Category Archives: Music

Outdoor Vinyl Summer Series: Lemons (2009)

Band: Ty Segall
Year: 2009
Label: Goner Records

Lemons on this 93 degree sunny breezy day takes me to Costa Mesa, California. I don’t think it gets this hot down there but forget about the weather. Costa Mesa is where Ty recorded this raw rock ‘n ripper in January 2009. Speaking of raw, Lemons is not Ty’s first or second jab at garage punk; he’d been playing in this style and styles that approximate this style since 2005, possibly even before that. His fun ass shakers as part of the Epsilons, Traditional Fools, and Party Fowl can be mined on the Internet and on vinyl and tape. So Lemons is considered Ty’s second solo album. SIDE A, particularly the last three songs “Lovely One,” “Can’t Talk,” and “Cents” are cantgetchaouttamymind top tier, extraordinary, I gotta stop using generic adjectives, HITS. 2009 was the year that ‘Garage’ was being infiltrated by the SCION though let’s be real, it was an amazing time for underground rock ‘n roll. Ty was a part of the crispier, bare, sloppy, loveable punk universe that Goner and In The Red had been nurturing for years, though at that time he was a rather new figure.

Anyhow, Ty – specially considering his solo performance (Lemons is in the full band, Ty on everything mold) – shows his colors as a dude with several sides to him, a harbinger of what would be: mellow (see Goodbye Bread and Sleeper) as on “Rusted Dust,” a midtempo tinkerer as on “Die Tonite,” and as a sludgy screamer on “Johnny,” which is in my ears a precursor to 2012’s Slaughterhouse. The assortment of sounds and approaches on Lemons is different from Ty’s more directed material meaning he probably had more solid ideas for the later albums. Regardless, everything he had done prior to this LP, up to it, and including 2010’s Melted (my sure favorite collection of fuzzy tunes) makes for a daunting discography! Ty is so deserving of the attention he’s received over the past few years and you can see he’s so comfortable playing the shit out of rock n roll. This is reflective of his live shows (also high high up there on funnest experiences). If he doesn’t make ya just want to mess around to your liking on your guitar, you might as well bop your head and move about. I know that can be equally exciting.

RIP B Jay Womack


Five years ago today B Jay Womack aka Bobby Ubangi passed away. He was a major inspiration and friend to the Black Lips and many other bands in Atlanta and beyond as well as being a respectable punk slimer in his own right. His song “Greasers’ Lament” is one of the best songs I’ve ever heard EVER. Thanks for the good tunes Bobby. RIP.

Black Lips Bring Back Jack Hines!


Yerp, that’s good old Jack Hines in that video from May 30, 2003. Jack took over for original Lips guitarist Ben Eberbaugh after Eberbaugh’s tragic death in December 2002. He remained with the band until mid to late 2004, when Ian Saint Pé, the guitarist we’ve all come to know and love, replaced him and has been kicking it with the Lips ever since. Apparently now, however, Jack is back in the band filling in for Ian for a little while or possibly for good?. Damn, I’m going to miss Ian :(, but it will be interesting to see this line up on the upcoming mega Black Lips/KKBBQ tour this Fall. Bring back all that great We Did Not Know The Forest Spirit Made The Flowers Grow slime! I hope all is well with all y’all.

Read more about it in Creative Loafing Atlanta: http://clatl.com/atlanta/black-lips-re-enlist-guitarist-jack-hines/Content?oid=11519416

Back Pages Live @ Uncle Lou’s (6/28/14)


Feast your eyes on this live video of KLYAM Records own Back Pages slaying at Uncle Lou’s the other night in Orlando.
Catch Part II: https://www.youtube.com/watch?v=UNs7zg9mGk0
and Part III: https://www.youtube.com/watch?v=ZA99JAYj1Ng

Above all pick up a copy of Back Pages Singles 13 (Tape) from KLYAM Records! http://klyam.bigcartel.com/product/back-pages-singles-13

KLYAM-004: THE ELECTRIC STREET QUEENS TAPE COMING SOON!!!


KLYAM-004: The Electric Street Queens – Live From Your Dreams We’re The Electric Street Queens KEEP YOUR EYES PEELED!

For now you can stay hard with a sneak peek of “Dontcha Wanna Work At The Brewery?” Be on the lookout for a release show as well! Don’t sue us if you go blind…

Review: Gymshorts, Grenades In The Archives, The Little Richards, Wet Dress @ Opus (6/12/14)

Salem
Bands: Gymshorts, Grenades In The Archives, The Little Richards, Wet Dress
Date: Monday, May 12, 2014
Venue: Opus (Salem, MA)
We don’t come out to Salem often for shows, even though it’s just a stone’s throw away from us. Luckily, tonight one of our new favorite bands Gymshorts from Providence, RI is playing at the Opus. When we first arrive at the Opus, it looks like we’ve found the wrong place. It’s a bougey, uppercrust bar, at least that’s how it is upstairs. As we make our way to the basement we discover a different setting. Iggy is on the house PA and there’s a band setting up to play.

Wet Dress – Wet Dress is that band setting up to play. Plan 9 From Outer Space is playing on a big screen behind them. I don’t know which to watch the band or the movie? Anyway, Wet Dress is a two piece featuring a dude (Chris) on vocals and guitar and a dudette (Sam) on vocals and drums.

I have never heard of them until now, but they definitely fit on this bill. All of the songs are very loud and very brief. It’s a mixture of classic punk, garage, and twee. Twee as fuck. They have this K Records element to them. I kind of like it and then it kind of turns me off at the same time, what can I say?  The sound is decent, but none of the songs stick out to me. http://wetdress.bandcamp.com/

Set-List:
“Rumble”
“Vs Verse”
“Rant”
“Are You A Boy Or Are You A Girl”
“All Right”
“(I’m Not Your) Manic Pixie Dream Girl”
“Brat”
“FUCC”
“Jerkoff”
“Summer Break”
“Slutever”
“Queer”
“Yr Mai Proct”?

The Little Richards – I saw these guys before at a show at O’Brien’s back in October with Atlantic Thrills. This set is pretty much the same as that one, except there’s a lot more people and they’re all over the Richards.

The Little Richards blitz through a series of speedy Ramones and pop punk inspired tunes. The crowd of fellow Northshorers eat it up, passinoately singing along to all of the songs.

I’m not overly into this style exactly (don’t get me wrong I LOVE the Ramones), but I can admire the band for putting on a good show and writing some decent songs. They always seem to be having fun and that’s all that matters. http://thelittlerichards.bandcamp.com/

 Grenades In The Archives – This is pretty sludgey. It’s deafening, almost unnecessarily so. If I’m losing my hearing I want to know it’s for a good reason. Lightning Bolt kicked the shit out of my eardrums, but it was all worth it. I can’t say the same in this instance.

More importantly, it just all sounds the same. Which could be said for The Little Richards, but at least with the Richards they have the songs to back up the style. I just can’t hear any songs here. I need catchy, distinct, impressionable songs. Listening to their bandcamp now, however, the songs come through a bit more. Still, not exactly up my alley. http://grenadesinthearchives.bandcamp.com/

Gymshorts – Hail thee almighty Gymshorts. These shorts never stop. They’re everywhere. They’re in Providence (their hometown), they’re in New York, they’re in Lowell, they’re in Boston, they’re standing right behind you ready to get HIGH and STONED 24/7 and 25/7 when it’s Daylight Savings. At least the time we gain an hour. When we lose an hour, aww shucks.

As always, Gymshorts plow through the room with a batch full of insane, fuzzed out gahridge phunk for the kids to rock and/or roll to. I’m not kidding on this one. One of these Salem witches rolls right across the floor during the shorts’ set.

This band always kicks ass and takes names, but sometimes the crowd can be too mellow and square. On this evening the crowd goes apeshit, but in an odd sort of way. There’s quasi moshing, all sorts of offbeat dancing. Is this some sort of ska shit? Haha, who cares as long as people are moving. There’s plenty of time to not move when you’re dead.

Ohh yeah and one gentleman even throws his shoes off, taking one of the band members’ requests quite literally. Whatever floats your boat. Salem always gives me the willies.

GYMSHORTS! http://gymshorts.bandcamp.com/

Outdoor Summer Vinyl Series: The Original Modern Lovers

Band: The Modern Lovers
Year: 1981
Label:
 BOMP! Records

The Modern Lovers, I tell you, if you didn’t find this one among your dad’s record stacks plus you have no idea what these dudes were even about, I’ll try to explain a little bit. The back cover liner notes by Kim Fowley and Jonathan Richman shed size six font mounds of text, but basically here goes: Fowley comes upon The Modern Lovers, brings them to a studio, and the group finishes these recordings in one day under Fowley utterances like “think Sun Records! Think history!” Says a New York Rocker critic, had these recordings come out in 1972, “it would have changed everything that happened in the ’70s.” Richman – who is aided on here by Jerry Harrison, David Robinson, and Ernie Brooks – is a good deal more unassuming when it comes to The Original Modern Lovers. He notes that this LP was neither truly recorded in the Spring of ’72 as is advertised nor all recorded in a single session. I remember listening to this outside last summer (I believe for the first time… at least in a long while) and my mom commented ‘who is that kid singing? Sounds awful.’ Sheez I said, if this sounds awful how do I sound? She said better. I guess that is partially what moms are for. To me OML is gold. These songs aren’t ’60s garage fratters, they aren’t heavy, certainly not pop-polished. Instead, they stand firmly on their own, some truly rockin’ numbers like the MassFamous ‘Road Runner #1/#2’ with references to Stop and Shop, ‘Astral Plane’ and ‘Girlfren’. Inspiration – Iggy and Lou – that’s the inspiration Richman cites. You’ll hear figments of those guys on here. But beyond that, The Original Modern Lovers is an “i don’t care what anyone thinks, i’m gonna have fun and do what I do in my own way, with my voice and the tons of inflections and manipulations that I can think of” situation. That way of thinking is wilder than a lot of music that sounds wilder, it allows wasteful youths to sucker in rock ‘n roll history without taking abridged shortcuts. A silent trailblazer into some DIY musical landscape that started with punk and runs riot today. I like that people could be fronting all like what is this shit, he doesn’t know how to sing, is this even music. Jonathan Richman is content, somewhere. I’m down with that.