Minus the Badass Shogun Assassin opening, still badass though! I gotta do a rap/hip-hop faves list. One day…
Hicks Vid of the Day: Bill and Noam on Porn
“Chomsky With Dick Jokes”- most of the time, but clearly Bill and Noam differ on the subject of Pornography…
“The Hustler” haha. What do you guys think?
CD Review: Don’t Be So Cruel [2011]

Band: Something Fierce
Release: 4/2011
Label: Dirtnap Records
1. “Don’t Be So Cruel” – B+
2. “What We Need Now” – A-
3. “Future Punks” – B+
4. “Afghani Sands” – A-
5. “Before You Raised the Gun” – A-
6. “When You Hurt” – A-
7. “Ghosts of Industry” – A-
8. “Aliens Two” – A
9. “Bad Choice” – A-
10. “On the Backroads” – A
11. “Dying Young These Days”- A
12. “Empty Screens” – A [LINK TO LISTEN]
Comments: Something FIERCE do what they do well. They play music. Music that I’ll describe as mid-range punk rock with many an eccentrically catchy melody. Nothing real heavy, nothing real wimpy. Weird comparison time: the vocals are sometimes (and I say this because the music is quite different) comparable to that of MGMT vocalist Andrew VanWyngarden. In other words, they stand out…for more so than the typical punk singer! The tunes often take on different shapes with “Afghani Sands,” for instance, in the mold of Mission of Burma era post-punk, “Ghosts of Industry” as a combo of modsters The Jam and power-pop/punk greats Exploding Hearts, and “When You Hurt” in the mold of ’70s pop-rock. The whole album is amassed with very satisfying tunes, but things really start picking up on the B side. I would say things are pretty more straight killa no filla and often this is how I enjoy my rock ‘n’ roll. Side note: Dirtnap has been on a tear lately with awesome releases!
Grade: A- (91)
Kevin Smith- Red State Trailer
I’m a little behind on this, but damn this looks like a whole new path for Kevin Smith; I’ll have to check it out.
Concert Review: Black Lips, Vivian Girls, Atlantic Thrills @ The Met/Paradise (4/13-14/11)
Date: Wednesday, April 13 (The Met, RI), Thursday, April 14 (Paradise, MA) No Thrills :(
Part One:
Part Two:





Black Lips Set @ The Met:
Black Lips! – Ain’t No Deal, Fad
Let It Bloom – Sea of Blasphemy, Dirty Hands, Not A Problem, Boomerang, Hippie Hippie Hoorah
Good Bad Not Evil – I Saw A Ghost Lean, Katrina, Lock + Key, Bad Kids, Cold Hands
Arabia Mountain – Family Tree, Modern Art, [Unknown]
Non-Album – Make It, Stuck In My Mind, Buried Alive
Black Lips Set @ The Paradise Rock Club
Black Lips! – Ain’t No Deal
We Did Not – MIA, Stranger
Let It Bloom – Sea of Blasphemy, Dirty Hands, Not A Problem, Boomerang, Hippie Hippie Hoorah
Good Bad Not Evil – I Saw A Ghost Lean, Katrina, Lock + Key, Bad Kids
200 Million Thousand – Short Fuse
Arabia Mountain – Family Tree, Go Out and Get It, Modern Art, Dumpster Dive
Non-Album – Make It
Almighty Defenders – Bow Down and Die
Girlfriends + More @ Record Store Day Show Tomorrow!

DATE: SATURDAY APRIL 16TH, 2011
LOCATION: NEWBURY COMICS – BRAINTREE
400 FRANKLIN STREET
BRAINTREE, MA
02185
What: RECORD STORE DAY 2011
OPEN 10 AM – 10 PM
LIVE MUSIC STARTS @ 3 PM
ALL AGES
FREE
Who: GIRLFRIENDS, BANDITAS, THE BFs, JOHN POWHIDA
CD Review: Too Young to Be In Love

Artist: Hunx and His Punx
Title: Too Young to Be in Love
Release Date: March 29 2011
Label: Hardly Art
Tracks:
01 Lovers Lane- 9
02 He’s Coming Back- 9
03 Keep Away From Johnny- 9
04 The Curse of Being Young- 8
05 Too Young to Be in Love- 8
06 If You’re Not Here (I Don’t Know Where You Are)- 8
07 Bad Boy- 7
08 Tonite Tonite- 7
09 Can We Get Together?- 7
10 Blow Me Away- 8
Comments: Firstly, let me just say I apologize for the late arrival of this review, I’ve been a busy beaver this semester. But beaver aside, y’all know how much we love Hunx and His Punx on this site, so without a doubt this is a major musical moment of the year for KLYAM and me personaly. Now, to the actual record itself. Fans should know upfront that this is NOT GAY SINGLES! If you’re like me, you fell in love with that record and sing along to it in your underwear almost every day… okay maybe you’re not like me then. But, going into Too Young, I still had GS in my mind and frankly it made enjoying this record a little bit difficult, initially. So, I gave it more and more listens and it definitely has grown on me. This is not a criticism and may just be my personal taste, but Hunx being a grower is such an odd concept to me. The immediacy of GS is more than evident, but with Too Young, it took sometime for most of the tracks to get stuck in my head. Which is strange, because every track on here has a strong pop hook and is easily listenable. In any case, I am really digging most of the songs on this LP, particularly “Lovers Lane”- a very solid opener. As noted in my review of that song, the group makes a significant departure in sound (not a complete volte face), but significant enough to be noted as most have. Instead of bubblegum, the 60s, Phil Spector- Girl Group is fleshed out much more, and seriously they capture it amazenly. The vocals are almost straight out of those old groups like The Shangri-Las, The Crystals, etc, and like former, they also have added this “teen tragedy” element to their songs- i.e. Hunx’s boy being killed at Lovers Lane or the suicidal implications, if I’m not mistaken of the powerful closer “Blow Me Away,” just about as serious I would ever desire Hunx to be. So, absolutely, for better or for worse (mostly better) the band has ventured into new territory on this record. The production sounds excellent, the singing (mostly the women of the group, especially the amazing Shannon Shaw) stands out in particular. Not to diss Hunx, because his vocals are great as well! The songs themselves are not as in your face as those on GS- it’s a lot more laid back, innocent, and closer to the sounds of the 60s I mentioned earlier. Hunx, Mr. Seth Bogart himself, in many ways takes the spotlight off of him and sort of becomes just another member, making it feel a lot more like an altogether Rock and Roll band experience. So, in that sense, this is positive, but at the same time, I miss that overt, eccentric Hunx personality from before. It’s still here, but less pronounced. I can’t say this is a flaw of the record, but a blow to my tastebuds for sure. Overall, the songs are pretty solid, but not amazing. A lot of my enthusiasm is pure bias, because I love the band and this particular style of music. Toward the end of the record, I feel like the music has run its course and songs like “Bad Boy” (awesome music video to check out!), “Tonite Tonite,” and “Can We Get Together,” while catchy and decent aren’t in the same league as those heard earlier on the album. But, not to go out on a sour note, my last and best point: the great thing about this record and this band is that they are having fun when they play their music and this joy truly comes through on the record- there’s a certain warmth in the recording, in particular for me on “Keep Away From Johnny,” I love when they all sing “And I threw my love away from you, away from you, away from youuuu.” Haha, I think those are the words.
Grade: 8/10- a respectable and fun studio debut!
Black Lips H&E

Insert Ian where Jack Hines (correct?) is standing.
Hopes: I hope this is the best concert I have ever experienced, and considering this band this probably should be an expectation, but I don’t want to get too ahead of myself. I hope the guys play all or most of my favorites including lesser known cuts like “Fad” and “Robitussin,”- early stuff. I also want to hear a decent amount, but not too much of their new material.
Expectations: I expect this to be one of the greatest shows I have attended up until this point in my life, perhaps not thee “best” as the past two years’ Lips shows are undefeated. Though, the Lips do tend to top themselves each time personally for me. Of course, they aren’t fucking jukeboxes and they play whatever they feel like, but I expect them to play the vintage, Let It Bloom tunes as usual, the best from Good Bad and 200 Mill (a few each, give or take) and new songs like “Go Out and Get It,” and “Modern Art.” I also anticipate that the Vivian Girls will be a stellar addition to my “Kick Ass Artists I’ve Seen Live” list.
Classic Concert Review: Black Lips on The Tempress ’10

Date: August 2, 2010
Bands: K-Holes, Natural Child, Black Lips
Venue: The Temptress
Act One – K-Holes – The cock-sucking K-Holes! The band of former Black Lips guitarist Jack Hines and four other people including a trumpet player AND a drummer who keeps it simple: a bass drum, a floor tom, and a cymbal. K-Holes were very explosive and offered a big sound. Matter of fact, a certain cross-dresser in a certain red dress enjoyed it so much that he/she was crawling on the floor, laying out on a table, and having a rhythmic seizure during the duration of K-Holes set. Fun times! Also, some whippersnapper (not a part of the band) felt like screaming into the microphone at random times during the set. It was all in good fun, but who does that?!
Act Two – Natural Child – The favorite band of Rachel aka Pop Jew was a great band, indeed! Wait a sec: Bawitdaba da bang a dang diggy diggy diggy said the boogy said up jump the
boogy. Okay, that out of the while. These guys had a song about people not understanding you, white people, and punks, a song dedicated to the Captain of the ship, and if I remember correctly, a song about fucking. All in the spirit of Kid Rock. They punk-rocked. The guitarist crowd surfed his way to the second floor to end their set. The bassist was having a great time and the drummer was doing his job in the background. I definitely will keep checking these guys out.
Act Three – BLACK LIPS – Black Lips pretty much keep topping their previous best show ever. At this pace, all my favorite shows will be Black Lips shows, but I mean they are my favorite band after all. In terms of crowd participation, this show set the bar. The moshing got to the point where the one security guard all but gave up after five minutes of trying to protect Jared from the stampede at the front of the stage. The guitars got unplugged at various points during the set (probably from people falling down)…Jared had to move back and actually face away from the crowd (never saw this done before), although all seemed to be well with the other three members of the band! People were singing along loudly during every single song and there was just the whole vibe of Black Lips in Tijuana except in New York and on a boat. The set may have been trimmed a bit due to the chaos on stage or because time was up, but the roughly one hour the band played was just amazing! Funny things of note: some kid yelling out requests of old rarely (maybe never) played live cuts “Hope Jazz” and “Time of the Scab” and some big jock hollering “OOOOOOOUUUUUU WEEEEEEEE!!!” after every song.
Set-List:
1. Sea of Blasphemy
2. Drugs
3. Make It
4. Short Fuse
5. O Katrina
6. Stranger
7. Not A Problem
8. Ain’t No Deal
9. Dirty Hands
10. Cold Hands
11. Ghetto Cross
12. (A song resembling “I Want Candy”)
13. Too Much In Love
14. Bad Kids
Grade: A+ – Best show I’ve seen!
Classic Concert Review: Black Lips@ Mid East ’10

Bands: Black Lips, Box Elders, Movers and Shakers
Venue: Middle East Downstairs
Date: March 25, 2010
Pre-Show: Once a year or so the Black Lips come to town. For me, Chris, and all big fans of the best band in the world, a Black Lips show is always highly anticipated. 2 months away! 1 month away! 2 days away! The day! The excitement builds intensely and progressively as the day nears. This time around was special though; Box Elders, openers for Jay Reatard at Harpers Ferry in October and favorites among Chris and I, were opening for the Lips! So we arrived at our favorite venue, the Middle East Downstairs, way before doors opened to secure a cozy spot in front of what would be Jared Swilley’s stage monitor. Doors at 8. Show at 9:30. We’re used to that. I always thought that was kind of lame, but not on this night. Chris spotted what he thought were the Box Elders hanging around the merchandise table at back. He was right. First, we killed a good deal of time chatting with Clayton, the long blonde hair guitar player and singer. Clayton explained to us, amongst many things, the meaning of a couple of songs like “Ronald Dean” and “2012.” Chris pointed out his particular admiration for “Atlantis” calling it his favorite and Clayton agreed with him on that account. He also said that his mother was NOT the drummer for Box Elders in the early stages. All she did was sing. The internet is wrong! After a short little break from discourse, we spoke to another member of the Box Elders, drummer Dave Goldberg. Our conversation with Dave was another great one and included a short discussion about Our Band Could Be Your Life and the late great Jay Reatard.
Movers and Shakers: Pretty boring. Some pretty good songs, but still pretty boring.
Box Elders: They are one of our favorites because they play brief and incredibly catchy ditties. They don’t fuck around. If the drum beats aren’t good enough for you, then you are a sad sad person. Dave has incredible command of his set and his left side organ, which doesn’t sound as apparent as it does on record, but is definitely pretty damn obvious and fun. As I’ve said before, just watching Dave do his aerobics and drumstick biting is a joy. Listening to the songs themselves, I felt, at the moment, as if Box Elders were the main act. The crowd certainly got more into Box Elders than pretty much all other openers I’ve ever seen. Whether they actually knew the songs is a different story, but whatever! They played all my favorites, which is pretty much every song on Alice & Friends. The most memorable song for me was “Hole in My Head” for no particular reason. “Atlantis” and “Jackie Wood” were just as entertaining as well. I’m just eagerly anticipating the next Box Elders show! Hopefully it will come sometime this year.
Black Lips: Chris and I were having some discourse after the show about watching the Black Lips from a non-moshing/standing view. I looked yesterday and somebody put up a video of a recent Lips Canadian show and had in the description that the boys are getting sloppy. Accusations of their alleged musical sloppiness have been tossed around for years, be it from Raconteurs fans or sidelined cinematographers. Screw all that garbage. You haven’t seen a Black Lips show until you’ve been in the center of crowd craziness. Great tunes and fun times. As customary, the guys opened with “Sea of Blasphemy” which instantly started up the chaos amongst fans. After that they played two tracks off their most recent release 200 Million Thousand, “Drugs” and “Short Fuse.” That was it for 200 Million Thousand cuts and nobody really seemed to give a shit, considering they toured behind that last year and played more numbers from that release at that time. They made up for not playing “Take My Heart” or “Starting Over” by performing B-Side “Make It” along with “Raw Meat” (which will be off their forthcoming release). As far as their 2004 We Did Not Know The Forest Spirit Made The Flowers Grow LP is concerned, they played “Stranger,” which I did not expect. Of course, they ended their set off with usual classic “Juvenile.” More on that in a few sentences. Magic time, another staple in Black Lips live performances, began with the playing of “Hippie Hippie Hoorah” and never really ended to be honest. It was all magic at that point. The band loves re-hashing Let It Bloom/Los Valienteles Del Mundo Nuevo classics and this night was no different with “Not a Problem” (my favorite Lips song!), “Take Me Home (Back to Boone)”, “Fairy Stories,” “Dirty Hands,” and “Buried Alive” all played. As far as Good Bad Not Evil is concerned, we got to enjoy a few really great pieces like “O Katrina,” “I Saw a Ghost (Lean),” “Lock and Key,” “Cold Hands,” and the Lips most recognizable track in catalog: “Bad Kids.” By the time the first chords of “Juvenile” were struck, I was sad! The Black Lips were potentially playing their last song until next time. I had memories of last year when Ian handed beers to us, Jared crowd surfed, and the worst: security getting all uppity and dismantling all equipment on stage at the end of “Juvenile,” before the band could even come back. Normally one to just hang back and watch others climb on stage or do whatever, I decided mid-song to pull myself on stage and jump off. I was expecting this song to be the band’s last (if last year was any indication) so why not? Well, security got really pissed and got me down from people’s hands. He walked me over to the exit, but instead I made a little turn to the merch table where who else but Dave from Box Elders was sitting! Dave kindly explained to security that I was with his band and that it won’t happen again. After sitting the rest of the song out, I made my way to the front as the Lips were coming out of the back room to play the Encore. And what an encore! We got surprised with “Ghetto Cross,” a We Did Not track which one can only expect to be a live rarity, as well as a brand new ditty. That was it. Side note: this was definitely one of the most exhausting and rough concert experiences I’ve had. The crowd was as tightly packed as can be and there was a tremendous amount of contact amongst all of us. That’s fine, though. We’re troopers.
Post-Show: Fun stuff didn’t end there. Chris got to chat with Cole and Joe after the encore and I got to hang with Dave behind the merch table. He said that that night was the best of the tour, performance wise and merch sales wise. He also hooked me up with a customized Black Lips t-shirt, personally painted and presented to me by Lips very own guitarist and vocalist, Cole Alexander. Cole’s the man. Dave’s the man. I’m very grateful of their showing of kindness to a random fan.
Grade: A+ – I’m not going to lie. I don’t remember much of Black Lips set and only fragments of Box Elders set. Nevertheless, I knew I had fun. I had a lot of fun…pre, during, post. Best concert experience? Definitely. There weren’t as many song memories as in past shows, but based on everything else it’s the best I’ve had.
Chris- Yep, Glen pretty much covers my sentiments. It was absolutely the greatest concert experience! To me, concerts are measured musically, viscerally, visually, and as an overall experience. I’d say the viscreal is the key ingredient in the memorable concert dish. That’s the difference between most seated concerts and “crazy” shows like the Black Lips. It’s like an altered state of consciousness, for me at least, for others this is literally the case! Seemingly, time is suspended and everything is possible. You feel more alive than ever. An amazing feeling. If you have experienced viscreally, what I am speaking of, and if you attended last Thursday’s show and was amongst the fun, wild, bedlam, then you know what I’m saying. I’m making no exaggeration, when I say, you do not know what will happen next. That’s exactly the appeal, and yeah sometimes it’s a challenge, sometimes you get thrown back and forth and lose your spot, or sometimes you can rest your head on a smokin’ femme :) I can’t imagine it any other way. And what better a band then the Black Lips to experience this visceral abandoment with?! In short, the Black Lips are synonimous with Rock and Roll today. They are our Beatles.
P.S. Box Elders rocked as well and if I had only seen them it would still probably be amongst my top ten favorite shows.