
https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F29378897 Diamond Rugs – Christmas In A Chinese Restaurant by Partisan Records
The Boom Bang have done it again. By done it again, I mean they’ve released another music video in typical Boom Bang fashion. By typical Boom Bang fashion, I mean you’ll know it when you see it. Fuzz freaks.
Australia’s sunshine state is a veritable breeding ground for this surfy garage pop sound, and the lads from DUNE RATS are killing it. Hooking up a slew of international supports as well as throwing down at a handful of east coast parties, they just scored a slot at The Big Day Out, Australia’s premier home grown festival (and somewhat of a right of passage for Aussie bands). They have an EP on Bandcamp (its only $6 chump) featuring POGO, a song that has given them some much deserved attention. Here’s the video, filmed at the Mt Gravatt quarry in Queensland, fuck it rips!
Dune Rats
Dunerats.bandcamp.com
Based: Australia
For fans of: Best Coast, Dinosaur Jr, Smoking weed, Yuck

http://www.npr.org/2011/12/01/142998596/steady-diet-of-everything-the-fugazi-live-vault
From 1987-2002 Fugazi toured the world and documented nearly all of it. This is really exciting for me since I’m a big fan as I can imagine this is big news for millions of other fans. Just to reiterate how special this is, here is a quote from the above linked NPR article/interview: “Not 850 tracks, or even 850 hours — 850 shows.”
This is pretty amazing and just goes to show how important documentation can be for the arts. Even in hiatus, the band still manages to create unique experiences for their fans, unlike any other artist past or present.
Con Tex – Everything In Con Tex – This the debut album from Con Tex, a Whitehaus Family fixture. Recorded in the summer of 2010, but brought for your listening pleasure right now. I like how it’s tagged “lo-fi by necessity.” The music itself is an adventure in several rock and roll styling from acoustic guitar only jamming to electric axe wielding Kurt Vile if he was more experimental and had a drum machine instead of a back up band sorta stuff. I really enjoy the homey feel to this record. Early favorites: “Hey Go Down,” “Whitewash,” and “Can’t Ask Why.” [LINK]
Joey Ghostly – In My Room – This is a bedroom EP released by The Enthusiasts own Joey. “Loosely inspired by Brian Wilson,” this set of songs shows this young fellow’s excellent songwriting. What’s demonstrated here is proficiency in being able to craft any kind of song with relative ease. There’s a lot of early rock and roll and (of course) Wilson influence here, but Ghostly puts his own spin. The acoustic guitar sounds sweet as does the simple plucking structures. It’s the little things that make this really stand out: the subtle-ish piano, background vocals, the occasional non-acoustic lead guitar sequence. The greatest achievement from my perspective is “Everybody’s Been In Love But Me.” Two other faves: “Stuck In The Mud,” and “For You.” [LINK]

Artists: Black Lips, Davila 666, and Xray Eyeballs
Date: Saturday, October 29, 2011
Venue: Webster Hall (NYC)
Comments:
Act I: X Ray Eyeballs: X Ray Eyeballs are a pretty sweet band. I sadly know very little of their material, so I am not totally wrapped up in their performance, but it sets the stage for the next two acts very well. I definitely plan on checking out their work in the future; I see their name pop up all the time now, it seems.
Act II: Davila 666: I have been anticipating seeing these cats for quite some time. I am a casual fan of Davila and like most other fans, I think the energy and rarely matched enthusiasm they bring to the table is probably their greatest feature. In general, they have the whole “garage rock” style down to a tee. It’s just really fun, balls out rock and roll. In particular, the crowd goes wild when they blast into “Patitas,” a favorite of mine as well. The whole performance is solid, every member gives it their all, which is exactly why they are one of the finest live acts around, for sure.
Act III: Black Lips!!!: As you all may or may not know, we are devout Lips fans and making the bi-annual trip from Boston to New York to see our favorite band is a requirement of such excessive fandom. Lips have been my number one live act for a few years now and this night is no exception. The boys in blue hit the stage, decked out in their “Raw Meat” video tinged NYPD uniforms. Per usual they erupt into the classic (and my favorite) “Sea of Blasphemy.” It never gets old! Five Lips shows deep, which I am sure to some is nothing, I can safely say “Sea of Blasphemy” should always be their opener. The crowd simulates the excitement on stage and my composure and sense of right and wrong is suspended for the next hour. Between Cole’s proclamations of DMT Parties and threats of hauling all the dope smokin’ kids off to jail, he busts out one of his best performances, spitting, kissing, and beer can headbutting in all. Jared mans the center of the stage, looking like the classic frontman (though I have never thought of any of them specificially as frontmen, just to note). His vocals on relatively new live cuts, such as “New Direction,” and “Noc-a-Homa,” sound better than ever. To the right of Jared, Ian stands proudly, dishing out all the classic Lips riffs, with that ubiquitous smile he always maintains, kind of like your crazy uncle. In the back, but always on top is Joe, bashing away at the drums with the spirit of a six year old. Joe’s vocal driven songs constantly seem to garner the greatest crowd reactions. Arabia Mountain cut, “Go Out and Get It,” is arugably their most danceable tune and appears to get that extra umph outta everyone, especially the ladies. And naturally, “Bad Kids,” the band’s biggest song makes the kids go wild more than the other songs. In general, this show focuses on their latest record Arabia more than any other Lips performance I have attended. In total, we see/hear seven songs from Arabia, which is more than any other album. This is unusual for the Lips, since their standard is playing mostly Let It Bloom (2005) songs (if you had to name one record that dominated their set lists). With that being said, this does not really affect the overall performance too much and I am actually happy to see more new songs being performed. But, a Lips fan of any and all eras (such as myself) can find plenty to admire. The group even harks back to oldies like “Stone Cold.” Of course, Halloween being the theme, the quartet unleashes some garage soaked horror classics such as “Jack the Ripper,” (though they play this off-season as well). “Wildman,” by The Tamrons is another cover I have never seen them perform live and have waited to see for a while now. One of my qualms about this show, however, is the sound quality. It is not terrible, but it could be much better. Things like that fortunately do not interfere too much with the charisma of a Black Lips show. Not the best I have seen, but definitely up there, one for the books.
Grade: 9/10
Set List (in order by album):
Black Lips (2003):
“Stone Cold”
Let It Bloom (2005):
“Sea of Blasphemy”
“Hippie Hippie Hoorah”
“Boone”
“Fairy Stories”
“Dirty Hands”
Good Bad, Not Evil (2007):
“O Katrina”
“Bad Kids”
Arabia Mountain (2011):
“Family Tree”
“Modern Art”
“Go Out and Get It”
“Raw Meat”
“Dumpster Dive”
“New Direction”
“Noc-a-Homa”
Non Album/Cover Songs:
“Make It”
“Wild Man” (The Tamrons)
“Jack the Ripper” (Pierced Arrows)
ENCORE:
“Bow Down and Die” (The Almighty Defenders)
“Too Much Monkey Business” (Chuck Berry)
Hunx aka Seth Bogart of Honorary KLYAMer’s Hunx and His Punx is releasing a solo record entitled, Hairdresser Blues on Hardly Art on February 28, 2012! Here’s a song, “Always Forever.” I’m really digging it. Good work, can’t wait to hear the rest!

Night Sun is the collaboration between Cole Alexander (Black Lips) and Curtis Harding (Kirkland Underwater/Cee-Lo Green back-up singer). Those two played their first show together in Atlanta last night.
Creative Loafing Atlanta has uploaded “On My Way,” which will be featured on their 2012 debut EP.
Check it out: http://clatl.com/cribnotes/archives/2011/11/29/night-sun-feat-cole-alexander-of-black-lips-debuts-tonight

Release: 12/2011
Label: Nonesuch Records
1. “Lonely Boy” – A
2. “Dead and Gone” – B
3. “Gold On The Ceiling” – B-
4. “Little Black Submarines” – B
5. “Money Maker” – A-
6. “Run Right Back” – B
7. “Sister” – C
8. “Hell Of A Season” – C+
9. “Stop Stop” – B-
10. “Nova Baby” – B
11. “Mind Eraser” – C+
Comments: Before legions of Black Keys fans begin tearing me to pieces let me preface my little review by saying that I’m neither a committed or knowledgeable fan of the band. I’ve liked me some “10 A.M Automatic” for a while now and I thought Brothers was a pretty good album. “Lonely Boy” is deceiving. It’s the best track on here. One of my favorite singles I’ve heard all year, in fact. It’s deceiving, because the rest of El Camino (except for the comparably heavy/catchy “Money Maker”) really doesn’t give “Lonely Boy” a run for its money. There are another slew of tunes (“Sister,” “Hell of a Season,”) that on the surface seem to rock pretty hard, but are just similar, blander versions of other better Black Keys songs. I can definitely see where a big fan of more recent BK albums may really end up enjoying those songs. They could be growers. The organ, which appears in a few of these songs, doesn’t bring much more to the mix. This is a good record. A better record for people with more Kings of Leon/pop-rock leanings than grittier, more psychedelic rock ‘n roll leanings.
Grade: B/B- (83)