscure, doesn’t matter. Don’t panic there will be dick jokes!!! and Hicks jokes and Chomsky and all sorts of incendiary material just waiting to explode!!! This week we will begin with a book I have already reviewed from nearly two years ago on the Etudiant. Next week, it will be Catcher in the Rye or A People’s History, I haven’t decided yet. Enjoy!
Musicians, Read this Book!
Title: Our Band Could Be Your Life: Scenes from the American Indie Underground 1981-1991
Author: Michael Azerrad
Year: 2001
Pages: 522
Review: OBCBYL is a study of 13 independent, underground rock bands that stampeded the music industry during the Reagan Conservative decade we call the 80’s. These are the bands that grew right under the nose of mainstream America; these self- made musicians took the musical influence of their punk predecessors and said “Fuck It! I’m not playing New Wave, Who cares if we never make any money or appear on MTV, let’s just Jam!” And so they hopped in the van with their companions and toured the nation non stop, founded their own independent labels, and began issuing fanzines. This was music run by kids (teens- early twenties), played by kids, and for kids; existing entirely outside the music industry. DIY (Do It Yourself) at its finest!
First off, this book details some of the greatest artists in the history of music. Despite the fact that few of these bands broke into the mainstream, their influence is immense. Without Sonic Youth there’s no Nirvana, without Black Flag there’s no hardcore, and so on. Okay, here’s the bands:
Black Flag
Minutemen
Mission of Burma
Minor Threat
Husker DU
The Replacements
Sonic Youth
Butthole Surfers
Big Black
Dinosaur Jr
Fugazi
Mudhoney
Beat Happening
Of these bands, Sonic Youth is definitely my favorite, with Fugazi being a close second. If I were you I would go out and buy a SY album immediately! I highly recommend Goo (1990). If you don’t feel like spending dough, then download their shit, they have a huge, plethora of works. For those of you Étudiant Radio listeners, which should be all of you! you will hear at some point or another all of these artists, in fact Glen and I already played Fugazi and Beat Happening.
Warning!: If you plan to read this book (Do It Now, it’s at Newbury Comics, Barnes and Noble, hell you can order it online, you won’t even have to get off your ass!) please do not read this criticism section and rather go into the novel with an open mind, you will discover an insightful analysis of underground culture and possibly the greatest chronicle of music in history.
Though this book is amazing, it is not 100% free of foibles. My main criticism is its lack of numerous, other, troubadours from that era, chief amongst these artists are: The Pixies, Bad Brains, Dead Kennedys, Misfits, Daniel Johnston, Descendants, Melvins, Meat Puppets, Bad Religion, Social Distortion, and who could forget The Smiths? Now of course the biggest flaw in my complaint is the fact that if Azerrad had included all these artists it would have been over a thousand pages (I would read em’!) and also it’s most likely he tried to contact these artists, but they wanted nothing to do with the novel. Who Knows? Maybe we’ll see a Volume 2, hopefully! Another criticism is the author’s gratuitous use of the word “indie.” I showed one chapter to Glen and he pointed this out, without even my mention of it. A final criticism is the way the author leaves out certain info or uses his opinion as if it is fact to build a story, for example in the Mudhoney chapter, he makes it sound like “Touch Me I’m Sick” was the only great song the band recorded… my favorite album of theirs is My Brother The Cow (1995) , where the song does not appear, and in fact there is no mention of this album or any other album by them on Reprise (major label) records. Sorry Azerrad.
My Rating: 4 and a half out of 5 stars. A must for those who think punk stopped in 1978 and then resurfaced with Nirvana in 1991.
Here are some (but certainly not all) other works I recommend you check out if you like this novel:
American Hardcore: A Tribal History by Steven Blush
Get In The Van by Henry Rollins
American Hardcore (film, 2006)
We Jam Econo: The Story of the Minutemen (film, 2005)
P.S. that was not a knock at Nirvana above.
Comment it up and let’s start the discussion now!
Chris
CD Review: We Be Xuxa
Band: Mika Miko
Label: PPT
Release: 2009
1. “Blues Not Speed” – 9.4
2. “Turkey Sandwich” – 9.3
3. “I Got A Lot (New New New) – 9.6
4. “Wild Bore” – 9.2
5. “Sex” – 9.5
6. “Totion” – 9.5
7. “On the Rise” – 9.6
8. “Beat the Rush” – 9.7
9. “Johnson R. Cool” – 9.1
10. “Sex Jazz” – 9.4
11. “Keep on Calling” – 9.3
12. “Turkey Barnyard Mix” – 9.5
Comments: Sounds like an all-girl version of early Black Lips material, except a little bit more punk and a little bit more catchy. It’s no wonder why Ian St. Pe said this is a band he is really digging.
Grade: 9.4
CD Review: Bromst
Band: Dan Deacon
Label: Car Park
Release: 2009
1. “Build Voice” – 9.7
2. “Red F” – 9.4
3. “Padding Ghost” – 9.2
4. “Snookered” – 9.5
5. “Of the Mountains” –8.7
6. “Surprise Stefani” – 8.4
7. “Wet Wings” – 7.1
8. “Woof Woof” – 9.0
9. “Slow with Horns/ Run for your life” – 8.2
10. “Baltihorse” – 9.3
11. “Get Older” –8.6
Comments: This album is quite the experience on headphones! It’s weirdly catchy. That means there are some songs that you might not dig at first, but that you quickly gain respect for. You could argue that Deacon suffered from the disease of “over-doing” it while making this album. The symptom was mostly quality music being made. The Alvin and the Chipmunks cover (not really), “Baltihorse,” is strangely amazing. You know what I mean?
Grade: 8.8
GG Allin Manifesto
The wise words of the messiah…..
GG Allin Mission Statement
If you believe in the real underground of Rock ‘N’ Roll, then now is the time to do something about it. The time is now to overthrow the current situations and declare war on the record companies, radio stations, publications, clubs, and anyone who promotes the whole so called “scene” as it now stands. We need to destroy it all and take it back from the corporate phonies and conformist. But action must be taken now and blood must be spilled.
First let me tell you who I am. I was born Jesus Christ Allin in 1956 in Lancaster, NH. The Jesus Christ they preach about in the Bible is a phony imposter – just a crutch for the cripples to lean on. Fuck that weak shit! I am the man to deal with. I created myself inside the womb from the fires of Hell. There are no separations between Jesus Christ, God and the Devil, because I am all of theme. I am here to take Rock ‘N’ Roll back & prove to the world that I am the real king through the powers I have acquired.
When I was born in 1956, Rock ‘N’ Roll first started taking off. Why do you think that was? Because I created it. I created Elvis. I made it all happen. Even before I was born I was plotting. But through the years everyone has let it all go. That’s why I am ready to take it all back. Nobody has held on. Nobody has had the indurence to finish what they were set out to fucking do. They all let me down or I took their lives for a purpose. I was the one who was throwing all the monkey wrenches into the gears. But money and commercialism made them all sell out. Even Iggy let me down. The Sex Pistols let me down. Sid let me down when he fell in love (that’s why they are all dead). And now we have the Ramones praising bands like Guns N’ Roses, which runs against everything they were set out to destroy.
But now it’s 1991. This is the decade for the final bloody mutilation. Time to get Rock ‘N’ Roll out of the hands of the masses and back to the people who will not accept comfort or conformity at any cost. Then I will commit suicide on stage and the blood of Rock ‘N’ Roll will become the poison of the Universe forever. Take a look around and see what’s happening. Spineless record companies kissing the mainstreams ass, being pressured by the money media and politicians. So called cutting edge radio stations as fucking lame as the stations they oppose. Censorship publications kisssing the monkey suits asses, who in turn, are kissing someone else’s ass. Even so called “underground” publications have no fucking desire to get blood on their hands. They are too busy crying about how we can make the world a more wonderful place and how politically correct they can be. Talk is fucking cheap.
It’s time to fight. It’s time for revenge. We need to overthrow Rock ‘N’ Roll as it now stands. We must bring down record companies by not buying their products. A boycot. If you have to have a record, steal it. That way they wont get your money. We’ve got to stop feeding them. Your support must now go to me – GG Allin, the commanding leader and terrorist of Rock ‘N’ Roll. Why do you think I am in prison right now? Because they know who I am and they fear my reality. Our society wants to stop my mission. They want to brain wash you and keep you locked into MTV, and their stagnating, safe worlds. It’s a plot to kill Rock ‘N’ Roll. I am the savior. Thats why I am considered a threat to society.
This is what you should do:
Go to your record store and buy all the GG ALLIN recordings you can find. If they dont have any in stock, tell them to order some. If they refuse, then do what you have to do. Call radio stations and demand GG Allin. Spray paint “GG ALLIN” everywhere. Make them aware that the disease and the Scumfuc tradition is still spreading. Write “GG ALLIN” on all your dollar bills. Any bills you have. People do not throw money away, so it would be a free way to get the message out. You must do it every day of your life. We must live for the Rock ‘N’ Roll underground. It CAN be dark and dangerous again. It CAN be threatning to our society as it was meant to be. IT MUST BE UNCOMPROMISING. And with me as your leader, it will happen. I am ready to lead you, my allies, into the real Rock ‘N’ Roll underground. Let’s get started.
Too bad, you died GG ahha ohh well. Gonzo indeed!
Chris
A Vid About The Vandelles
Yeah the Vandelles! They are playing with the Warlocks and the Morning After Girls at Great Scott tonight! I’m pumped!
“Beatles: Rock Band” Will Kick Ass
That sound you hear is me, Chris, Ramsden, and all the other Beatles fan boys having an orgasm after reading this article.
GILES MARTIN WAS conjuring spirits, or perhaps summoning gods. The tools for this ritual included a pair of omnidirectional microphones, a digital mixing console and a hastily-procured set of teacups and saucers, but the magic was in the room itself. Studio Two at Abbey Road in London has changed very little since 1969, when Paul McCartney, John Lennon, Ringo Starr and George Harrison recorded together for the last time. The Steinway upright McCartney played on “Lady Madonna” still stands in one corner, its middle keys worn to the wood. Sound-absorbing quilts hang in wide stripes down the whitewashed brick walls. The view from the control room on the second level is much as it would have been for George Martin, Giles’s father, who oversaw the creation of nearly every Beatles album from this room. Giles held a slender finger to his lips, which turned up into a playful grin. He handed cups and saucers to three people nearby and mimed a sip. The others followed his lead, and a few feet away the microphones captured the small clattering sound of four people drinking tea.
The odd recording session in March was one very small contribution to what Apple Corps — the company still controlled by McCartney, Starr and the widows of Lennon and Harrison — hopes will be the most deeply immersive way ever of experiencing the music and the mythology of the Beatles. The band that upended the cultural landscape of the 1960s is now hitching its legacy to the medium of a new generation: the video game.
Workers Recover Last Hudson Crash Victims
Yeah…there definitely needs to be air traffic regulation over the Hudson.
The bodies of two men were recovered from the skeletal remains of a single-engine plane that police divers and crane operators pulled from the Hudson River on Tuesday afternoon, the authorities said.
The recovery capped the major portion of an extensive salvage effort; workers have now found the bodies of all nine victims of the midair collision on Saturday between the plane and a New York sightseeing helicopter.
More Documentary Fun!
Check out the Jay Reatard documentary at Nu Rave Brain Wave:
Kids Like You & Me (KLYAM) 