Watch this comical and informative video (from September 16, 2010) of the one and only Bradford Cox speaking in front of some music students in Athens, GA. Bradford playfully shares his experiences in the music industry; coming from playing to two random friends in Atlanta to playing in front of thousands of fans in Barcelona.
Watch Part II here: http://www.youtube.com/watch?v=NCq1byM6xjI (NOTE: it’s significantly longer).
Bands: Bleeding Rainbow, Fat Creeps, Nice Guys
Date: Tuesday, July 2, 2013
Venue: Great Scott (Allston, MA)
Nice Guys – When the show was just Fat Creeps and Bleeding Rainbow I was intensely anticipating this evening, but when Co – KLYAMER Glen informed me that Nice Guys were added to the bill, hot damn! Seriously, a great thing to hear when you’re sweating your balls off at work. Speaking of sweating balls off, Nice Guys consistently produce sweaty, screaming, clamorous (KLYAMorous!) sets that jostle the hairs on my sweaty testicles and tonight’s show fits in well with that description.
I have seen a healthy chunk of Nice Guys sets now and most of them have been in DIY settings that tend to lend themselves to looser, wilder behavior. These nice dudes however, don’t let the typical rock venue, performer/crowd barrier get in the way of a good time and they put on one of their most entertaining sets thus far. Guitarists Alex Alexson and Matt Garlick even hop off stage into the crowd at one point during the set.
The foursome play several familiar tunes such as boneshakin’ essentials like “Drunk As Fuck, Stoned As Fuck,” (aren’t we all guys? aren’t we all?) “Pizza Bong,” and my favorite “Cop Walk.” I’ve sucked Cop Walk’s sonic dick (sonic dick, ooohhh I smell a band name!) long enough now, but you know what? I think I’m going for seconds or should I say fifths or sixths, I lost count. When Cop Walker hits those violent bolts of guitar fuzz and sledgehammer drums it’s like those little, involuntary spasms a dude’s dick gets before an orgasm is achieved. Well, the orgasm is achieved tonight at Great Scott. Jesus Christ.
Set – List:
“Free”
“Herb Chambers”
“Unholy”
“New” as in a new, untitled song.
“HD”
“Cop Walk”
“Drunk As Fucked, Stoned As Fuck”
“Pizza Bong”
“Pilgrim”
“Finale”
Make it your life mission to listen to these bad boys, errr I mean Nice Guys right here and for all eternity: http://niceguys666.bandcamp.com/
Fat Creeps – Local outlaw Ben Tan has created a drinking game in my name in which one of the rules is every time Chris DeCarlo name drops Fat Creeps in a review you take a drink. I would advise you not to play this drinking game, for I see various lawsuits against KLYAM in the near future. Point being, Fat Creeps have been a household name on this site for over a year now and I am proud to say our first release (10″ Vinyl EP) on KLYAM Records! So, it is exciting to catch the band live at Great Scott in the middle of their first major tour ( https://klyam.com/2013/06/19/fat-creeps-bleeding-rainbow-summer-tour/) with Bleeding Rainbow. Congrats guys!!!
The trio kicks things off right with Creeps classics such as “Nancy Drew” and “700 Parts,” which are often, if not always played side by side. The former is an upbeat, jangly pop number while the latter is a slow, murky ballad – both are immediate and showcase the band’s talents better than anything else in their catalog.
The band continues with some songs introduced in 2013 including “Blue” and “He Comes In Loudly.” It’s funny, I always mistake “Blue” for “He Comes In Loudly” until they play “He Comes In Loudly” and I don’t realize it until they sing “he comes in loudly.” Wow, that’s a lot of he comes in loudlys. I don’t think I’ve ever seen so many he comes in loudlys jam packed into one regular sized paragraph ever before in my life. Now, I’m curious exactly how he comes in loudly.
In addition to Fat Creeps (you know I be pluggin’ that 10″ EP YO!) gems like the surfy hits “Fooled” and “Leave Her Alone,” and one of my favorite album openers “Secrets,” the band also performs a new song entitled, “Having So Much Fun.” I’m not exactly sure how it goes or what it sounds like, but I’m going to keep my eyes and ears open for this newbie at future Creeps shows.
After nearly two weeks of shows, Fat Creeps are still kicking it and sounding fresh as ever, without a single hint of weary. Their lively and fun filled performance is well appreciated as Great Scott attendees sway and bop back and forth to the Creeps’ light noise pop; a sweet soundtrack for a sweet Summer night, brings me back to last Summer when I first started actively listening and seeing these guys on a regular basis. Fittingly, they close their set with a heavy, headbanger known as “Going to the Party!”
Party with the Fat Creeps here: http://fatcreeps.bandcamp.com/
And pick up dat 10″ EP (VINYL – Coke Bottle Clear & White) from KLYAM Records! http://klyam.bigcartel.com/
Got me another set list!
“Nancy Drew”
“700 Parts”
“Blue”
“He Comes In Loudly”
“Leave Her Alone”
“Fooled”
“Having So Much Fun”
“Secrets”
“Going to the Party!”
Bleeding Rainbow – I don’t know a whole lot about Philadelphia’s Bleeding Rainbow other than checking out a couple of songs before the show, so I am going in with an open mind, expecting to hear some sweet, chill tunes and while I can’t say I am in love with the band, I do enjoy myself. At this point in the evening, I am pretty sauced and Bleeding Rainbow is a smooth, dreamy soundtrack to my intoxicated state of mind. The only song I recognize is “Waking Dream,” that guitar riff is pretty neat!
Bleeding Rainbow don’t fuck around and they are most likely hitting up your city some time in the not so distant future. Check em’ out: http://bleedingrainbow.bandcamp.com/
LINK: http://strictagnostics.bandcamp.com/
11 tough ones featuring members of Nice Guys (Jake and Cam) and Kurt Egghart. I’m only half-way through listening and damn, all I can say is you better get onto checking this out ASAP. Expect more in-depth praise, really soon.
My fave so far:
From The Wheelers, out yesterday (7/9) on Maximum Ames Records. Hold onto your hat for this one.
Nice to see locals Bent Shapes getting some more nods from throughout the Web for their upcoming album Feels Weird, which will be out on August 20 through Father/Daughter Records.
Here is the stream of “Big Machines”:
Band: Ben Tan
Release: July 2013
Link To Listen: http://bentan.bandcamp.com/album/inside-out
1. “Come Out”
2. “Marielle”
3. Inside Out”
4. “Upper Lower Middle Class Blues”
5. “Dance The Night Away”
6. “I Will Follow You”
7. “Singulair”
8. “Half A World Away”
Comments: The road to Ben Tan’s debut release Inside Out is a fascinating road. One could argue that the multi-instrumentalist and acclaimed former Emerson College radio host was born a musical virtuoso. I’m not quite sure anyone expected this kind of output from him, though. He had long been a piano man before picking up the guitar and all other such instruments. That he somehow wound up playing keys in a psychedelic rock ‘n roll band (Moontowers) is still a tidbit mind-blowing. At any rate, Tan has played in bands since before his voice cracked. That’s all well and good, but I felt there was always so much unrealized potential. “When’s the Ben Tan solo album coming?” Some years later, here we are. While I’d never expect the dude to include Magic Kids, High Places, and The Lost Sounds on a list of ‘influences’, Ben Tan’s home recordings (with the help of more than a handful of conspirators) are odd enough that it wouldn’t be totally random to think the dude is more informed by the past two decades of underground rock ‘n roll than the real legends Tan adores. ANYWAY.
Inside Out starts out with “Come Out,” which immediately strikes me as one of the finest songs I’ve heard this year. It is totally POP. Multi-track vocals, check. Brian Wilson, check. This song and the next one “Marielle,” are light numbers, playful and straying from complication. The kind of stuff that the Malt Shop Memories minded youth of today (where are you people?) long desire. Tan goes into softer rock mode for “Inside Out,” with unbelievably strong background vocals. Witty lyrics (sup, Bob Dylan) reign on “Upper Lower Middle Class Blues,” some coming out of the mouth of the man himself, others via vocalist Holly Dalton. This one (along with the haunting, thousand word per minute, no-fi “Singulair”) is one of the oldest songs in Tan’s repertoire. Not my favorite stuff on here when stacked next to stuff like the retro-fitted “Dance the Night Away”; piano bar musicians ought to fear for their jobs with this original nugget. Girl groups of the past ought to blush. Okay so if I venture into superlatives, the “most psychedelic” song award goes to “I Will Follow You,” a sublime experience that doesn’t overstay its heady, nearly six minute existence. On the grand finale, “Half A World Away,” we get to hear Tan hit some crazy notes. Genuine Beach Boys worship.
Inside Out hits the spot as far as rock ‘n roll with bursting pop sensibility go. Originality isn’t so much the star on this one as it is Tan’s ability to work in and around walls of sound that long have had lasting power. Stuff like this ought to be more widely appreciated.
By now you’ve heard of FUZZ, maybe you’ve even been fortunate enough to see them live. It’s Ty Segall (drums), of course, and Charlie Moothart (guitar), and Roland Cosio (bass).
The new-ish band has released two singles: Sleigh Ride and This Time I Got A Reason. On October 1, In The Red will put out FUZZ.
Dudes are touring the US hard right after the thing is released…most importantly to people around here AT GREAT SCOTT ON MONDAY OCTOBER 14:
10/2 – Tucson, AZ – Club Congress
10/3 – Marfa, TX – Padre’s
10/4 – Austin, TX – Red 7 Outside
10/5 – New Orleans, LA – Siberia
10/6 – Memphis, TN – Hi Tone
10/7 – Nashville, TN – The End
10/8 – Atlanta, GA – The Earl
10/10 – Raleigh, NC – Kings Barcade
10/11 – Philadelphia, PA – Kung Fu Necktie
10/12 – New York, NY – Mercury Lounge
10/14 – Allston, MA – Great Scott
10/15 – Montreal, Quebec – Il Motore
10/16 – Toronto, Ontario – Parts and Labour
10/17 – Detroit, MI – Lager House
10/18 – Chicago, IL – Logan Square Auditorium
10/19 – Northfield, MN – The Cave (Carleton College)
10/20 – St. Paul, MN – Turf Club
10/21 – Omaha, NE – The Waiting Room
10/22 – Denver, CO – Hi Dive
10/23 – Salt Lake City, UT – Urban Lounge
10/24 – Las Vegas, NV – Beauty Bar
10-25 – Los Angeles, CA – TBD
You think you’re tough with your Killswitch Engage and Lamb of God and whatever else is considered cool in contemporary metalcore. But, that shit is lame next to the new Hunx and His Punx track, you guessed it, “You Think You’re Tough” from their upcoming LP Street Punk (Hardly Art) out on July 23 bitches!
“HUNX AND HIS PUNX have returned with Street Punk—a new album filled with the catchiest and most hateful punk songs heard in eons. Street Punk is an unrelenting tour de force, echoing early 80s hardcore, 90s grrl sounds, Darby Crash on helium, and the female answer to The Misfits.” – Hardly Art
OHHHH and Bostonians don’t forget to catch the band at Brighton Music Hall on Friday, August 23!
Bands: Mikal Cronin, Shannon and the Clams, Roomrunner, The Migs
Date: Monday, June 17, 2013
Venue: Great Scott (Allston, MA)
The Migs – HOLY SHIT, IT’S THE MIGS!!! Man oh man, it’s a huge pleasure of ours to see New Hampshire’s finest up on stage once again, it’s been way too long. Wayyyy too long. Vintage Migs Keven, Lukas, and Craig are joined by a new drummer by the name of Alex (well new to us, but apparently he’s been rockin’ with the fellas for several months). What up Alex?!
The Migs are one of the greatest live bands I’ve seen. The songs are solid, if a little bit rough around the edges, but in a live setting the songs simply hit you with a greater force. In addition to The Migs’ undeniable grasp on 60’s garage rock, R& B, soul, blues, and a pinch of doo wop, they provide pure entertainment. It’s the little things that separate them from most other garage/rock ‘n’ roll groups. Their coy, innocent dancing and sudden bursts of laughter effectively match the joyful, tension free style of music they embody. It’s fun. It’s joy, like the Black Lips taught me, joy could be an aesthetic – could be meaningful. And The Migs do their best to make sure everyone has a fun time.
The band’s unhesitating interaction with their audience is a feature of The Migs that I have admired since day one (4/20/12 for me). I remember back then, fanatically telling people about a band I saw the other night (which is what usually happens after I experience a special band). I extensively proselytized my love for The Migs, “you have to see this band, they play in the crowd, they play with the people!” It was like something out of Fugazi or Lightning Bolt or something crazy like that, something I had only seen in videos. Tonight, The Migs don’t play in the crowd or on the floor, but it’s not a big deal because it’s not quite the same unless it’s a grimy, crowded basement. Nonetheless, the enthusiasm and entertainment is still very much intact.
Up until now, I have suffered through endless months of Migs withdrawal, but this performance brings me back to the good old times. The quartet concludes with a cover of The Rolling Stones’ classic, “The Last Time.” I certainly hope it’s not the last time. Go see em’ live! http://themigs.bandcamp.com/
Roomrunner – Naturally, going into a show like this I’m biased. I’ve been a longtime fan of Shannon and the Clams, seen Mikal Cronin in the Ty Segall Band (not to mention liking and enjoying some of his music) and of course I hold The Migs near and dear – taking in several of their shows in the previous year. Roomrunner, on the other hand, is foreign to me. For the first few songs, I can nod along to this Baltimore based band, but after a while I’ve had enough. It’s certainly not as upbeat as The Migs, but Roomrunner do have some power in them and they definitely write some decent songs, but they’re simply too sad for me or not sad enough haha. I did find their in between song banter to be quite amusing though. The vocalist/guitarist even introduces the classic “we have one/two more songs left” ( a line that practically every band utters at one point in their lives) as a phrase that everyone loves to hear; in this instance I concur. That being said, I do appreciate Roomrunner’s sense of humor, even if their sound is not exactly my bag. Apparently, they are also on a string of tour dates with Shannon and the Clams and Mikal Cronin. Kudos gentlemen. Check them out here: http://roomrunner.bandcamp.com/
Shannon and the Clams – I’ve been waiting two years to see this band! I love Shannon and the Clams and tonight I can finally cross them off of my “top 5 bands to see live” list. The trio, which includes vocalist/guitarist Cody Blanchard (King Lolipop), vocalist/bassist Shannon Shaw (Hunx and His Punx), and new drummer Nate are known for creating a raw, analog flavored, bizarre take on 60’s pop music, implementing elements of garage and doo wop – not to mention 70’s punk, making the band a sheer bestial force.
So, with these elements in mind, one can understand why weird, off kilterish pop/rock ‘n’ roll, garage punk rock fans such as myself would simply adore the music of Shannon and the Clams. Their recordings are near flawless, but seeing them up on stage is incredible. They open tonight’s show with 2011’s “Sleep Talk” off the album of the same name and what appears to be the main source of this evening’s set. A solid opener and a favorite of mine at that, they continue with other Sleep Talk tunes such as the soft, doo wop morphed fast punker “You Will Always Bring Me Flowers” to the straight up slower, ballady gems in “Oh, Louie” and “Done With You.”
The finest cut from Sleep Talk/my all time favorite Shannon and the Clams song and the one that seems to generate the greatest crowd response is “The Cult Song.” This number showcases what is fantastic and utterly strange about Shannon and the Clams. The song builds with a fast, pulsing drum beat backed by Cody’s bizarro vocals and Shannon’s seemingly endless chants “one of us! one of us! one of us!” as made infamous by 1932 cult horror classic, Freaks. The band attempts to persuade their audience that they are sane in the lines “WE ARE NOT UNDER MIND CONTROL” but by the end of the song I think most of us would happily join the Shannon and the Clams cult! This song in particular reminds me of why I admire a band like this what with all of their little idiosyncrasies and good old fashioned weirdness. Maybe, it’s not even weirdness. Just taste.
I’ve gone on and on about my love for Sleep Talk, but the band has actually just released their debut for Hardly Art entitled Dreams in the Rat House. I have to admit I am not overly familiar with the songs on this album, having only heard it once or twice now. With that being said, I do recognize them playing the song “Rip Van Winkle” tonight and as expected they kill it.
As I have noted thus far, the vocals are one of the hallmarks of Shannon and the Clams’ music. With this in mind, a rather distinguished moment in the set is when Shannon and Cody both see how loud they can sing with each Clam trying to top the other. This is entertaining, but also shows us just how phenomenal their voices are.
Point is, go see Shannon and the Clams live if you get a chance or better yet pick up one or all of their amazing records.
Mikal Cronin – For starters, I am only vaguely familiar with a couple of Mikal Cronin songs, but Co-KLYAMER Glen is a huge fan. He’s shown me some sweet Mikal Cronin tunes in the past and I agree that it is solid psychedelic pop/garage rock.
I mentioned earlier that we have seen Mikal Cronin before in The Ty Segall Band, well Mikal is joined by fellow Ty Segall band mate Emily Rose Epstein on drums. Mikal and Emily are just as talented as they were with Ty; the whole band is exceptional actually. If you like Ty Segall, then I’d recommend you check out Mikal Cronin, as you will most likely enjoy the similar style. Mikal and crew seem to perform more solos however, which isn’t necessarily a bad thing, but typically not my thing.
I mainly came to see Shannon and The Clams (and The Migs!), but Mikal Cronin and his band are also impressive. The crowd appears to be a bit of a mixture of Clams and Cronin fans with some natural overlap. Considering he is the headliner, more people probably came to see him, but I am positive that all four bands tonight left the sold out crowd with a lasting impression.
Kids Like You & Me (KLYAM) 