Category Archives: Music

Concert Review: Wavves, Ganglians, Many Mansions @ Great Scott (9/27/09)

Bands: Many Mansions, Ganglians, Wavves
Venue: Great Scott (Allston, MA)
Date: Sunday, September 27, 2009

Many Mansions
This band embodies what has become of the psychedelic trance/drum and bass genre. Their set up was different for sure: one man controlling the drum and bass machine, the effects pedals, and singing while the other dude was just on stage to (apparently) play with the visuals on the projector. And the visuals were weird as hell. Some of the images: an African boy running in a field, an African guy nailed to a cross and decaying, trees, a bunch of people moving away from a building, people break dancing, and an African woman doing a dance in the forest. These images did all sorts of crazy things like spin, flip, illuminate, and fade. The visual arts component was better than the music. I felt bored by the music, at least initially. A few of the electronic drum schemes were catchy and maybe one song was actually “good,” but other than that this band just didn’t do too much for me.

Ganglians
The best I can describe Ganglians is proto-Wavves. They played a lot of catchy noise-pop that certainly the crowd was into. There was definitely an element of their music (the bass lines, probably) that really allowed for dancing and grooving. The lead singer was rocking out and everyone in the band looked like they were having a blast. I sensed a lot of Jay Reatard garage-pop, especially in the drumming and singing. There was one number in particular that had a near identical drum part as “Blood Visions.” A song I highly recommend checking out that they played is “Blood on the Sand.” “Hair” had me mistaking this band for the War on Drugs with its active keyboards. Overall, this was a really good second band!

Wavves
After ten minutes of “technical difficulties,” the crowd got a little antsy. Like…maybe Nathan Williams consumed Valium and E before the show and couldn’t figure out which amp to plug his guitar into. Or maybe not since the only amp on stage was a huge Marshall double-stack mammajamma. Safe to say that no public breakdown happened last night. Williams, with his New York Death Adders hat and tee, welcomed the crowd saying “Hi, we’re Wavves” before blasting into “So Bored,” my favorite song! Everyone easily recognized this song because it’s Wavves’ biggest and just started going nuts, singing along, dancing, etc. The next set of seven or eight songs potentially ended with the word “Goth” or “Demon,” I just can’t remember. That’s because there was, at least for me, an unexpected amount of moshing. The first I got hit I was kind of like wtf okay that’s cool. But then I looked behind me and people were getting pushed around like crazy, bumping into each other. So the next twenty minutes turned out to be an awesome re-visitation of old No Age shows, because of both the music (noisy punk) and the crowd response (moshing). The final song they played was “No Hope Kids,” an awesome song to end the show! Pure pop beneath the massive wall of noise. Unfortunately they only played for 30 minutes, but it was a lengthy 30 minutes. After sweating my ass off from all the moshing and losing track of time, it felt like just enough.

Final Comments: Wavves put on a great show and the experience of watching them play was very top notch. Wouldn’t it have been better if I knew a majority of the songs performed? Probably. I didn’t let them bug me and in the end I walked out of Great Scott knowing that I had a shitload of fun. That said, this show is not comparable to some of the best shows I’ve seen. I would give it somewhere in the B+/B range.

Crowd during Wavves
Crowd during Wavves
Once Nathan Williams got stuff to work, all was well
Once Nathan Williams got stuff to work, all was well!

Extension of KYLAM Coming!

The capabilities of doing things other than blogging on WordPress are few and far between, at least to semi-beginners like me. I do prefer organized pages (see É2.0 Fail for more details) occasionally. I’ve added an extension of KLYAM that will strictly sort out all music related stuff. It’s in its very very early stages right now…I’ll update about it more. Click below to check it out:

KLYAM Music

CD Review: Far

Band: Regina Spektor

Spektor was in Boston earlier this week.
Spektor was in Boston earlier this week. Benny Boy got her John Hancock.

Label: Sire
Release: June 2009

1. “The Calculation” – 8.7
2. “Eet” – 8.9
3. “Blue Lips” – 9.1
4. “Folding” – 8.9

5. “Machine” – 8.5
6. “Laughing With” – 9.3
7. “Human of the Year” – 9.0

8. “Two Birds” – 8.8

9. “Dance Anthem of the 80’s – 9.2

10. “Genius Next Door” – 8.411. “Wallet” – 8.2
12. “One More Time With A Feeling” – 8.7
13. “Man of a Thousand Faces” – 8.6

Comments: I know this about Regina…she has a beautiful voice! I have a crush on her, sort of, not just because of her music. Like many of her contemporaries she has a great way with words and is obviously a tremendously skilled pianist. I prefer her minimalist, piano/vocals only numbers. It’s interesting how easily she can go from all anti-folkish to blarinly pop-ish. No “Us” or “Hero” kind of awesomeness, but that’s fine.

Grade: 8.8

Band Spotlight: Tom Jefferson

Top Album: The Declaration of Independence (1776) This is Tom at his finest; one incendiary motherfucker. Before he completely sold out with 1803’s corporate shilling Louisiana Purchase. No expansion my ass!

Top Lyrics: “Whenever any form of government becomes destructive to these ends, it is the right of the people to alter or abolish it, and to institute new government.” and “A little rebellion now and then is a good thing… the tree of liberty must be refreshed from time to time with the blood of patriots and tyrants.”

Chris

CD Review: Album

Minimalism
Album? Minimalism FTW

Band: Girls
Label: True Panther
Release: 2009

1. “Lust For Life” – 9.2
2. “Laura” – 9.0
3. “Ghostmouth” – 8.9
4. “Goddamn” – 7.7
5. “Big Bad Mean Motherfucker” – 9.6
6. “Hellhole Ratrace” – 9.2
7. “Headache” – 9.0
8. “Summertime” – 8.6
9. “Lauren Marie” – 8.4
10. “Morning Light” – 8.9
11. “Curls” – 8.2
12. “Darling” – 8.2

Comments: Girls!!! Omg! The whole internet is buzzing about Girls! Or maybe just a few “indie” sites here and there. But are they really deserving of the hype? Singer Christopher Owens has a (unique) voice that causes me to deeply wonder whether it is musically fit or semi-annoying. The melodies are there. Pretty damn awesome! Anthem-esque at times, sunshine poppy at others. A bit more obscure than say the Pains of Being Pure at Heart and maybe a bit more older sounding, but structurally there are similar elements between the two bands. “Big Bad Mean Motherfucker” is one heck of a song, reminding me a bit of the lo-fi throwback elements of Wavves and Black Lips. The album’s throwback nature is sort of funny and maybe a bit superfluous…making it sound like a Weird Al original. There are some boring spots towards the end. Overall, this album will be memorable in some way at some point down the line. If they crank out more “Big Bad” tunes then I see a shitload of potential.

Grade: 8.7

Concert Review: The Rifles

John: Last night, I ventured with Glen and Paul to the Great Scott in Allston, Ma. We went to see the two amazing acts: Mike Fiore, of Faces on Film and the British indie band, The Rifles. Though this was my first time at the Great Scott, I could tell it was a slightly smaller, and a bit more intimate venue than that of the MidEast. But, I liked it.
The gig was amazing, though that goes without saying. Mike Fiore had very passionate, and at times depressing, lyrics. His voice was like that of a male angel, singing the travesties of life, love and the injustices of the world. I especially loved when he sang something to the effect of “before she left I would never need medicine.” Thought not many people were drawn to him, I was. I could never be able to perform by myself in front of a few people, let alone a group of one hundred or so; and so, I commend him for his bravery. Due to being the lesser known opening act, most weren’t crowding around him. They were all waiting for the Rifles.

Glen: Mike Fiore did go a bit under-appreciated. I recognized a few of his tunes, notably “I’ll Sleep To Protect You,” “The Medical Mind,” “The Winners Daughter,” and the classic closer “Natalie’s Numbers.” For an acoustic solo musician, he deserves a lot of credit. The Rifles surprised me in a number of ways. I didn’t anticipate such a lengthy set (17 songs including the two song encore). The Rifles played seven songs off of their top 10 album of 2009 The Great Escape and a number of songs from No Love Lost. There were clap-alongs, sing-alongs, requests…you name it. Amazing drumming, amazing guitar solos, amazing singing. “She’s Got Standards” stood out as did “Romeo and Julie,” with its catchy “woh-woh-woh-oh” bit. I’m definitely glad I ventured out to see this show. It goes down as amongst the best.

The Rifles Set List
1. “Science in Violence”
2. “She’s Got Standards”
3. “Repeated Offender”
4. “The Great Escape”
5. “Peace and Quiet”
6. “Out in the Past”
7. “History”
8. “Hometown Blues”
9. “Spend a Lifetime”
10. “Toerag”
11. “Robin Hood”
12. “When I’m Alone”
13. “The General”
14. “Local Boy”
15. “Romeo and Julie”
——
16. Encore #1
17. Encore #2

EP Review: Higher Than The Stars

More of the same has never been better!
More of the same has never been better!

Band: Pains of Being Pure at Heart
Label: Slumberland
Release: September 22, 2009

Comments: Pains of Being Pure at Heart, on this EP, are still the Pains of Being Pure at Heart we’ve always known and loved. For whatever reason, the Pains did not churn out hardcore poppy numbers a la their eponymous debut LP, but they did make a quality recording! “Higher Than The Stars” is the best song of the bunch, featuring barely audible vocals, a neat keyboard riff, and a straight ’80s guitar melody. “103” is heavier, perhaps the band’s best attempt at post-punk revival. “Falling Over” is structured around an awesome drum beat. “Twins” sounds like it belongs on the LP…and is just awesome on all levels! I highly recommend this EP to existing fans and to those who love good old fashioned twee!

CD Review: Unmap

Not a bad album, but hardly memorable.
Not a bad album, but hardly memorable.

Band: Volcano Choir
Label: Jagjaguwar
Release: September 22, 2009

1. “Husks and Shells” – 8.8
2. “Seeply Mouth” – 8.6
3. “Island, IS” – 9.0
4. “Dote” – 8.7
5. “And Gather” – 8.8
6. “Mbira In The Morass” – 8.2
7. “Cool Knowledge” – 7.5
8. “Still” – 8.9
9. “Youlogy” – 8.3

Description: (From Jagjaguwar)
Volcano Choir is an assembly of Wisconsinites Jon Mueller, Chris Rosenau, Jim Schoenecker, Daniel Spack, Justin Vernon, and Thomas Wincek. You might find these old friends also frequenting records and stages under different monikers, Collections of Colonies of Bees and Bon Iver. The collaboration predates the meteoric rise of Justin Vernon’s Bon Iver project, with original songwriting dating back to the summer of 2005, right around the time the Bees first toured with Vernon’s previous band DeYarmond Edison.

While entirely a studio record, the collection doesn’t suffer from the overburdens of a digital pile up or over-thinking. Rather it breathes and convulses in equal measure, radiating an inherent dynamism found only in the voluntary bondage of intimacy. With influences ranging from David Sylvian and Steve Reich to Mahalia Jackson and Tom Waits, it might be more accurate to say the group’s influence is music itself. You can hear it in the care and real love generously applied to each moment of Unmap. With the vibe of some intimate backwoods gospel, plus a spirit of patience and thoughtful repetition, the music of Volcano Choir is as dynamic as it is lovely.

Unmap ultimately came together over a weekend in November 2008 in Fall Creek, Wisconsin, at Justin and Nate Vernon’s recording studio. And while it is at its heart a record about the allure of being with people you need and making something with them, it is also a document created by musicians with rare gifts getting together to exorcise their ideas about beauty. This scaffolding of loops and off grid tempos for choral style vocals offers a state of continual surprise, call it unexpectation.

Unmap marks the debut full-length from Volcano Choir, the collaboration between Collections of Colonies of Bees and Justin Vernon of Bon Iver.

Grade: 8.5