Providence rock and rollers, Ravi Shavi are premiering a song entitled “Bloody Opus” and here’s a video for your viewing pleasure.
Check out some more Ravi Shavi here: http://ravishavi.bandcamp.com/
Category Archives: Local Music
Show Alert: Fat Creeps, Nice Guys, Headband @ Discovery Zone
June 8th at the Discovery Zone. Next Fat Creeps show before their tour with Bleeding Rainbow (http://www.brooklynvegan.com/archives/2013/04/bleeding_rainbo_4.html). Here’s a clip from their last Boston show at the JP Drive In.
Review: The New Highway Hymnal, Empty Phrases, Boogie Boy Metal Mouth, The Real Tom Hanks, Sam Sawyer @ Wilder Zangcraft (4/20/13)
Artists: The New Highway Hymnal, Empty Phrases, Boogie Boy Metal Mouth, The Real Tom Hanks, Sam Sawyer
Date: Saturday, April 20, 2013
Venue: Wilder Zangcraft (Lowell, MA)
420 is here again! In addition to April 20th’s weed themed holiday and record store day, this date also marks the one year anniversary of the Wilder Zangcraft. At least as far as basement shows go. Since then, I have seen some Zick shows here including, but certainly not limited to, Fat Creeps, The Migs, The New Highway Hymnal, Big Mess, Nice Guys, Kal Marks, and Atlantic Thrills. Last year I attended and “reviewed” the first Zang basement show and it was a blast. (https://klyam.com/2012/05/15/concert-review-new-highway-hymnal-wilder-zangcraft-42012/). That was the first time I saw Lowell’s Friendship and New Hampshire’s scruffy, garage ragamuffins, The Migs! The New Highway Hymnal and Empty Phrases were also on that bill and they reprise their roles tonight along with Boogie Boy Metal Mouth and The Real Tom Hanks. Sweet, to the show!
“Ever dance with the devil in the pale moon light?”
No, but I”m sure Sam Sawyer has. Sam kicks things off in the living room with his harsh brand of stand up comedy. Sam is an angry, funny dude. Everyone sits on the floor around him as he rages through a ten minute (or more) series of rants about feces, organized religion, and fat guys. I do not recall any of the specific jokes, but I laugh my ass off and so does everyone else. More stand up or sit down or sideways comedians should play at house shows. They are funny and they need our support.
The Real Tom Hanks is the first band to play and they live up to my expectations as one of the best bands I have seen as of late. I was a fan before I even heard them. On one hazy afternoon in September 2012, at the UMass Lowell South Campus Dining Hall, drummer, Kevin Dacey told me he was starting (or had already started) a surf rock band named The Real Tom Hanks. I was sold, it doesn’t get more real than Tom Hanks. Months went by in agonizing anticipation until I finally saw Tom Hanks at Wilder Zangcraft with the Atlantic Thrills, The New Highway Hymnal, and Polaroids. That was a joyous occasion (https://klyam.com/2013/03/08/concert-review-the-new-highway-hymnal-atlantic-thrills-polaroids-the-real-tom-hanks-wilder-zangcraft-22313/), but I wanted mo’ Tom Hanks…
And so on 4/20/13 the great glam goddess of rock ‘n’ roll came before me and said, “Your wish is my command, honey.” The realest of Tom Hanks, play a fun set chock full of surfy, Dick Dale/Ventures odes and probably other surf dudes I am not familiar with, but rest assured, I am positive a surf sicko would dig Tom Hanks and appreciate their surfness. I don’t know anyone that wouldn’t like this kind of music, if they exist, bring them to me and I will castrate them with a big fucking smile on my face. Perhaps, a bit harsh, maybe just a few words will do,
Any fun loving guy or gal can get down with the tom hanks, these four gents (Alex Sargent – guitar, Ben Dickinson – guitar, Johnny Gelsomini – bass, and Kevin Dacey – drums) are fantastic musicians and they create a series of insanely impressionable and danceable instrumental surf jams that bear a never ending quality. I mean that in the greatest of senses, like the movie, Dazed and Confused – I wish that movie never ended. I pray for the lad that listens to these fellas on Ecstasy or Special K or one of those club drugs that my boy from Queens constantly extols. I seriously hope he doesn’t catch a Tom Hanks set whilst tripping, tripping so far that he traps himself in a K hole of surf punk noise for the rest of his days. That’s the power of Tom Hanks, these kids aren’t fooling when they say this shit is real.
Songs like “Monkey Man,” with its hip shakin’ 60’s – Adam West era Batman and Robin finesse and self-tilted chant and “Aunts on the Beach,” are among my favorites. The latter of which makes me want to go to the beach this summer and ask some girl to dance. Too bad, most people at the beach listen to shitty music.
The Real Tom Hanks – I can’t wait for the next show! http://therealtomhanks.bandcamp.com/ and like their page: https://www.facebook.com/TheRealTomHanks?fref=ts and then go and like Kids Like You & Me: https://www.facebook.com/pages/Kids-Like-You-Me-KLYAM/184682771542274 – if you know what’s good for you.
Boogie Boy Metal Mouth continue the fun spirit of The Real Tom Hanks and they are the first hip hop/rap group I have ever seen live. Though, they are unlike most rap groups, their style and presentation is more akin to that of a punk rock/hardcore group. The performance begins as the fiery vocalist/rapper, J. Ring tells everyone to grab a hold of something, and like that the crowd starts moving to J. Ring’s words.
J. Ring is in a frenzy while he jumps around the zancraft, making use out of all the space around him and often making his way into the enthusiastic, moshing crowd. While J. Ring spits, Emoh Betta stands behind him, taking care of the turntables and sound manipulation.
I can’t say I am overwhelmed or blown away by Boogie Boy Metal Mouth, but it’s definitely worth checking out and I’m glad they are the first hip hop/rap oriented group I have experienced. Check them out here: http://boogieboymetalmouth.bandcamp.com/
J Cole, J Cole, J Cole. No matter how many times you say it, it never gets old. J Cole is here and he’s ready to party. He bashes away on the drums with Thee Empties aka the Empty Phrases – Lowell stalwarts – Andrew Dennis (bass), Evan Walters (guitar), and Ben Raymond (vocals/guitar). Tonight, they are fresh off a set of 420 shows including one at Somerville’s Deep Heaven Now. They are also introducing their latest single, “Sleeping Army” and it displays the band’s knack for mellow, dreamy, Deerhunter esque rock.
This performance is far from mellow, however, and the crowd moshes more than I have ever seen before at an Empty Phrases show. Overall, one of the finer sets I’ve seen from the guys. You can hear their “Sleeping Army” single and all of their songs here: http://emptyphrases1.bandcamp.com/
The New Highway Hymnal are one of the best bands in Boston, and I am sure I have said that a million times before and I know I will say it again. They are a ubiquitous presence in New England rock music (the best of it anyway) and they have played at most of the major bars/clubs around Boston. I’ve seen them at P.A.’s Lounge and Great Scott, but nothing beats seeing them in a packed, sweaty basement, therefore the Wilder Zangcraft is typically the best place to take in a NHH show.
It’s packed to the gills by the time Hadden Stemp (vocals/guitar), Amelia Gormley (bass), and Travis Hagan (drums) begin their set. As usual the Lowell crowd goes bonkers to the primal, droney, psychedelic rock this threesome is known to unleash.
The band plays many of the songs off of their Vanya Records LP Whispers including personal favorites “More,” “Out With The Lights,” and “Hey Kid (Gotta Run).” All of which spark a skull cracking raucous and feature some of Hadden Stemp’s best vocals. My mom thinks it sounds like he is being stabbed to death. Moms are funny like that.
The band as a whole has a very explosive sound to their music that is hard not to move to and it doesn’t hurt having Hadden’s body crash into you at any given moment. Always a thrill of mine.
Listen to Whispers here: http://thenewhighwayhymnal.bandcamp.com/
New Steep Leans: “Books End”
Take a listen to the above track from Boston rock ‘n rollers Steep Leans. The rhythm section is a textbook example of dynamic: well strummed acoustic/electric guitars, driving, repetitious, loosely psychedelic melody, not unlike Deerhunter. The vocals are the most distinct – casual, but enthusiastic with some drawn-out pronunciations a la psych-folk legend Miracle Johan or Kurt Vile (if you prefer a more well-known comparison).
SHOW TONIGHT: YANKEE POWER @ ROSEBUD!
Yankee Power are playing at the Rosebud in Somerville tonight in honor of their latest release Patriot Act [EP]. Pick one up tonight! But, if you’re impatient like me, listen to it here: http://theyankeepower.bandcamp.com/album/patriot-act-ep The Stampede and Dave Crespo’s After Party are also playing.
Music Video: Guerilla Toss – “Drip Decay”
Guerilla Toss’s first music video, watch it with a loved one.
Review: Nice Guys, Teenanger, The Soupcans, Thigh Masters @ Discovery Zone (4/12/13)
Bands: Nice Guys, Teenanger, The Soupcans, Thigh Masters
Date: Friday, April 12, 2013
Venue: Discovery Zone (Allston, MA)
Thigh Masters – Correct name? I hope so. Thigh Masters aka Kurt opens the festivities with some mind bending one mon noise. Noise – kind of a vague term, but I think noise enthusiasts would dig this. It certainly is loud, so I will call it noise to make it easy for all of us. Kurt Thigh Masters plays guitar and I believe he is accompanied by a drum machine. He also wears a mask and within this mask is a microphone attached to Kurt’s mouth a la Lightning Bolt/Black Pus. I’ve never seen this set up before, so that’s a plus. With that being said, I feel like I’ve seen this performance before and I’ll see it again, just different names. That isn’t to say it’s bad. Kurt Thigh Masters is cool and any local venue/DIY space would be happy to have him.
Soupcans – I’ve always loved Canada. Only been there once and like a good, little American I watched pornography on late night television and ate McDonalds every day. I also bought a present for my grandmother. Soupcans are from Toronto and they are tall, kind-hearted gentlemen. They too enjoy icy cold beers, rock ‘n’ roll music, and perhaps late night pornography and fast food. They will shotgun a beer with your brother, make love to your sister, but when they come home at night they’ll kiss their mothers, and I’m positive that when they are away they buy gifts for their grandmothers.
Fine gentlemen, who aggressively knock your ass out cold on the dance floor with their punk rock music that just greeted my ears in recent weeks. The nicest guy in Allston, Matt Garlick (shake his hand, buy him a drink, give him a high five) introduced me to the mighty Soupcans at approximately 9 P.M. on Friday, March 15, 2013. Fresh off a Nice Guys/Fagettes tour himself, Garlick spoke of a band heading on tour to Boston in the following month. Not usually one for band recommendations, I didn’t know what to expect. I know the guy that recommends bands all of the time doesn’t like band recs, Slutever. What happened next, however, was “a great moment in rock ‘n’ roll history.” Only hearing half of what Garlick said, I was instantly hooked when he mentioned that one of the Soupcans (at this point I thought he was saying “suit cans” too) sings through a beer can! And then when I found out that they were Canadian, my God, that’s it. No more descriptions needed. Perfect band rec. Most kids will tell you something along the lines of “they’re post-punk fused with psych garage punk.” No! We all do it though. But, beer guzzling, swinging, rowdy, Canadian nuts is all I need. It planted an image in my head of the almighty Soupcans. Bandcamped it up and here I am now. Ready to rock ‘n’ roll and you can’t erase those words from history.
Jumping back to this evening, Soupcans open with “Shocked,” a pulsing slammer that shows off the trio’s (classic guitar, bass, and drums y’all) ability to produce fast, pummeling, difficult to describe, but undeniably catchy, raw, punk. Punk in the purest sense. Bestial, no nonsense, straight to the point, simple, but not dumb. No fancy smanchcy bullshit, but not sloppy either, you’re gonna wanna kiss and tell after seeing this band. Lead singer Dave’s vocals are monotone, reminding me of hardcore punk legends, DOA and Joey Shithead’s vocals – also Canadian! Low, baritone, monotone but simultaneously chaotic, exciting – shouts and screams that captivate my heart. The guitars smoothly roar like a serial killer that poetically hacks his victims to death. Right up in your face – raw – but calculated like the work of Jay Reatard in just about all of his bands. The drums are equally frenetic, drummer Gideon slams his kit with extreme precision, kind of feels like my attempts at playing drums, the thrill of hearing the stick smack the snare drum like a slap across the face, except this guy actually knows what he is doing and can control his destruction.
Soupcans play a sound show and they bash out some of my favorites from their LP Good Feelings http://thesoupcans.bandcamp.com/releases including “Shocked,” “Outlander,” and “Deadbeat.” Great to meet the dudes, especially chatting about other sick Canadian bands like The King Khan & BBQ Show and Vomit Squad. Nick knows his Alice Cooper too haha! Great performance, but I wish more people would move and mosh and what not, but still a fun show. Next time will be a wild, drunken, Soupcans riot.
Teenanger – I’ve been calling them Teenager this whole time! What a waste of breath. Ahh well, in the line for the bathroom I notice a bald dude wearing a yellow Suburban Lawns shirt. I vaguely know who they are, late 70s punk band I think. I ask the dude if this is correct and he confirms this. At the time, not knowing much about Teenanger other than the name, which I fucked up anyway, I do not realize who this man is. Moments later, I notice he is singing with his band Teenanger. They blast through a fast, 70’s punkish set. Their music fits very well on a bill with Soupcans and Nice Guys. The singer is enthusiastic, prowling around, hopping into the crowd, making use of the living room space around him. I dig it, but Glen seriously digs it, even more than Soupcans. Speaking of Soupcans, Teenanger also hails from Toronto, Canada. https://soundcloud.com/teenanger
Nice Guys – Nice guys, eh? Just how nice are these guyz you may ask. Sweethearts. Pizza punks from Bawlston – proudly reppin’ the Boston underground. Tonight, the foursome celebrate one of the best first years I have seen for any band. I thought they had been around for a few years. Over the past twelve months, these pizza punks have played many a show, toured twice, and won over the hearts of Kids Like You & Me, in the process making a name for themselves around town.
Nice Guys are like The Beatles. Four Beatles, four Nice Guys, and everyone’s got their favorite. Ahh, I like them all: Drummer Cam (rhymes with Jam, easy enough), Alex “sick moustache dude” Alexson on guitar, Matt Garlick on guitar – hey isn’t that the guy from Fagettes?!, and Jake Gilbertson – vocals/bass. He reminds me of a young Jared Swilley (Black Lips). Hopping and bopping about, right slab in the middle. He and his bandmates get the crowd moving a little bit with their Germsian take on sludgey garage punk. Alas, we KLYAMERS, have to make it to that damn train station, so we only catch the first few tunes. I want to say I hear “Pizza Bong,” one can only hope. You can hear it and all the jaw droppingly exquisite Nice Guys numbers here: http://niceguys666.bandcamp.com/album/mean-songs-demo
Here’s a big shout out to some of the kewl cats we ran into tonight. So Onam/ Fast Apple (who put on the show! like their page – https://www.facebook.com/fastapplebooking?fref=ts), Jen Knight – really nice to meet you!, DJ John Freeman, always spinning the classics like Vivian Girls, Daniel Johnston, George Baker, Tina Turner, you name it. Tim, if you’re reading this, keep drinking those 40s son. Then, my boy Ian, you and your acid tales. You represent the youth of America, the wave of the future. And of course, the Prof$t, who is always lurkin in the shadows at the best shows.
Here’s a video from this show of the nice dudes playing my favorite NG song, “Cop Walk.”
Review: The King Khan & BBQ Show, Bloodshot Bill, Aykroyd @ The Sinclair (4/10/13)
Bands: The King Khan & BBQ Show, Bloodshot Bill, Aykroyd
Date: Wednesday, April 10, 2013
Venue: The Sinclair (Cambridge, MA)
First time at the Sinclair, place gives me the willies! What is this monstrosity before me? I almost feel like I’m at some quasi House of Blues. For a few moments, I forget where I am, I think I am in some other city, some foreign land. Then I see King Khan and Mark Sultan/BBQ at the merch table and all is well. I am in the right place, it’s April 10, 2013 and The King Khan & BBQ Show are back in Boston! Last time, we saw these two on stage was way back in October 2009 at the Middle East Downstairs. Great times! One of the finest shows we have ever witnessed. Since then, we’ve seen King and Mark separately several times as King Khan & The Shrines and Mark Sultan solo, respectively and those were all kick ass shows, but KKBBQ is superior. After saying some hellos, we make our way to the stage.
Aykroyd plays first and you may remember them as The Needy Visions, y’all know. The one from that Maine Coons song, “Fast and Easy Livin.” Maine Coons, you know, one of the greatest bands of all time. Quick, here’s their bandcamp page: http://themainecoons.bandcamp.com/album/s-t We’ll just act like this never happened. But, enough of those dogs, I mean cats, I mean that dude, ehhhh, Aykroyd/Needy Visions is the topic of discussion and they totally rule, looking like mighty beings on top of this massive stage in front of me. I look up and see lead vocalist/guitarist Dan Shea making bizarre faces and awkward, uncomfortable, high pitched shrieks that are oddly appealing. The whole band sounds top notch, like a blend of 90’s “college rock,” right cause everyone who plays music goes to college – err like Dinosaur Jr, Sebadoh, and other bands of that era that didn’t hail from our great state of Massachusetts mixed with classic rock. It’s ginormous Sam Potrykus flails about and passionately rocks out on bass, whilst he boogies around in his funky, unusual dance style. With all of this eccentric behavior in mind, it brings me back to nearly three years ago when I first saw The Needy Visions opening for No Age. That was a sick performance, but I enjoy this one even more.
Sam and Dan are the masterminds behind Bodies of Water Shows, Boston Hassle, and the Boston Counter Cultural Compass. They represent the Boston underground better than anyone else and best of all they have a killer taste in music. Dan name drops the Compass, which is available at the merch table and the band expresses their gratitude for being on this bill tonight. Dan says, “We love King Khan & BBQ, A LOT.” So, do we, Dan! You guys rule and promote so much great music around here that I probably would have never heard of otherwise. In fact, any Boston garage/punk slime KKBBQ fans reading this, if you haven’t heard of Boston Hassle or B.O.W. check it out. I’ll bet you a PBR that you will dig at least one if not numerous fun loving rebel rousers making plenty of punk slime noise in your very own backyard. Here’s some links:
http://www.bostonhassle.com/
http://bowaac.blogspot.com/
http://www.bostoncccompass.com/
http://theneedyvisions.bandcamp.com/
And then there was Bloodshot Bill… Bloodshot Bill has appeared on my list of people to see live for at least two years now. Much like King Khan and Sultan, who he has collaborated with in Tandoori Knights and The Ding Dongs, respectively, Bill is no bullshit, real, old school, greasy rock ‘n’ roll. No trendy, mindless fluff; it’s not a haircut band to paraphrase one, Ian St. Pe. Though he does slick his hair with his own brand of grease known as “Nice ‘n’ Greasy!” But, greasy hair aside, also like his Canadian comrades, he is an incendiary performer, and tonight is a blistering, steamy show.
Bloodshot Bill has the Mark Sultan set up: stomping the drums with his feet, clutching his guitar real, real close, and melting everyone’s brains with an incredible voice. It’s an obvious comparison, considering both men are collaborators, they play solo, and they play this raw, original style of rock ‘n’ roll. The original rock ‘n’ roll as it was meant to sound. But, the comparison should end there, because they are actually quite different. Bill channels Chuck Berry, Elvis, country, and rockabilly with a nasty, fiery punk edge. Dude sweats and spits unlike any other performer. He spits more than that lady in Heavy Cream!
What I love about Bloodshot Bill is his interaction with the audience. He can hold a crowd real tight and when he wants to let them loose, he can. When he tells them to shout “YEAHHHH!” They do it on command. It’s hard not to obey Bill, with his enigmatic, unique sounding voice. His range is unbelievable and he switches back and forth from high to low, low low. Sounds like an animal at times. How is a human making these noises? It’s not just Bill’s voice, however, that entices me. The musician sounds like a full band all by himself and he puts his entire body and soul into his performance. He shakes his hair violently and taps on his guitar, banging on the strings. You can tell he’s having fun, everyone’s having fun, that’s the idea. One woman even throws her black bra up on stage haha. Definitely one of the more distinct and skilled performers I have seen to date. Catch Bloodshot Bill live or on record. Check him out here: http://www.bloodshotbill.com/
The King Khan & BBQ Show is one of the original KLYAM beloved bands. King Khan and Mark Sultan/BBQ are legends, responsible for much of the music I have come to love over the years. As usual, the duo come out on stage, dressed up in some wacky, colorful attire. King Khan stands towards the front of the stage, on guitar and vocals, while Mark sings, plays guitar, and plays drums with his feet. Together, the two rip through three albums worth of rock ‘n’ roll classics, getting everyone in the Sinclair to dance and mosh in the process. KKBBQ represent the fun spirit of rock ‘n’ roll as a whole. Their mixture of punk and doo wop is unmatched. Some bands may be able to master these styles and combine them in an effective way, but this duo’s music ranks up there with the best of the best themselves. Sultan’s crooning is comparable to that of Sam Cooke, while King Khan’s deep, doo woppy voice harkens back to 50s groups like The Five Satins.
In between songs, there is constantly inner band banter in which the pair crack jokes, amusing themselves even more than the crowd itself. You can tell these two are good friends and there’s a sarcasm to them that is pure entertainment. The set tonight is not too different from the one we experienced three and half years ago, which isn’t a bad thing, because the band plays most of the songs a die hard KKBBQ fan would want to hear. Some of my favorites include fast, punk driven bohemoths, “Fish Fight” and “Zombies,” sing a long, doo wop anthems, “Waddlin’ Around” and “Invisible Girl,” or soft, gentle, love songs such as “Into the Snow,” which display Sultan’s vast, intimidating vocals. Then there’s the straight up funny songs like “Tastebuds.” I love screaming out the filthy nonsensical lyrics to this song (“Tastebuds on your cunt/So you can lick my booty from the front”), but I get an even better kick out of hearing most of the kids around me completely fucking up the words. They also play one of my favorite songs from Invisible Girl, “Truth Or Dare,” a great, heavy punk number with some of King Khan’s best vocals tonight. I don’t recall this one from the previous Boston show, so it’s a pleasure to finally hear it live.
The moshing is fun, definitely a sweaty, beer flying frenzy, but not nearly as chaotic as I expected. I never lose my sense of place or whatever. Per usual, King and Mark are exciting, lively performers, but I feel like King is more animated when he is performing with The Shrines. Mark, on the other hand, seems to be more fervent in this setting than when he plays solo. That’s just my reaction anyway. I’ve seen Mark Sultan only a few times and he’s just as passionate, but I feel like he is more entertaining when he interacts and plays beside King Khan. In some ways, they bring out the best in each other. At the end of the day, these two are legends and they bear their souls for rock ‘n’ roll. This show is a lot of fun, but not nearly as marvelous as that initial KKBBQ performance I experienced several years ago. Still, I’m always grateful to see one of my favorite bands live and I look forward to the next show.
Set List (in no particular order):
“Fish Fight”
“Zombies”
“Too Much In Love”
“Waddlin’ Around”
“I’ll Be Loving You”
“Into the Snow”
“Pig Pig”
“Hold Me Tight:
“Treat Me Like A Dog”
“Dock It #8”
“Invisible Girl”
“Tastebuds”
“Truth Or Dare”
“Shake Real Low”
“Why Don’t You Lie”
There may have been more…
KEWL CATS: This is the latest segment in KLYAM live reviews. A shout out to the new and old pals we encounter at shows. It was terrific seeing Eric and Kelly from the Atlantic Thrills, Ryan from Fagettes, Justin from Earthquake Party!, Dan from Aykroyd/Needy Visions, and of course Kiyal, the KLYAM guardian angel. Y’all rule.
This was the first song I ever heard by The King Khan & BBQ Show!
Fat Creeps – “Daydreaming” On Vanyaland TV
SHOW ALERT – Tonight (4/23) @ TT The Bears
Fagettes are a new addition to a line-up of bands that also includes The Migs and Miami Doritos. Sources tell me the famous doors will go into the open position around 8:30 PM.
Edit: No mo’ Migs; taking their place is Strict Agnostics, a solo-ish endeavor of Nice Guys bassist Jake Gilbertson.
Kids Like You & Me (KLYAM) 