Category Archives: Music

Chris’s Top 15 Best Live Acts So Far…

Okay, so you guys know our deal… no not the kickass Best Coast song of the same name, but rather the fact that we love to make lists all the time, badass lists I might add. Well, it recently occurred to me that for all the concerts I have attended, hundreds of bands along the way, I have never made a list of the best live bands I have ever seen. This is purely personal favorites, so don’t make an asshole out of yourself by commenting that this is “wrong” or “You don’t know what your talking about.” You are better than that. Make your own list.

Criteria:
– how fun, how memorable, how awesome as performers/entertainers/artists
– how visceral
– how did the crowd react as a whole (though I tend to not let others get in the way of my concert experience, if people aren’t into a show, it’s just not the same).
– first impressions
– lasting impressions
– Venue (to a certain extent, as you’ll notice there are no stadium/arena shows here and only two seated sets (Pixies and Sonic Youth, both of which I was fairly close up for)

Speaking of venues a shout out to the Middle East in Cambridge, MA, which has hosted the most KLYAM attended concerts (12) than any other venue.

Okay, let’s go!

Yayyy Allie (White Wires, Peach Kelli Pop) in the background!!!

15) Hunx and His Punx @ Harpers Ferry, October 2009-
Straight up, I came to see Jay Reatard and had never heard of Hunx and His Punx whatsoever. Thus this set was easily one of the most surprising, unexpected sets I had ever seen. At the time, I thought the songs were decent, but they didn’t stand out much to me. Hunx, however did. As I said earlier, unexpected. I just didn’t expect a dude in his thong singing about how his boyfriend won’t come back and using his crotch as a pillow for the gentlemen adjacent to me. Eventually, I checked out Hunx and now I love the band. But, without a doubt one of the most unusual and simultaneously fun concert experiences.

14) Magic Kids @ Brighton Music Hall, April 2011-
The Magic Kids really put on a terrific set that night. I’ve seen many bands, but I have rarely seen a band as equally engaged with their art as they are committed to having fun! Sonically, everything sounded fantastic and enhanced their already amazing recordings. A Magic Kids live LP? Someday, I hope.

13) Nobunny @ Harpers Ferry, October 2009 & @ PA’s Lounge, June 2010
So, I saw the bunnyman fresh off Hunx on that cool October night waiting in anticipation for Jay Reatard. Nobunny, like his contemporaries destroyed that night and left me with serious lasting impression. The second time around, it was just as fun, perhaps a tad less wild, but definitely one of the best moshpits I’ve been in. Just great rock and roll and mayhem. What more can you ask for?

12) Deerhunter @ House of Blues, March 2010, Royale, August 2010, and Royale, October 2010.
I’ve said it before and I’ll say it again, Deerhunter are mesmerizing. Maybe their sets are more structured than the guys would like them to be, but for me they still blow me way each time. In particular, I always love the showmanship of Bradford Cox and the entire group simply has an undeniable Great Rock and Roll Band presence to them, I don’t see very often these days. Whilst, still being trippy and demented as fuck. I remember when they played “Fluorescent Grey” it felt like the the place was going to implode at any minute, because the guitars were so violent. Yet, the group remains quiet and mellow the whole time. Excellent.

11) Sonic Youth @ Wilbur Theater, November 2009
I made a list a couple of years ago of fifty things I want to do before I die, seeing Sonic Youth was one of them. Honestly, as much as I dig SY, much of their discography is foreign to me, but this time around I lucked out; the set included nearly every song off their latest LP The Eternal (2009) as well as plenty of their classic 1980s material. As it turns out, I knew and enjoyed every number. For a theater show, this one was pretty damn electrifying.

10) The Pixies @ Wang Theater, November 2009
Another band I enumerated as a “must see before I die!” and what do you know they played my favorite, Doolittle (1989) in its entirety. The insanity and harmony of The Pixies was even more pronounced live than on record; I’ve seen several old school bands, but few can garner the same crowd response as these guys.

9) Animal Collective @ House of Blues, May 2009
By far the most bizarre show I have ever experienced. This was not simply a tear off your ticket, get escorted to your seat, sit back and enjoy the show kinda concert. This was more like dying and being reborn via the music of Animal Collective. The wholes show everyone was stuck together and in a 90 minute trance. When all was set and done, you were not the same person you were when you entered. It had that life altering, extremely visceral, almost lose your mind sorta effect, that’s the effect of their music live.

8) Best Coast @ Paradise- February 2011
Musically, one of the finer bands I have seen. The sound was amazing and as performers Best Coast were extremely tight. Songs that stood out were “Summer Mood” (the pounding of the drums after each utterance of the words “there’s something about the Summer” was even greater in concert), “Bratty B,” and “Each and Every Day”- one of the best closers I have ever seen.

7) Box Elders @ Harpers Ferry, October 2009 & Middle East Downstairs, March 2010
Just thinking about their excellence live makes me sad that they are no longer together. Wanna talk about presence, character, personality, look no further. The songs were fast, fun, and totally unique- but the visual was perhaps the best aspect about the Box Elders. You could not help, but be in sheer awe and joy when you saw Dave Goldberg pounding away at the drums while working the accordion and giving us all aerobics lessons or Clayton’s long golden hair reflecting the idiosyncrasies of his songwriting, and who could forget Jeremiah’s double guitar. Box Elders you are missed!

6) Wavves @ Great Scott, June 2010 & Paradise, February 2011
Wavves kid, really catchy songs kid. Indeed, they are fine sir, indeed they are. On stage, all of the fun of Wavves on record is even further duplicated, an obvious trend in almost all of these bands on this list. They are a powerhouse live, it’s like Jay Reatard (duh, Stephen and Billy, at least before) meets Blink 182, except, I love the former and don’t care for the latter. But, it’s there. No matter what the kiddies dig Wavves; the songs become youthful anthems, if they weren’t already. Also, by and large, they play all yer faves, so it’s always a gay old time.

5) The King Khan & BBQ Show @ The Middle East Downstairs, October 2009
King Khan and BBQ (Mark Sultan) are two of the greatest Rock and Rollers of the past two decades. They are students of this music and their knowledge bleeds through on all of their releases. Seeing these two wild and crazy guys in the flesh is a whole new chapter in this story. In terms of showmanship, it’s a ten. The duo truly put on a show for their audience, but they also don’t rely on theatrics either, their music is sufficient. On that particular night they played most of their classics and when “Shake Real Low” was unleashed the hunnies were doing just that; it was spectacular.

4) King Khan & The Shrines @ The Paradise, May 2009 & @ The Royale, October 2010
On record, I am way bigger fan of the King Khan & BBQ Show, but in terms of the live show, at least what have I seen, I gotta say Shrines takes the cake. That initial show was pure euphoria. It had everything you could wish for in a concert: A rocking band, everyone primitively shakin’, great performers, intense charisma, dancin’ cheerleaders, and supreme genius after supreme genius. Shrines are seriously one of the funnest, silliest, and best Rock and Roll bands on the planet.

3) Jay Reatard @ Harpers Ferry,  July 2009,  Harpers Ferry, October 2009, and Wang Theater, November 2009
Jay was a rarity live. He did his own thang, with little concern for anyone else, whether it be band mates, the audience, club owners, or even contemporaries. He played with his hair covering his eyes the entire time, shouting off the song titles and if need be berating the people in front of him were the only forms of communication outside of the songs themselves. This was a void between the performer and spectator, no doubt. You never knew whether you would get a quick burst of a set or a decently long show. I’ve seen both from the man and in either instance he was always on fire, as if the songs were merely tools to keep him from igniting. It was always a total whiplash and there was definitely an overwhelming feeling of astonishment, but there was also this delayed reaction feel to it too; you didn’t totally appreciate it until the moment was over. We didn’t totally appreciate him ever.

2) No Age @ The Middle East Downstairs, July 2008, Middle East Downstairs, November 2008, Wellesley College, April 2009, and Middle East Downstairs, November 2010
No Age is a band that satisfies the three basic elements I look for in all bands: Punk, Pop, and Rock. Yes, three extremely broad qualities that mean something very personal to me. When No Age opens their sets and everyone goes nuts that’s the Rock band in them. That wonderful moment of anticipation before the duo explodes in “Every Artist Needs a Tragedy,” for example. Randy Randall strategically swings his guitar around at just the right moment when the song begins to speed up and Dean kicks into the vocals and the crowds starts to really move. That’s the work of an excellent Rock band and something you just can’t, see, feel, or appreciate listening to the record at home, alone. Or at the last show at the Middle East when they opened with “Life Prowler,”- those first few quiet moments, where just the presence of Dean and Randy alone is enough to make you excited and Dean begins pounding the drums a la the Bad Brains- “Big Takeover” he simultaneously sings “One time is all I need to know my job is complete/ and when I reach into, my past, my past comes true…” this is the pop end of No Age. These are strong hooks that wrap the listener in, in spite of or in association with the noise surrounding the music. Lastly, the whole show is Punk to me, and the way people react to the music with plenty of energy is the way people should react to any good Punk band. Another one of my favorite moments from No Age’s sets, at least some of their older ones, is when Randy would leap off his amp into the crowd during the triumphant closer and my number one NA tune, “Everybody’s Down”- very Punk.

1) The Black Lips!!! @ The Middle East Downstairs, March 2009, Middle East Downstairs, March 2010, and The Paradise, April 2011
Do I need to explain why these guys are number one, as if we don’t cover them enough on this site. Look up all the Black Lips concert reviews on here and do some youtubing of your own and then you’ll see why they are and can only be number one. No one even comes close.

Well, that was fun.

Honorable Mentions: Meat Puppets, Dinosaur Jr, Radiohead, Gentlemen Jesse and His Men, Strange Boys, Girls, Arctic Monkeys

A Guide To Black Lips Singles/Non-Album Tunes


In an interview with Rhapsody at South By Southwest 2011, Black Lips Joe and Jared said they have no intention of releasing an album full of their singles. Collecting them all PHYSICALLY could turn out to be quite the task. Digitally speaking, though, they are riding the cyber-wave (thanks to NuRaveBrainWave for the Singles Club!) so go out and get it.
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Best Napkin I Ever Had” – 2010 – Very nonsensensical, it reminded me at first of “Fad” and “MIA,” which is a very good thing. This, along with “Before,” doesn’t sound like much of a precursor to Arabia Mountain, but for the one-off kind of thing this was, it was nice.

Before You Judge Me” – 2010 – Sonically, this is truly a post-200 Million Thousand kind of song. Joe is the lead vocalist, there’s some noisy guitar licks and other lead guitar fun, but the rhythm section is strong and steady — amongst the “tightest” we’ve heard the guys to date.

Disconnection” – 2009 – Musically somewhere between Good Bad Not Evil and 200 Million Thousand, this is what I would put in the categories of straight, fuzzy, and simple. It is principally sung by Joe Bradley, but features backing vocals by the others.

99 Victs” – 2009 – Cole does his raspy yowls on this fast, lo-fi noisy punk tune. Sounds like it would’ve fit nicely on We Did Not Know.

You Know” – 2009 – Vocal samples and twangy instrumentals. A fun random tune.

Born To Be A Man” – 2009 – An ole rockabilly/country thing that’s both fun to listen to/attempt to sing along to.

Leroy Faster” – 2008 – “I look like a raptor and I know crack kills Leroy Faster!” sing the boys on the chorus of this one, which was a most worthy b-side off their Bad Kids 7″. The verses are humorous (“Rollin’ up another fag, you take a hefty drag, it looks cool when you gag”) with drug references (of course) and the chorus is great.

Hasabe” – 2008 – Spoken-word and yowling by Cole backed by a basic drum beat and a repetitive guitar riff.

Italian Sexual Frustration” – 2007 – One of the fastest tunes these guys have in their repertoire, it sounds light years ahead of their first two albums (quality-wise) despite employing the same sounds and effects that they’ve done from the start.

Wild Man” – 2007 – A passionate and fun as can possibly be cover of The Tamrons 1967 classic.

Make It” – 2006 – “This is a country song” are the words often uttered by Ian St. Pe before the Lips break this out in show. As a non-album tune, this has had the staying power in their set because it’s such a loving number and best of all — Cole gets to solo.

Stuck In My Mind” – 2005 – Recorded in 2000, this was the first song that Black Lips ever wrote. The bass line and the lead guitar twangs pack punches.

Stoned” – 2005 – A hard-hitting punk tune that’s got many an explosion and outburst.

In & Out” – 2005 – This is pure ROCK and ROLL from start to finish. Done right. Joe knows best.

Robitussin” – 2004 – Never officially released, Bradford Cox discovered a cassette containing this under his bed in 2007. This was supposed to be on We Did Not. Sure sounds like it. “Please please one more sip! I just want to robo-trip! Mommy, mommy, I’m so sick…Robo-robo-robo-tussin!”

The Ballad of Ray Marsh” – 2004 – Penned by Jack Hines, this was a part of the above cassette. This is Bradford’s favorite Black Lips tune. Pretty noisy and a lot like the Robitussin narrative.

B52 Bomberboy” – 2002 – Lo-fi for sure, but recorded really well. It’s pretty amazing to me that a lot of the band’s earlier cuts like this one and their debut album, in particular, were recorded so well in comparison to We Did Not and Let It Bloom.

Ain’t Comin’ Back” – 2002 – The best or at least one of the best out of the bunch that they first recorded in their way early years. Displays the incredible vocal harmonies and fantastic chord progressions that have defined Black Lips all these years.

Concert Review: White Wires, Big Big Bucks, Luau @ Starlab (4/29/11)

Bands: Luau, Big Big Bucks, White Wires, Colleen Green
Location: The Starlab (Somerville, MA)
Date: Friday, April 29, 2011
Comments:

Act ILuau: These fellas rocked pretty hard and had a lot of enthusiasm, I was definitely rockin to their set. At the same time, I wanted a bit more and if I see them again, hopefully I’ll see a longer set. I felt like they had an old school hardcore edge to them, maybe, maybe not, but not limited to just that. I was also amused by the in between song banter- funny stories of mushrooms tripping and why you shouldn’t watch Reservoir Dogs during such activities. I think we can all agree on that account.

Act IIBig Big Bucks: I saw these guys last year (almost exactly last year, matter of fact) opening for Uninhabitable Mansions. That was a decent show and so was this one. The Bucks follow a similar trend as Luau, playing loud, fast Punk. I thought they played a solid set, but I feel like if I was more familiar with their material I would enjoy more. Thus, I will have to check out their music at some point and give it its due. Overall, I thought they were slightly better this time around.

Act IIIWhite Wires: Straight up, the White Wires were the band we came for and without a doubt it was worth it. The Wires’ played a great set of fun, beachy, Rock and Roll anthems that put me in a fanastic, summery mood. Some of my favorites included “Let’s Go to the Beach,” “Girly Girly Girly,” and “Ha Ha Holiday.” All of which seemed to garner a positive crowd response in the form of euphoirc, fun filled, light moshing, albeit a late arrival for said mosh pit. We were also treated to an entertaining interlude a la luau in which we learned about the great town of Mianus- apparently it’s pretty tight in Mianus! Overall, I enjoyed the set, especially Allie’s steady drumming; always looks like she’s having the most fun! Well everybody had tons of fun lol.

Act IVColleen Green: Sadly, we missed Colleen’s set :( but there is a link to her awesome music down below. Do yourself a favor and check it out. Can’t wait to see her live!

http://colleengreen.bandcamp.com/

Grade: 7/10- All in all, a fun night and pleasant first experience at the Starlab.

Spring Tunes [2011 Edition]

Here are some songs that remind me of this time of the year, coming pretty late (compared to other years when I’ve done such a list in early March…blame it on the shitty weather!):

PHOTOCORNERS” – Lovely Feathers – In general, Lovely Feathers early material (’04, ’05, ’06) is warm weather kind of stuff. Their bare-boned and oddly uplifting aesthetic gets the birds singing. The song “Pope John Paul” reminds me of Quebec; in fact, on a school trip there in 8th grade (six years ago, time flies) the Pope had just died two months prior and Chris and I were speculating on the implications of 666 – June 6, 2006. In 9th grade I wrote an essay about “Pope John Paul,” but I could have sworn I first heard the song in 2005, yet it came out in April 2006 so it had to have been then (on WMBR). Anyway, you might be wondering why I didn’t choose “Pope John Paul” as thee song for this little thing and the answer is I couldn’t’ find a decent YouTube video so you’ll have to settle for “Photocorners”.

TWO WEEKS” – Grizzly Bear – Though not a huge huge fan of Veckatimest, I really enjoy this one off of it. It was joyfully overplayed over at WERS at the time of its release — spring 2009.

PARIS 2004” – Peter Bjorn and John – A favorite of mine during the springs of 2008 and 2009, a commenter described it best (replace summer with spring): “This song reminds me of this summer..i would listen to it when i got up in the morning an i would look out the window and the sky was clear and with a couple of puffy clouds and the trees really really green.”

We Used To Be Friends” – Dandy Warhols – I first heard this tune some years ago and then I heard it at my high school’s TV BBQ, which, from the time or two that I attended, had a playlist that was generally filled with catchy “indie-rock” such as this one.

Someday” – The Strokes – MLB 2k8 was the mode of my discovery of this song. I was immediately hooked to it and in fact Is This It happens to be a mighty spring-time record

Band of the Week: Colleen Green

This week the pleasant pop hooks of Colleen Green grace the righthand side of our site reserved only for the coolest of cats. And this kitten is definitely not one to miss; Colleen plays fun, no bullshit, lo-fi Rock and Roll: a lone guitar, a drum machine, and an excellent voice. I’ve heard some make comparisons to the likes of Daniel Johnston and the Ramones and I can definitely see those comparisons, but I think she has more of her own thing going. People that come to mind as possible influences are The Vaselines or The Dum Dum Girls, at least I hear it in the vocals. In any case, the production is very much a DIY, minimalist sorta deal, but at the same time the songs are as welcoming as a Beach Boys number. My favorites are “I Wanna Be Degraded”- feels like a female Bobby Ubangi, which is so damn cool as well as “Oh Baby.” She also has recorded several kick ass covers from all over the spectrum from The Pixies (“Cactus”) to Blink 182 (“M+Ms”) to our guy Nobunny (“I Am a Girlfriend”). On top of all that, Colleen is labelmates with Honorary KLYAMers Hunx and His Punx (Hardly Art).

P.S. up until three days ago I had never heard of Colleen, but I met her at a show at the Starlab in Somerville, MA (she’s really nice!), of which a review will be up soon. Alas, I missed her performance :( but I will be sure to catch her again when she plays next.

Here’s some links:
http://colleengreen.bandcamp.com/

http://hardlyart.com/colleengreen.html